Eduardo Moguillansky: Limites v3 (Solo) - Score

a valentin garvie
lmites III
measures 1-51 can be left out ad libitum
5 q=96
4 J
eduardo moguillansky (2006-9)
[fr einen trompetenspieler]
sord.: CUP - Denis Wick

do not fix it to the bell: use as a plunger
(as closed as possible)
Trumpet 1
&
+closedir
simile
+closedir

At At A A A
A A A A A
A A A A A
A A A A A
pitchless
/t(i)/ (only tongue, no air)

5
Tr.1
&
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
//
A
A
A
A
9
Tr.1
&
poco
13
Tr.1
( )
&
A
//

A

A

A

A
A
poco
//

A

A
A
poco
//

A

A

A
open1/4
+closedir

A
A
poco
//

A

A
A
poco
//

A

A

A
At
D

poco
+closedir
A
//

A

A

A
A
poco
/t(i)/
17
Tr.1
&

A
A
A
A
A
A
A
A
A
A
//

A A

A A

A A

A
A A
poco
//

A

A
At
D

21
Tr.1
&
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
/d(u)/
25
Tr.1
&
A
A
[1/10]
A
A
29
Tr.1
&
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A

A
A
A
A
rall.
33
Tr.1
A
&
A
A
A
A

A A
A
A
A
A A

A

A
A
A
A A
A
A
37
Tr.1
&
A
A

A
A
A
A
A A
A
A A
A

A

A

A
41
Tr.1
&
A

A

A

A
A
A
A
A
45
Tr.1
&
A

A
A A

A
q=60

49
Tr.1
&

A A
A

A

A A

A
A

53
Tr.1
&
slap ["hut"]
A

[2/10]

57
Tr.1
&

7q=84
4

4q=76
4
slap
61
Tr.1
&
6 q=69
4
Tr.1

7q=84
4
amount of Hand Vibrato accompanying the dynamics
&
3
8

t
&
3 5 q=60
8 4
simile
81
w
+closed
jj

j
9 q=54
8

open
w
+closed
5j j
o

w
j j j
o
open1/2
open
5j w j

++beatings
+closed
4 q=48
4
open1/4
cres.
j
(
w
j j j
[squeezy vowel sound, as preparation

for lip-multiphonic]
[3/10]
open1/2
+closed

transition to pitch
4
4
w
w
+closed
j
5j

open

4
4
valve
j j

w
+closed
w
+closed
w
open1/2
+closed

open
j
j
5j j

9
8
5j j j
ten.

+closed

j

+closed

6 q=69
4
+closed
+beatings
+closed
cres.
5
8
t
[loose embouchure]
4 q=76
4
w2
+closed
9 q=54
8

5 q=60
4
cresd<>
76
&
open1/4

4q=66
4
Tr.1

6
4
71
Tr.1
4q=66
4
4 q=48
4
Tr.1
non slap
66
&

5
8
w
+closed
j
j
85
Tr.1
open
+closed
&
j
5j
91
Tr.1
open
+closed

+closed
& 5
5j 5 5
o

open
+closed
open
Tr.1
&
102
Tr.1
&
5

j j 5
o
cresd<>
w
+closed
(w
open
cres.
cresd<>

+closed
open
cresd<>
D
+closed

5j 5j 55 j j 55 5j

\IDdD Dbd DdDbdD bd Db
o

j
j5

j 55
5
5 5
5j 5 5
j j
\IDd DbDd DbDdDbdDb
o
cresd<>
Tr. 2
/
cresd<>
cresd<>
[4/10]
j
5j
\IDd D bD dDb
//
3
5
5 5 5 5
3

5
5 5 5
%%%%%
5 55 5
5
5

55
&
5 j
5
o

wD
open
+closed
+closed

5j j 5 5 j
D\IDdD bd DbdD5b 5 sub5 j o
(
3
cres.
w 3
3
D 3 2

5j 5j 55 j j 55 5j

o

vib.
+closed
9
8
cresd<>
5 5 55 5
5
5j 5j 5 5
5 j
o

5
3//
5
5 5
5 5
(3

5
5 5 5
cres.
cresd<>
4 q=48
4
valve vib.
[1]
5
2
5
3+ 5 q=50
4 16
2
2
2
5
5
3
3

5

&

5
5
5
5
5
5
5
5
5
5
5 5
5 j
5 5 5 5
5 j
5 5
o
o
I\DdD DbA)D D bA)D D bA)D D bA)D D
\IDdD dD DbdDd DdDbd D bd Db
5

&

5 5
5 5 5 5
open
2w
cresd<>
cresd<>
cresd<>
open
vib.
+closed
open
+closed
9 q=54
8
Tr. 2
+closed
(tuned approx. one quarter-tone lower)
Tr.1
fix mute to bell and

take second trumpet
cres.
106
23
5

5j j 5 5 j
D\IDdD bd DbdD5b 5 5 5j

5q=60
4
3
23
3

5j 5j 55 5 5 55 5j j

o
+closed

5
5 j 5j 5
o

+closed
9
8
w
+closed
vib.
open
5
8
5 q=60
4
5j j 5 5
5 5 5 5
\IDd D bD dDb
o
3
8

5 2
3
2
5

55
5j j 5 5 j j 5 j j
j5 5j 55 55
5 5 5
5 5 5
j j
\
I
D
d
D
b
D
d
D
b
D
d
D
b
d
D
b
DdDbdD bd Db
o

o
\IDdD Dbd (

3

4 q=76
4
+closed
open
+closed
+closed
7q=84
4
3
8
+closed
w
open

i
5
5j 5j 5
4q=66
4
+closed
5
8
open
+closed
+closed
+closed
4q=66
4

2
w
3
5
5 5

5
5j 5j 5
5 5j j
o

5
5j 5 j 5 55 5
\ID d DdDbdDdDb o
9q=54
8
97
open
+closed
6q=69
4
3
j
5j
j j
o
5
8
5 q=88
4

5 5 55 5
5
5 j

o

5

5 5
5

/
110
Tr.1
Tr. 2
&
&
5
4
114
Tr.1
&
[ //
fermat^vingul
5
5
55 55
55
5 j
5

5
5
fermat^vingul
6 q=69
4
5 q=60
4
decrs
Tr. 2
VV
fermat^vingul
&
4q=66
4 V wwwwww<||
fermat^vingul
fermat^vingul
VV
fermat^vingul
2
3
fermat^vingul
||
|5
HV
55 55 55 5
5
5
5

j
D D 5 55 55 j j 5j 5j lip 55
5j 5
5 5

(

D
1
1
D5 5 D 5
5
5
3

&
5
5
5
5
5 5 lip 55 5
5 5 lip

5
5

5

3
cres.
Tr. 2
decrsnoubitm
2
3
3
8
decrs
*) falls down together with tr. 2
V3
fermat^vingul
fermat^vingul
5 5 55 55 5 55 5/ 5 5 5
5
5 5 j j

cr1es
decrsnoubitm
cr1es
5 5 5
5 5
5
5 5 5 55 55
5 5

3
D5 D
5
5

5
5

j
j
5j 5 55
\
4
3
5 5 5
(1)
3
119
Tr.1
decrsnoubitm
fermat^vingul
fermat^vingul
j 5j
1
cr1es
1
2
3
[5/10]
lip

5
5
6
4
5
V
fermat^vingul
55 5
5 55 j
2
5

cresd<>
*) increase the H.V. at the end so

that the sound almost breaks
(keep blowing)
(*) approx.
*)
wwwwww< |||
HV
9
8
3
55 5 5/ 5
5
5
55 55 55 5 5 5 5 55 5 5j 5j lip
5j lip
*)

1

3
1
5
j5 5 5 5 5
3

5 5
5 5 5 lip
5 lip
5 5 5

3
> 5
5
cr1es
cr1es
D D
cresd<>
5
8
cres.
fermat^vingul
5 5 j
5 5
5 5
5 5
5 5
4 q=76
4
5 5 5 55 55 5 5 j lip m
5 5 5 55 55 5 5 5
j
j
j
5 5j 5
5 5
5j 5 5
5
5 5
5 5 5 j

D

2
3
4 3
(
5
3
3
5
5
5

&

5 5 5 3
5 5 5 5 5 5

5

3

5 5 5
5 5
5
55 55
5

5
5
(1)
3
j
5
cres.
j
5 5
D
(
7 q=84
4
V
j5 5j
5 5 5
5 5
5
4
cres.
5
8
/ //
5
8
//
fermat^vingul
5 5
cres.
5
5 j j 5 5
5
5
o

D
(

5
5
3
D
5 55 55 5

(
5 5
5
/ //[
5 q=88
4 /
decrsnoubitm
9 q=54
8
D D
Tr.1
fermat^vingul
*) like cut-off
127
wwwwwwwwwwwwwwwwwww<iii
V
ten.
fermat^vingul
HV
ii3
& j
ii
j
ii
5 *) i 5
i
ii 5
4
3
&

5
5 5
2
3digfner
Tr.1
&
HV
w<
1
2
3digfner
j
j
5
5 5 5 5 5 5 5
fermat^vingul
fermat^vingul
2
12fingerd
5 3digfner 0digfner 3digfner
fermat^vingul
cres.
9 q=54
8
5s 5s
cr1es
5
5

C3

1
2
3digfner
2digfner
2
0
3digfnerdigfner
1
3digfner
1fingerd
cres.
5
5
1fingerd 1
3digfner
[6/10]
cr1es
5
5
5 5 5 55 5
5
5 55
5
5 5
5
4
3
3
5
8
V
5 / 5
3
5 55 5 55 5 5
5
5 5 5

fermat^vingul
55 5
5 5 5
5
1
fermat^vingul
cr1es
1fingerd
2
3digfner
cr1es
cres.
7 e=84
8
1
2digfner
V
2
fermat^vingul
cresd<>
1
2
2 digfner
033
digfner
digfner
6
8
2
3
3
55 5 5
digfner
5 s s s
5

5
5 5 5 5 5
5
j

5 5 5 55 \

5 5
3
3

(

(
3
5 5 5
j
3
5
5

5

5

5 55
5

55 5 55
3
5
3
55 5 55 5

5
5
5

5
5
5 55 5> \ \IDdD bd dDbdD bd Dbd Db 5> >
5
5t
3
4
3

(
5
5
5
5 5 5
3
5
5
5

5
5
5 55

55
5 5 5
5 5
3
3

decrs
0digfner
molto
HV
1fingerd 2
5 530digfner digfner 3digfner
<
vib.
4
4
5
j
5 5 5 5 5 5
55 55 5 5 5 5
5
5

55 55 5 5\ \55 \
5
1
t secco 1
3
3
(

5
55 5 5 5 5 55 55 55

5
5 55 55
3
t
3

HV
3 q=66
4
cr1es
tt
t 1
3
(

55 5
&
5
55 55 5

t
5
5
cresd<>
wwww<
decrsnoubitm
cres.
"
HV
fermat^vingul
cres.
V HVwwwww<
3
2
0digfner 3digfner 0digfner
j / 5 5 5 55 55 55 5/
5
55 55 55 55 5 5 5555 5
5
5
cres.
Tr. 2
5
/
cres.
5
5
decrs
3
55 5j55 55/ 5
5
5
5
5 > 5 5 > 5 5

5
5> 5 5 5 lip
5

( t

5
5
55 5 5 55 5 55
5 5 5 5j 55
5
3
6 q=69
4
cr1es
decrs
132
5
/ 55 5 5
55 5
3
5
5

|
55 5 5 555
5
5 5 5 5 \ >
5
5 5 5 lip |
5
55

(
2 |j 1
1

V

3
(
(
3
3

5 5 5
55 5
3
55 55 5 5 55 55
5 5 55
5
5 5 5 lip 55 55
5

5
3
55 / 5 5
5
5 5 5
5
1
5 q=60
4
cres.
5
8
7 e=84
8
vib.
cr1es
4 q=76
4
55
j
5 lip *) ii
1 ii D t
( C
5
5 lip 5 55

t
decrsnoubitm
Tr. 2
wwwwwwwww<
5
8
HV
fermat^vingul
cr1es
cr1es
Tr.1
fermat^vingul
cres.
Tr. 2
(*) approx.
ii ii H
3
3
HVwwwwwwwwwww< V
V V3
5
ii ii
ii ii
55 5 55 5 5 5/ 55 5
&
i
i
5
5
5
i
i
j
5m lip
5 5 5
i ii 5 5 5
5 5
ii

1
( |

1 5
D5 5 D5 5
3
5
5
5
5
&
5 5
5lip 55 55 5
3
123
3 e=96
8
digfner
cres.
1
2
3digfner
cres.
decrsnoubitm
1
2digfner
0digfner
1
2digfner
6 e=69
8
135
Tr.1
Tr. 2
&
&
H2
3digfner
1
2
3digfner
5 5 >
5 5
2
5

5

55 5 5 5
j

5

55 5 55 > \
5 5 5 5 55 5
5
55 5
5
3
3
2

(
(
5 1
3
5
j
5
5
5

5
5
55 55
5
5 5 5
5
5

55 5 5 5
3
5 5
3
>
3
cresd<>
5
5

cresd<>
Tr.1
1
2
3digfner
5
5
& 5
5
t
& 5
5
0digfner
1
2digfner
cr1es
1
2
3digfner
5% % %5 5
VT
55 55 55 5 5
5
2
5 2
3

2
5 5
55
5
5 5

5
1
2digfner
5 5555
cresd<>
cresd<>
1
2
3digfner
1
2digfner
1
3digfner
1
2digfner
1
2
5s w
coma,
3 3digfner
5 5 5 5
5
5 55
5
1
3

5 5
5 5
5
cr1es
3digfner
cresd<>
0digfner
4 q=48
4
5 5555
3
"
2
3digfner
7:4
>5
cres.
0digfner
1
2digfner

cresd<>
cresd<>
7:4
cresd<>
|
|
4
1
5 2
decrs
1
2
3digfner
fingerd
from here on, the "x" meaning 1/2 valve

are intended to differentiate the timbre
of each trumpet so that it is more clear
the shifting of focus the two.
H
1
3digfner
1fingerd
1
3digfner
0digfner
"
0digfner
4
4
1
2
1 3digfner
2digfner
cr1es
cresd<>
1fingerd
3j
5 q=64
4
H
5 5 s 5s s 5
5
5 5 5 5
cresd<>
cresd<>
cresd<>
7:4
decrs
2
3cr1es digfner
j

2digfner
cresd<>
[3]
digfner
1
2
3digfner
cresd<>
cresd<>
cresd<>
1
12
33digfner digfner
1fingerd
cresd<>
cresd<>
cresd<>
cresd<>
5
5
5 q=64
4
1 0digfner
2
3digfner
1
2digfner
0digfner

55 55 55 5 5 5 55 55
cresd<>
7 e=88
8
5
5 55 5
5

j 5
5

>
3

1 (
5

5
3
5
7
8
> 3 5 5
5
55> 55 5 5 5 5/ 5 5 5 5>
|
2
3digfner
[1]
digfner
cr1es

5 5 5 / 5 5 5 5
>
5t

55 5 5
>
5
5

t

5
5
5
5
5

5
5

>

5

&
55 5
5
2
2
2
2 2 2
( )

>

4
2 2
2
2
2
2

>
5
5
55 5 5 5 5

5
5

5

5
5

5
&
5
5
3

coma,
141
Tr. 2

>55
3w
5 5
1
2digfner
digfner
4 q=50
4
3
3
3
5 5
5 5 5 5 5 5 5j 5 5 5

3

5
/
( )
5
5
5
5

5

5
t t
55 5
5 55

5 5
55 55
5
5
5 5 2
5 55 5 2 2
5

3
( )

1

1
5s
2

2
3
5
3
55 5 5 5
5 5 5
55 55 5 5

5

5
5 5 5
5
5 5
3
3
3

Tr.1
50
1fingerd
3
55 5 5 5 5 /
1
2
3digfner
0digfner
e=80
Tr. 2
cres.
cres.
7 e=88
8
138
5 q=63
4
From here to the end of the piece there is a very

slow accelerando written out in the tempi of each
measure. Even if no metronomical rendition is
intended, the general shortening in the length of
each measure should be clearly audible.
cresd<>
7:4
5 5
>
5
\
\

>
cresd<>
cresd<>
cresd<>
cresd<>
cresd<>
[7/10]
5t 5 5 5
5
5 5
2 2 2

//
2 2 5
55 55
9
8
55 55
5 5
55 5 5 5

5 5
3
(
cres.

5s
5s 5s 5s 5s
9 q=56
8
144
Tr.1
&
2digfner
55 55

2
2
cresd<>
cresd<>

//
2 2
55 55

&
147
Tr.1
&
Tr. 2
(
1
3digfner
5 55 5
1fingerd
cresd<>
cresd<>
cres.
cresd<>
cresd<>
jf
5 5

55

/ 5 > 5
5 5
coma,

HV
55 5 5 5 5 55
&

2
5

& 5
tranquillo
cresd<>
Tr. 2
1fingerd
>s
5 5 5 5

t
t
5
4
3
3
5 55
5

55 55

2
322digfner digfner digfner
55
5
5 5>
>
5 5
>
5
(
)
5 5 5
>
5> 5>
cres.

3

3
5 q=74
4
Tr.1
5 5 5
5
2digfner
2digfner
1
2digfner
150
2
3digfner
6 e=84
8
5> 5
j
|

|
Z

j

55 5

coma,
4
4
j

coma,
1
2
3digfner
2digfner
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5
5 w 5
\

55

HVwwwwwwwwwwwww< w

5

digfner
cres.
1
3digfner
55 55

5
5
5
5
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j
7 e=96
8

5 2
5
5 5 3

2digfner
1
021
digfner
32digfner digfner
cres.
5 q=69
4
5 5 5 5/ 55 5/ 5 5 5s
5

j
5
& 5
5
55 5 55

2 2

(
2
2
5
5

5
55 5

1fingerd
5 5
5 5

1
3digfner
HV
2digfner
1
2
3digfner
I
5
7:4
1
3digfner

5
1fingerd
cresd<>
4q=54
4
2
3digfner
1
3digfner
2
3digfner
0digfner
7:4
cresd<>
Tr. 2
7e=92
8
1
2
3digfner
5
5
\ t 5
1
2
2digfner
3digfner
2
3digfner

5
4 q=58
wwwwwwwwwwwwwwwwwww 4
f

2digfner
5 5
2
3
(

digfner
cres.
2
3digfner
2digfner
2
3digfner
2digfner
In the pauses of the following 4-5 bars take out

the mute very slowly, only a little bit at a time.
The dynamics should be compensated in order
to achieve a smooth transition (the taking out
of the mute could even begin before, in which
case the 2nd. trumpet should also be put aside
before).
5 5 5 5

sub

3
1
1
[8/10]
s s 21 5
s 5s 5s 5 532
3 q=46
4
j
f

5>
>
digfnerdigfner
digfner digfner
1
2
3digfner
5
55 3
J
j
5
5
wwwwwwwww
HV
\
>f
5 5/ r5
digfner
s s
1digfner 1fingerd
1 2
3digfner
2
5 r 5 5 5 35
4
4
(
cres.
21digfner
2digfner
5
5 5
>5
4 q=62
4
Tr.1
HV
s s s
/ 5y5 5 5
senza sord.
&
f

f
4 q=86
4 s
159
Tr.1
&
5/
1
2digfner
2
3digfner
5 5 w 5 r 5 5 y 5
5
5 5

>5 5 >5
5
5 q=92
4
>5
ww</
5 5 r 5
(
digfner
>5
)
> 5 5 5 5 5 5 1225 5 5 5 5

IJ
digfner
digfner
>f
HVwwww<
wwwwwwwwwww 5 y 5s 5s 5s 5s 5s 2>5
\
1
2
)

1fingerd
3digfner
3 e=72
8
digfner
>5
ossia
coma,
digfner

cr1es
5 q=126
4
wwwwwwwwww< s s s
molto
HV
>
>5 5s 5s 5
/
(
5s
>5

molto
HV

cres.
3 q=80
4

HV
5
>5 r >5 5s 5s
ossia
5 q=132
4
3 q=90
4s
167
5
molto secco
5s
IJ
cres.
ww<
s
15
w
/
2
3
5
r
5
5 y 5 5t 33
digfner
HV
5 r 5 5 5
4
4
digfner
HV
f f
2digfner
5s
digfner
digfner
3 q=60
4
ossia
s s s s
s s
5 5 320125s
/ 5y5 5 5 5 5 333
\
digfner digfner
s s s
HV
5
simile
5
444444
[9/10]
5s
IJ
5s
IJ
7 q=192
4

3
4
cresc.
6
4s
cresc.
6 q=180
4
&
>5
y 5
www<
5 e=116
8
1
3digfner
2
2digfner digfner
3
molto
HV
&

163
Tr.1
/ 5 5 5 5> 5> >5 5> 5>

5>
7
8
3 q=80
4
Tr.1
>5
5

5 5 5 5
s 5 5
s 5
5
1
2
3
3digfner digfner
4 q=69
4 s
HV www<
7 q=60
8
Tr.1
digfner digfner digfner
digfner
156
digfner
5
& 5
>
2
5 112 s
5 r 5 5 325 r 5 5> 5 5 3235
5
5y
\
\
153
3 q=52
4
5
remove one ventil. try t match the

previous pitch as close as possible.
Tr.1
5s
IJ
&
172
5s
IJ
Ys
5s
IJ
IJ
Ys

IJ
Ys

IJ
(non dim.)
Tr.1
Ys
IJ
&
178
Ys

IJ
Ys

IJ
Ys

[10/10]
IJ
Ys

IJ

Eduardo Moguillansky: Limites v3 (Solo) - Score

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a valentin garvie

measures 1-51 can be left out ad libitum

eduardo moguillansky (2006-9)

[fr einen trompetenspieler]

sord.: CUP - Denis Wick

(as closed as possible)

/t(i)/ (only tongue, no air)

[squeezy vowel sound, as preparation

(tuned approx. one quarter-tone lower)

fix mute to bell and

*) falls down together with tr. 2

*) increase the H.V. at the end so

from here on, the "x" meaning 1/2 valve

From here to the end of the piece there is a very

In the pauses of the following 4-5 bars take out

/ 5 5 5 5> 5> >5 5> 5>

digfner digfner digfner

remove one ventil. try t match the

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Eduardo Moguillansky: Limites v3 (Solo) - Score

Uploaded by

Document Information

Original Title

Copyright

Available Formats

Share this document

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Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

Eduardo Moguillansky: Limites v3 (Solo) - Score

Uploaded by

Copyright:

Available Formats

a valentin garvie

measures 1-51 can be left out ad libitum

eduardo moguillansky (2006-9)

[fr einen trompetenspieler]

sord.: CUP - Denis Wick

(as closed as possible)

/t(i)/ (only tongue, no air)

[squeezy vowel sound, as preparation

(tuned approx. one quarter-tone lower)

fix mute to bell and

*) falls down together with tr. 2

*) increase the H.V. at the end so

from here on, the "x" meaning 1/2 valve

From here to the end of the piece there is a very

In the pauses of the following 4-5 bars take out

/ 5 5 5 5> 5> >5 5> 5>

digfner digfner digfner

remove one ventil. try t match the

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/ 5 5 5 5> 5> >5 5> 5>