Zadie Smith's White Teeth is a delightfully cacophonous tale that spans 25 years of

two families' assimilation in North London. The Joneses and the Iqbals are an unlikely a
pairing of families, but their intertwined destinies distill the British Empire's history and
hopes into a dazzling multiethnic melange that is a pure joy to read. Smith proves herself to
be a master at drawing fully-realized, vibrant characters, and she demonstrates an
extraordinary ear for dialogue. It is a novel full of humor and empathy that is as inspiring as it
is enjoyable.

White Teeth is ambitious in scope and artfully rendered with a confidence that is
extremely rare in a writer so young. It boggles the mind that Zadie Smith is only 24 years old,
and this novel is a clarion call announcing the arrival of a major new talent in contemporary
fiction. It is a raucous yet poignant look at modern life in London and is clearly the book to
read this summer.

In this issue of Bold Type you'll find an interview with Zadie Smith and an excerpt
from her outstanding debut, White Teeth.

How did you get started on White Teeth? Did you go to university to study fiction
writing? Did you always write stories when you were growing up?

The novel began as a short story which expanded. It was a natural enough thing to
happen. My short stories have always pushed twenty pages. That's no length for a short story
to be. You either do them short like Carver or you stop trying. Besides, I was walking into
novella territory which is no good, so when I got to eighty pages, and after the encouragement
of a few people, I just kept going. I went to University to study English Literature. I never
attended a creative writing class in my life. I have a horror of them; most writers groups
moonlight as support groups for the kind of people who think that writing is therapeutic.
Writing is the exact opposite of therapy. The best, the only real training you can get is from
reading other people's books. I spent three years in college and wrote three and a half stories
but I read everything I could get my hands on. White Teeth is really the product of that time;
it's like the regurgitation of the kind of beautiful, antiquated, left-side-of-the-brain liberal arts
education which is dying a death even as I write this. Generally, an English Lit degree trains
you to be a useless member of the modern world and that's what I'm being in the only way I
know how. I didn't always write stories when I was young. I wrote some, but I've never been
prolific. From the age of five to fifteen, I really wanted to be a musical movie actress. I tap
danced for ten years before I began to understand people don't make musicals anymore. All I
wanted to do was be at MGM working for Arthur Freed or Gene Kelly or Vincent Minelli.
Historical and geographical constraints made this impossible. Slowly but surely the pen
became mightier than the double pick-up timestep with shuffle.
 Who did you show the novel to first?

I read what I had to friends. In a college atmosphere like Cambridge you're fortunate
enough to be surrounded by about five hundred wannabe William Hazlitts, so it's not difficult
to get feedback, constructive criticism etc. I love to be edited if the editing is intelligent and I
had about five good friends who were essential to the germination and progression of the
book. Where and when do you do your writing? Any small room with no natural light will do.
As for when, I have no particular schedules... afternoons are best, but I'm too lethargic for any
real regime. When I'm in the flow of something I can do a regular 9 to 5; when I don't know
where I'm going with an idea, I'm lucky if I do two hours of productive work. There is nothing
more off-putting to a would-be novelist to hear about how so-and-so wakes up at four in the
a.m, walks the dog, drinks three liters of black coffee and then writes 3,000 words a day, or
that some other asshole only works half an hour every two weeks, does fifty press-ups and
stands on his head before and after the "creative moment." I remember reading that kind of
stuff in profiles like this and becoming convinced everything I was doing was wrong. What's
the American phrase? If it ain't broke...

How did you do your research for the historical parts of White Teeth?

The same way anyone researches anything from a Ph.D. to a family tree: libraries,
internet, movies, occasionally stories people told me--but mostly just books. Books, books,
books. As far as I'm concerned, if you want to find out about the last day of WWII or the roots
of the Indian Mutiny, get thee to a books catalogue. People who were actually there rarely
ever tell you anything of wider interest. Everyone's a navel-gazer. I have a friend who's
grandmother was born in 1902; she's a ninety-eight old intelligent Jewish lady who's lived this
whole century. Ask her what the first World War was like, and she'll tell you the woman she
lived next door to in 1916 really knew how to cook rabbit.

Are you an only child? Are there any echoes of your family in the novel?

Nope. Two brothers of 22 and 16 who are about to revolutionize British hip-hop
(they pinch me if I don't say that) as well as a half sister and a half brother in their mid-forties.
I'm extremely close to my younger brothers; family is everything and that's why none of my
family appear in White Teeth in any obvious way. The people in the book are fairly savage to
each other. My family are a much happier, calmer unit than Archie's. The Smiths could never
keep up with the Joneses.

http://www.randomhouse.com/boldtype/0700/smith/interview.html