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‘Scofield ofhis lesson tactics, "Tvenever been inte
tothe ick laciory' approach to weaching guitar,
‘because sel oy phrnie by sel Haye cool
bac out ofeoiven tually has no meas 1S
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‘apn theeloase—nnat makes sna Nea
‘Solid shovdd bnew Having sharad ctagos
and stulios with such legends as Milos Davia,
Charles Mingns.Chet Baker. Gery Burton, and
Billy Cobharn,hebat lssmed the sit ofjamamsing
from the very boot, And ifchere’s one thing
the New York galtarist is uber-enchused to
tench, fs now te play reaneconctent eaas rat
shattor the confines of grids, evalse, and oth.
ersuch intellectual approaches to mproviang,
‘na way the wholeides ofsotoine from.
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ically aproptiae fra eve hey bunt get
players dont actually use sales (o mproris,
nv jarz maiciane naver have Improriestion
‘comes from melody, not from seals.
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jun acl ad more colors,” says Scie who
tarely nts himself jst de Cmaive donian)
seaie nen hes impritcing nse ke. a
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ppentatenie Seale
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sounds, Forexamole wy aocsharp the 410
gve your soloan interesting yin vik, whith
you canako think of a: sharped 11'soune”
Scofield demonstinces by playing Bas 2
‘hie sians with the nal inger on te FOOL
atthedith fee Up unbiite last nate, tiene
aninnozent Gnj? anpoagio, The enigmatic 2
Unc completes theascent implies Cray7Bit,
Adding a layer of melodie intrigue that vil
susly catch peoples ears
The Fourth Dimension
“tale da otf tet our aa
jorkoys’ reves Scleld. "They sound.cool and
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{pays ba eo hestacked uthestetngen
Une ied nots? 24 is followed by B, then
Avani finally D. Hove that sound.”
Serie steed ering fs fh fm
Gy Cladtnasrisl shiek uanyetaa
scalevvith eid ith deste (9. Ifyoulone
{Jur bavi pertatonie shape, however, youl
tice thas Be 2, aside Hoon ie apening nts,
shares to ingoring ently wit the B minor
pentatonic seale presented in Ex 4. In other
{Nate youican nha the fata ajar Koy
tn th Iw ting jut drop down @ al ep
(Gn fre) and play 0 pentatonie ale Youll
brn ou he glven keys yd midle—n01 0
tnetion al dhow gli fours using a
simple fingering that you've probably been
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nor pentatonie shape. generating more testy
fourths in the key of € major Sinco thie do.
‘eonaling pluate newer tage the tonie G you may
‘wantto struma Gmajztbefore you play dough
i Otherwise, your ears may be Wicked into
bearingit asa Bininor run,
Ax Sense
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saitaresson—wheshe: in printorin person—
Fs phrasing. Sofiel lke many jae eats
Tiss sy ies iy kadek fos Phyo hase
notes that massage the sroove by landing
sty olin te Heat Nomar uo fst he
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consider acces. Even en Sool spy
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downbeat hewypieclly beus down onselee
fed votes asin IS 6 which isanother improriser
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funk gore wy ining oucEx-o5 four accented
‘yomrs-—twin af wien ate Mlovet ny StS —
ty picking thom hardar than the others, La
tine, this sppreadh willelp youlearnto ear
chains of notes end transform mechaniest
souncling runsinto uly melodic statoments
Hops, Skips. and Jumps
Anthoc hala at Stel os the
tela leap "like the ay wide interes
Sound! says Seti ustetng hte agrest
most in 7H beksnthe Cyne seen
eves aula ups "Tish dana.
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cling dnescte ns norelinea sion”
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tne
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however. are the two fa grinsin fx. mien
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ate afunky IV loop in Gf. Star of by staying
fon exch chord for two measires, and a he
Finying soul the I choad has Oro op
sung, che elzhth-posiion 1V chord tas one
‘ry tosise open noresaryioner ean Se
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string comping in Ex. 9, “This i like my p~
resson on leep on 35 Ialo tom 4 Ga GIs
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‘2 minor cr major seconds, o sharped nlnths*
i AB, he zub note Is the open B. Ener
agivod hy Sratolcs rrademant nale-riety rane
tho opon etring roatoea dissonant major se
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‘each note ring foras tong es possible so tha
the notes hat fltew overlap, frcingzyoun ret
ting:hand fingers as you play wil help.”
Know Your Neighbors
“ie only takce on or fo extide note £9
sxiloritenent adistonielin saysScofela
‘ahinkothese notes 8 approach tones nates
liom outsie lnescale bat ate wed (oan
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2X LL whlch isbases primarily in thea minor
[eatatnnie seale The phrase cats an boat te
fof the measure, but waits untl best four
ad evo deliciousapproact tones—Bsand Gh
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and itsounudegroat esr th eimplo A7-D7p
sreseionin the heckgrexind. Despite its many
accidentals this lick iseasy to learn once you
alize thatyout se finger simply sks down
‘hall step overy other note
“igs relly just uppernesghborlower-ne-
bovthe whole wade” notes Sofie “tn et
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anothersimpls exersie you can ty plays bx.
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neck using altecraing descend ascumt
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exaniding the interval niin third
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fil lines for iinpeonisation "noses Scat.
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trarmonizeitwith owes beldno ss Sofel
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sale? thesenaltcan he atonthy texte cach
lngone in Est which ssn co te passages
Scofield employs toward the endof Gberiesn’
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groqve i a tase C7 vamp, andl you play just
‘the sxample uppevoiss, you'Theara ansight
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mony periety. Ad the ower piteaes (ean
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Stepping Out
“One thing peoplelways akme's ow do
jp maser” ons Senfek“Thave nen
how toteach that, but when Lens dtcussing
{hig with our base playon Tosco Murphy. ho
eles "ell then w go lf diving Ia other
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