Professional Documents
Culture Documents
WEEK1
Interns Graphic & Web Design Lighting Designer/Stage Manager Back Stage Manager Volunteers
Special Thanks to
the volunteers who made this season possible, and all of the dancers and collaborators who participating in this years WAVE RISING SERIES. This program is supported, in part, by public funds from The New York City Department of Cultural Affairs in Partnership with the City Council Mertz Gilmore Foundation New York Community Trust Korean Cultural Service, NY Ministry of Culture, Sports and Tourism Republic of Korea and is made possible with public funds from the NEW YORK STATE COUNCIL ON THE ARTS, celebrating 50 years of building strong, creative communities in New York States 62 counties. We also thank the Emma A. Sheafer Charitable Trust for recently awarding WHITE WAVE a capacity-building grant, and express our deep gratitude to our principal philanthropic supporter, the John Ryan Company.
THE COMPANY: For twenty years, WHITE WAVE Young Soon Kim Dance
Company has appeared on principal stages across the U.S. and the Far East. Its annual New York City season consists of full-scale performances of both new works and repertory by Ms. Kim. The company also produces showcases, classes and workshops.
FESTIVALS PROJECT: Since 2001, WHITE WAVEs Festivals Project has been
a vital component of New Yorks contemporary dance scene. We produce three annual projects, DUMBO DANCE FESTIVAL, WAVE RISING SERIES and COOL NEW YORK, where both emerging and established choreographers and companies congregate, create, rehearse and present new dance works.
PROGRAM A
10/20 (Thurs), 7:30pm* 10/22(Sat), 7:30pm 10/23(Sun), 4:00pm
a world where alarm clocks ring in the morning (excerpt)
Danielle Russo Dance Company Choreography by Danielle Russo Performed by Andrea Dispenziere, Janice Lancaster Larsen, and Katie Mather Music by Robert Henke as edited by Michael Wall and Rudy Vallee Videography by Danielle Russo Text by Danielle Russo and Katie Mather Costumes & Set by Danielle Russo and dancers
Intermission
why we tell
Rachel Erdos Choreographed by Rachel Erdos Danced by Ori Lenkinski and Idan Yoav Original Music by Alberto Shwartz
Why we tell began as an investigation of Christopher Bookers opus The Seven Basic Plots, why we tell stories. During our journey through the seven themes, a new story emerged, that of an intimate relationship between a man and a woman. The creative process for Why We Tell took place mostly in Ireland, as part of the Blank Canvas Residency Program, Cork. Recently performed in Israel and Italy. www.rachelerdos.com
PROGRAM B
10/21 (Fri), 7:30pm* 10/22(Sat), 4:00pm 10/23(Sun), 7:30pm**
Reflections
Lenora Lee Dance with Kei Lun Martial Arts & Enshin Karate, South San Francisco Dojo Artistic Direction by Lenora Lee Choreographed by Lenora Lee, in collaboration with Marina Fukushima, Ronald Wong, Dale Chung, Raymond Fong, Yukihiko Noda, and Lucas Okuma. Additional Artists on Video: Corey Chan, Nolan Chow, Junichiro Nakanishi, Keith Soohoo Media Design & Video Editing by Olivia Ting Videography by Ben Estabrook (videos projected) Lighting by Patty-Ann Farrell (videos projected) Music by Francis Wong with Kei Lun Martial Arts, Tatsu Aoki, Karen Stackpole, Melody Takata.
The Asian American Arts Centre, has given generous permission for the use of excerpts from Uncle Ng Comes to Gold Mountain performed by NEA Heritage Fellow Ng Sheung Chi (Uncle Ng) in the Toisan dialect, 1980s. Recorded and transcribed by the Asian American Arts Centre, New York City, Copyright 2011.
Poetry by Genny Lim Voiceover by Alson Lee, Genny Lim, Raymond Fong, Karina Lee Howe, Todd Nakagawa Directorial Consulting by Ellen Sebastian Chang
This piece is inspired by stories of three generations of men as they realize their identity and community as Chinese Americans. It addresses the struggle for dominance and survival, the pursuit of wisdom, the relationship between yin (soft) and yang (hard), and ultimately the quest for peace. Key symbols are the Zhang Fei (black and white) lion the warrior; the female characters yin (compassion), and the martial arts themselves personal and spiritual discipline. This work was developed through the support of Asian Improv aRts, API Cultural Center, Chinese Historical Society of America Museum, Cameron House, Angel Island Immigration Station Foundation, and the CounterPULSE Artist Residency Commissioning Program. Reflections is supported in part by CA$H, a grants program administered by Theatre Bay Area in partnership with Dancers Group, Meet the Composer, Puffin Foundation, Zellerbach Family Foundation, Performing Arts Assistance Program, Grants for the Arts/San Francisco Hotel Tax Fund, San Francisco Arts Commission, and California Arts Council. Special thanks to Mark Chung, Michael Holscher, Catherine Hung, Alson & JoAnn Lee, Jean & Richard Lym, Gunthilde & Lew Perin, Elaine Wang and Tony Chuy of Praying Mantis Martial Arts Institute. www.LenoraLeeDance.com
PROGRAM B
Salome
Tomomi Imai Choreographed and Performed by Tomomi Imai Music by Arvo Part
The Uncomfortable Truth was made possible with a National Performance Network Grant. This work is an adventure of seven women reclaiming there power. The performers looked into their relationships with their mothers and their coming of age. The Uncomfortable truth aims to inspire women with the courage to break free from the chains of limiting belief patterns and societal or religious conditioning that have traditionally kept women suppressed and unable to see their true beauty and power.. I love to see a young girl go out and grab the world by the lapels. Lifes a bitch. Youve got to go out and kick ass. ~ Maya Angelou ~
Claudia Anata Hubiak/The Anata Project (New York, NY) Waltz With Me Ruby
Claudia Anata Hubiak spent her young life as a competitive gymnast in Boulder, Colorado where she was a two-time Colorado State Champion in 1995 and 1996. She received her BFA in Dance from the University of California at Santa Barbara where she studied under Christopher Pilafian, Nancy Colahan and Jerry Pearson. Upon graduation Claudia relocated to San Francisco where she co-founded Vispo Dance, a collective of six Santa Barbara graduates committed to creating visually evocative and athletic movement in The Bay Area. While in San Francisco she also performed with ABD Productions and Dance Ceres. Claudia holds an MFA from Tisch School of the Arts at NYU where she performed works by Kay Cummings, Gus Solomons Jr., Patricia Hoffbauer and Trisha Brown (Floor of the Forest presented at The Whitney Museum in 2010). Claudias work has been presented at The Cowell Theater, Theater Artaud and Dance Mission Theater (SF). This summer you can find her work at LaMamas Ellen Stewart Theater, Joes Pub, The DUMBO DANCE FESTIVAL and The WAVE RISING SERIES at WHITE WAVE John Ryan Theater.
PROGRAM B: 10/21 (FRi), 7:30PM; 10/22 (sAT), 4:00PM; 10/23 (sun) 7:30PM
Patricia Noworol Dance PND (New York, NY) PND new work
Since its conception in 2008, PND has presented works in numerous New York City venues including Manhattan Movement Arts Center, Ailey Citigroup Theatre, Duo Theater, NYU Tisch School of the Arts, the HATCH, FAR Space, Atlas Theater, Dance Now Festival, American Dance Guild Festival, the Gala Benefit & Festival Performances at DUMBO DANCE FESTIVAL, La MaMa Moves Dance Festival and the Association of Performing Arts Presenters 2010. In May 2008, the company presented Delirium, its first evening length production that was met with critical and audience acclaim. In 2009, PND received funding from the Lower Manhattan Cultural Council as well as the New York City Department of Cultural Affairs to produce their second evening length production, Circuits; premiering August 23, 2009 in the New York International Fringe Festival. Moreover, Noworol won Excellence Award for the Outstanding Choreography for Circuits, out of over 200 shows. In the 2009-10 seasons the company has been represented by Pentacle; NYC Agency for the performing Arts as well as residence throughout the year at the Bessie Alumni Workshop in Manhattan. PND has garnered extraordinary international media attention - from being featured on European TV to radio interviews and glowing press in Europe and the USA. In 2010 the company was invited from the RUHR 2010.European Capital of Culture to perform Circuits in significant theaters in Germany that ware met with excellent critical and audience acclaim. For more information please visit www.PNDance.com
Jennifer Archibald/Arch Dance Company (New York, NY) The Uncomfortable Truth
Jennifer Archibald, Artistic Director of Arch Dance Company(ADC), graduated from the Alvin Ailey School and Maggie Flannigan School of Meisner Technique. ADC has performed at John F Kennedy Center, Aaron Davis Hall, The Duke on 42nd Street, Miamis Colony Theater, MTV, Judson Memorial Church, Jacobs Pillow and The Phillips Center. She has choreographed for the NBA New York Knicks, Ailey School, and worked with Shaggy and Audrey Tautou as a movement specialist. Jennifer teaches at Dance New Amsterdam, Bates Dance Festival and Florida Dance Festival and has taught in France, Mexico, Sweden, Russia, Ecuador, Slovenia, and China. Her artist residencies include USF, University of Illinois, Goucher College, Bates College, Virginia Commonwealth and CAP 21 at NYU. She is a recipient of the Talk of The Arts award from the University of South Florida. The Uncomfortable Truth was made possible by a National Performance Network Grant. The Uncomfortable truth aims to inspire women with the courage to break free from the chains of limiting belief patterns and societal or religious conditioning that have traditionally kept women suppressed and unable to see their true beauty and power. www.jenniferarchibald.com