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Style two is characterised by its focus on realism. The buildings are given 3-D,
the perspective makes it look as if the painting recedes or goes back endlessly.
The garden scene of Livia is a good example. There is very efficient use made of
the wall space.
In Style three the scene is less realistic – more impressionistic, (loose brush
strokes etc.) There is less emphasis on perspective. Painted architectural features
such as columns tended to be thin and windy rather than sturdy and realistic.
See offering to a seated Dionysius P.195 –this scene is “highly impressionistic”.
Peoples faces are barely recognisable either in this style
The Trojans pull the horse The spectators are linked by a lone
emphatic figure who is running
towards the town towards the horse, this figure helps to
“coordinate” the scene and
Their whole weight is being concentrate our eyes on it.
concentrated in “rhythm” into
the effort Cassandra on the left is lightly
sketched, she is moving inward
towards the centre from the centre
The light focused on them is the from the battlement walls
“functional centre” of the
painting. The dimmer static, The crowded scene is little more
(standing) figures of the Trojan than a sketch- the episode is
army in the background contrast vividly displayed and the leaning
figures on the foreground are
sharply to figures pulling the “strikingly impressive”
horse
Illustration 182 is Black and white
“Good solid landscapes which stand on their own merit”
Painted before AD 79