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Astrophotograpy is a journey into learning Be willing to experiment with equipment and software Be patient takes several sessions to get equipment, software and camera to work Are several digital photo processing methods to learn
My Book References
1.
2.
3.
A Guide to Astrophotography With Digital SLR Cameras, Jerry Lodriguss The New Astro Zone System for Astro Imaging, Ron Wodaski The New CCD Astronomy: How to Capture the Stars With a CCD Camera in Your Own Backyard, by Ron Wodaski.
Useful Websites
Cloudy Nights DSLR forum: http://www.cloudynights.com/ubbthreads/ubbth reads.php?Cat= Catching the Light: (Jerry Lodriguss) http://www.astropix.com/ Stark Labs PHD guiding software: http://www.stark-labs.com/ Imagesplus 3 software: http://www.mlunsold.com/
Equipment : digital camera + tripod + delayed release (minimize movement) Exposure: ISO 1600, White balance = sun, 10 sec, F/5.6, focal length 34 mm Picture ref: Jerry Lodriguss:
http://www.astropix.com
http://www.astropix.com/ Note moon all white due to over exposure Correct exposure for moon 1/1000 sec (craters)
Equipment: Olympus E20 + tripod Exposure: Not listed. Composite of 4 photos showing radiant of Leonid Meteor Shower 2001
Wikipedia: sun dog or sundog (scientific name parhelion, plural parhelia, from Greek parlion, (), (beside) + (sun), "beside the sun"; also called a mock sun) is an atmospheric phenomenon that creates bright spots of light in the sky, often on a luminous ring or halo on either side of the sun.[1] (formed by ice crystals) Sundogs may appear as a colored patch of light to the left or right of the sun, 22 (or more) distant and at the same distance above the horizon as the sun, and in ice halos. T Sundogs are best seen and are most conspicuous when the sun is low.
Equipment: Tripod + Sony Cyber shot DSC S85 Exposure: F/2.2, 8 sec
Point towards Polaris Frame: Focal length (as desired) and focus to infinite Set F stop at full open to three stops down from full open Start at ISO 400 and white balance= sun Expose from 1-2 min (suburban light polluted area) to 3 or 5 min (dark sky) Examine histogram Combine many short exposures (Photoshop)
Correct exposure depends on lighting Exposure 1/1000th sec, F/4.0, ISO 250, focal length 200 mm
Ref: A Guide to Astrophotography With Digital SLR Cameras, Jerry Lodriguss
Moon - Exposures
Exposure 1/250th sec at f/11 at ISO 250 1/125th sec at f/11 at ISO 250 1/60th sec at f/11 at ISO 250
1/250th sec, F11, ISO 400 focal length 560mm
Wide 1/30th sec at f/11 at ISO 250 crescent Thin Crescen t Earthshi ne 1/15th sec at f/11 at ISO 250
BE SURE TO USE PROPER, SAFE FILTRATION WHEN ATTEMPTING TO PHOTOGRAPH OR VIEW THE SUN. SEVERE DAMAGE TO YOUR
Color balance altered by filter Center image color balance corrected to white in Photoshop Right image colorized in Phtotoshop Ref: A Guide to Astrophotography With Digital SLR Cameras, Jerry Lodriguss
Constellations
Tracking not needed Exposure time limited by star movement trails Expose 5 30 sec Longer focal length shorter exposure Experiment with ISO settings and exposure length Compromise between faint detail and star trails Frame with interesting foreground scene Tracking will give access to faint detail
4 sec
8 sec
15 sec
30 sec
Constellation Example
Focal length 35 mm, ISO 1600, 30 sec exposure, F/2.8 Ref: A Guide to Astrophotography With Digital SLR Cameras, Jerry Lodriguss
Image sensor is a charge couple device (CCD) left image Image sensor is a complementary metal oxide semiconductor (CMOS) right image Sensor converts light (photons) into electrons Sensor reads the value (accumulated charge) of each pixel Sensor made up of 2D array of pixels A CCD transports the charge across the chip and reads it at one corner of the array. An analog-to-digital converter (ADC) then turns each pixel's value into a digital value by measuring the amount of charge at each photosite and converting that measurement to binary form. CMOS devices use several transistors at each pixel to amplify and move the charge using more traditional wires.
The advantage of DSLR camera versus film is that the sensors respond to ~70% of the incoming light More sensitive than film, which captures ~2% Not all photons that hit are captured. The number of captured photons determines the quantum efficiency CCD (CMOS) sensors contain a grid of individual pixels Each pixel continues to absorb light through out the exposure until the well is full The number of electrons a well can capture determines the dynamic range
The charge is small and is amplified by the analog to digital (A/D) converter.
Bit depth is the number of steps that the dynamic range is broken into.
16 bits
My Nikon D60 is 12 bits or 4056 tonal steps
CCD and CMOS sensors are only black and white Digital color cameras generally use a Bayer mask over the CCD. Each square of four pixels has one filtered red, one blue, and two green The result of this is that luminance information is collected at every pixel, but the color resolution is lower than the luminance resolution.
Ref: http://en.wikipedia.org/wiki/CCD_camera
Signal is current that is generated by electrons that get counted and converted into numbers by the A/D converter. Noise is unwanted signal that comes from several sources that are dealt with by correcting the photos Noise can never be fully removed The correction process increases the signal level relative to the noise Astrophotography key is signal to noise
Frame that corrects for the thermal signature of the sensor Depends on exposure time increases as time increases Depends on sensor temperature decreases as temperature decreases The thermal environment for each pixel is slightly different
180 sec exposure, ISO 800 at 23F Cropped and brightened in Photoshop
Depending on camera design, a second dark source is the electro-luminescence signal from transistors on the sensor mother board Amp Glow
Lens covered with lens cap plus a dark hood to ensure light is excluded Take photo at same time (sec), temperature (within ~5 F) and ISO setting I usually take at least five dark frames prior to each DSLR photo session Combine each photo into master dark frame (use software such as Imagesplus 3) Subtract the dark frame from the normal light frame using software (Imagesplus 3)
Corrects for underlying sensor noise (bias signal) Corrects for readout noise, which is mainly increased dark current that occurs during the process of reading sensor data (A/D converter) Nikon D60 Bias: 1/4000th sec, ISO 800, 27F, lens cap + hood
Lens covered with lens cap plus a dark hood to ensure light is excluded Take several photos (>25) at shortest exposure time allowed for camera at same temperature as normal light exposure Combine photos into master bias frame (Imagesplus3) Subtract master bias from light frame
Sensor randomly hit with cosmic rays through out exposure Creates Hot pixels Removed with software
In addition to correcting for dark noise, light frames are also corrected for the shape of light generated by the optics, dirt and dust on the optics and distortions due to the optics Light frames are also corrected for sky fog (light pollution gradients) Use software (Imagesplus 3) to correct light frames
Histogram is a plot of the number of pixels at brightness intervals Dark pixels on left Light pixels on right Mid-tone in center
Digital Photo made from combination of red, green and blue channels Nikon D60, Raw Orion, Andover, 180 sec, ISO 800 and white balance = sunny day
Not balanc ed red bias
Correct photo for balanced color (red, green and blue channels overlap in histogram) Color balance corrected (levels corrected) Nikon D60, Orion, Andover, 180 sec, ISO 800 and white balance = sunny day
Can be caused by actual blockages of the light from the corner and edges of the sensor chip by adapters and focusers that are too small. It can also be present for geometrical reasons due to the optics of the imaging system.
Tree branch
Darker area
Lighter area
Actual Flat frame from Nikon D60 Used home made light box for uniform white light source
Problem red, green and blue channels not balanced same as normal light frame photo
3 sec exposure, ISO 100, full open F/4.0, ambient temperature and same focal length as normal light photo
Correcting DSLR photos with DeBayer layers and white balance differences in flat frames is done with software designed for this purpose Raw images are converted to Bayer basic raw data
No
white balance Without applied scale Used for read noise and gain calculations Used for precise dark, flat and bias calibration
I use Images Plus 3 Use for camera control during photo session
Keeps
current with new cameras Each camera model has different built in software Each camera has different sensor/DeBayer Layer