Sometimes lady Vets, like the guys, just need someone ’pon whom they can depend when even in our sleep, pain which cannot forget falls drop by drop upon the heart. Sometimes . . . is a play by an American female Veteran with some of the many stories of women's experiences on military active duty and then as a Veteran.
Original Title
Sometimes . . . you just need someone ’pon whom you can depend
Sometimes lady Vets, like the guys, just need someone ’pon whom they can depend when even in our sleep, pain which cannot forget falls drop by drop upon the heart. Sometimes . . . is a play by an American female Veteran with some of the many stories of women's experiences on military active duty and then as a Veteran.
Sometimes lady Vets, like the guys, just need someone ’pon whom they can depend when even in our sleep, pain which cannot forget falls drop by drop upon the heart. Sometimes . . . is a play by an American female Veteran with some of the many stories of women's experiences on military active duty and then as a Veteran.
when even in our sleep, pain which cannot forget falls drop by drop upon our heart
A play by (USAF Veteran) Pamela Olson Sometimes . . . is a play by an American female Veteran Sometimes lady Veterans, like the guys, just need someone pon whom we can depend, when een in our sleep, pain which cannot !orget !alls drop by drop upon our heart"
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page 1 of ! pages
"opyright # 1$%& ' ()1! by #amela $lson All rights reserved. All wrongs revenged. *ts a story. Semblance to anyone is not intended nor should be inferred. Savvy, mate+ ,oc Sererinsen-s .here *s A /irl http011www.youtube.com1watch+v2345dgfj6789 A graduate of "ollege of :arin then Sonoma State ;nive rsity, in the middle of .he American <ine "ountry, "alifornia ;SA, #lanet %arth, &ilky 'ay, #amela $lson is A :arin "ounty Volunteer of the 9ear, founding board member =orth >ay :ultimedia Association, Home Designer, Raconteur, Gardener, Wife, .ime .raveler, Swimmer, Veteran, :ama, Friend, Real Estate Authority, Ballroom Dancer, "olor 3un?ie, >on vivant, Professor, Author and, Landlord Extraordinaire aka opinionated" May all your storms e !eathered, and all that is good get etter"
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page ( of ! pages
(ast A4*"@ AAir Borce VetC as played by 4ucy 4awless 3. 7. D4SD= A=avy VetC as played by >urt <ard :A6/A as played by "harlotte 6ampling "A6D4 A=avy VetC as played by 7ristin ,avis 3A:@S A:arine VetC as played by 6yan 6eynolds .6A"9 as played by >arbara 5ershey :D6/A=A AAir Borce VetC as played by 6ene 6usso
"6A*/ A=avy VetC as played by 6obert Borster 3D@ AArmy VetC as played by :organ Breeman S.@V@ B69@, :, AArmy VetC as himself >6DD as played by @mile 5irsch
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page ! of ! pages
6@=D >6DD as played by "hristina 6icci 4A"9 3. ,A4.D= as herself 3*: AArmy VetC as played by ,wight 9oa?am A4@E A:arine VetC as played by AleF :ins?y >A=,7*..9 as herself, voice as played by <illow Smith .*,@ as herself, voice as played by .aylor ,ior 6@=D V@.@6A=S 5DSP*.A4 PD4*"@ "5*@B as played by >urt <ard ,*6@".D6 7athleen :arshall awardGwinning director and "horeographer "DS.;:@ ,@S*/=@6 :ia >aFter0 been a part of :arin .heatre "ompany-s production team since ()). :ost recently, she has designed props and costumes for productions at Aurora .heatre "ompany, "al Sha?es, A."... "onservatory and SB Playhouse. She has also wor?ed with .he 3ewish .heatre, Sacramento Dpera, :usic "ircus, <ord for <ord, .eatro @speranHa and *ntersection for the Arts. She is an alumni of San Brancisco State ;niversity.
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page & of ! pages )unes "hris 6ea G 6oad to 5ell I http011www.youtube.com1watch+v21@>wJda%>8? "huc? :angione ' "hildren of SancheH I http011www.youtube.com1watch+ v2w?alEP6?ff* @nnio :orricone GSiFty Seconds .o <hat+ I http011www.youtube.com1watch+ v2ABtmdorK/G; "hris *saa? G >aby ,id a >ad >ad .hing I http011www.youtube.com1watch+ v2a%a!L/nfP.c 5enry :ancini G @Fperiment in .error I http011www.youtube.com1watch+ v29SemVL5DH)@ 3ust ,ropped *n G 7enny 6ogers M .he Birst @dition I http011www.youtube.com1watch+ v2yhD7h3a:1K@
@dwin Starr G <ar I http011www.youtube.com1watch+v2Jd"&A*Bg;g ,wight 9oa?am G Bast As 9ou I http011www.youtube.com1watch+ v2A(No1F$rc"cMob2av(e 4acy 3. ,alton G Slip Away I http011www.myspace.com1lacyjdalton1music1songs1slipGawayG%%!$O%O PSometimes you just need someone pon whom you can depend from 4acy 3. ,altons Slip Away.
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page L of ! pages (haracter *escriptions =ote0 Actors chosen here are for among other reasons, their age, height, voice, and body type, as each is specificGcritical to each characters portrayal. 3D@0 an old reliable "harlie <ilsons <ar wor? truc? with nightmares, the real /.*. 3oe. Dverweight, losing hair, amiable, intelligent, methodical, lumbering painfully from old military wounds with still a healthy dose of his younger swagger, prone to bar fights, smo?er, drin?er, practical, seasoned, inventive to the core, treacherous, full of Nuiet purpose. 3D@ is a total Q<hat would Sam do+R guy. 3D@ is several times divorced, a womaniHer, apathetic to his children, fiercely patriotic, ballroom dance troller, wryly comic, and is deadly in some areas. 5e is a Viet =am Army Vet, &)Gyear lifer, retired @$, 1))S disabled, although to the then world 3oe was just an @&, simple, blac? and .he /rease :on?ey needed well everywhere. 3oe is from a poor family in >iloFi, :ississippi where 3oe grew up around the Air Borce base there. <hen drafted into the Army, 3oe earned an Associates ,egree in >usiness while wor?ing as a heavy vehicle mechanic. 3oes deceptive manner covering still waters running deep came to the attention of higher ups in the chain of command when the =am war ended and choices were made as to what to ?eep, get rid of, and develop anew. 3oe was wisely sent to *ntelligence school and college for appropriately, a :asters in DrganiHational ,evelopment, group behavior. 5e had the perfect *ntel cover, heavy vehicle mechanic. 3oe resides in Point d*ronie in San Brancisco. 5e is a =D. :9 P4A=@. S=4 3un?ie, a /eorge "arlin 3un?ie, a 6. "rumb 3un?ie, a 6@=D >6DD 3un?ie, and a :ary 5artman :ary 5artman 3un?ie. 3oe listens to Shirley >assey and /erald <ilson. 3D@ is QKuir? with poignancy.R 5is favorite movies are 1$%)-s 7elly-s 5eroes- there-s no booHe, there-s no broads, there-s no actionT And 1$L-s .he 9oung 4ions- UamusedV "an * tal? about what * did with your wife the last time * was in >erlin+ 9oung 4ions was and remains so much Nuir? it totally rearranged 3oes selfGcentered head the first time he saw it. And it still does. 3D@ inhales marijuana through a Vapolution. 3oe, eNually charming, cruel and bro?en, is a sad bad man with a bigGscarred heart, his shellGshoc?ed sensibilities emotional instability only held in chec? by training and his intellect. 3oe is straight from Dlympus. .he troops ?now it. 5e is their talisman and they will follow him anywhere. 3D@ drin?s sha?en not stirred :a?er-s :ar? bourbon with crushed spearmint leaves or 6ussian 6iver Pliny the @lder. Always armed personally with nineGround /loc? (%, fiveGround Smith M <esson snub nose .! revolver, "67. ;ltima <ith >lac? >lade, 6aider * >oot 7nife, mace, rubber bullets, blan? bullets as well as a variety of cool spy toys. Always carries around a VA stress ball he inevitably sNueeHes. 3D@, along with "A6D4, :D6/A=A, "6A*/, 6@=D >6DD, 3A:@S, :A6/A, A4*"@, 3*:, and >6DD does a daily noontime hourGandGaGhalf lap swim at San Brancisco-s =orth >each Swimming Pool. Briends with /eorge ,u?e,
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page O of ! pages
Ala ura @den , 3. 6. 5ildebrand, /ary Bisher, >rande 6oderic?, 3acNuie Phelan , 3onny :oseley, .im 4incecum , .yler Blorence , "ourtney .horneGSmith, Annette 5aven, :ary :agdalan, "harlie 7ell y, "lint @astwod, /avin =ewsom, Arnold SchwarHenegger , "harlie Sheen, 4arry 1 4ana M StriF <achows?i, "harles S chwab , 7arl Dlson, >arry 8ito, "raig "haNuico , <ill Venable , 3on Bisher , 3ames 5etfield, Prince Andrew 6omanov, .heresa Spar?s, and 4ee ;n?rich. ,rives a ()11 Porsche $11 .urbo S @dition $1 Spyder. Q<hat would Sam do+R is from Anton :yrer-s novel Dnce An @agle published in 1$O, at the height of the Vietnam <ar. *t is a touchstone for the military professionals who devise and carry out Americas defense. According to the =ew 9or? .imes, QDnce An @agle has wor?ed its way over a generation into the mindset and leFicon of the American military.R =amed to the :arine "ommandants 6eading 4ist, it is reNuired reading for all marines, is assigned to <est Point cadets, and is featured in the ;nited States Army <ar "olleges annual leadership seminar. Soldiers emblaHon the protagonists name'Sam ,amon'across their tan?s, and military officers at every level ma?e decisions by as?ing themselves, Q<hat would Sam do+R :D6/A=A0 Air Borce Veteran, Viet =am @ra, @!, ,octorate, former model, elegant, creative intelligence, graceful, usually has smudges of colorful paint somewhere on her, and her clothes that also have potholes in them, "atholic schooled, alert, proud, gleaming, every inch a Nueen, esthete, gracious, sardonic, swimmer, highGstyle, sentimental, charming, vivid, intoFicating. ,rives a red ?it 1$L& :organ, and is a falcon and bird of paradise both. <omen are comfortable around :D6/A=A. :en see :D6/A=A as some sort of ideal they strive to impress and protect. *n the last !) years, the only man she had ever been connected with is her husband. She still has fun lusting from afar though. 5er voice is aged, confident and rich, deserving of patronage. :D6/A=A, along with 3D@, "A6D4, "6A*/, 6@=D >6DD, 3A:@S, :A6/A, A4*"@, 3*:, and >6DD does a daily noontime hourGandGaG half lap swim at San Brancisco-s =orth >each Swimming Pool. She inhales marijuana through a Vapolution and drin?s espresso with 7ahlua, or sun ice tea with spearmint or peppermint sprigs from her garden. Briends with *sabel Allende, .ess ;riHa 5olthe, 3oe >reeHe, :artin "ruH Smith, 3oyce :aynard, ,on =ovello, ,ave @ggers, Anne 4amott, Amy .an, 3oe @sHterhas, 7ay 6yan, Vendela Vida, .win?a .hiebaud, Strawberry Saroyan, Aram Saroyan, 7i 4ongfellow, 3ason 6oberts, /ary Snyder, .om :erritt, "erridwen Ballingstar Annette >ening , Phil Bran? , "lint @astwood , :aria :uldaur , >arbara >oFer , <alter :urch , 6obin <right Penn , :ontgomery :cBate , @dwin "atmull , Pernell 6oberts , Sean
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page % of ! pages
Penn , Andy Samberg , >renda "hapman , /eorge 4ucas , >ill 6afferty , >arry 4evinson , Pat Paulsen , ,on =ovello , Peter "oyote , ,avid "rosby , >onnie 6aitt , Peter .or? , ,avid Strathairn , 5uey 4ewis , 4ars ;lrich , 6obin <right Penn , "harlie "unningham , 7evin 4ima , ,avid Bincher , 7athleen Kuinlan , .erry :c/overn , 6obin <illiams , Van :orrison , 3. 7. D4SD= 4asseter , "onnie =ielsen , and Scott .hunes . A graduate of "ollege of :arin then Sonoma State ;niversity, "alifornia ;SA in the middle of .he American <ine "ountry, :D6/A=A is A :arin "ounty Volunteer of the 9ear, founding board member =orth >ay :ultimedia Association, 5ome ,esigner, >logger, /ardener, .ime .raveler, Swimmer, Veteran, Briend, ,ancer, 6eal @state Authority, >allroom ,ancer, "olor 3un?ie, >on vivant, Professor, Author, and 5onorary ,octorateW a?a opinionated. "6A*/0 =avy Viet =am Vet, @&, /ary "ooper 5igh =oon charisma, plain, ordinary, practical, sometimes heroic, groovy stuff, arresting clarity and compassion, mellow, austere, wellG mannered, courtly, wears circa 1$%O 4evi L)1 white boot cut, button fly jeans. =o belt. ,ar? brown low heel <ellington boots GG,ress shirt and doubleGvent sports coat. *s sardonic, very familiar to others, on the best of terms with everyone. 4eft wrist has that dead, absolutely hairless, waFed wrin?led puffiness of a bad flameGthrower burn. 4i?es "ountry <estern, 3aHH and "lassical music. An only child, "6A*/ was born in San Brancisco in 1$L), thirdGgeneration on his mother-s side, secondG generation on his father-s side. "6A*/ is a disabled =avy Vet. 5e has >achelors ,egrees in Philosophy and Physics from ;niversity of "alifornia, >er?eley. "6A*/ is twice married to the same woman, :olly. .hey had twins, "6A*/ was not their father, which "6A*/ ?new was a possibility. .heir son 5arry died in war. .hey now have two grandchildren from daughter :olly. "6A*/ is a retired Sonoma "ounty "alifornia ,eputy Sheriff. 5is wife :olly is a retired Santa 6osa, "alifornia math schoolteacher. 5as great passion and fealty to principle. "6A*/ usually is wor?ing in something or another at ;niversity of =evada, 6eno although rumor has it he is now an under cover mortgage fraud and foreclosure fraud PSpecialist. <ed heard hes the one that investigates your claim. *f valid, among other methods only whispered that 3D@ is used for, money is emptied from the perps account. "6A*/ usually has a physics or philosophy boo? hes reading he carries around with him. 5e li?es films das >oot, .he Perfect Storm, 7ey 4argo. "6A*/ drin?s sha?en not stirred :a?er-s :ar? bourbon with crushed spearmint leaves or 6ussian 6iver Pliny the @lder. "6A*/, along with 3D@, :D6/A=A, "A6D4,
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page of ! pages 6@=D >6DD, 3A:@S, :A6/A, A4*"@, 3*:, and >6DD does a daily noontime hourG andGaGhalf lap swim at San Brancisco-s =orth >each Swimming Pool. :ore than competent with weapons. 5as concealed weapon permit. Always armed personally with nineGround /loc? (%, fiveGround Smith M <esson snub nose .! revolver, "67. ;ltima <ith >lac? >lade, 6aider * >oot 7nife, mace, rubber bullets, blan? bullets. Always carries around a VA stress ball he inevitably sNueeHes. Plays well with others. Briends with /emma Arterton , ,r. :ar? Schram "hristensen, @manuele Biliberto , "hris ,raper, @giHia :aria "arla "hiara >enedetta 4ombardo di San "hirico AAnnaC, Berrante /ennaro Antonio Brancesco 4ombardo di San "hirico A"arloC, :aria "arlotta "laude Silvia Stefania .ommasa Vittoria 4ombardo di San "hirico A@lenaC, ,r. 4otte 5olmegaard, 3ames Spithill, /avin =ewsom, Arnold SchwarHenegger , "harlie Sheen, 4arry 1 4ana M StriF <achows?i, "harles S chwab , 7arl Dlson, >arry 8ito , "raig "haNuico , <ill Venable , 3on Bisher , 3ames 5etfield, Prince Andrew 6omanov, .heresa Spar?s, 4ee ;n?rich , and "lint @astwood. ,rives a ()11 Porsche $11 .urbo S @dition $1 Spyder. 6@=D >6DD0 .he 4ittle >log .hat "ould after bursting in on the internet scene with >log Dpera "yber Pun? style, Heitgeist, hitchhi?er, Nuir?y, magical, seFy, wic?ed, romantic, sassy, li?es to blow stuff up, action orientated, imaginative, eFotic, sophisticated, ambitious, glorious, influential, discerning, whimsical, young, muscled, catli?e, wholesome, sultry, hope, humor, blagueur, bartender, psychiatrist, visionary, beloved, noir, slee?, stylish, show caser, lusty, irrepressible, teaser, deliverer, possibility and potential, the only guarantee of a happy ending is the one you write yourself, refreshing, delightfully irreverent, accessible, hilarious, inNuisitive, industrious, adaptable, cool hunter, highGfalootinX planetary princess and inside mind trotter, a real foF when it comes to robbing a henG house, changing, growing, full of wonder and wondrous surprise, inspiring, retro, "heshire "at Nualities, captured the imagination of fans so has large cult following, all the while composing reflective social commentary, dry. 6@=D >6DD, along with 3D@, :D6/A=A, "6A*/, "A6D4, 3A:@S, :A6/A, A4*"@, 3*:, and >6DD, does a daily noontime hourGandGaGhalf lap swim at San Brancisco-s =orth >each Swimming Pool . She inhales marijuana through a Vapolution and drin?s Perrier. Briends with /eorge ,u?e, Ala ura @den , 3. 6. 5ildebrand, /ary Bisher, >rande 6oderic?, 3acNuie Phelan , 3onny :oseley , .im 4incecum , .yler Blorence , "ourtney .horneGSmith, Annette 5aven, :ary :agdalan, "harlie 7ell y, 7i?u "ollins, and Alison >alsom. ,rives a 4eFus ". 5ybrid.
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page $ of ! pages
A4*"@0 mother of 7@= married to his father 3. 7. D4SD= who she is shamelessly irretrievably in love with. A4*"@ lives at at (1!O /reat 5wy, San Brancisco, "alifornia or at her Sausalito piedGYGterre houseboat Bountainhead moored at Sausalito :arina. Air Borce Veteran, Viet =am @ra, @L, >achelor-s ,egree in 4inguistics, :asters degree in 7inesiology, both from Sonoma State ;nive rsity, "alifornia, charismatic, model from age siF until her first pregnancy at the age of &L, brilliant, mercurial, born into privilege and wealth, eFuberant, resourceful, full of promise, imperious, compassionate, intense, saturnine, has depth in her green eyes, winning grin, sensitive, catches everything, ebullient, dancing laughter, presumptuous smile, disciplined, loyal, rogue, full of gaiety, has the magic gift of the born bon vivant, shes graceful, romantic, vulnerable, apricot glow, her hair in soft, happy disarrayGGa woman of great passion. She is so alive, mystical moments come to life. ;nderstands everybody. 5ighGstrung, highGmaintenance, is worth it, charming, plays well with others. She see?s the far horiHons and shores that once lured generations of her *talian and Austrian forebears, has close, connected, deep, educated and wealthy *talian, Austrian @uropean cousins and Palo Alto, "alifornia American Savoy cousins, has unbounded confidence, a complete surrender to delight, believes one can be anything, do anything, is interesting, effective, wellGadjusted, and occasionally surprising. A4*"@ gracefully saunters, undulates and jiggles as she moves. 5er clothes are usually potGholed and paintGsmudged. She inhales marijuana through a Vapolution and drin?s Dcean Spray diet 1))S cranberry juice and Perrier on ice, or sun ice tea with spearmint or peppermint sprigs from her garden. A4*"@, along with 3D@, :D6/A=A, "6A*/, 6@=D >6DD, 3A:@S, :A6/A, "A6D4, 3*:, and >6DD does a daily noontime hourGandGaGhalf lap swim at San Brancisco-s =orth >each Swimming Pool. Briends with /emma Arterton , ,r. :ar? Schram "hristensen, 7i?u "ollins, 4ucy /as?ell , @manuele Biliberto , "hris ,raper, @giHia :aria "arla "hiara >enedetta 4ombardo di San "hirico AAnnaC, Berrante /ennaro Antonio Brancesco 4ombardo di San "hirico A"arloC, :aria "arlotta "laude Silvia Stefania .ommasa Vittoria 4ombardo di San "hirico A@lenaC, ,r. 4otte 5olmegaard, Alison >alsom, 3ames Spithill, :aggie /yllenhaal, "lint @astwod, and *oan /ruffudd. A4*"@-S favorite movies are A 4eague of .heir Dwn, >asic *nstinct, >asic *nstinct (, >ody 5eat, 3ac?ie >rown, .he Bountainhead, and .he ;nsin?able :olly >rown. ,rives a ()11 Porsche $11 .urbo S @dition $1 Spyder. 3. 7. D4SD=0 =avy Veteran PD!, nine years older than his wife A4*"@, messy, short, charismatic, fat, eyes speculative, :asters degree in :usic, retired >and ,irector
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page 1) of ! pages 6edwood 5igh School, !$L ,oherty ,rive 4ar?spur, "A $&$!$G1L!O, A&1LC $(&GO()). "harming, insecure, talented, immature, insincere, moody, ?in?y, selfG centered, coarse, sensuous, sarcastic, obsessed with controlling others, feels of solid land and rolling sea, cycle of desire and tyranny, passive aggressive, tense, imaginative, solemn, raffish, impulsive, envious of privilege and wealth, merryGgoGround always on the verge of settling down, elitist, selfGdramatiHing selfish, tendency to loo? li?e a sullen child who had been thwarted, oscillates rapidly through all ?inds of moods, shir?s his responsibility to a defiant son and wife. 7nows temptation and corruption well and dreams sought then, and the blunders committed in their pursuit, treacherous, arrogant, subdued warmth, jun? food jun?ie, high strung, manic depressive, conflicted, mercurial, capricious, cynic, cross dresser, leather vinyl rubber bondage mirror fetishes, in need of a haircut, ballroom dance instructor, sailor, in scruffy loafers, sardonic, wears a wrin?led striped button down collar shirt, had his sleeves rolled up his forearms, in rumpled, dar?, pleated and cuffed trousers too big for him, and a hip length blac? leather aviator jac?et, also too large. 4ives at antiGchildren racist senior trailer par? :arin Valley :obile "ountry "lub in =ovato, "alifornia since he was LL when he abandoned his then & 11( month pregnant wife Alice after stealing Z! million. 5e is on the >oard of ,irectors of the :arin Valley :obile "ountry "lub as the .reasurer. ,rives a restored 1$L "orVette he ?eeps up himselfGG it shows. *s a topGofGtheGgame >log Dpera player. San Brancisco seF clubs regular. ,oes not play well with others. Started out as a cool 6eg >lan? ' ended up a "onspicuous "onsumption 9uppie. ,rin?s /undlach >undschu "abernet Branc or diet Pepsi. "onspicuous consumption is eFtravagant and ostentatious eFpenditure. "onspicuous consumption is meant not to satisfy any physical need, but rather to gratify the psychological craving for status or the favorable opinion of others. .he term was first used by the ;S sociologist and economist .horstein >unde Veblen A1L%G1$($C in his 1$$ boo? -.he .heory Df .he 4eisure "lass. A 9uppie is a 5ippie who sold out and said -yup- to -the man- "A6D40 =avy Veteran, retired "ommander, :asters degree in South M Southeast Asian S tudies from ;.". >er?eley, blend of 4ittle =ell and 4ady :c>eth, brass ?nuc?les in a velVet glove, vitriol up a lace sleeve, martial arts blac?belt, accomplished card counter and >lac?jac? player, Silver 4evel ballroom dancer, romantic. 5er timing is always flawless. 5as blac? humor, courage, nobility, honesty, and selflessness. Powerful, inspirational and unforgettable. 5as the habit of of holding her drin? in the palm of her hand, >racing, lively and full of certainty and power. A flaming comet.
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page 11 of ! pages
3A:@S is not her only lover, long or shortGterm. ,eft, assertive. :ore than competent with weapons. Always armed personally with nineGround /loc? (%, fiveGround Smith M <esson snub nose .! revolver, "67. ;ltima <ith >lac? >lade, 6aider * >oot 7nife, mace, rubber bullets, blan? bullets. Always carries around a VA stress ball she inevitably sNueeHes. San Brancisco seF clubs regular. "A6D4, along with 3D@, :D6/A=A, "6A*/, 6@=D >6DD, 3A:@S, :A6/A, A4*"@, 3*:, and >6DD does a daily noontime hourGandGaGhalf lap swim at San Brancisco-s =orth >each Swimming Pool. ,rin?s /undlach >undschu "abernet Branc or Perrier. Ban of /eorge "arlin, ,ouglas Adams, 6obert A. 5einlein. Briends with /avin =ewsom, Arnold SchwarHenegger , "harlie Sheen, 4arry 1 4ana M StriF <achows?i, "harles S chwab , 7arl Dlson, >arry 8ito , "raig "haNuico , <ill Venable , 3on Bisher , 3ames 5etfield, Prince Andrew 6omanov, .heresa Spar?s, and 4ee ;n?rich . ,rives a ()11 Porsche $11 .urbo S @dition $1 Spyder.
3A:@S0 former :arine, just retired :ajor, a total Q<hat would Sam do+R guy. :asters degree South M Southeast Asian Studies from ;.". >er?eley, charismatic, sensuous, charming, fashionable, swaggers, Silver 4evel ballroom dancer, his timing is always flawless, dash and honor, still gets fear sha?es, romantic, puts duty, honor, and the people he commands above selfGinterest, graceful, eager, consummate political animal, brilliantly advances by ma?ing the right connections behind the lines and in corridors of power, always is pushing himself up and onward, believes his life is a wellGcharted avenue toward power and distinctionX lives on the edge, lusty, irrepressible, wellGmannered, courtly, 7ing of 5earts, obsessed with dreams of 5igh Adventure. 5as martial arts blac? belt. Sometimes his eyes for a second glaHe over li?e one hit by a round. Dther times a burning desperate loo? floods them for a couple seconds. Dther times he has a brief air of aw?ward diffidence that was not eFcessive modesty but na?ed fear. Bor he leaped astride a tiger, and wasn-t always sure where it would ta?e him, or whether he even could ever dismount and return alive. :arried to .6A"9, and having long term now eightGyear affair with "A6D4. 4istens to the >lues , @tta 3ames, >illi e 5oliday , 3anis 3oplin, 6obert "ray, "hris *saa?, /aye Adegbalola. ,riven by his own war nightmares. Accomplished card counter and >lac?jac? player. 5as the habit of of holding his drin? in the palm of his hand, been trying unsuccessfully for years to seduce A4*"@. 3A:@S drin?s sha?en not stirred :a?er-s :ar?-s bourbon with crushed spearmint leaves or 6ussian 6iver Pliny the @lder. 3A:@S, along with 3D@, :D6/A=A, "6A*/, 6@=D >6DD, A4*"@, :A6/A, "A6D4, 3*:, and >6DD does a daily noontime hourGandGaGhalf lap swim at San Brancisco-s =orth >each Swimming Pool . :ore than competent with weapons. Always armed personally with nineGround /loc? (%, fiveGround Smith M <esson snub nose .!
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page 1( of ! pages
revolver, "67. ;ltima <ith >lac? >lade, 6aider * >oot 7nife, mace, rubber bullets, blan? bullets. Always carries around a VA stress ball he inevitably sNueeHes. Briends with /avin =ewsom, Arnold SchwarHenegger , "harlie Sheen, 4arry 1 4ana M StriF <achows?i, "harles S chwab , 7arl Dlson, >arry 8ito , "raig "haNuico , <ill Venable , 3on Bisher, 3ames 5etfield, Prince Andrew 6omanov, .heresa Spar?s, and 4ee ;n?rich . San Brancsico seF clubs regular. ,rives a ()11 Porsche $11 .urbo S @dition $1 Spyder. Ban of /eorge "arlin, ,ouglas Adams, 6obert A. 5einlein. :A6/A0 ,uring the world wide /reat ,epression :arga was born in :unich, /ermany on ,ecember !rd. .he :unich >avarian State Dperetta recogniHed early in :argas childhood that she was a gifted dancer. *n just one year :arga danced in more than !)) performances of 3ohann Strauss Q,ie BledermausR A.he >atC. .hat same year, /ermanys then "hancellor, Adolph 5itler, invaded Poland, drafted :argas father into the /erman Army over her fathers futile protestations, and attended several of :argas performances. :argas father died five months later in a :unich Army 5ospital at the age of !$. 5e died never seeing his talented daughters performances. *n 3anuary 1$&) while dancing for Adolph 5itler :arga did not ?now then that in less then three years she would have an accident completely severing her Achilles tendon. =ever again could she stand on her toes. An American air raid on :unich later destroyed the .heater. :arga married a disabled American << ** Vet. =ow a widow, :arga remains committed to supporting American Veterans causes. :arga is ?nown for her thoughtfulness. She is a Silver 4evel ballroom dancer, polite, attentive. 5er eyes flash li?e swords, her smile is grave and gentle. ,rives a 4eFus ". 5ybrid . She inhales marijuana through a Vapolution and drin?s espresso with 7ahlua, or sun ice tea with spearmint or peppermint sprigs from her garden. :A6/A, along with 3D@, :D6/A=A, "6A*/, 6@=D >6DD, A4*"@, 3A:@S, "A6D4, 3*:, and >6DD does a daily noontime hourGandGaGhalf lap swim at San Brancisco-s =orth >each Swimming Pool. Ban of >ette ,avis, >ette :idler, Annette >ening . Briends with Annette >ening, Phil Bran?, "lint @astwood, :aria :uldaur, >arbara >oFer, <alter :urch, 6obin <right Penn, :ontgomery :cBate, @dwin "atmull , Pernell 6oberts, Sean Penn, Andy Samberg, >renda "hapman, /eorge 4ucas, >ill 6afferty, >arry 4evinson , Pat Paulsen , ,on =ovello , Peter "oyote , ,avid "rosby, >onnie 6aitt, Peter .or?, ,avid Strathairn, 5uey 4ewis, 4ars ;lrich, 6obin <right Penn, "harlie "unningham, 7evin 4ima , ,avid Bincher, 7athleen Kuinlan, .erry :c/overn, 6obin <illiams , Van :orrison, 3. 7. D4SD= 4asseter, "onnie =ielsen, Scott .hunes . 3*:0 5as that -oh so selfGimportant :arin attitude -cause he-s got a :arin address..- *s a topGofGtheGgame >log Dpera player. 3im is a dar? :arinite, a creature of the physical,
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page 1! of ! pages
see?s lots of seF. 4ives at antiGchildren racist senior trailer par? :arin Valley :obile "ountry "lub in =ovato, "alifornia since he was LL. 5olds martial arts >lac? >elt. :ore than competent with weapons. Always armed personally with nineGround /loc? (%, fiveGround Smith M <esson snub nose .! revolver, "67. ;ltima <ith >lac? >lade, 6aider * >oot 7nife, mace, rubber bullets, blan? bullets. Abused as a child. 5appily drafted by Army out of high school, later /eneral ,ischarge for ?illings without orders. <ellGendowed, several times divorced. Abusive, stal?er, Peeping .om, drin?er, smo?er, selfG indulgent, <hite Supremacist, li?es to wear women-s panties and often drops his circa 1$%O 4evi-s L)1 white boot cut button fly jeans to tuc? in his shirt, eFcommunicated :ormon, pirate tattooed, ballroom dance troller, drugstore cowboy in high heeled cowboy boots, licensed gun dealer and private investigator, has women-s high heel fetish. 4ibertarian. ,rives a restored grey and blue 1$1 @l "amino he ?eeps up himself. Always carries around a VA stress ball he inevitably sNueeHes. San Brancsico seF clubs regular. Dne of the owners of /*/@6 and .he /iger >uilding. 5as a storm in his mind. ,oes not always play well with others. Accomplished card counter and >lac?jac? player. 4istens to .oby 7eith and /ary Allan. *nto Kuentin .arantino-s "hic?s <ith /uns. *n love with A4*"@ who he has on a pedestal. 5as the /iger habit of holding his drin? in the palm of his hand. Briends with :ichael Savage. 6egularly does contract wor? for sleaHy :arin "ounty lawyers. 5e inhales marijuana through a Vapolution and drin?s 6ussian 6iver Pliny the @lder or sha?en not stirred :a?er-s :ar? bourbon with crushed spearmint leaves. 3*:, along with 3D@, :D6/A=A, "6A*/, 6@=D >6DD, A4*"@, :A6/A, "A6D4, 3A:@S, and >6DD , does a daily noontime hourGandGaGhalf lap swim at San Brancisco-s =orth >each Swimming Pool . 4A"9 3. ,A4.D=0 Singer, songwriter, musician, celebrity, activist, .ime .raveler, actress, /al Pal. ,6. S.@V@0 American physician, sailor, world traveler, s?ier, Army /reen >eret paratrooper Veteran, "aptain, who ?nows how to pursue his own interests while ac?nowledging that we are all stewards of the public interest.
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>6DD0 Amorphous, varied in tastes and interests, creator, consumer, umbrella. .o the tune of "alifornia ,reamin and with all respect to :amas M Papas, here it-s to 3ose Beliciano0 All the views are down and the drone is bait *-ve been for a loo? at >roo wa wa hey. *-d be drun? and warm if * had the bars ?eys. "onspiracy ,reamin- At >roo wa wa hey. Stopped into a bar * passed along the way. <ell, * got down on my ?nees just to face the day. 9ou ?now @l / li?es the bold @l ?nows *m gonna stay "onspiracy ,reamin- At >roo wa wa hey. All the views are down and the drone is bait. *-ve been for a loo? at >roo wa wa hey. *f * didn-t drin? here * could leave today. "onspiracy ,reamin-. At >roo wa wa hey. >6DD, along with 3D@, :D6/A=A, "6A*/, 6@=D >6DD, 3A:@S, :A6/A, A4*"@, 3*:, and "A6D4, does a daily noontime hourGandGaGhalf lap swim at San Brancisco-s =orth >each Swimming Pool. @nvious of privilege and wealth. ,rin?s a /ordon-s gin ,irty :artini with a couple PiNuillo Pepper Stuffed :anHanilla Dlives by 4a .ienda. "onspicuous "onsumptionist 9uppie. ,rives a ,ucati motorcycle. 5e inhales marijuana through a Vapolution. Briends with *sabel Allende, .ess ;riHa 5olthe, 3oe >reeHe, :artin "ruH Smith, 3oyce :aynard, ,on =ovello, ,ave @ggers, Anne 4amott, Amy .an, 3oe @sHterhas, 7ay 6yan, Vendela Vida, .win ?a .hiebaud , Strawberry Saroyan, Aram Saroyan, 7i 4ongfellow, 3ason 6oberts, /ary Snyder, .om :erritt, "erridwen Ballingstar A4@E0 :arine "orps Veteran, mortarman, 4ance "orporal. >orn and raised in :ission Viejo, "alifornia. Dn a day that was at 1)) degrees, he drove a 5umvee over an *@, in Afghanistan and got caught in its eFplosion. *t cost him his right leg, burned his body, fragmented his jaw, and severely disfigured his right arm when the eFplosion peeled away layers of s?in. *t also resulted in a head injury that put him in a coma for L days. 5e now has severe visual deficits and his jaw is stitched together with steel plates. .he burn scars are interwoven into his tattoos. Some goals he has are to gain some more eFperience modeling, and to become successful enough to support himself. Setting SA;SA4*.D 5D;S@>DA. .5@ BD;=.A*=5@A,0 3. 7. D4SD= and A4*"@-S 1$$1 home, and A4*"@-S ()11 piedGaGterre as A4*"@-S main house in ()11 is (1!O /reat 5wy, San Brancisco, "alifornia. A4*"@-S Sausalito piedGrGterre is swan?y, swelegant,
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page 1L of ! pages richly colorful, burgundy, robins egg blue, evergreen, plum, in? blue, merlot, bering sea blue, contrasts of dim, dar? and saturated color, intimate, romantic, upscale, classy, !)s, elegantly eccentric, comfortable, teFtured, blac? lacNuer cabinets, and well appointed with Bound, houseboat moored at Sausalito Shipyard M :arina formally ArNues Shipyard M :arina. (!L) :arinship <ay Aaccess on 6oad !C Sausalito, "A $&$OL. Phone0 A&1LC !!(G!LL(. 5arbormasterISausalitoShipyard.com. .he feel is a pleasing miFture of .ahoe, Sante Be, a Bran? 4loyd <right Prairie 5ouse, :editerranean, Paris countryside, Blorentine, "armel, *talian hospitality, 3apanese manners, 6at Pac? banter, raHorGsharp >eat intellect, and San Brancisco Painted 4ady. .he overlay is all Bran? :iller, S?y "aptain of .he <orld of .omorrow, =orman >el /eddes, and .im >urton. .he feel is of a delightful, decadent, Sybaritic way of life with soft, warm places to curl up, alone or in company for swell gossip. .he air smells of peppermint, spearmint, chocolate mint, cloves, nutmeg, cinnamon, rosemary, salt, and iodine. PSnow Pfalls through the stage lights giving more spatiality and dimension to the set. Dn set always are a female orange tabby cat named >A=,7*..9 and a female /olden 6etriever named .*,@ that are always interacting. ,uring <orld <ar **, the :arinship yards used the Sausalito, "alifornia waterfront. After <orld <ar **, ".4. ArNues bought five ferryboats and had them placed in 6ichardson >ay. .he Vallejo and the "ity of Seattle were remodeled into cool homes. .he "ity of San 6afael was eventually also used as a home, although only its upper dec? was used. Another ferryboat ended in Sausalito. She was the "harles Van ,amme. 5er tenant for many years was a business called .he Ar?. #acing Slow, languid, undulates, jiggles, long beats of silence with body language, costumes, music, and eyes telling the story, ebbs and flows, laHy bac?waters, deliberate, savored, everything-s sipped not chugged, drawn out, nuances, sway, trances, thoughtful, all the time in the world, rhythmic.
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page 1O of ! pages
Acts + Scenes Act , Scene 1 G <hat the hell does it mean+ Act , Scene ( G >est wal?ed on a leash Act , Scene ! G =arcoGterrorism Act ,, Scene 1 G A fight between two bald men over a comb Act ,, Scene ( G >anal >ogy Act ,, Scene ! ' So it goes Dpening0 A5ouse 4*/5.S dim, start :;S*" "hris 6ea singing 6oad to 5ell. I http011www.youtube.com1watch+v21@>wJda%>8?. halfGway through the tune the ";6.A*= opens. Dn set0 3D@, "6A*/, 4A"9 3. ,A4.D=, 3*:, 3A:@S, ,6. S.@V@, .6A"9, :D6/A=A, "A6D4, 3. 7. D4SD=, :A6/A, 6@=D >6DD, >6DD, A4*"@, >A=,7*..9, and .*,@. 3D@ as played by :organ Breeman A3D@ sits on the dining room chair pushed away bac? from the blac? lacNuer dining room table. .he houseboat coolly breathes wealth, sensuous fun, elegance, permanence, grace Gthe good life. 3D@ has his hands loc?ed around his ?nees while he loo?s around at a 6oomba vacuuming. 5e sways easily with the motion of the houseboat. >A=,7*..9 is curled up on the dining room table in front of 3D@. .*,@ is at 3D@-S feet, 3D@ pets >A=,7*..9 GG3D@ then pets .*,@. >A=,7*..9 stands up, says QwaarrrhR and moves to the floor where she stropps 3D@-S shins vigorously bac? and forth a halfGdoHen or so times before moving to 4A"9 3. ,A4.D=-S shins. 3D@ pic?s up his ice tea from the table, drin?s, then holds it in the palm of his hand. 3D@ spea?s to 3A:@S, who pretends to ignore him.C <hy don-t you sirs act li?e sirs, sir+ *t doesn-t ma?e sense. *t isn-t even good grammar. <hat the hell does it mean to disappear somebody+ .he chaplain has mastered, in a moment of divine intuition, the handy techniNue of protective rationaliHation, and he is eFhilarated by his discovery. *t is miraculous. *t is almost no tric? at all, he sees, to turn vice into virtue and slander into truth, impotence into abstinence,
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page 1% of ! pages
arrogance into humility, plunder into philanthropy, thievery into honor, blasphemy into wisdom, brutality into patriotism, and sadism into justice. Anybody could do itX it reNuired no brains at all. *t merely reNuired no character. 4A"9 3. ,A4.D= AShe shifts herself on the dining room chair, .*,@ trots over to chec?, 4A"9 pets .*,@ while she sways easily with the motion of the houseboat. Brom the houseboat-s open screened windows the sounds of the channel, the Sausalito harbor and the San Brancisco >ay reach in. /ulls scream, boats- air horns pierce the air, people-s voices rise and fall, fog horns blast throatily, the lap and slap of the waves against the houseboat, an occasional dog bar?, are all intermittent. Shadows dance gracefully on the blue walls of the houseboat. .he smells of salt, iodine, charcoal, diesel, and marijuana waft though the houseboat. .he curtains ripple against the blue walls. 3. 7. D4SD= sits across the blac? lacNuer table from 4A"9. 3. 7. D4SD= watches himself in the mirrors.C 3oe, everybody ma?es mista?es. 4ovin-s as close to craHy as * ever wanna- be. 3D@ as played by :organ Breeman Asways easily with the motion of the houseboat, spea?s wryC 4acy, [.hey-re trying to ?ill me,[ * told him calmly. [=o one-s trying to ?ill you,[ the 4ieutenant cried. [.hen why are they shooting at me+[ * as?ed. [.hey-re shooting at everyone,[ he answered. [.hey-re trying to ?ill everyone.[ And what difference does that ma?e+[ * as?ed the 4ieutenant. =o answer. .hen, eFasperated, * said, [Dh, go salute yourselfTR 4A"9 3. ,A4.D= 9ou can-t help where you were born, and you may not have much to say about where you die, but you can and you must try to pass the days between as a good person. "6A*/ as played by 6obert Borster
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page 1 of ! pages Asways easily with the motion of the houseboat, he rubs his his left wrist with its dead, absolutely hairless, waFed wrin?led puffiness of a bad flameGthrower burn, he frowns comically, pauses, then spea?s sardonicC 3oe is a troublema?er and a wise guy. <e ?new that 3oe might cause even more trouble if he wasn-t watched. 9esterday it was the broobies and Summer SoldiersX tomorrow it might be the world. 3oe has a mind, and *ve noticed that people with minds tended to get pretty smart at times. Such men are dangerous, and even the broobies whom 3oe had helped were eager to give damning testimony against him. .he case against 3oe was open and shut. .he only thing missing was something to charge him with. 3A:@S as played by 6yan 6eynolds A5e stands up, sways easily with the motion of the houseboat, then moves to the houseboat-s window in an indolent swagger of the professional soldier in any place, any time. A boat goes by, its diesel engines chug. 5is face is very hard and plain, all ridges. 3A:@S shifts his weight on his feet with the movement of the San Brancisco >ay, then he murmurs grim and disciplinedC 3oe gets [.han? you[ notes from people he said he-d never see again. 6@=D >6DD as played by "hristina 6icci ;nder certain circumstances a wanted poster is a letter of recommendation for /.*. 3oe. 4A"9 3. ,A4.D= /.*. 3oe and 3ane, flung into the most terrible of power in war ma?ing the world safe for 7ing :idas and his .welve "roesuses, then bound to scorn and neglect in days of peace. :D6/A=A as played by 6ene 6usso A>A=,7*..9 moves over to :D6/A=A sitting at the table. >A=,7*..9 levitates up to :D6/A=A-S lap, puts her forelegs on :D6/A=A-S chest, and demands pets, right now and no nonsense with a QnaaowwTR .*,@ trots over ma?ing the same -pet me- demand on :D6/A=A. :D6/A=A pets >A=,7*..9 then .*,@. An orange spot on the dar? walnut table, >A=,7*..9 rhythmically stretches out then relaFes her
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page 1$ of ! pages
forepaws and sings a low song sounding bees buHHing in deep clover, her eyes narrow in contentment. :D6/A=A sways easily with the motion of the houseboat as she then sighs, then smiles and laughs while she murmurs to >A=,7*..9, then puts her ice tea glass in the palm of her hand, pauses to pet .*,@ who-s sitting on :D6/A=A-S highG heeled clad feet, :D6/A=A sips her tea, then puts the glass bac? into the palm of her hand.C 3oe ?nows everyone-s afraid. <hat inspires me to write is not new ideas, but my obsession with the idea that what has already been said is still not enough. ,6. S.@V@ *t isn-t a bad plan to ?eep still occasionally even when you ?now what you-re tal?ing about. 3A:@S as played by 6yan 6eynolds A3A:@S swaggers over to the settee where he sprawls out on it. >A=,7*..9 and .*,@ move to 3A:@S. >A=,7*..9 says Qkwleert-, jumps up and sits down on 3A:@S- lap and starts to wash herself. 3A:@S pets >A=,7*..9 and .*,@. 5is voice ta?es on a supplicant and distressing note C 6ight, Steve. =obody ever forgets where he buried the hatchet. 3D@ as played by :organ Breeman Asways easily with the motion of the houseboatX his ice tea glass held in the palm of his hand, he sips his tea, then puts the glass bac? into the palm of his hand, C Amen. 6@=D >6DD as played by "hristina 6icci Asways easily with the motion of the houseboat, her ice tea glass held in the palm of her hand, she sips her tea, then puts the glass bac? into the palm of her hand, she turns and watches out the window as the bay swirls through the pilings where she sees seal-s heads bob in the swells. She turns to loo? at 3D@ then 3A:@S. 5er eyes flic?er with wic?edness. She then shivers as she spea?s with snar?C 3ames, * can-t do it. <rite those notes to the cruel and than?less. *-m not a psychiatrist. * am not screwed up enough
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Ashe lowers her eyes, falls silent thin?ing as she sways easily with the motion of the houseboat, she turns to ,6 S.@V@, eyes him, then says in a practical, credent toneC GG>ut, a psychiatrist in the ;nited States "ongress+ W 5ell yes GG6oc? Dn for ,r. Steve. "5D6;S 6oc? Dn ,r. Steve. "6A*/ as played by 6obert Borster 5ey, Steve. 5alloween in =am GGbobbing for shrapnel and cement GGwith the ships psychiatrist. ,6. S.@V@ Asways easily with the motion of the houseboat, humorC ,octors in =am "raigGGPut in cement+ <e are doctors, not dentists. "5D6;S Asways easily with the motion of the houseboat, laughsC .6A"9 as played by >arbara 5ershey A.6A"9 sits at the table and sways easily with the motion of the houseboat. .6A"9 pets >A=,7*..9 who gives a long bubbling -bleerrrt- then >A=,7*..9 bops .6A"9 when .6A"9 reaches down to pet .*,@ while .6A"9 loo?s around and then she pets >A=,7*..9 who gives another long bubbling -bleerrrt-. .6A"9-S eyes snap with enthusiasm, she is slender, younger loo?ing than her age and vibrant. .6A"9 runs her fingers over her chest and throat.C "raig, well, * guess there-s crosses some thin? wrongly we all gotta carry which is why * will never be part of a religion whose symbol is a man nailed to two pieces of wood. 3A:@S as played by 6yan 6eynolds
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page (1 of ! pages Astands, stretches, sways easily with the motion of the houseboatX his ice tea glass now held in the palm of his hand, he lifts it to sip his tea, then puts the glass bac? into the palm of his hand, he is cynic, sardonic, alert, measuring, intenseC <ar isn-t a religious hell at all. *t-s man at his bestX the highest morality he-s capable of. *t-s not war that-s insane, you see. *t-s the morality of it. *t-s not greed or ambition that ma?es war0 it-s goodness. <ars are always fought for the best of reasons0 for liberation or manifest destiny GG Always against tyranny and always in the interest of humanity. So far this war, we-ve managed to butcher a few million humans and even more animals and vegetation in the interest of humanity. =eFt war it seems we-ll have to destroy all of man in order to preserve his damn dignity. *t-s not war that-s unnatural to usX it-s virtue. As long as valor remains a virtue, we shall have soldiers. So, * preach cowardice. .hrough cowardice, we shall all be saved. 4A"9 3. ,A4.D= Aloo?s at A4@EC .hey are fools who fear to spea? for the fallen and the wea?. A4@E as played by AleF :ins?y <hen * wo?e up, the first thing that went through my mindW how do * get through this+ 5ow do * get better+ 5ow do * get bac? into the field with my men, my :arines+ .6A"9 as played by >arbara 5ershey >e fleFible, 3ames. .he lesser evil usually lasts longer. 3*: as played by ,wight 9oa?am Kuality is timeless, .racy0 *t will clearly define itself.
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"A6D4 as played by 7ristin ,avis 3ames, *m not saying that eFpecting or demanding male behavior out of me is all right. <hat * am saying is * do things, * feel things, * see things, * hear things, * say things, from a female perspective. * am hardwired female. So, as for on being a female Vet, far too many people at the VA perceive my tal?ing or complaining as too emotional, that * am too disturbed, and they want emergency to sedate me to calm me down. .hat begs a very disturbing Nuestion. <heres your diversity training+ ,idnt you get your diversity classes+ * dont need a sedative, * need to tal? and be heard eNual to a man. And * need to do it my way GG:y female way. A4*"@ as played by 4ucy 4awless Asmiles, >A=,7*..9 moves to A4*"@ who pets >A=,7*..9 who says -krrwarr-. A4*"@ scratches >A=,7*..9 under the chin, doing it properly. >A=,7*..9 accepts it, stretches her nec? and closes her eyes, loo?s very pleased. .hen A4*"@ smilesC * hear you, "arol. <ere all professionalsX college graduates of one form or another, some of us several times, collaborators all, diversity jun?ies all. :D6/A=A as played by 6ene 6usso "ompare and contrast is what ma?es life so interesting, "arol. ,iversity. .he body lives only for itself. .he mind lives for the body and itself. 4ife is time travel. So you Nuic?ly learn in the military that if you dont say anything, you wont be called on to repeat it. * was always saying something. 3*: as played by ,wight 9oa?am Amoves to stand at a window of the houseboat. 5e sways easily with the motion of the houseboat, his ice tea glass held in the palm of his hand. 5e passes his hand over his chin, pauses, then win?s at :D6/A=A and shrugsC
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page (! of ! pages
.he world turns in on itself, as a universe unto itself, in the shape of one human being whose strength of character and professional competence are indispensable .6A"9 as played by >arbara 5ershey Alice, a woman is li?e a teabag \ only in hot water do you realiHe how strong she is. 3*: as played by ,wight 9oa?am Arestless, moves from window to window to window, sways easily with the motion of the houseboat, pets .*,@, turns, his face eFpressionless, peers direct at .6A"9, pause, then murmursC .racy, they-re more than women. .hey are often juvenile delinNuents, with a conscience. 3D@ as played by :organ Breeman Alaughs, he sways easily with the motion of the houseboat, his ice tea glass held in the palm of his hand, he pets >A=,7*..9C Attaboy, 3im. :y mama told me when * left for the Army, be very careful with who you associate with, that they are of the right stamp and whose influence over you will be good. 9ou must bear in mind that now is always the time for you to deepen and strengthen your character. "A6D4 as played by 7ristin ,avis 9ou wouldnt ?now it from some of the people here GG,iversity that is. 4A"9 3. ,A4.D= .hey built those great big boFs they all live in W and a way of life *ll never understand GG3ust tawdry, murderous, uncaring minefields. .6A"9 as played by >arbara 5ershey *n life one has to go to the funerals of the people we li?e and the birthdays of those we don-t.
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page (& of ! pages A4@E as played by AleF :ins?y * realiHed * needed help. * started getting honest with myself. * started ta?ing suggestions, learned some humility, and began listening to the people around me. *ve been sober ever since. 3D@ as played by :organ Breeman Asways easily with the motion of the houseboatX his ice tea glass held in the palm of his hand, spea?s with weighted precisionC .racy, li?e total recall. :ayday, :aydayT 5ail, :ary, *-m up the cree? without a paddle. .hat-s what * said. Dver, and over '>ut, * got no help. .hey can prepare as many official reports as they want and choose whichever ones they need on any given occasion. ,idn-t you ?now that+ .he enemy is anyone who-s going to get you hurt or ?illed, no matter which side he-s on. "6A*/ as played by 6obert Borster 4ets me say this clearly. *m just an ole city cowboy trying not to fall out of my saddle. As @d Attanasio wrote, unfortunately, when they-re in the spotlight they-re subject to the brightest lights. 9ou may not li?e my eFposes, which is your right. 9ou may thin? it-s not your or anyone else-s business, which is your right. *f * find that it is my business, * can read about it and write about it. .hat-s my right and my freedom. * can roar with laughter or bellow with rage. 3D@ as played by :organ Breeman <hen you-re in command, "raig, command. A3D@ stands. 5e continues to spea? as he swaggers off set, now loo?s wry and mournful over his shoulder, sways easily with the motion of the houseboatC Dne thing * learned in combat0 =ever s?ip a
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page (L of ! pages
chance to eat, sleep, seF with or without another, or peeX another chance may be a long time coming. 3*: as played by ,wight 9oa?am 3oe, controlling success before it controls him. :A6/A as played by "harlotte 6ampling Aimperious, crisp and vivacious against the blue wall, :A6/A sits at the blac? lacNuer table. She sways easily with the motion of the houseboat, her ice tea glass held in the palm of her hand, she sighs, a ship-s diesel engine starts up 'a series of swift chuff, chug, chuf, chug, chuf, chug burstsX :A6/A turns to loo? out the window, its curtains move, abruptly the engine stopsX other sounds now are heardX the slap and lap of waves against the houseboat-s floats and the doc?-s pylons, gulls calling out, and people-s voices and laughter, the diesel engine starts up again chuff, chug, chuf, chug, chuf, chug then settle down. .he smell of diesel, salt, charcoal, marijuana, and iodine are in the air as the ship moves into the Sausalito channel and away towards San Brancisco. She spea?s with a combination of force and tact.C 9es it is. "arol, its also more than the lac? of diversity in female emotions being acceptable rather than these thugs violating the law when they demand you tone it down. Apause, then her tone shifts to entreatinglyC =o. Are some of these 6eno people really that ignorant, indifferent and intolerant+ Seems so with these people. 6@=D >6DD as played by "hristina 6icci Asways easily with the motion of the houseboatX convivial, sly offerC "arol, they just don-t appreciate the values of a volatile, highGstrung, sophisticated, educated lady. =ow me, *m not humble. Since that part of me which is called for convenience 6eno >roo isnt here anymore to step it along, those other parts of me will have to ta?e over, each to his own. >6DD as played @mile 5irsch
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page (O of ! pages
Asways easily with the motion of the houseboatX blagueur, loving teaseC >roo was a going brothel long before you came to town. 4et-s not pass >roo off as the age of enlightenment. 6@=D >6DD as played by "hristina 6icci Aholds her ice tea drin? in the palm of her hand, sways easily with the motion of the houseboat, pets .*,@, she spea?s dryC 6emind me to beat you. >6DD as played @mile 5irsch 9es, dear :yth :a?er. >ut not todayX you-re eFhausted. 3*: as played by ,wight 9oa?am Aput his hands on the table, scratches his ear, then scratches >and7itty-s earC >roo, women and cats do what they doX there is nothing a man can do about it. Apause, he stretches his arms and legs out, eyes 6@=D >6DDC 6eno, just wal?ing through a room you are in should change a boy into a man, either way he-ll wiggle li?e a puppy. 6@=D >6DD as played by "hristina 6icci Asways easily with the motion of the houseboat, crys out in a sly teaseC /et out of that noteboo?, 3im. And, ?iss me li?e you mean it. >6DD as played @mile 5irsch Dne ?issed by 6eno stays ?issed for hours, even if they are wounded, even if she ma?es it brief . . .
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page (% of ! pages Stage 4*/5.S dim. Start :;S*" and V*,@D on big screen, "huc? :angione I http011www.youtube.com1watch+v2w?alEP6?ff*. At end of :;S*" ";6.A*= closes, @nd of Act 1 Scene 1 G <hat the hell does it mean+ Act 1 Scene ( G >est wal?ed on a leash. Start :;S*" tune @nnio :orricone GSiFty Seconds .o <hat+ I http011www.youtube.com1watch+v2ABtmdorK/G;. ";6.A*= open. Dn set are 3D@, "6A*/, 4A"9 3. ,A4.D=, 3*:, 3A:@S, ,6. S.@V@, .6A"9, :D6/A=A, "A6D4, :A6/A, 6@=D >6DD, >6DD, and A4*"@. 3. 7. D4SD= as played by >urt <ard Awal?s on stage, sways easily with the motion of the houseboat, pets >A=,7*..9 and .*,@ in passing, watches himself in the mirrorsC Viva la enlightenment. <hats going on+ Asways easily with the motion of the houseboat, chorus of greetingsC "A6D4 as played by 7ristin ,avis Asways easily with the motion of the houseboat, dryC <ere doing one of our favorite past times, Dlson GGBinding ways to deal with the ignorance, indifference and intolerance of some here. 4A"9 3. ,A4.D= Asways easily with the motion of the houseboat, pets .*,@C Sha?e if off, Dlson, and get your lic?s in when you can. Bind yourself some sweet sonGofGaG guns. 3. 7. D4SD= as played by >urt <ard Asits at bar, swirls his /undlach >undschu "abernet Branc, watches himself in the mirrors, ta?es a drin?, >A=,7*..9 and .*,@ wal? over to him, he pets each of them, puts his glass down on the bar, interrupts while he sways easily with the motion of the houseboat and watches himself in the mirrorsC *m a sweet sonGofGaGgun. "arol, are they addressing you as mister again at the 6eno VA
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page ( of ! pages
hospital+ Spill it, lady. Savvy, mate+ "A6D4 as played by 7ristin ,avis Asways easily with the motion of the houseboat, her eyes are constrained and puHHledC *m in the waiting room, * hate that male only room with its male only 4incoln saying on the wall, and this someone is again wrongly and insensitively calling out :ister prefacing my name. "an you believe it+ >6DD as played @mile 5irsch AA speedboat-s engine roars to life, >6DD sways easily with the motion of the houseboat, he says with lovin teaseC 9es. "arol, a good listener is usually thin?ing about something else. "A6D4 as played by 7ristin ,avis Apause, sways easily with the motion of the houseboat, runs her hand through her hair, disheveling it casually, pause as the speedboat moves out into the Sausalito channel, she spea?s in a friendly toneC /o to hell. >6DD as played @mile 5irsch Apause, sways easily with the motion of the houseboat, smir?s, banters bac? withC 4ater, don-t rush me. 3A:@S as played by 6yan 6eynolds Astands and sways easily with the motion of the houseboat, stiffens and stares ?nowingly, raises his hand and swings it across his body in a long, sweeping gesture, intimate as he brushes his crotch, spea?s seductivelyC Ive never mista?en you for a mister, "arol. A4*"@ as played by 4ucy 4awless
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page ($ of ! pages
AA4*"@ sits on the setteeC And youre *talian. 3. 7. D4SD= as played by >urt <ard Asways easily with the motion of the houseboat, watches himself in the mirrorsC .hat she and you are GG=ordic *talian GGStill the center, the object of all eyes\avidity, lust and just plain sentimental longing. Savvy, mate+ 3A:@S as played by 6yan 6eynolds Ahe stands and swaggers to the settee where he sits neFt to A4*"@. 5e draws A4*"@ to him gently and ta?es her onto his lap and ?isses her on the chee?, then moves her to her feet as he stands up in front of her. .he San Brancisco >ay breeHe stirs the room-s drapes. A4*"@-S eyes flash with amusement as she eyes 3A:@S, she smiles faintly, then her mouth draws down wryly while she grips her arms together in front of herself. 3A:@S win?s at A4*"@, then spea?s seductively to A4*"@ and "A6D4.C Dh, youre both *talian all right GG4oud, chic, colorful, a bundle of energy always moving, gloriously *talian. 3. 7. D4SD= as played by >urt <ard Asways easily with the motion of the houseboat, watches himself in the mirrorsC *talians love their theater, wherever they find it. Savvy, mate+ GG.hose *talians, hot and dar?. 6@=D >6DD as played by "hristina 6icci *talians always sleep in all of one-s guest beds, to ma?e sure of comfort. 3A:@S as played by 6yan 6eynolds A3A:@S loo?s thoughtfully around, pets >A=,7*..9 then pets .*,@, then he sits at the bar. .*,@ sits down on 3A:@S feet. >A=,7*..9 says QwaarrrhR and stropps 3A:@S- shins vigorously bac? and forth a halfGdoHen or so times before moving to other shins.C
6eno, is that the bed or the guest is comforted+
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page !) of ! pages 6@=D >6DD as played by "hristina 6icci Apause, sways easily with the motion of the houseboat, smileC <ellW that depends on the guest doesnt it, 3ames+ Although no matter the guest, * always throw a swell party. 3A:@S as played by 6yan 6eynolds 9ou have honored Veterans, 6eno. All Veterans. ,6. S.@V@ .here are no Pmale or Pfemale graveyards of battle. 3D@ as played by :organ Breeman Awal?s onto setsX sways easily with the motion of the houseboatC Amen. 3. 7. D4SD= as played by >urt <ard Asways easily with the motion of the houseboat, watches himself in the mirrorsC =one but the brave, 3ames. Savvy, mate+ GGAnd who am * to tal?, anyway+ <e are never Qover itR ' any of us. .here is no immunity. .he recurrences come, and leave, and come again ' a month, a year, a lifetime later, and we connect every bit as intensely as we did the first time. A4@E as played by AleF :ins?y .hrough my determination to defy the odds * proved a lot people wrong. :y motivation was the thought of going bac? to wor? and being with my fellow :arines again.
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page !1 of ! pages A4*"@ as played by 4ucy 4awless Asways easily with the motion of the houseboat, soberC .han? you, Steve. 9ou get it. Asways easily with the motion of the houseboat, teaseC 3ames, if you really want to ma?e a billion W the Nuic?est way is to start your own religion. 4A"9 3. ,A4.D= <here grace abounds. .6A"9 as played by >arbara 5ershey Apause, sways easily with the motion of the houseboat, dryC And where honor is almost greater than the pleasure. "6A*/ as played by 6obert Borster 6ailways and churches have their critics but both are ways of getting a man to his ultimate destination. 3D@ as played by :organ Breeman Asways easily with the motion of the houseboat, ta?es a deep breath, spea?s goodG humored, interlaces with dryC Dh stop it *m getting misty. <hen * loo? up, * see people cashing in. * don-t see heaven, or saints or angels. * see people cashing in on every decent impulse and human tragedy. ,on-t tell me /od wor?s in mysterious ways. .here-s nothing so mysterious about it. 5e-s not wor?ing at all. 5e-s playing. Dr else 5e-s forgotten all about us. .hat-s the ?ind of /od the SarahPalins tal? about G a country bump?in, a clumsy, bungling, brainless, conceited, uncouth hayseed. /ood /od, how much reverence can you have for a Supreme >eing who finds it necessary to include such phenomena as phlegm and tooth
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page !( of ! pages decay in 5is divine system of creation+ <hat in the world was running through that warped, evil, scatological mind of 5is when 5e robbed old people of the power to control their bowel movements+ <hy in the world did 5e ever create pain and dangers+ <hy couldn-t 5e have used a doorbell instead to notify us+ :A6/A as played by "harlotte 6ampling Asways easily with the motion of the houseboat, spea?s flat, her voice heavy with ironyC 5ad * been present at the "reation, * would have insisted on the implantation of much more useful tips. 3*: as played by ,wight 9oa?am "ash customers, even gods or wanna be gods, want to be entertained, not amaHed, not instructed, not frightened. 3. 7. D4SD= as played by >urt <ard Asways easily with the motion of the houseboat, watches himself in the mirrorsC .ime staggers on. Savvy, mate+ Stage 4*/5.S dim. Start :;S*" and V*,@D on big screen, "huc? :angione I http011www.youtube.com1watch+v2w?alEP6?ff*. At end of :;S*" ";6.A*= closes, @nd of Act 1 Scene ( G >est wal?ed on a leash. Act , Scene ! G =arcoGterrorism. Start :;S*" tune @nnio :orricone GSiFty Seconds .o <hat+ I http011www.youtube.com1watch+v2ABtmdorK/G;. ";6.A*= open. Dn set are 3D@, "6A*/, 4A"9 3. ,A4.D=, 3*: 9oa?am, 3A:@S, ,6. S.@V@, .6A"9, :D6/A=A, "A6D4, 3. 7. D4SD=, :A6/A, 6@=D >6DD, >6DD, A4*"@, >A=,7*..9, and .*,@. "6A*/ as played by 6obert Borster Asways easily with the motion of the houseboat, he nods, his voice is of maturity, wisdom, eFperienceC <hat is objectionable, what is dangerous about eFtremists such as .he SarahPalins, is not that
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page !! of ! pages
they are eFtreme, but that they are intolerant. 5ey, 6eno. 6@=D >6DD as played by "hristina 6icci *-m ta?ing a bath. "all me later. "6A*/ as played by 6obert Borster /roovy, *-m relieved. 9our simple selfGcentered selfishness has been a haven of stability in an everGchanging world. 6@=D >6DD as played by "hristina 6icci <hy * ?eep the righteous oath better than any of them so never mind the compliments, ,eputy. you still owe me three more stories. .6A"9 as played by >arbara 5ershey 9ou mean -5ippocratic. 6@=D >6DD as played by "hristina 6icci Asways easily with the motion of the houseboat, teaseC Dh, you thin? so, .racy. * ?now these crews better than you do. <hen in doubt, tell the truth. 3. 7. D4SD= as played by >urt <ard Asways easily with the motion of the houseboat, watches himself in the mirrorsC 6esume flan? speed, .racy. Savvy, mate+ Apause, sways easily with the motion of the houseboat, he spea?s with vehemence and is sardonic, watches himself in the mirrorsC 9eahW doorbells GG/od and the military GGDh, * am fine. <ell, not really, * am closer to lousy than fine. 9ou ?now what time it is in the military+ *t-s Nuarter to deadT Savvy, mate+ ,6. S.@V@
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page !& of ! pages Asways easily with the motion of the houseboat, snar?C <ith me it was R<hat+ 5es in to psychiatry+ .hat-s craHyTR :D6/A=A as played by 6ene 6usso Asways easily with the motion of the houseboat, loving teaseC *ts fitting, SteveW 9ou different men are all ali?e. 6@=D >6DD as played by "hristina 6icci Asways easily with the motion of the houseboat, spea?s matterGofGfactC * don-t eFpect anything compleF out of a man. Asways easily with the motion of the houseboat, snar?C :A6/A as played by "harlotte 6ampling 9ou-ll have to eFcuse these men GGthey are themselves today. 3A:@S as played by 6yan 6eynolds Asways easily with the motion of the houseboat, pause, a dog bar?s a couple times then a woman-s voice calls out with laughter Q6ic?, 6ic? boy, come here,R pause, the woman-s voice is fainter as she moves down the doc?, Qattaboy 6ic?.R 3A:@S spea?s flat, taut, controlledC *t-s not professional to let any surprise slow you down. *t will help when we run the :>A-s out of <ashington ,.". and bring bac? the Ph.,-s. 4et us not be guilty of maudlin sympathy for the criminal who, roaming the streets with switchblade ?nife, gun or corporate whiteGcollar crime superior ?nowledge see?ing a helpless prey, suddenly becomes, upon apprehension, a poor, underprivileged person who counts upon the compassion of our society and the laFness or wea?ness or corruption of too many judges to forgive his offense. "A6D4 as played by 7ristin ,avis
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page !L of ! pages
Asways easily with the motion of the houseboat, she nods slow then laughs and says with sass, being very wryC <ell, * do have holes blown in my mind. A4*"@ as played by 4ucy 4awless Ashe shivers, then her manner crisp and vivacious, A4*"@ spea?s in a voice of maturity, wisdom and eFperience as she sways easily with the motion of the houseboatC ,ont we all here+ <ar is a rac?et. *t is the only one international in scope. *t is the only one in which the profits are rec?oned in dollars and the losses in lives. 3. 7. D4SD= as played by >urt <ard Asways easily with the motion of the houseboat, watches himself in the mirrorsC >y the time * reached my final scene with the =avy and its voyage of war discoveries * was crying, Savvy, mate+ GGweeping for the inconsolable losses, the desperate decisions, the long death of innocence. "A6D4 as played by 7ristin ,avis Athrough the windows of the houseboat she watches seagulls as they drove down from the fog ban? and s?y in wild abandon into waves and waves of swells and wonders, one seagull did a silly, pirouetting s?ittering dance as it came in for a landing on the houseboat where it eyes "A6D4 through the window screen, the sounds of the San Brancisco >ay slither, slap, pop, and snap by the screened open windows. "A6D4 turns her head to loo? at 3. 7. D4SD= as she sways easily with the motion of the houseboat, her face eFpressionless, pause, then she murmurs with calm deliberation.C 9ou-re a good man, but *-m afraid you-re an awful fool. <ar is such a manliness issue. 3A:@S as played by 6yan 6eynolds Putting aside all the fancy words and academic doubletal?, the basic reason for having a military is to do two jobs GGto ?ill people and to destroy.
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"6A*/ as played by 6obert Borster Asways easily with the motion of the houseboat, spea?s practical, wistfulC 3ames, * never cared much for military fashion. *t was the girls * li?ed. 3. 7. D4SD= as played by >urt <ard Asways easily with the motion of the houseboat, watches himself in the mirrorsC .hose are pearls that were his eyes. .6A"9 as played by >arbara 5ershey .here is a hole in everything. *t-s how the light gets in. Peace today is the sophistication of the wise modern in a at rare times colossal harsh world. :D6/A=A as played by 6ene 6usso Asways easily with the motion of the houseboat, sad voice of eFperienceC 9ou have to be taught to be some afraids. "6A*/ as played by 6obert Borster <eapons are li?e moneyX no one ?nows the meaning of enough. 3D@ as played by :organ Breeman Amen. 3A:@S as played by 6yan 6eynolds .he military doesn-t start wars. .he politicians start wars. "6A*/ as played by 6obert Borster <ar is more usually a rough, very rough and tumble, development of revisited ideas. 3. 7. D4SD= as played by >urt <ard
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page !% of ! pages
Asways easily with the motion of the houseboat, watches himself in the mirrorsC <ar is always good press, Savvy, mate+ GGand boF office. 3A:@S as played by 6yan 6eynolds ,eath was certainly astonished to see me then in >aghdad. <e actually had an appointment a couple hours later. *n the confusion * got missed over. 3D@ as played by :organ Breeman <hen people spea? to you about a preventive war, you tell them to go and fight it. After my eFperiences, * have come to hate war. 3*: as played by ,wight 9oa?am 3oe, only a green soldier will fight long and hard for a bit of colored ribbon. 3D@ as played by :organ Breeman Amen. 6efusal to ac?nowledge legitimacy is eNuivalent to imposing eFile. =ew faces came\ frightened, unsure faces, and they needed legitimacy fast to get over their dangerous ineFperience. .6A"9 as played by >arbara 5ershey 3ames, ?nowing Penough is not the litmus test of democracy or capitalism but of civil society. 3. 7. D4SD= as played by >urt <ard Asways easily with the motion of the houseboat, watches himself in the mirrorsC *m not sure some of these 6enoites, these Summer Soldiers, really ?now what an *talian is though. Dr post traumatic stress disorder GGDr civil rights. @specially free speech.
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page ! of ! pages "6A*/ as played by 6obert Borster Asways easily with the motion of the houseboat, flatC "ant stand churches, though * appreciate some of their ideas. 3D@ as played by :organ Breeman Amen. 3. 7. D4SD= as played by >urt <ard Asways easily with the motion of the houseboat, watches himself in the mirrorsC 3oe, the best church * was ever in was when * climbed into my sac? after lousy chow, going on watch to glare out at the heaving blac? sea with cup after cup of foul, watery coffee against the aching cold hours and wished for rain for fresh soft water. .here * swayed with the ponderous heave and sin? of the ship, and * was filled with a ?ind of goofy fierce joy at being a member of the crew, ;nited States =avy sailors wor?ing together in this rolling world of L1R steel. ;ntil the terrible moment the general alarm goes off. And you come out of your sac? in a flash of na?ed panic, put on your life jac?et, and the ship heels over sharply as an eFplosion erupts below you followed by the pulsing freight train whoosh of shells passing overhead. 9ou Nuiver, your whole body a sha?ing you cannot stop. .hen you steady down. <ithout feeling you run a new clip into your sidearm and close the flap on your cartridge belt. =ausea and despair hit you and you soa? in sweat then chill to the bone until you steady down again. 9ou somehow survive to fight again the other war GG.he war between weather and salt with steel. 9ou-re forever scrubbing and chipping and painting and holyGstoning all day and half the night bitching li?e a good jac? tar with all ?inds of obscene suggestions. 9our arms throb. .he red rust is everywhere. *t-s all =aval procedures, the =avy is big on procedure, and how you react to it all as patriotism and babying and bullying
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page !$ of ! pages
repetition flares up all around you li?e 6oman candles to ma?e you a hero. A minor hero of course GG<ith casual poise for vulgar behavior GGAfter all, it-s history, and we-re part of it. Savvy, mate+ ,6. S.@V@ .hose issues are eFactly why no easy problems ever come to a Senator of the ;nited States. *f they are easy to solve, somebody else has solved them. :D6/A=A as played by 6ene 6usso Asways easily with the motion of the houseboat, voice of eFperienceC ,ifficulties always argue for themselves. 3. 7. D4SD= as played by >urt <ard Asways easily with the motion of the houseboat, watches himself in the mirrorsC 5ow about the gulf between the corporate smug complacency and the angry alienated maladjusted returning Veteran+ >6DD as played @mile 5irsch Asways easily with the motion of the houseboat as he moves to loo? out at a window where he sees a seal gracefully swirling and gliding through the San Brancisco >ay swells, he then smiles, turns, ma?es a short bow from the waist to ,6. S.@V@, pauses and then says to ,6. S.@V@.C Steve, yall gonna be a roc?in senator. =obody can get the truth out of me because even * don-t ?now what it is. * ?eep myself in a constant state of utter confusion. ,6. S.@V@ Asways easily with the motion of the houseboat, dryC Probable impossibilities are to be preferred to improbable possibilities. <e have ban?rupted
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page &) of ! pages ourselves in the vain search for absolute security. 3*: as played by ,wight 9oa?am =othing is impossible, only mathematically improbable. :D6/A=A as played by 6ene 6usso Asways easily with the motion of the houseboat, wryC ,r. Steve, <inter Soldier, ma?es wise and gnarly distinctions. 6@=D >6DD as played by "hristina 6icci Asways easily with the motion of the houseboat, giggles then cries out in a broad drawlC 9ooou the maaaan, doc. ,6. S.@V@ Asways easily with the motion of the houseboat, chuc?lesC .ell that to the () percent of the population who are against everything all the time. 4A"9 3. ,A4.D= Awal?s across the rich, ruddy, gloss mahogany 1 redwood 1 walnut floor while she sways easily with the motion of the houseboat, spea?s in a sour toneC .he SiFties came, the SiFties went0 <e let the court appoint a president. 3. 7. D4SD= as played by >urt <ard Asways easily with the motion of the houseboat, watches himself in the mirrors, ironic, grins, goodG natured growlC "heer up. .he day is young. Sometimes .he <indbag is right. Sometimes .he Aphorist is wrong. *t is a tough world.
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page &1 of ! pages
"6A*/ as played by 6obert Borster Asways easily with the motion of the houseboat, Nuiet fervorC And thats another reason why * wrote GG >ecause it is a tough world. * wrote my stories to have a positive impact on my community and ma?e it a better place to live. .here are all ?inds of newspapers, pamphlets and magaHines that posture their advertising as articles and stories. * dont do that. * want to publish in great newspapers and blogs that are successful and enduring that create a Nuality wor? environment that encourages employees and their freelance writers to grow professionally while respecting personal welfare. *t is never my job, editors jobs or other freelance writers jobs to promote any business, or individual, be it or they local, big or small. *ts not my job to pretend objectivity or balance or that * can be absolutely comprehensive. *t is my job to write about my eFperiences from my idiosyncratic and independent point of view and to be honest as possible. *f * have a conflict of interest, * avoid or disclose them. * write for my readers and nobody else. * dont ?now how else to say this0 * put out the best stories * can with the ?nowledge, that * have verified, and resources * have. 3D@ as played by :organ Breeman <hat we call war does not come into us from the outside, but emerges from within us. 3*: as played by ,wight 9oa?am After all Sgt. 3oe, according to your file, you-re a psychopathic personality with schiHophrenic delusions, suffering from recurring amnesia based on traumatic repression leading to outbursts of antisocial and violent behavior. 3D@ as played by :organ Breeman
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9ou hope. *-m rationally careful. * need a drin?. >6DD as played @mile 5irsch Please bear in mind that the management does not permit me to serve alcoholic beverages other than for purposes of seduction. Savvy, mate+ .6A"9 as played by >arbara 5ershey .homas SHasH is best ?nown for his boo? .he :yth of :ental *llness, in which he argues that soGcalled Ppsychological disorders are not really illnesses at all but only labels onto normal behaviors through which governments and the capitalistic medical profession try to eFercise social control GG5omoseFuality being a clear eFample. 3D@ as played by :organ Breeman A3D@ sways easily with the motion of the houseboat, he says to 3*: with snar?C 3im, * only attempt to rule the world on my days off. Savvy, mate+ Asways easily with the motion of the houseboat, says to .6A"9C .racy, in individuals, insanity is rareX but in groups, parties, nations and epochs, it is the rule. "6A*/ as played by 6obert Borster <ar is something barbarous, for it constructs novelty without reason and replication without benefit. 4i?e that really unintelligent insane dont as? dont tell. 3. 7. D4SD= as played by >urt <ard Asways easily with the motion of the houseboat, watches himself in the mirrorsC So seNuence, no causality. .ableauGflashes li?e
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page &! of ! pages
camera stills. * thought * was going overboard W a towering plume of boiling water five stories high so close you could touch it, when the gay guy, ship-s coo? and ba?er, moved in to safety hoo? me and * thought for a craHy moment we were both going from a shattering eFplosion aft then the whole bridge heeling over and debris raining down on us. Sam pulled me bac? and we turned to see our fantail a mass of smo?ing, twisted wrec?age. A near miss right off the port bow then almost too? us over and as * turned * saw he was covered in blood. So was * from the loo? on Sam-s face. Brom below the well dec? came a detonation and a pureGwhite flame pillar. .he ship shuddered and leaped and we all went sprawling as the dec? tilted. Brom the hatchway came a terrible hissing, gurgling sound and off to the side the sea began its heaving, bubbling blac? wall rise towards us. Sam only said, -we-re going to be swimming in a few minutes. .hat-s gonna ruin my ma?eup.- * started laughing uncontrollably as he really meant it. 3D@ as played by :organ Breeman Dut of life-s school of war0 <hat does not destroy me ma?es me stronger. "6A*/ as played by 6obert Borster And if you gaHe for long into an abyss, the abyss gaHes also into you. :any a man fails as an original thin?er simply because his memory is too good. Savvy, mate+ 3. 7. D4SD= as played by >urt <ard Asways easily with the motion of the houseboat, watches himself in the mirrorsC * felt detached, disembodied, as if all moorings had been slipped. Sam got us over the side, and the water was an icy shoc?. <e were gagging and pu?ing from the oil in the water. Plans, dreams, memories, buddies, down in the deep siF. .hat-s my story and *-m stuc? with it. /raHie
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page && of ! pages mille, signore. :ille graHie. .6A"9 as played by >arbara 5ershey Asways easily with the motion of the houseboat, with sympathy and affectionC ;n amico, caduto. Asways easily with the motion of the houseboat GG5er hands ma?e a swift, eloNuent pantomime\a plane spiraling down and down and downC .here is always some madness in war. >ut there is also always some reason in madness. Savvy, mate+ 3A:@S as played by 6yan 6eynolds Ah, poveretto . . . 9eah, * hear you. Dlson and * just came from a Veterans meeting. .here * saw one of those Summer Soldiers, a state employee, tell a Veteran in desperate need of assistance to shut up and how stupid the Veteran is. 3ust li?e that. .hin? how that Veteran feels who sacrificed so much of their mental and physical health to now hear another American citiHen trample on this Veterans civil rights. A4@E as played by AleF :ins?y 6emember that when you are doing the right things even when you dont want to, good things will happen. 3. 7. D4SD= as played by >urt <ard Asways easily with the motion of the houseboat, watches himself in the mirrorsC .hat does seem the 6eno way of treating Veterans. ,r. 7urt <. Schlegelmilch, director of the 6eno Veterans :edical "enter, still today continues his crass closedGdoor policy to Veterans. .hese are reasons why people are now leaving 6eno in droves. Savvy, mate+
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page &L of ! pages 3D@ as played by :organ Breeman Asways easily with the motion of the houseboat, dryC ,r. 7urt <. Schlegelmilch never sees anyone in his office while he-s in his office. Schlegelmilch is indefatigable that way, an industrious, intense, dedicated military tactician who calculates day and night in the service of him. And has an unreasonable belief that everybody around him is craHy, with a homicidal impulse to machineG gun strangers, retrospective falsification, and an unfounded suspicion that people hate him and are conspiring to ?ill him. 5e won-t help anybody. .hat-s one of the reasons he-ll go farW out the door and away. A4@E as played by AleF :ins?y ,ont be a ?nuc?lehead, and ?eep it simple. 3A:@S as played by 6yan 6eynolds Asways easily with the motion of the houseboat, glorious whisperC .hat-s the way things go when you elevate mediocre people to positions of authority. *n the :arine "orps, ran? represents more than the chain of command. :arines constantly strive to achieve, and every success demonstrates commitment to the mission and to fellow :arines. @ach :arine "orps ran? confirms that the men and women who wear it have earned greater leadership and responsibility. 3. 7. D4SD= as played by >urt <ard Asways easily with the motion of the houseboat, watches himself in the mirrorsC <hat really raises one-s indignation against suffering is not suffering intrinsically, but the senselessness of suffering. 4A"9 3. ,A4.D= * just wanna ease my mind here. Briend 6eno
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page &O of ! pages
VA 5ospital ,irector ,r. 7urt <. Schlegelmilch, you might want to as? yourself first. Am * standin ?nee deep in the river and dyin of thirst+ :A6/A as played by "harlotte 6ampling Prejudice is the child of ignorance. Savvy, mate+ .6A"9 as played by >arbara 5ershey /o about with your middle finger up and people will say you-re vulgarX go about with your little finger out, and people will cultivate your acNuaintance. 3D@ as played by :organ Breeman <hen a person can no longer laugh at himself, it is time for others to laugh at him until hes laughing with them. "6A*/ as played by 6obert Borster /ive up philosophy because *-m an old man+ *t-s at the end of a race that you brea? into a burst of speed. 3A:@S as played by 6yan 6eynolds :y country correct or in the wrong W if correct, to be ?ept correct W if in the wrong, to be set correct. 3D@ as played by :organ Breeman Amen. ,6. S.@V@ <hen my theory of drug legaliHation is proven correct, America will claim me as an American and the =etherlands will declare that * am a citiHen of the world. Should my theory prove untrue, which it wont, the world will say * am
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an American and America will say *m in the =etherlands. .6A"9 as played by >arbara 5ershey >ravo ,r. Steve. <hich side do you cheer for+ ,o you cheer loo?ing bac? to where you came from+ ,o you cheer for where you are+ ,o you cheer for where you are going+ A4@E as played by AleF :ins?y * am always striving to be a better version of the old me. ,6. S.@V@ *m on the side of drug legaliHation because when you have eliminated the impossible, whatever remains, however improbable, must be the truth. ,rug legaliHation is the truth. 6@=D >6DD as played by "hristina 6icci <hen legaliHing, always cheer, never insult more than siF men when all you have is a siFG shooter. <hat part of having a soldier or sailor or airman in the house is an eighty or so year wee?end stay over does ,r. 7urt <. Schlegelmilch miss+ 4A"9 3. ,A4.D= Sometimes you just need someone pon whom you can depend. 9ou recogniHe a true friend by how he lies to you. 3. 7. D4SD= as played by >urt <ard Asways easily with the motion of the houseboat, watches himself in the mirrorsC ,r Schlegelmilch, dont ma?e us imaginary evils, when you ?now we have so many real ones to encounter. Savvy, mate+ 6eno, what ma?es you so feisty+
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page & of ! pages 6@=D >6DD as played by "hristina 6icci <hen you-re as small as * am and female, if you don-t stand up for your rights, you-re sure to be pushed around by big, hairy, smelly men named something li?e Steve or Dlson or @l or .ony or 7urt with delusions about male superiority. 3. 7. D4SD= as played by >urt <ard *-m not one to insist on prettiness as long as a girl-s heart is pure. 6@=D >6DD as played by "hristina 6icci <hy W 3. 7. D4SD= as played by >urt <ard Asways easily with the motion of the houseboat, watches himself in the mirrors, interruptsC >ut since your heart isn-t all that pure gold, it-s nice you-re prettyGG and gorgeous and seFy and lively and a bloodthirsty little wench with clean nails and putatively clean mind, a rich plenitude for as many husbands and lovers as you choose. A3. 7. D4SD= moves up the stairs to the dec? where he tends the barGbGNueC ,6. S.@V@ Asways easily with the motion of the houseboat, watches 3. 7. D4SD=, sniffs the smell of the charcoal, says matterGofGfactC <e havent got the gold, the money, so we got to thin?. .he reasonable people reasonably adapt themselves to the world. .he unreasonable person persists in unreasonably trying to adapt the world to them. .herefore, all tal? and action depends on the unreasonable person learning to be reasonable. >6DD as played @mile 5irsch
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page &$ of ! pages Asways easily with the motion of the houseboat, loo?s speculatively at 3D@ C <hoever 3oe was or is or what he was or is and no matter how craHy and different he seemed, he was and is not craHy. 5onest conceit is better than false modesty. Savvy, mate+ 6@=D >6DD as played by "hristina 6icci ,on-t always follow the crowd, because nobody goes there anymore. *t-s too, well, crowded. 4A"9 3. ,A4.D= Sometimes you just need someone pon whom you can depend. "A6D4 as played by 7ristin ,avis *snt to be impartial is to have ta?en sides already with the status Nuo+ 3A:@S as played by 6yan 6eynolds Peace with a >ig "lub >ac?up is the side to ta?e. 6owdy Peace is part of Society and its traditions\6owdy Peace, li?e Politics, li?e "ountry :usic, Pop and "amp, has its uses. "6A*/ as played by 6obert Borster Asways easily with the motion of the houseboat, cynicalC Stay alert \ you can observe a lot by watching. Any idiot can face a crisis. *t is this dayGtoGday living that wears you out. A4*"@ as played by 4ucy 4awless Asways easily with the motion of the houseboat, behind scrim 6@=D VA police chief plays his roleC * was in my usual dress and high heels. A man was standing behind the fourGfoot pony wall at the 6@=D VA hospital. 5e watched me as * drove in, par?ed and started to wal? in. 5e had
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page L) of ! pages
on a uniform shirt, and as he stepped out and wal?ed towards me, * noticed he was a VA policeman, although a short and fat one. 5e tossed a cigarette down, then spit onto the ground as he strutted towards me. As * stepped from the crosswal? onto the sidewal?, he ordered me to Q5alt.R * warily did. Q<hat are you doing here,R he demanded from me. Q*m here for an appointment.R 5e shoo? his head and said, Q9ou cant par? here. /o move your car.R * said again, Q>ut, *m here for an appointment.R Q.hat lots for our Veterans. :ove your car.R he replied. Q* am a Veteran,R * told him as * started to wal? not wanting to be late for my appointment with 8ola Berguson. 5e stepped in front of me, bloc?ing me, Q=o, youre not. Dur Vets are old alcoholic men. =ow move your car.R * went for my VA *,, he went for his gun. Q=ow move your car,R he bar?ed. * moved my car. * was late to my appointment. * tried to complain to the :edical ,irector, but he wouldnt see me. <hat part of there are also lady Veterans dont they understand+ 3*: as played by ,wight 9oa?am A real police comedy of manners there. 4A"9 3. ,A4.D= .he SiFties came, the SiFties went. 4isten to the wind and the drivin- rain. 4isten close and you-ll hear -em sayin- that what goes -round will come around again. ,6. S.@V@ 4acy, you are so correct. @ven a purely moral act that has no hope of any immediate and visible political effect can gradually and indirectly over time, gain in political significance. "6A*/ as played by 6obert Borster /roovy Steve. .odays governments, businesses
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or religions that dismiss or ignore consumers do so at their own ris?. .he *nternet is free at public libraries, free at many businesses and free to anyone that wants to crawl on to it from a nearby wireless connection. "onsumers of these goods and services more often than not relate bad eFperiences over good eFperiences. @Fercising their freedom of speech rights where legal and illegal in other countries, they not only spell out and lin? the offending business name and location, but also the offending employees and1or owners names and locations. A4*"@ as played by 4ucy 4awless "raig, one should always sleep in all of one-s guest beds, to ma?e sure that they are comfortable. :A6/A as played by "harlotte 6ampling .he lesser evil usually lasts longer. 6@=D >6DD as played by "hristina 6icci =o one can ma?e you feel inferior without your consent. 3D@ as played by :organ Breeman 5istory, li?e beauty, depends largely on the beholder. * lost my definition of right, correct, morals and courage after seeing someone-s insides spill out all over the plane. * then decided to live forever or die in the attempt, and my only mission each time * went out was to come bac? alive. 3*: as played by ,wight 9oa?am 3oe, only those who go out beyond the end of street lights and pavement ?now how such things can happen. Savvy, mate+ 4A"9 3. ,A4.D=
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page L( of ! pages
* just wanna ease my mind here. Briend 6eno VA police chief, you might want to as? yourself first. Am * standin ?nee deep in the river and dyin of thirst+ 3D@ as played by :organ Breeman Amen. ";6.A*= down. @nd of Act 1 Scene ! =arcoGterrorism. Act ,, Scene 1 G A fight between two bald men over a comb. Start :;S*", "hris *saa? ' >aby ,id a >ad >ad .hing I http011www.youtube.com1watch+v2a%a!L/nfP.c. ";6.A*= opens to same set. PSnow continues to Pfall through the stage lights giving more spatiality and dimension to the set. "6A*/ and 3D@ are front. A partially depleted bottle of 3im >eam is between them, an ice sha?er neFt to it. >6DD and 6@=D >6DD are bac?ground. 3D@ as played by :organ Breeman Acircles his glass of sha?en not stirred bourbon with crushed spearmint leavesC "raig, just promise me one thing, o?ay+ "6A*/ as played by 6obert Borster Asways easily with the motion of the houseboat, drin?s, holds the glass in the palm of his hand.C Sha?en not stirred bourbon is still groovy. *t was good enough for Bran? so * smartly figured good enough for me. *t was :olly that thought to add the bruised mint leaves during her pregnancy. :int was one of her cravings, hold the alcohol. *ts a promise, Sergeant. <hat+ 3D@ as played by :organ Breeman A@motions travel across his faceC Stic? around, all right+ "6A*/ as played by 6obert Borster 9ou can depend on me, 3oe.
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page L! of ! pages
3D@ as played by :organ Breeman <hat * mean is, dont go away. ,ont let any cars or trains run over you or fall off a cliff. "6A*/ as played by 6obert Borster 9ou can depend on me, Sergeant. Put that in your pipe and smo?e it, 3oe. 3D@ as played by :organ Breeman *ts not you * worry about. *ts some of the people that run things. =ew generations Nuestion the old wars, but follow Healously the new. "6A*/ as played by 6obert Borster /otcha. *t is terrifying to totter into war. .heres been two times in my adult life that * wanted my mother. .he first was during and just after the =avy. 3D@ as played by :organ Breeman *ts rites and ceremonies. "6A*/ as played by 6obert Borster .he second was divorce. A4*"@ as played by 4ucy 4awless Asaunters on stageC "iao. A wee? isn-t a long honeymoon and it-s an awfully short married life. 3D@ as played by :organ Breeman *ts discoveries and revelations. "6A*/ as played by 6obert Borster 4i?e to avoid siFGfoot stumbles.
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page L& of ! pages 3D@ as played by :organ Breeman *ts illuminations and intuitions. :D6/A=A as played by 6ene 6usso Awal?s on set with ,6 S.@V@, sways easily with the motion of the houseboatC 5ow are you <inter Soldiers doing+ Aging is a definite reason for using marijane over bourbon. Savvy, mates+ "6A*/ as played by 6obert Borster Asways easily with the motion of the houseboat, ta?es a hit off a Vapolution, passes it to 3D@C * cover both bases. Savvy, mate+ Asnar?C *t is a far, far, far better thing to have a firm anchor in nonsense than to put out on the troubled sea of thought. ,6. S.@V@ AhumorC * resemble that. :y goal now as a medical doctor is to change all drug policy to regulate, control and taF drugs, as they have done with such great achievements in the =etherlands. "6A*/ as played by 6obert Borster /roovy. Put that in your pipe and smo?e it. 4A"9 3. ,A4.D= Awal?s on set with :A6/A, 3A:@S, .6A"9, and 3*:C * love it. 9oure telling pot jo?es+ :D6/A=A as played by 6ene 6usso
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page LL of ! pages
<e are. <e are indeed telling pot jo?es. * was 1% years old when * enlisted in the ;nited States Air Borce. 1% years old is young and stupid. :y Birst Sergeant turned me on to every drug then, courtesy of our "aptain. * then bought land in a state where marijane is legal and * leased out to a marijane farmer. <e were all so scared the base psychiatrist had us on a variety of pharmaceuticals, including marijane. A man on marijane is lovely while a man on alcohol is well, useless. ,6. S.@V@ :arijuana is the most mellowing drug out there. <e should be issuing it to prisoners, as it would ?eep violence way down. A4*"@ as played by 4ucy 4awless <hat do you call to?in- a doobie with your friends+ 3. 7. D4SD= as played by >urt <ard sways easily with the motion of the houseboat, watches himself in the mirrors, ?isses his wife A4*"@C A joint effort. <ant to go do a joint effort with a Veteran+ >6DD as played @mile 5irsch Ato 3. 7. D4SD=C She loves you, Dlson. She really does. /od ?nows why. Ato A4*"@C >ut you didn-t let yourself be divorced Nuietly the way you were supposed to. 9ou-re a troublema?er. 5e loves you, but that does not mean that he will tell you the truth or always act in your interest.
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page LO of ! pages
Stay alert. A4*"@ as played by 4ucy 4awless Ato >6DDC /o ta?e your nap Agente Provocateuse. Savvy, mate+ .6A"9 as played by >arbara 5ershey Asmiles to her husband 3A:@SC A friend with weed W 3A:@S as played by 6yan 6eynolds *s a friend indeed. *f you will indulge me, want to get friendly with a Veteran Agente Amoureuse+ A?isses wife .6A"9C ";6.A*= down. Start :;S*" tune 5enry :ancini G @Fperiment in .error I http011www.youtube.com1watch+v29SemVL5DH)@. ";6.A*= closes. @nd of Act ( Scene 1 G A fight between two bald men over a comb. Act ,, Scene ( G >anal >ogy. Start :;S*" tune 3ust ,ropped *n G 7enny 6ogers M .he Birst @dition I http011www.youtube.com1watch+v2yhD7h3a:1K@]. Dn set0 3D@, "6A*/, 3*:, 3A:@S, .6A"9, :D6/A=A, "A6D4, 3. 7. D4SD=, 6@=D >6DD, >6DD, :A6/A and A4*"@. PSnow continues to Pfall through the stage lights. 3D@ as played by :organ Breeman Pooh began to feel a little more comfortable, because when you are a >ear of Very 4ittle >rain, and you .hin? of .hings, you find sometimes that a .hing, which seemed very .hingish inside you, is Nuite different when it gets out into the open and has other people loo?ing at it. .hats the moral law within.
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3. 7. D4SD= as played by >urt <ard Asways easily with the motion of the houseboat, watches himself in the mirrorsC <ho is to guard the guards themselves+ "A6D4 as played by 7ristin ,avis .rust but verify. A4*"@ as played by 4ucy 4awless Always\for when truth loses its temper, it eFaggeratesT 3. 7. D4SD= as played by >urt <ard Asways easily with the motion of the houseboat, watches himself in the mirrorsC .hat is why human diversity ma?es tolerance more than a virtueX it ma?es it a reNuirement for survival. .olerance is being indifferent to things that are none of your bloody business. 3D@ as played by :organ Breeman ,amn right about that. :ore Bear and 4oathing in 4as Vegas by 5unter S. .hompson <hy not+ :ove confidently into their midst. Still 4ife with <oodpec?er by .om 6obbins. 3itterbug Perfume by .om 6obbins. S?inny 4egs and All by .om 6obbins. Another 6oadside Attraction by .om 6obbins [.here are three mental states that interest me[, said Amanda, turning to the liHard door?nob. .hey are0 one, amnesiaX two euphoriaX three ecstasy.[ She reached into the cabinet and removed a small green bottle of waterGlily pollen. [Amnesia is not ?nowing who one is and wanting desperately to find out. @uphoria is not ?nowing who one is and not caring. @cstasy is ?nowing eFactly who one is G and still not caring.[ Bierce *nvalids 5ome from 5ot "limates by .om 6obbins. 5alf Asleep in Brog Pajamas by .om 6obbins. @ven "owgirls /et the >lues by .om 6obbins. 5unter S. .hompson and .om 6obbins ?nows Nuir?.
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page L of ! pages 6@=D >6DD as played by "hristina 6icci 3oe, our Papa ,ada. Still, military relations are li?e seFual relations. *ts legal only between consenting adults. >etter too. 3A:@S as played by 6yan 6eynolds <hat the American public wants, is wars with happy endings. "6A*/ as played by 6obert Borster Viet =am worth seeing as a tourist, yesX but not worth going to see as a poor boy sent off to fight rich mens wars. :D6/A=A as played by 6ene 6usso :en travel in search of what they need only to return home to find it. 4ife long friends are the best. All those deep roots grew into much diversity, sophistication, compleFity, and elegance. :A6/A as played by "harlotte 6ampling .ravel, li?e all education, is fatal to prejudice, bigotry and narrowGmindedness. .hat includes .ime .ravel. 3. 7. D4SD= as played by >urt <ard Asways easily with the motion of the houseboat, watches himself in the mirrorsC Absolutely. @ducation is the significant tribute that Power pays to 6eason. *t was because of the education gained in their travels that four nations flushed with victory and stung with injury stayed the hands of vengeance and voluntarily submitted their captive enemies to the judgment of the law. 3D@ as played by :organ Breeman
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*t is one thing to show a man that he is in error, and Nuite another to put him in possession of truth or conseNuences. Savvy, mate+ >6DD as played @mile 5irsch And do it in todays gadgetGfilled paradise suspended in a hell of simultaneous worldwide indifference and Peeping .oms G a world of communities not eFactly hostile and not eFactly friendly, just indifferent and intrusive, until given a reason to be otherwise. .6A"9 as played by >arbara 5ershey .he true ;niversity is always boo?s. >oo?s in a place of light, liberty, of learning and touches of vulgarity. Vulgarity has its uses. Vulgarity often cuts ice which refinement scrapes at vainly. Same for ?itsch GG >oth are integral parts of the human condition. :D6/A=A as played by 6ene 6usso .he value in education is not in training and in facts, but in ending up with a mind that remembers only when needed whats in the boo?s and also thin?s of what is =D. in the boo?s. .hin? ,ifferentT 3D@ as played by :organ Breeman .wenty years after we left Viet =am, our then Secretary of ,efense, 6obert :c=amara wished he and others had acted then differently with Viet =am, when he said, Q<e acted according to what we thought were the principles and traditions of this nation. <e were wrong. <e were terribly wrong.R "6A*/ as played by 6obert Borster * remember it was in 1$O$ than President 6ichard =iFon said, Q4et us understand0 =orth Viet =am cannot defeat or humiliate the ;nited States. Dnly Americans can do that.R =ot true.
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.hats just simply not true. <e need to ?now upfront that defeat and humiliation is always a chance in war, which is why its always better not to go to war. *n violence we forget who we are. A blow in cold blood neither can nor should be forgiven only learned to live with. 3. 7. D4SD= as played by >urt <ard Asways easily with the motion of the houseboat, watches himself in the mirrorsC *t is true\one must ?now the limitations of forceX one must ?now when to blend force with a maneuver, a blow with agreement. 3A:@S as played by 6yan 6eynolds *n war0 resolution. *n defeat0 defiance. *n victory0 magnanimity. *n peace0 goodwill. 6@=D >6DD as played by "hristina 6icci :a?e love when you can. *t-s good for you. Savvy, mate+ 3D@ as played by :organ Breeman * need massive Nuir? to get me through the night. A classic eFample why is only in America G do drugstores ma?e the sic? wal? all the way to the bac? of the store to get their prescriptions while healthy people can buy cigarettes at the front. "onspiracy ,reaming .o the tune of "alifornia ,reamin all the views are down and the drone is bait *-ve been for a loo? At >6DD hey. *-d be drun? and warm if * had the bars ?eys "onspiracy ,reamin- At >6DD hey. stopped into a bar * passed along the way well, * got down on my ?nees just to face the day. you ?now @l / li?es the bold @l ?nows *m gonna stay "onspiracy ,reamin- At >roo<aha hey. all the views are down and the drone is bait *-ve been for a loo? At >6DD hey. if * didn-t drin? here * could leave today "onspiracy ,reamin- At >6DD hey. GGGG Anyway, changing lyrics was
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something we learned in =am to hide our fear. 3. 7. D4SD= as played by >urt <ard Asways easily with the motion of the houseboat, watches himself in the mirrorsC =othing of him doth fade but doth suffer a seaG change . . . 3*: as played by ,wight 9oa?am * save a lot of things, but * weed through them from time to time. * li?e to thin? of myself as an orderly pac?Grat. 3A:@S as played by 6yan 6eynolds * stood as close to the edge as * can without going over . . . Dut on the edge you see all the ?inds of things you can-t see from the center. 3D@ as played by :organ Breeman *t is a very miFed blessing to be brought bac? from the dead. <hy me+ 3*: as played by ,wight 9oa?am 4et^s see if we^re able to live among the living, wal? among the living.^ And proving lifes own timelessness. 3. 7. D4SD= as played by >urt <ard Asways easily with the motion of the houseboat, watches himself in the mirrorsC .hat is a very human Nuestion to as?, Sgt. 3oe. <hy you+ <hy us for that matter+ <hy anything+ >ecause this moment simply is. 5ave you ever seen bugs trapped in amber+ 3D@ as played by :organ Breeman 9es. 3. 7. D4SD= as played by >urt <ard
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Asways easily with the motion of the houseboat, watches himself in the mirrorsC <ell, here we are, Sgt. 3oe, trapped in the amber of this moment. .here is no why. "6A*/ as played by 6obert Borster Asways easily with the motion of the houseboat, humorC .rue, Dlson. .rue terror now is to wa?e up one morning and discover from your wife that her high school math class is now running the country. "5D6;S Asways easily with the motion of the houseboat, laughterC 3A:@S as played by 6yan 6eynolds Seriously. <e could have saved the world, several times over, but we were too damned corrupt. <e were even ordered to burn boo?s. * cried GG it was damn creepy to burn a boo?. =ever again. >6DD as played @mile 5irsch 3ames GGand on the subject of burning boo?s0 * want to congratulate librarians, not famous for their physical strength or their powerful political connections or their great wealth, who, all over America, have staunchly resisted antiG democratic bullies who have tried to remove certain boo?s from their shelves, and have refused to reveal to thought police the names of persons who have chec?ed out those titles. So the America * love still eFists, if usually in the <hite 5ouse and the Supreme "ourt and the Senate and the 5ouse of 6epresentatives and the media. .he America * love also still eFists at the front des?s of our towns 6D"7*= public libraries. :D6/A=A as played by 6ene 6usso
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A first grader should understand that his or her culture isn-t a rational inventionX that there are thousands of other cultures and they all wor? pretty wellX that all cultures function on faith rather than truthX that there are lots of alternatives to our own society. "ultural relativity is defensible and attractive. *t-s also a source of hope. *t means we don-t have to continue this way if we don-t li?e it. .6A"9 as played by >arbara 5ershey .hat-s one thing many Veterans have learned to do0 Put aside the awful times and concentrate on the good ones. :A6/A as played by "harlotte 6ampling .he last thing * ever wanted was to be alive when the three most powerful people on the whole planet would be named >ush, ,ic? and "olon. A4*"@ as played by 4ucy 4awless :arga, a politician is a tourist who behaves shoc?ingly indecent in the decent society theyre visiting. A4@E as played by AleF :ins?y * would tell them to learn from their mista?es but dont dwell on the past and ?eep pushing forward one day at a time. "A6D4 as played by 7ristin ,avis .here is no reason why good cannot triumph as often as evil. .he triumph of anything is a matter of organiHation. *f there are such things as angels, * hope that they are organiHed along the lines of the :afia. .he American military should also ta?e note. A4*"@ as played by 4ucy 4awless
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Dnly to the eFtent that its ideas are humane, "arol. 6@=D >6DD as played by "hristina 6icci Asways easily with the motion of the houseboat, cynicC Dne of the few good things about modern times0 if you die horribly on television, say the 6eno police sadly thin? Sergeant 3oes a craHed Viet =am Vet and shoot him down in cold blood on the O0)) news, 3oe will not have died in vain. 3oe will have entertained us. .hats what some always thin? war is, entertainment, until they get up close and personal with war. >6DD as played @mile 5irsch *t may be raining outside but inside its entertaining. Anyway GG because we are >roosters, we don-t have to wait for some communications eFecutive to decide what we should thin? about neFt GG and how we should thin? about it. <e can fill our heads with anything from aardvar?s to Hucchinis GG at any time of night or day. 6@=D >6DD as played by "hristina 6icci * say let-s get bac? to the good oldGfashioned Birst Amendment of the good oldGfashioned "onstitution of the ;nited States GG and to hell with the censorsT /ive me ?nowledge or give me deathT >6DD as played @mile 5irsch Asways easily with the motion of the houseboat, teaseC And they gave her death. Savvy, mates+ <omen are so useless and unimaginative, aren-t they+ All they ever thin? of planting in the dirt is the seed of something beautiful or edible. .he only missile they can ever thin? of throwing at anybody is a bridal bouNuet, or an occasional
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plant, dish, vase, etc etc etc. 3. 7. D4SD= as played by >urt <ard Asways easily with the motion of the houseboat, watches himself in the mirrorsC *f you can do no good, then do no harm. :A6/A as played by "harlotte 6ampling 3ust because Americans can read, write and do a little math, doesn-t mean that Americas entitled to conNuer the world. "A6D4 as played by 7ristin ,avis *n case you haven-t noticed, as the result of a shamelessly rigged election in Blorida, in which thousands of African Americans were arbitrarily disenfranchised, we now present ourselves to the rest of the world as proud, grinning, jutG jawed, pitiless warGlovers with appalling powerful weaponry G who stand unopposed. 6@=D >6DD as played by "hristina 6icci *n case you haven-t noticed, since >ushco we are now as feared and hated all over the world as the =aHi-s once were. :D6/A=A as played by 6ene 6usso And with good reason. 3D@ as played by :organ Breeman >loody right. .he first night * sat in a jungle in =am, waiting to be ?illed, sopping wet * was, then * had my blinding revelation0 * discovered * was a coward. .hats my new religion. *m a coward. *m a big believer in it. "owardice will save the world. 3. 7. D4SD= as played by >urt <ard Asways easily with the motion of the houseboat, watches himself in the mirrorsC
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6ational choice. *n case you haven-t noticed, our unGelected corporate puppet leaders have dehumaniHed millions and millions of human beings simply because of their religion and race. <e wound -em and ?ill -em and torture -em and imprison -em all we want. :A6/A as played by "harlotte 6ampling Piece of ca?e. 3A:@S as played by 6yan 6eynolds *n case you haven-t noticed, Americans also dehumaniHe their own soldiers, not because of their religion or race, but because of their low social class. .6A"9 as played by >arbara 5ershey Send -em anywhere. :a?e -em do anything. >6DD as played @mile 5irsch Asways easily with the motion of the houseboat, sarcasmC Piece of ca?e. A4*"@ as played by 4ucy 4awless Asways easily with the motion of the houseboat, snar?C .he D-6eilly Bactor. 3. 7. D4SD= as played by >urt <ard So * am a man without hope, eFcept for the librarians. "A6D4 as played by 7ristin ,avis Asways easily with the motion of the houseboat, snar?C >ut, before America attac?ed to invade *raN, the majestic [=ew 9or? .imes[ guaranteed there
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were weapons of destruction there. Savvy, mate+ 4A"9 3. ,A4.D= Asways easily with the motion of the houseboat, voice from off stageC <ar is now a form of .V entertainment, and what made the Birst <orld <ar so particularly entertaining were two American inventions, barbed wire and the machine gun. 3. 7. D4SD= as played by >urt <ard Asways easily with the motion of the houseboat, watches himself in the mirrors, snar?C An @nglishman of the same name invented shrapnel. ,on-t you wish you could have something named after you+ 3D@ as played by :organ Breeman Asways easily with the motion of the houseboat, voice of eFperienceC 4i?e my distinct betters Al @instein and :ar? .wain, * now give up on some people too. * am a Veteran of <ar and * have to say * hated surrendering to a pitiless war machine. 3. 7. D4SD= as played by >urt <ard Asways easily with the motion of the houseboat, watches himself in the mirrorsC =apalm came from 5arvard. VeritasT :A6/A as played by "harlotte 6ampling .he American president is a "hristian+ So+ So was Adolph 5itler. .6A"9 as played by >arbara 5ershey <hat can be said to our young people, now that psychopathic personalities, PPs, which is to say persons without consciences, without senses of
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pity or shame, have betrayed us+ .hey have ta?en all the money in the treasuries of our government, corporations and people and made it all their own. 3. 7. D4SD= as played by >urt <ard Asways easily with the motion of the houseboat, watches himself in the mirrorsC PPs love the tool money. PPs do not love one another because they do not love themselves. PPs are .erminators. >6DD as played @mile 5irsch Perhaps, when we remember wars, we should ta?e off our clothes and paint ourselves blue and go on all fours all day long and grunt li?e pigs. .hat would surely be more appropriate than noble oratory and shows of flags and wellGoiled guns. Savvy, mates+ 6@=D >6DD as played by "hristina 6icci * remember .he Bal?lands <ar thing as a fight between two bald men over a comb. 3. 7. D4SD= as played by >urt <ard Asways easily with the motion of the houseboat, watches himself in the mirrorsC <ell wars are ?nown for there well GGwarness. 6@=D >6DD as played by "hristina 6icci Asways easily with the motion of the houseboat, campC <ar . . . the only way, in which a person can become famous without ability, they just have to die. "A6D4 as played by 7ristin ,avis Asways easily with the motion of the houseboat, dryC Somebody missed their training about its better
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to loo? over than to overloo?. .6A"9 as played by >arbara 5ershey * see you. 3D@ as played by :organ Breeman *t was a murder. 3A:@S as played by 6yan 6eynolds <hich one+ 3D@ as played by :organ Breeman :y sensibilities. .hen they all just left the scene of their murder. :A6/A as played by "harlotte 6ampling Asways easily with the motion of the houseboat, nods to 3D@C <hen a Veteran feels that they have been betrayed, their sensibilities murdered, they have every right to see? some form of justice to put right what they feel has been wronged. "A6D4 as played by 7ristin ,avis * hear you Sergeant 3oe. :y sensibilities as a woman were immediately attac?ed. * had and have to always remind that my contribution to the military was just as valuable as any mans. 6ecently is was with that seFist arrogant fullGofG himself lac?s manners 6alph "oppola, :, at the 6eno Veterans hospital. 3A:@S as played by 6yan 6eynolds "learly there were and sadly are some who left you feeling different. 6@=D >6DD as played by "hristina 6icci *t must suc? to watch your bac? everyday
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page %) of ! pages wondering if you burned, hurt, forgot, the wrong Veteran. <ere you indifferent, negligent, thoughtless, cruel, to the wrong Veteran+ <ere you the one that betrayed a Veteran who was only loo?ing for someone Ppon whom they could depend+ >etrayal is very clear to the Veteran betrayed because the effects of betrayal are a ?noc? out. .heres distress. .wofold distress. *n no particular order, there are the all those side effects of being betrayed. Another is the effect on you that you can no longer trust that person. *m upset that you betrayed me and *m upset that * can lo longer trust you. 3D@ as played by :organ Breeman .he most immediate effect of the betrayal of trust is in the emotional impact on the person betrayed. /enerally spea?ing, the greater the trust that you had put in the other person and the greater the impact their betrayal has on you, then the greater the distress you will feel. :A6/A as played by "harlotte 6ampling A number of different emotions may be felt upon realiHing you have been betrayed. .he most common is anger. ,epending on the situation, you might fear, at the loss of the relationship and, repulsion at the lac? of integrity of the other person. .6A"9 as played by >arbara 5ershey 4oss of trust. 3A:@S as played by 6yan 6eynolds <hen a Veteran is betrayed by someone, li?e someone failing to do their duty, their job, ?eep a vow or oath, it is highly li?ely that Veteran will not easily trust them again. .rust is fragile and can be lost instantly or there is a hysteresis whereby a longGearned trust may be eroded and then suddenly lost.
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:A6/A as played by "harlotte 6ampling Ashe sway easily with the motion of the houseboatX her ice tea glass held in the palm of her hand, she lifts her glass and sips her tea, then puts the glass bac? into the palm of her hand, she turns and watches out the houseboat window as the bay swirls through the pilings where she watches seal-s heads bob in the swells and a sailboat motors out to the channelC =ote that justice and fairness are different things and vary with conteFt. Brom a personal view, justice means -ma?ing me feel better-. 6@=D >6DD as played by "hristina 6icci So don-t get into these situationsTT =ever betray a Veteran. *f you do betray a Veteran, it is best to come clean. Accept responsibility for personal failure, personally apologiHe and help the Veteran. Savvy, mateT+ 3A:@S as played by 6yan 6eynolds ,emonstrate how you will fiF, process failure, and offer compensation. .he alternatives to these recovery actions may, probably will, cost you much more. A4*"@ as played by 4ucy 4awless .he bounties of war are three0 empty heroics, low comedy, and pointless maiming and death. 3A:@S as played by 6yan 6eynolds 5eroics are drug salesmen . . . :D6/A=A as played by 6ene 6usso /ood thing *-m a writer. "6A*/ as played by 6obert Borster <hat ma?es you thin? a writer isn-t a drug salesman+ :D6/A=A as played by 6ene 6usso
Sometimes . . . you just need someone pon whom you can depend Feed your head with a play by Pamela Olson Page %( of ! pages .he big show is inside my head. A4*"@ as played by 4ucy 4awless 9ou were sic?, but now you-re well again, doneG well well done, indeed, and there-s wor? to do. :D6/A=A as played by 6ene 6usso * have had all * can stand of not ta?ing myself seriously. Start tune @dwin Starr G <ar I http011www.youtube.com1watch+v2Jd"&A*Bg;g] @nd of Act ,, Scene ( G >anal >ogy. Act ** Scene ! ' So it goes. Start tune 3*: as played by ,wight 9oa?am G Bast As 9ou] I _http011www.youtube.com1watch+v2A(No1F$rc"cMob2av(e]. Dn set0 3D@, "6A*/, 4A"9 3. ,A4.D=, 3*: as played by ,wight 9oa?am, 3A:@S, ,6. S.@V@, .6A"9, :D6/A=A, "A6D4, 3. 7. D4SD=, :A6/A, 6@=D >6DD, >6DD, and A4*"@. PSnow continues to Pfall through the stage lights. "A6D4 as played by 7ristin ,avis <e no longer ta?e pride in death or maiming in this house. 3D@ as played by :organ Breeman Asways easily with the motion of the houseboat, pic?s up the Vapulation bong, pulls its smo?e deep into his lungs, pauses, eFhales, puts the Vapulation bong down, grins happily at "A6D4, held up his hand, then spea?s in a matterGofGfact voice of eFperienceC * dont trust people who ma?e bitter reflections about war. *ts always the generals with the bloodiest records that are the first to shout what a 5ell it is. And its always the widows who lead the :emorial ,ay parades W we shall never end wars by blaming it on ministers and generals or warmongering imperialists or all the other >anal >ogies. *ts the rest of us who build statues to those generals and name boulevards after those ministersX the rest of us who ma?e heroes of our dead and shrines of our battlefields.
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:A6/A as played by "harlotte 6ampling <e wrongly wear our widows weeds li?e nuns and perpetuate war by wrongly eFalting its sacrifices. 3A:@S as played by 6yan 6eynolds :y brother died at *raN ' an everyday soldiers death, no special heroism involved. <e cremated what pieces they found of him. >ut my mother insanely insists he died a brave death and insanely pretends to be very proud. .hats all just a >anal >ogie. :A6/A as played by "harlotte 6ampling >ad wars are another >anal >ogie as they are the worst form of tyranny. <ell, right up there with bad laws anyway. :D6/A=A as played by 6ene 6usso Asways easily with the motion of the houseboat, cynic, flat, snar?, hurtC <hen * served it was .he /ospel Brom Duter Space. *t was about a visitor from outer space... UwhoV made a serious study of war, to learn, if they could, why politicians found it so easy to be cruel. .he conclusion was that at least part of the trouble was slipshod storytelling in the media. * supposed that the intent of politics was to teach people, among other things, to be merciful, even to the lowest of the low. >ut the politicians actually taught this0 >efore you ?ill somebody, ma?e absolutely sure he isn-t well connected. So it goes. .he flaw in the military stories was always the politician of the :ost Powerful "ountry on .his Planet messing up their lines. People understood that, so, when it came to the *raN invasion, people naturally thought0 [Dh, boy G they sure pic?ed the wrong guy to hang that timeT[ And that thought had a brother0 [.here are right people to hang.[ <ho+ People not well connected. So it goes.[ 9ou
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?now, * thin? the main purpose of the American military is to get poor Americans into clean, pressed clothes, so rich Americans can stand to loo? at them. Savvy, mate+ :A6/A as played by "harlotte 6ampling A politician has no business with the justice or injustice of the cause that they underta?e, unless as?ed their opinion, and they are bound to give it honestly. .he justice or injustice of any cause is to be decided by a jury. 6@=D >6DD as played by "hristina 6icci Astanding under a s?ylight, she sway easily with the motion of the houseboatX its streaming sunlight is ripples of rainbows off the blueGgreen ceiling, her ice tea glass held in the palm of her hand, she lifts her glass and sips her tea, she reaches in and pulls out a mint sprig which she eats, then she puts the glass bac? into the palm of her hand, she turns and watches out the window as the bay swirls through the pilings where she watches seal-s heads bob in the swells and a sailboat motor out to the channel, a woman in her early !)-s drives it, a man in his late !)-s chec?s the life jac?ets, then shows a preteen boy and girl the wor?ings of the sails as they ready them, their happy and eFcited voices carry in through the screened windows of the houseboatC 4i?e anyone with an oath, jurors and judges must follow their oaths and do their duty. 9et, when they ma?e a mista?e, editorials, letters, telegrams, threats, petitions, panelists, blogs, and tal? shows are appropriate. A4*"@ as played by 4ucy 4awless :ay be politicians do blunder us into wars, but the least the rest of us can do is to resist honoring the institution of war, another >anal >ogie. .6A"9 as played by >arbara 5ershey <e grew up in the times to be empathetic and sympathetic free thin?ers and creators with a strong sense of the sardonic because of pervasive social tolerance, the total trust of our
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community and the full protection of the ;.S. "onstitution. 3A:@S as played by 6yan 6eynolds Asways easily with the motion of the houseboat, his tough Veteran shoulders go tight, his voice is flat, controlled, he seems aloneC <hat has my mother got for pretending futile bravery is admirable+ Shes under constant sedation and terrified she may wa?e up one morning and find her grandchild has run off to be brave. Athen he swung around and his voice shifts to faint and amused contemptC She sits in church among other hypocrites. 3D@ as played by :organ Breeman Asways easily with the motion of the houseboat, his teeth flash in a savage grinC Amen. =ow, * may be an atheist, but that does not mean * do not go to church. * do go to church. *-ve just moved from coc?sure ignorance to wise uncertainty. .he church * go to be the one that magnificently emancipated the slaves, that gave women the right to vote, that gave you every majestic freedom that you hold dear. :y church is this very "hapel of American ,emocracy that we sit in together, and * do not need nor want any god to tell me what my moral absolutes are. =o >anal >ogies for me. =o sir. "6A*/ as played by 6obert Borster /roovy. *n war, it is not nations that have arguments, >anal >ogies, but rather their governments, who send their poor people to fight their moral absolutes arguments. .his inevitably involves conscripts of the respective governments ?illing each other in great numbers. .he war within the war is often the interGservice battle between the various branches
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of the military, as its leaders joc?ey for promotions and glory. And even within each service, another silly war rages0 the rivalry between those in the field and those behind des?sX between those who were trained in the academies and those who came from the civilian colleges. :D6/A=A as played by 6ene 6usso Dne must not treat all people ali?e. Dne that does is either too laHy or selfGcentered to study the richness and compleFity of the personalities of those around one. :A6/A as played by "harlotte 6ampling 6ighto . . . :ore >anal >ogy. *f there were, Qproblems,R they blamed QothersR for disrupting Pthe common good which is really their good, which may or may not be necessarily your good. Probably isnt. "onNuest is often too easy. "ontrol is a horse of an altogether different color. Some with viewpoints different from yours push to control others into conformance with their viewpoints. So they enact their rules, laws, regulations, codes, it goes by many names, but all share the root "ontrol. .hat means a police or military or eNuivalencies, must be brought in to ?eep those with different viewpoints Qin line.R Brom that perspective, anybody who disagrees is now a criminal, enemy or eNuivalent. 3. 7. D4SD= as played by >urt <ard * do not believe that war mar?s the end or the beginning of anything of real concern to a human spirit. <ar is virtues and vices, pleasures and pains crossing boundaries at will. @mphasis on at will. 3A:@S as played by 6yan 6eynolds At will is right. Some duty is so short and jumbled and jangled, because there is nothing
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intelligent to say about a massacre. @verybody is supposed to be dead, to never say anything or want anything ever again. @verything is supposed to be very Nuiet after a massacre, and it always is, eFcept for the birds that return. And what do the birds say+ All there is to say about a massacre, things li?e [PooGteeGweet+ :D6/A=A as played by 6ene 6usso 4ifes big priHes go to builders G not destroyers. :A6/A as played by "harlotte 6ampling .he 1$()s and 1$$)s were the only two decades when American assets eFceeds its debts. <ars are bullish as they do create shortGterm jobs. .hey Nuic?ly turn bearish when power plants, roads, utilities, factories, bridges, schools, railways, water mains, malls, retail outlets, and shoppers are destroyed. .hose shoppers that live are either too maimed or too frightened to shop. <ars have always pushed inflation to its highest due to politicians spending li?e a drun?en sailor on shore leave, whether it was with cash or the credit card. "6A*/ as played by 6obert Borster /overnment is good. At times, certain members of government are bad. /overnment still remains good. .6A"9 as played by >arbara 5ershey :ilitary nightmares have driven my Veteran husband to ta?e a loaded thirtyGeightGcaliber revolver from under his pillow W Asways easily with the motion of the houseboat, pauses, ta?es a drin? of her ice tea, watches the play of light as it dances on the walls and floor, she Nuivers in a star? rage,
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her stomach burns, her eyes glisten, then her body tightens and her eyes become dry and impenetrableX she turns to gaHe flatly at the others, who loo? bac? in compassion, then she continuesC W and stic? it in his mouth. .his is a tool whose only purpose was to ma?e holes in human beings. * dont want any more holes in my husband. 3. 7. D4SD= as played by >urt <ard Asways easily with the motion of the houseboat, watches himself in the mirrors, drin?s his ice tea, does a slow, complicit win? to .6A"9 C .racy, again you stri?e me as an appropriate representative, character for all man?ind. :A6/A as played by "harlotte 6ampling .here are almost no characters in war because most of the people in it are so wrongly thin?ing they are helpless and so much the unwilling playthings of enormous forces. Dne of the main effects of war, after all, is that people are disturbingly discouraged from being characters. 3. 7. D4SD= as played by >urt <ard Asways easily with the motion of the houseboat, watches himself in the mirrorsC 4i?e >anal >ogies "GStudents from 5ell. "ommanderGinG"hief /eorge <. >ush W Asways easily with the motion of the houseboat, a faint disdainful smile appears on him as he watches himself in the mirrorsC W had gathered around him upper crust "G students who ?now no history or geography, plus notGsoGcloseted white supremacists, a?a "hristians, and plus, most frighteningly, psychopathic personalities, or PPs, the medical term for personable people who have no consciences. 3D@ as played by :organ Breeman
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.o say somebody is a PP is to ma?e a perfectly respectable diagnosis, li?e saying he or she has appendicitis or athlete-s foot. "A6D4 as played by 7ristin ,avis Asways easily with the motion of the houseboat, sips her ice tea, pauses, her eyes narrowed and speculative, then she grins followed by a chuc?le and then she spea?s with a practiced flippancyC Students of history always learn that the human being is a very complicated contrivance. 5umans are not good or bad. 5umans are both GG often at the same time. 3. 7. D4SD= as played by >urt <ard Asways easily with the motion of the houseboat, watches himself in the mirrorsC >ut it is always a mista?e to gloat. Always. =othing so provo?es the wrath of the gods. 3A:@S as played by 6yan 6eynolds PPs are without good, they ?now full well the suffering their actions may cause others, but they do not care. .hey cannot care because they are nuts. .hey have a screw looseT Savvy, matesT+ "6A*/ as played by 6obert Borster So many of these heartless PPs now hold big jobs in our federal government, as though they were leaders instead of sic?. .hey have ta?en charge of communications, airports and the schools, so we might as well be *raN under occupation. 3D@ as played by :organ Breeman .he very culprit /eorge <. >ush might have felt that ta?ing our country into an endless war was simply something decisive to do. <hat has allowed so many PPs to rise so high in
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corporations and government is that they are so decisive. .hey are going to do something every fuc?in- day and they are not afraid. ;nli?e normal people, they are never filled with doubts, for the simple reasons that they don-t give a fuc? what happens neFt. Simply can-t. ,o thisT ,o thatT :obiliHe the reservesT PrivatiHe the public schoolsT Attac? *raNT "ut health careT .ap everybody-s telephoneT "ut taFes on the richT >uild a trillionGdollar missile shieldT Buc? habeas corpus and the Sierra "lub and *n .hese .imes, and ?iss my assT A4*"@ as played by 4ucy 4awless 5uman beings can get craHy drun? on power. >y saying that our leaders are powerGdrun? am * in danger of wrec?ing the morale of our soldiers fighting and dying why around the world+ Df course not. .heir morale, li?e so many bodies ad minds of the troops, is already shot to pieces. .roops are being treated, as * was, li?e toys a rich child got for "hristmas. :A6/A as played by "harlotte 6ampling Asways easily with the motion of the houseboat, spea?s in a dry tone, her eyes intentC As an American citiHen, be more than a total amateur at it. 3D@ as played by :organ Breeman Asways easily with the motion of the houseboat, turns crisp and loo?s alertly at :A6/A, his eyes gleamC As a human, be more than an amateur at it. .here are plenty of good reasons for fighting...but no good reason to ever hate without reservation, to imagine that /od Almighty hates with you, too. <here-s evil+ *t-s that large part of every man that wants to hate without limit, that wants to hate with /od on its side. *t-s that part of every man that finds all ?inds of ugliness so
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attractive.... its that part of an imbecile that punishes people and vilifies diversity and ma?es war gladly. "6A*/ as played by 6obert Borster Asways easily with the motion of the houseboat, his face lined and tense, his voice rawC ,uring my years in Vietnam, * certainly heard plenty of last words by dying American foot soldiers. =ot one of them, however, had illusions that he or she had somehow accomplished something worthwhile in the process of ma?ing the Supreme Sacrifice. Same as the rich fol?s, every one of them just wanted to be home in America just living the American ,ream. Savvy, mates+ 3D@ as played by :organ Breeman Asways easily with the motion of the houseboat, spea?s softC 5e that is without sin among you, let him cast a stone at her. 3A:@S as played by 6yan 6eynolds Asways easily with the motion of the houseboat, says in tight voiceC <rongs are often forgiven but contempt never is . . . 5onor can oblige the offended to resent and so to challenge.
"A6D4 as played by 7ristin ,avis Asways easily with the motion of the houseboat, dramaC <rongs+ Borgiveness+ "ontempt+ 5onor+ Dffended+ 6esentment+ Brom now on it is VB6 W it means you got to see where youre going. /lory, money, everything, is always measured against the means used to acNuire it. *t is far better to never even entertain war let alone to let war move in with you for the rest of your life.
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3D@ as played by :organ Breeman Amen. :D6/A=A as played by 6ene 6usso *ndeed. .his is no time for anyone to be ma?ing new enemies. 4ong eFperience has taught me that to be criticiHed is not always to be wrong and to be praised is not always to be correct, but it is always nice to have someone Ppon whom you can depend. :ay all your storms be weathered, and all that is good get better. Savvy, mates+ .his is :organas PDV, signing off for now. .une starts, 4A"9 3. ,A4.D= G Slip Away I http011www.myspace.com1lacyjdalton1music1songs1slipG awayG%%!$O%O . "urtain closes. .he @nd.
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