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181

171 (2011.3): 181209

2008

1898 1911
26,370

182

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2.

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2011 7

3.

185

186
4

4.

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18981910

Sylvia Hui-Hsuan Chao


, Musical Taiwan Under Japanese
Colonial Rule: A Historical and Ethnomusicological Interpretation.

4:3356
5.

137

400

187

1930

1960

1968 1970

1872
5
1912

6.

188
8,000

1995

2,200
7

Cardiff
University
Central European Music
Research Centre 2008 Prague Concert Life
18501881: An Annotated Database
8
1850 1881

7.1872 1911
1943
http://www.
mainichi.co.jp/corporate/co-history.html 2010 11 30
8. Prague Concert Life 18501881: An
Annotated Databasehttp://prague.cardiff.ac.uk
2010
11 25

189

Christina Bashford, Rachel


Cowgill, Simon McVeigh 1997
The Concert Life in 19thCentury London Database.

University of Huddersfield, Oxford Brookes University, Goldsmiths


College, University of London

18151835185518751895 9

9. Oxford Brookes University


Concert Life in
19thCentury London Database and Research Projecthttp://www.
concertlifeproject.com/index.html 2010 11 25

190
10

1898 1911
26,370
11
2010
12

10.1899 1903
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2009
1935 1940 1944

11. 1912 7 30 1912

1911 1912

12. 2009
189819051907

191

tag

1.

2.

3.

13
13.

content analysis

coding

content text

Max Weber 1910

Klaus Krippendorff and Mary Angela Bock, The Content Analysis Reader.

192

30%

14 20%

15

18%

16 11%

17 9%

14.
1908 8 6 2
1905 1 27 5

1905 11 26 5 28 5 29 5
15.
1905 1 7 5

1908 7 4 5
16.
1904 5 19 5


1902 11 8 4

1907 7 31 5
17.
1903
10 13 1

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1 1
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4
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193

18

5%

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1%20

18.
1908 12 17 6

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19.
1905 4 29
4 1911 9 20 2

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20.
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24 4

1908 1 8 1

1908 1 18 3

194

1937 4

1903 10 28
27

2728

21

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1901 10 28

195

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15%

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1%23

22. 1905 7 1 1911 11 30

23.
1904 1 7 5

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196

24

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25

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25.

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1895~

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32.
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200

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36

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34.
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35.
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36.
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39.
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202

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41
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26,370
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41.

17185 192030

19201930

841
902

203

42

Vic Gammon

43

42.

215
43. Historical work on popular music requires careful analysis, a
detailed knowledge of context, and a degree of sympathy and imagination. Vic Gammon, Problems of Method in the Historical Studies of
Popular Music, Popular Music Perspectives, p. 29.

204

205

2002
1895~1942
1968

1970

2003
2000

17185
1995a

1995b

2007

2009
18981910

2010http://www.mainichi.co.jp/corporate/co-history.html ( 2010 11 30 )
2008

2008

1988
2000a
2000b

206
18991936

5:86
107
2006

2004a

2004b

2008
1920
1930

841902
2006

2004
4:3356
2007

173:617
1998
2001

Chao, Sylvia Hui-Hsuan. 2009. Musical Taiwan Under Japanese


Colonial Rule: A Historical and Ethnomusicological Interpreta
tion. PhD diss., The University of Michigan.
Gammon, Vic. 1982. Problems of Method in the Historical Studies of
Popular Music. In Popular Music Perspectives. Edited by David
Horn and Philip Tagg. Gteberg and London: IASPM, 1631.
Krippendorff, Klaus, and Mary Angela Bock. 2009. The Content
Analysis Reader. Thousand Oaks, Calif.: Sage Publications.

1935 2 1991

207

2009

19941995
1940~1944

Concert Life in 19th-Century London Database and Research Project.


1997. http://www.concertlifeproject.com/index.html (accessed
November 25, 2010).
Prague Concert Life 18501881: An Annotated Database. 2008. http://
prague.cardiff.ac.uk/. Cardiff: Central European Music Research
Centre, Cardiff University (accessed November 25, 2010).

208

On the Research Value of


Music Resources in Taiwan Daily News:
An Analysis of Materials from the Meiji Era
Chen Szu-wei
Postdoctoral Fellow/Adjunct Assistant Professor
Graduate Institute of Musicology
National Taiwan University

Abstract: With continuous issuance that covers a wide time span, news
papers and periodicals are not only documents of historical events, but
also valuable for the study of history and social change. Although there has
recently been an increasing academic interest in musical events in Japa
nese colonial Taiwan, a newspaper database about music is still desirable.
The only existing database of similar nature is Operatic Resources in News
papers during the Japanese Colonial Period in Taiwan, compiled by Hs
Ya-hsiang from a variety of newspapers printed in the Chinese language. In
order to compile all the texts and images about music in Taiwan Daily
News, the longest running newspaper with the highest circulation pub
lished during almost the entire colonial period, in summer 2008 the
Graduate Institute of Musicology at the National Taiwan University under
took to construct the database Music Resources in Taiwan Daily News.
This construction project has presently collected 26,370 clippings
from Taiwan Daily News issued between 1898~1911 of the Meiji era. The
news clippings indicate that Taiwan Daily News covers a wide range of
musical activities of different ethnic groups in Taiwan, together with
issues on musical exchanges within East Asia and on performance and dis
semination of Western music in this region. In addition to musical materi
als, this newspaper encompasses those associated with a diversity of per
forming arts, social culture and new media such as gramophone records
and cinema in the first half of the twentieth century. As more clippings
from Taisho and Showa eras wi l l be added to complete the Music
Resources in Taiwan Daily News in due course, an abundance of multi

209

faceted historical materials will be available for the study of music and
socio-cultural history.

Key words: music history of Taiwan, historical musical materials, Taiwan


Daily News, Japanese colonial period, database construction.

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