Professional Documents
Culture Documents
Summary
Introduction .............................................................page 3 Choice of structure ..................................................page 3 Description of the bridge .........................................page 4
Foundation, abutments, braces ..................................page 5 Preload .......................................................................page 6 Asphalt .......................................................................page 6 On deck ......................................................................page 7 Launch ...................................................................page 7 The clavage ...........................................................page 9
Modes and choice of construction techniques ...page10 Some figures ......................................................page 11 Conclusion ........................................................page 12 Bibliography .....................................................page 13
Introduction:
The works of art are prestigious buildings that use construction techniques are often complex. The main role of the work of art is to clear an obstacle. We have several types of works of art: bridge, tunnel, and dam. This small project is selected to describe and analyze the patterns of the bridge structure, also to explain our choice of technical solution
Choice of structure:
The viaduct of the great ravine is one of four outstanding works of art along the highway tamarins it is considered as the key of tamarins. So like any work of art, the essential aim is to overcome an obstacle, the bridge connects a spade length of 320 meters and 170 meters deep. Before the construction of the bridge, the tamarins path was disconnected , and according to architect point of view ,this bridge is considered blade that arose from walls to beautify the road.
Preload:
Those rods are anchored interim between the rear of the counterweight and the head of the eaves, and they are tensioned in a jetting phase to recover the tilting force of the work ahead and go back to the 2 balances buried. After jetting phase and slavery, these rods are replaced with other cables that are located inside the deck and are anchored above the head brace.
Asphalt:
For this project, the traditional techniques for asphalt and compaction were unenforceable because the site should be compacted without vibration to prevent cracking caused by thermal expansion of the apron. For this reason, the company EUROVIA which is responsible for this mission has developed a research to find the most suitable ways , and finally 1320 STYRELF iwas chosen to be associated with a sheet held and Cole. This storage stable bitumen was manufactured in France and transported in heated containers.
On deck:
The deck of a 23m wide and 4m high was broken down into 24 elements (sections), and bit was divided into 12 sections which were manufactured at the Eiffel factory and transported by ship to the jobsite. After assembly and welding of these elements on platform at the site, we obtain the two half-aprons wich are placed behind the abutments to start the jetting phase.
Launch:
The penultimate phase in the creation of this bridge is the most delicate phase and most important, it breaks down into six phases for each half apron and during the launch phase of the apron jetting forward 20 50 m to reach its final length which is 195 m separating the platform from the center of the mountain structure.
The clavage:
After jetting phase, clavage remains to seal the 2 decks that are joined with a vertical drop of 70 cm provided, including the upgrade that was achieved by adjusting the jacks support. For this phase of welding two weeks were needed.
and flora protection, and optimal use of materials and construction methods tested.
Some figures:
- 60,000 cubic meters of rubble were removed from the cliff. - Deck: 288 feet long, 23 meters wide, 4 feet high, 3,500 tons of steel. - Bacons: 50 meters long, 1,600 cubic meters of high performance concrete in total. - Abutments: 45 meters with 19 meters of wells, 14,000 cubic meters of concrete in total. - Counterweight: 1,600 tons of ballast per side. - Earthworks: 48,000 cubic meters of rubble for the realization sinks and abutments. - 2,500 tons of steel reinforcement in concrete, 220 tones of prestressing in total. - 400,000 hours of work up to 200 guests during peak hours. - Contract work 46 million euros.
Conclusion:
As a material, this big project is very interesting, in which we learned a lot about the types of major structures and characteristics of each, also to differentiate between different types of project of the same categories. In addition to that it has allowed us to see other construction techniques of these structures and to compare it with the history of civil engineering. The project allowed us to choose a type of art work and make a small bibliography around it, which we also showed that the complex could be a bridge that sometimes seems simple at first seen. Also, it allowed us to explore a very large number of works already constructed or under construction , that gave us a very good culture techniques and modes of choice. Finally we can say that the work of the great ravine remains a major work for us and exceptional in its character and its insertion into a site of beauty.
Bibliography:
http://fr.structurae.de/structures/data/index.cfm?ID=s0012808 http://fr.wikipedia.org/wiki/Viaduc_de_la_Grande_Ravine http://www.vinci.com http://en.structurae.de/structures/data/index.cfm?ID=s0012808 http://www.tpi.setec.fr/FR/040-references/fich-o52.php http://www.terrasol.com/FichesRef/OA03GrandeRavine.pdf Traveaux: la revue technique des traveaux publics