Jose Rizal Reaction Paper JOSE RIZAL The movie tells the life story of Jose Rizal, the

national hero of the Philippines. It covers his life from his childhood to his execution at the hands of the Spanish forces occupying the Philippines in the late 19th century. We are also thrown into the world of Rizal's novels. So we get a glimpse of how he viewed Filipino society under the Spanish heal. One note, this movie is not for the faint of heart. There are graphic depictions of violence and even torture. The opening few scenes depict some episodes from Rizal's novels. In one a Catholic priest rapes a Filipina. I guess I now know where the Mestizo class came from in the Philippines. In the other scene a Catholic priest beats a child for alleged stealing. Strong stuff, and it made me wonder how the Catholic Church could possibly retain any power in the country, if this is what the national hero thought about it. The movie introduces us to the life of subjugation of the Filipino people under the rule of the Spanish friars. From the execution of three Filipino priests in 1872 for alleged subversion to the harsh and unequal treatment of Filipino students in the schools, this film is a stinging indictment of Spanish colonial rule in the Philippines. We see scenes both from Rizal's actual life but also from his imagination. As a young man, Jose is sent to study in Spain. This is a plan hatched by his brother Paciano. Jose will write and do everything in his power to bring to the attention of the world the abuses of Spanish power in the Philippines, while Paciano will protect the Rizal family at home and keep up the struggle against Spanish rule. Jose excels in his studies as a medical student at Madrid University and eventually earns a degree as an ophthalmic surgeon. Meantime, he becomes involved with a group of radical Filipino students who also seek to end the Spanish abuses in their country. The film also through a series of flashback showing Rizal as a genius, a writer, a doctor, an artist, a lover, a friend, a brother and a son, thus giving a rich texture of Rizals character. The movie introduces us to the life of subjugation of the Filipino people under the rule of the Spanish friars. From the execution of three Filipino priests in 1872 for alleged subversion to the harsh and unequal treatment of Filipino students in the schools, this film is a stinging indictment of Spanish colonial rule in the Philippines. I also commend the film

for its bravery in showing the evil tyranny of the Catholic Church during that time. Considering that the Philippines is a Catholic nation that is like butchering a sacred cow but alas, Abaya works her magic in depicting the suffering of the Filipinos because of the friars. This is by far the best Filipino movie that I have seen so far.I would urge anyone reading this who likes movies, to either rent it or buy it. I particularly love the last scene of the film when Rizal fell in the ground facing the sky, having his last breath looking at a beautiful sunrise- a metaphor depicting that Rizal did not die in vain. He did not die for nothing. He did not die defeated. Rather he died victorious because his death is the torch that lights Philippine independence that ignites Philippine Revolution.

Rizals El Filibusterismo and the Philippine Revolution El Filibusterismo was written in dedication to the three martyred priests Mariano Gomez, Jose Burgos, and Jacinto Zamora, whose deaths left an indelible mark in his mind. Like Noli Me Tangere, El Filibusterismo aims at enlightening the society, at bringing the Filipinos closer to the truth. But whereas in the first novel, we are encouraged to ask and aspire for change and liberation, in this novel, the society is urged to open its eyes to reality and rebel against the Spanish government for its oppression and abuse. In Noli, there is aspiration, beauty, romance, and mercy. In El Filibusterismo, all the reader will feel is bitterness, hatred, and antipathy. The romance and aspirations are gone. Even the characters' personalities seem to have undergone radical change. This is how different Rizal's second novel is. Considering that both were written by the same author, the plots are poles apart. Outright scorn and bitterness may already be felt at the beginning of the story, where Simoun promotes abuse and tyranny in the Spanish government, in the hope that the people will reach the limits of their endurance and declare a revolution. Simoun, who is actually Noli's Ibarra in disguise, conveys an entirely different personality in El Filibusterismo. While Ibarra is trusting, aspiring, and loving, Simoun is now cunningly careful in his dealings, distrusting, and extremely bitter. Something changed in Rizal; and this is reflected in the personalities he gave his El Filibusterismo characters. El filibusterismo, also known by its English alternate title The Reign of Greed,[2] is the second novel written by Philippine national hero Jos Rizal. It is the sequel to Noli Me Tangere and like the first book, was written in Spanish. It was first published in 1891 in Ghent, Belgium. Thirteen years after leaving the Philippines, Crisostomo Ibarra returns as Simoun, a rich jeweler sporting a beard and blue-tinted glasses, and a confidant of the Captain-General. Abandoning his idealism, he becomes a cynical saboteur, seeking revenge against the Spanish Philippine system responsible for his misfortunes by plotting a revolution. Simoun insinuates himself into Manila high society and influences every decision of the CaptainGeneral to mismanage the countrys affairs so that a revolution will break out. He cynically sides with the upper classes, encouraging them to commit abuses

against the masses to encourage the latter to revolt against the oppressive Spanish colonial regime. This time, he does not attempt to fight the authorities through legal means, but through violent revolution using the masses. Simoun has reasons for instigating a revolution. First is to rescue Mara Clara from the convent and second, to get rid of ills and evils of Philippine society. His true identity is discovered by a now grown-up Basilio while visiting the grave of his mother, Sisa, as Simoun was digging near the grave site for his buried treasures. Simoun spares Basilios life and asks him to join in his planned revolution against the government, egging him on by bringing up the tragic misfortunes of the latter's family. Basilio declines the offer as he still hopes that the countrys condition will improve.

Jose Rizals Love Life and Romances There were at least nine women linked with Rizal; namely Segunda Katigbak, Leonor Valenzuela, Leonor Rivera, Consuelo Ortiga, O-Sei San, Gertrude Beckette, Nelly Boustead, Suzanne Jacoby and Josephine Bracken. These women might have been beguiled by his intelligence, charm and wit. Segunda Katigbak was her puppy love. Unfortunately, his first love was engaged to be married to a town mate- Manuel Luz. After his admiration for a short girl in the person of Segunda, then came Leonor Valenzuela, a tall girl from Pagsanjan. Rizal send her love notes written in invisible ink, that could only be deciphered over the warmth of the lamp or candle. He visited her on the eve of his departure to Spain and bade her a last goodbye. Leonor Rivera, his sweetheart for 11 years played the greatest influence in keeping him from falling in love with other women during his travel. Unfortunately, Leonors mother disapproved of her daughters relationship with Rizal, who was then a known filibustero. She hid from Leonor all letters sent to her sweetheart. Leonor believing that Rizal had already forgotten her, sadly consented her to marry the Englishman Henry Kipping, her mothers choice. Consuelo Ortiga y Rey, the prettier of Don Pablo Ortigas daughters, fell in love with him. He dedicated to her A la Senorita C.O. y R., which became one of his best poems. The Ortiga's residence in Madrid was frequented by Rizal and his compatriots. He probably fell in love with her and Consuelo apparently asked him for romantic verses. He suddenly backed out before the relationship turned into a serious romance, because he wanted to remain loyal to Leonor Rivera and he did not want to destroy hid friendship with Eduardo de Lete who was madly in love with Consuelo. O Sei San, a Japanese samurais daughter taught Rizal the Japanese art of painting known as su-mie. She also helped Rizal improve his knowledge of Japanese language. If Rizal was a man without a patriotic mission, he would have married this lovely and intelligent woman and lived a stable and happy life with her in Japan because Spanish legation there offered him a lucrative job. In the last days of February 1895, while still in Dapitan, Rizal met an 18-year old petite Irish girl, with bold blue eyes, brown hair and a happy disposition. She was Josephine Bracken, the adopted daughter of George Taufer from Hong Kong, who came to Dapitan to seek Rizal for eye treatment. Rizal was physically attracted to her. His loneliness and boredom must have taken the

measure of him and what could be a better diversion that to fall in love again. But the Rizal sisters suspected Josephine as an agent of the friars and they considered her as a threat to Rizals security. Rizal asked Josephine to marry him, but she was not yet ready to make a decision due to her responsibility to the blind Taufer. Since Taufers blindness was untreatable, he left for Hon Kong on March 1895. Josephine stayed with Rizals family in Manila. Upon her return to Dapitan, Rizal tried to arrange with Father Antonio Obach for their marriage. However, the priest wanted a retraction as a precondition before marrying them. Rizal upon the advice of his family and friends and with Josephines consent took her as his wife even without the Church blessings. Josephine later give birth prematurely to a stillborn baby, a result of some incidence, which might have shocked or frightened her.