Bosnian Pyramids and New Evidence for an

Ancient Harmonic Science

Richard Merrick - www.InterferenceTheory.com
Copyright  2010. All Rights Reserved.

Yesterday, I sent an email to a Mr. Nenad Djurdjevic

concerning his work on certain symbols he had found in the
10,000 year-old pyramids in Bosnia. I had read his paper on
the trinity symbolism that he and other archeologists had
discovered in the three pyramids, named after the Moon, Sun
and Dragon. These astronomical symbols have long been
associated with a trinity of deities across cultures and are
found repeated on the emblem of the medieval Bosnian King
Fig. 1. Bosnian Pyramid of the Sun Tvrtko.
The reason for my message was to propose a possible connection of these Bosnian pyramids to the
Babylonian pantheon of Ba’al, Asherah and Lilith likely descended from a much older Vedic fertility
cosmology. The Babylonian or Akkadian (ancient Hebrew) pantheon defines Asherah (Venus) as the wife
of Ba’al (the Solar serpent) and Lilith (Moon) as Ba’al’s mother into the Underworld or afterlife. This was
different from the assignment previously assumed by Mr. Djurdjevic for the Bosnian symbolism.

I proposed that the three Bosnian pyramids were temples

to each of these Babylonian astrological deities (in some
variation) and that they were likely descended from
much earlier deities as described in the Hindu Vedas.
This older Vedic trinity associated with the Bosnian
pyramids would then be Vena / Shukra (Venus) as the
wife of Indra (Solar or kundalini serpent - also Egyptian
uraeus) and Kali or Candi (the Moon / Earth goddesses).
Connecting the dots, an Indo-European migration could
be established from the Indus Valley through Babylonia,
Assyria & Turkey then into Bosnia. This is commonly
known as the Out-of-India theory.

Along with this comes the Vedic mythology of Mount

Meru, the earliest model for sacred mountains and
pyramid temple building. Meru was believed to be a
transcendental mountain extending from the deepest
ocean up into space with its summit filled with gold
and populated with the gods. With its summit located
at the North Star of Polaris - around which the other
stars appear to rotate - this was the earliest concept of
heaven.

The mountain was described as being filled with serpent

deities called asuras who hid the gold and were lorded
over by the Venus deity Vena / Shukra. Over this invisible
mountain then passed the Sun and Moon, creating the
trinity model. Fig. 2. Babylonian / Bosnian astrotheological symbolism.
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It is important to note along with this that Indian author Pingala (4th-2nd century BCE) also described
Mount Meru as a pyramid of Fibonacci numbers.

Mr. Djurdjevic responded as follows:

“The Venus symbolism is a dominant symbol throughout Bosnian history. The kite-shaped or pentagonal
form of Bosnian stećaks (tombstones) is not coincidental, and of course it is closely related with the belief
of resurrection. I send enclosed few photographs. Please be informed that the pentagonal orb appeared
nearby a tripple-stepped-burial, a small pyramid we’ve discovered in Visoko area.”

Fig. 3. Bosnian pentagonal tombstone. Credit: Nenad Djurdjevic

Fig. 4. Bosnian pentagonal tombstone. Credit: Nenad Djurdjevic

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Evidence for an ancient Harmonic Science

Upon seeing the pentagonal shape of the rock and carvings of dual spirals, I immediately recognized it
as a symbol of Venus. Furthermore, it confirmed my other research suggesting that an ancient science
of harmonics once existed as a foundation for early religion, most likely deduced from astronomical
observations of Venus.

In particular, the pentagon geometry has a long history of association with Venus, due to the pentagonal
rosette orbit it traces in the sky over 8 Earth years. It was known as the Star of Ishtar and had 8-points
matching the number of years per cycle. But, because of its five resonant conjunctions and 5-retrogrades
with Earth, its pentagonal “star” was symbolized as a pentagram or pentagon.

Across many cultures, the pentagon is a symbol of divine order. It is also associated with a double spiral
and infinity as suggested together in the Bosnian tombstone. This is evidence that some form of harmonic
science made its way into Bosnia more than 10,000 years ago.

The Musical Pentagon and Fibonacci Spiral

When a guitar string is plucked, it naturally forms

a set of higher overtones known as the harmonic
series. Such harmonic formation is caused by the
natural damping action of the fifth wave partial in
the series, which when represented inside a circle
creates the shape of a pentagon. This fifth partial
is what keeps the string from resonating apart
(exploding) and instead causes it to naturally die
out. Of course, every intersection of a pentagram
creates a golden section, so the golden ratio is a
damping proportion in nature that acts to “contain”
resonance. And, as this pentagonal interference
pattern creates pressure on the standing wave
vibration to slowly kill it, a double Fibonacci spiral
or opposing vortices form around golden ratio
damping locations.

You will notice from this simple explanation of

coherent vibration that I mention pentagon, die
and double spiral -- all represented in the Bosnian
tombstone. These 10,000 year old carvings
correspond to the damping spirals generated by
the fifth partial of the harmonic series, especially
if you roll the pentagonal rock horizontally along
the ground to form a wave. It would then match my
theoretical model very closely.
Fig. 5. Harmonic Geometry, Waves and Fibonacci Spirals.

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The ancient Indo-Europeans would have learned this concept from astronomical observations of Venus. The
8-year pentagonal orbit of Venus is analogous to the harmonic model described above. It is my hypothesis
that this orbital pattern was caused by a golden mean damping location between the orbits of Earth and
Venus in the Sun’s early plasma heliosphere. This then created a 13:8 orbital resonance between the two
planets.

It was this damping location in the standing wave vibration of the Sun’s plasma heliosphere that brought
stability to Earth, enabling life to evolve. In this way, the golden ratio inside the Venus pentacle could be
interpreted as a celestial fertility symbol and personified into feminine deities. When you then put the two
spirals of harmonic damping in nature together, you can see how Venus and the Moon would represent a
duality of feminine fertility first into Earth and then into the afterlife. Taken together with pentagonal rose
spirals, pentagram seed patterns in fruit and 5-fold life forms, the Venus pentacle would have been the
most sacred religious symbol for life and rebirth in ancient times.

Fig. 6. The Venus Star

Bibliography
1. Merrick RS., “Interference: A Grand Scientific Musical Theory,” (self-published), Fairview, Texas,
2009. ISBN: 978-0-615-20599-1.
2. Kak, Subhash, “Vena, Veda, Venus,” Brahmavidya: The Adyar Library Bulletin, vol. 60, 1996, pp.229-
239.
3. Djurdjevic, NM, “A Study by Nenad Michael Djurdjevic”, www.bosnian-pyramid.com, 2011.
4. Krupp, EC, “Echoes of the Ancient Skies,” Oxford University Press, New York, Oxford, 1983