Concerning matter, we have been all wrong.

What we have called matter is energy, whose vibration has been so lowered as to be perceptible to the senses. There is no matter. Albert Einstein For the mystery and the riddles of the Universe to be revealed and understood I must be able to understand them. Marion Garces I believe the Universe is better represented by number patterns than by mathematics or number formulas! Marion Garces The Book of Genesis - The Book of Revelation - The Book of John - No Beginning, no End - In The Beginning - The Serpent - The Tree - The Apple The Ouruborus Temple of Solomon - Solomons Key - The Two Pillar s - The Emerald Tablet - The Kabala - The Merkabah - The Philosopher Stone/The Philosophers Tone Numerology - The Hebrew Alphabet - The Greek Alphabet - Egyptian Mythology - As Above So Below - The Pyramids - Yin and Yang - The Vedas - Mayan Mythology- Native American Mythology - Irish Mythology - The Solfeggio Tones - The musical scale - Gregorian Chants - The Vatican - The Phi Spiral - The 3,6 and 9 - Opposing Spirals - Opposing Pressures - Opposing Vortices - Coral Castle - Torus Coil Vibrations - The Magic Square of the Sun - Self Similarity - Sacred Geometry Ether - The Fabric of Space Particle & Wave - Sine Wave Water Newgrange Magnetism Crop Circles - Masons Angle & Compass - The Shamir Cymatics - Zero Point Field - Walters 18 Dimensions Analemma - Adam and Eve - Hermes Trismegistus - Nicholas Flamel -Nassim Harramein - Tibetan Monks - The Templars - The Freemasons/Maurer/Moors - Pythagoras Jenkins Hardiman Hans Jenny Hyperborea Chakras - Ed Leedskalnin - Nicola Tesla - Marko Rodin Infinity - The Trinity - Hollow Earth Gurdjieffs Man-eating-Moon Ouspenskys Hydrogens Russells Octaves Color Spectrum Black Light White Light - Red Light Blue Light Fractals Jesus John the Baptist North Pole South Pole Joshua at Jericho HAARP Blue Star EVERYTHING

Call me crazy, have me committed, but I think I have stumbled upon the secret of creation and the Universe! To document this journey of discovery I have to go back quite some time, to the mid 1950s, when I was about 7 or 8 years old. One winter afternoon, shortly before Christmas my brother and I were looking out of our 4th floor apartment window, waiting for snow to start falling. It is one of the clearest memories of my life. The whole sky was filled with the tiniest, squirming lights. Billions of them! I can see the air! I burst out without thinking. Where? I want to see too!, my little brother immediately demanded. My parents were curious at first, but soon went back to whatever they were doing, shaking their heads, where does she get this imagination? My grandmother wisely kept quiet at that point, she knew where I got it. From that point on I saw the air whenever I looked at a clear very bright area, the sky, a patch of snow, a sheet of paper with the sunlight falling on it, all of them were instantly alive with tiny squirming points of light. My parents eventually became less and less amused when I staked my claim to seeing the lights and one day, quite sternly, told me that I was too old for such silliness. I eventually learned not to talk about the lights anymore. But I have seen them throughout all of the many years that have passed since then. Im a very curious person, and I love, no, I adore weird things! So throughout my life I have always looked for and puzzled over strange phenomena. One of the strangest, weirdest things I ever came across was Coral Castle in Miami. In the summer of 2009 I stumbled across a YouTube video of the castle and its creator, Ed Leedskalnin. Ed claimed to see beads of light, which he believed to be the physical presence of nature's magnetism, and life force, or what we term today chi. Call it what you will, Ether, the Fabric of space, I can see it. I can see it so clearly that I cant understand how anyone can not see it. Before going on, let me interject the second pivotal event that set me upon my quest. It happened 7 or 8 years after the first. I had pretty much divorced myself from science at this time, because I developed a mental block to understanding the periodic table. It just didnt make sense to me. When I looked at the awkward arrangements of the elements, so disjointed and unconnected I just felt in my bones that this was not quite right. I will shortly return to this subject. First a few more facts about Ed. Of course when I found out that Ed could see the lights too (there have been others who can see them also), I had to investigate. From this point on things just seemed to fall into my lap. Every time I got to a seeming dead end where everything stopped, it didnt take more than a week of puzzling and I stumbled across a new piece of information, and just the right one at that. Then I was off obsessed with working in this new info. At one point during my investigation of Ed and Coral Castle, I came across Walter Russell and The Universal One. Accepting the fact that I may well be perceived as a stark, raving lunatic, which I can live with, let me try and retrace the next steps that led me to a table of the most amazing numbers. I have no doubt that these numbers are very significant, though I am still puzzling over just how and what the significance is.

Before I get deeper into these numbers, I must tell you that I believe that for the mystery and the riddles of the Universe to be revealed and understood I must be able to understand them. By this statement I mean that every average person must be able to intuitively grasp the workings of it, without resorting to and understanding hundreds, or even a handful of long, complicated mathematical formulas. To justify this conviction let me re-tell a story about one of the few people I admire very much, Walter Russell*. Walter Russell Walter Russell was born in Boston, MA in 1871 and died in 1963. He was an artist, sculptor, architect, musician, champion athlete and not least of all a polarizing figure in the fields of chemistry, physics and cosmogeny He proposed that the universe was founded on the unifying principle of rhythmic balanced interchange. He wrote several books, but since he was not, according to mainstream science, an official scientist; his works have been largely ignored. Lately however, some of the more open-minded and inquisitive scientists, such as mathematician Marko Rodin and quantum physicist Nassim Haramein, have been influenced by and have built upon his work. Walter Russell stopped attending regular school when he was only eight. But Walter did not leave learning. By the time he was 13 he had attained the position as church organist. He studied art and became a successful portrait painter and sculptor. He worked as an art editor at Collier's Magazine. As an architect he designed the Hotel des Artists, on West 67th St, in New York, and a Gothic studio across from the Museum of Natural History on 79th St, also in New York. As a sculptor, Walter created the Mark Twain monument, which features the author and his famous characters. As a scientist, Walter Russell studied physics, and became a member of the group, which included Viktor Schauberger Albert Einstein and Nikola Tesla, who believed that acquisition of energy from what Einstein referred to as the 'fabric of space' was possible. Walter Russell gave the world new theories such as the fundamental principles of energy dynamics, the nature of matter and the progression of the evolution of matter. He also depicted the universe as a continuously changing, creating effort, sustained by the systematic work of the energy of light which all matter is composed of (here are my wiggly lights). His depictions of universal laws were expansive enough to be considered a complete non-standard cosmology. Today his works are known as Russellian science. Russell portrayed the principles of the unity of universal law in a way that brought many highly considered theories into direct conflict. He faulted science for blindly believing many erroneous theories, never having checked their accuracy, or trying to remedy their incompleteness. Among these were some of the fundamental principles derived by Newton. Walter Russell also presented a new view of the periodic table of elements that led him to the prediction of the existence of plutonium and several other elements, which were still unknown to mankind at the time. Some, like plutonium, have since been found, exactly where and how he described them. Other elements he predicted are still unknown to mankind today. However their mathematical placement in his charts makes their eventual discovery likely. He also predicted the creation of heavy water, which is required for the

process of releasing nuclear energy. Russells periodic table has not however been adopted fully despite these discoveries, as it indeed defies a great deal of current scientific thought, primarily the nature of the evolution of matter and the unified wavelength principle on which his table is based. Walter Russell was very spiritual, and his attempt to fuse science and God, though to in my opinion very successful, this is another reason why scientists ignore his contributions. However, many prominent scientists of his day, including Einstein, did respect Russells contributions. Nikola Tesla, advised Russell to hide his findings for a thousand years until humanity was ready for them. Books of Walter Russell can be found at the University of Science and Philosophy and include: * The Universal One * The Secret of Light, 3rd ed., 1994 * The Message of the Divine Iliad, vols. 1 & 2 * A New Concept of the Universe * The Electric Nature of the Universe * The Secret of Working Knowingly with God * The Self Multiplication Principle * The Fifth Kingdom Man * The Immortality of Man Further reading Clark, Glenn, The Man Who Tapped the Secrets of the Universe, University of Science & Philosophy, 1989 ISBN 1-879605-07-4 What connects Walter Russell to my numbers is his theory of the two opposing vortices that emerge out of and return into the field of equilibrium and his arrangement of the periodic table, to which I will turn later. Walters most basic premise seems to be that there is only one law for everything, and that trying to find a unifying theory of everything by leaving out 99% of everything is the ultimate foolishness. Walter says that, "The whole Universe is manifested through One Force divided into pulsation so that it appears to be two opposing forces that continually cycle in rhythmic balanced interchange to seek out balance and unity, but this is never the end result for if it were there would be no motion, and no life, and no Universe." Russell also states that "Electricity and Gravitation are one and the same force as are Magnetism and Radiation, which make up the opposing force. Both are evident in every effect of motion in which they move in opposite directions against a resistance set up by each against the other. This is how they create a 'plus' equilibrium condition of increasing pressure gradient and smaller volume. We have come to know this as 'matter. They also create a 'minus' equilibrium condition of decreasing pressure gradient and larger volume. This we know of as the 'space' surrounding matter. There are two forces, the positive, contracting, generative, electro-gravitative force being in the centripetal direction of closing harmonic spiral vortices. In these vortices all attributes are endothermic. The

second force being the negative, expanding, degenerative, magneto-radiative force being in the centrifugal direction of opening harmonic spiral vortices in which all attributes are exothermic." This man then, Walter Russell, in 1930, challenged all of science that they basically had everything wrong. The New York Times severely chastised him, accusing him of blasphemy against science, saying how dare a non-scientist intrude into those hallowed halls. They called his claims absurd and severely misguided at best. Walter responded that he was sorry that scientists were unable to provide the answers. He said I am sorry that an artist had to do it. Walter pointed out that Sir Oliver Lodge** said that no scientist could make the supreme discovery of the thing for which science is looking and hoping, such a discovery would have to be the supreme inspiration of some poet, painter, philosopher or saint. He continued, In other words, science sorely needs the imagination of an artist or poet to synthesize her heterogeneous complexities and put her on a path of simplicity and truth, for nature is very simple in her causes. She is complex only in her repeative effects! So this has become my self-appointed mission, to make the complex so simple that anyone can understand it, even I. I will try to be Walter Russells artist and poet. Will I fail miserably at it? Probably! But until someone else tries and succeeds, I will keep working at it. Will some people take this as a challenge? I hope so! I think it is time that the wonders of the Universe are simplified so that everyone can marvel over them, not just a few high priests! My goal is, absolutely no math above algebra 1, and of course geometry, the sacred kind. Physical Science Many years after I stumbled unwittingly unto this great puzzle and after many career changes I became an ESL (English as a Second Language) educator at a local high school. Since I am fluent in Spanish, my job is to go into the different classrooms with the students that have recently arrived from Spanish speaking countries and have not yet had time to learn English. I translate most of the materials and lectures for them. A little over two years ago, after one of my colleagues quit, I reluctantly volunteered to go into the Physical Science class. I had never been in the physical science class before and was prepared to either struggle or be totally bored. I am still sure this would have been the case, except for the teacher who was there that year. She was amazing. She made the class so lively and fascinating that even the 9th grade students loved going to her class. Thank you, Elizabeth! I began looking for some basic books to expand my knowledge of physics. I had not had any luck; most books that were basic enough for me were also too boring. Fate stepped in and I found myself one June day, killing time in a coffee shop on 39th Street, close to KU Medical Center. Across the street from there is the White Light Bookstore, a kind of not too serious new age bookstore. I cant pass up any bookstore, serious or otherwise. Of course, I went in. In that dimly lit, cramped establishment of rejected secrets I came across The Field, by Lynne McTaggart and bought it. It wasnt on physics, but on Quantum Physics,

Lynnes book promised to remedy my ignorance of the subject. Thank you, Lynne, the promise was delivered and then some. I not only understood what the book was about, but I became hooked on the subject and wanted more. One thing that McTaggart was amazing at in her book is bringing in so many other disciplines and showing how they impacted physics. This is what I had for so long believed and been looking for. The Universe includes everything, so it must be explained with everything. You cant explain what something is by leaving out 99% of it! Walter had it right Reiki Session Shortly after I bought Lynnes book, I went with my daughter in law to visit a friend of hers who does reiki sessions. We chatted a while, and I told her about Lynne McTaggarts books. I had by then also read The Intention Experiment. Sarah offered me a session free of charge and I accepted, not expecting much of anything. It started out quite ordinary, though very soothingly relaxing. The first hint of something unusual came when I felt an incredible warmth come from her hands, even though she never touched any part of my body. The heat became even more intense when her hands rested above my neck and shoulders and she asked me if I had been having any problems related to this part of my body. Many years ago I was in an accident, and I have had much pain in my right neck, shoulder and hip ever since. After about ten minutes she told me to lie on my stomach. As she worked her magic on my back I closed my eyes and listened to the music playing in the background. Almost instantly, with shocking suddenness I found myself looking at a classroom full of students, maybe 6 or 7 years old. The vision was so real. It was in 3-d, full color and incredible detail. But the most shocking thing was that right in the front row was a young girl I knew. Even though I knew that girl, Im not totally sure who it was. Either it was my sister in law who had died 3 years earlier or it was I myself at about the age of ten. Anyway the girl was trying to tell me something, but I could not hear her. She did motion me as if to say come on. I was shocked and determined to go follow up on the reiki sessions. Sadly with all that I have become involved in since, I have neglected this. David Sereda and the Harmonic Codes However, shortly after the reiki experience I came across a video series by David Sereda on the Harmonic Codes. What he had to say was fascinating. His lectures were really easy to understand, even for someone who had no background in physics and they made me want to know more. One thing that struck me as interesting was that he talked about complementary pairs of tones. I recorded the lectures and burned them on CDs. As I listened to them on my 45 minute drive to work every morning and again going home. I suddenly and out of nowhere understood that the girl in my vision had been trying to tell me to follow up on whatever I had begun in the physical science class. I went to Google and Yahoo and did a search on Harmonic Codes.

What I got were the 6 numbers of the Solfeggio Tones. I had never heard of these tones, but as of this writing I have a couple hundred recordings and hundreds of pages of notes on them. A Short History of the Solfeggio Tones The first time I came across the Solfeggios I got the following six numbers: UT 396 Hz RE 417 Hz MI 528 Hz FA 639 Hz Sol 741 Hz LA 852 Hz The numbers are the Hertz frequency values; the letters are letters of the musical scale. Note that there are only six of them. This is the solfeggio scale; the famous Gregorian Chants are supposedly based on this scale. This scale is very well adapted to vocal vibrations. The names of the notes are taken from the now lost, or rather hidden, Hymn to St. John the Baptist, and stand for: UT Queant Laxis That your servants' voices RE-sonare fibris may resound with MI-ra gestorum your great miracles FA-muli tuorum the stains SOL-ve poluti cleanse from LA-bi ireatum our polluted lips Sancte Ioannnes My knowledge of Latin is just what I picked up here and there, so this may not be 100% accurate. The Hymn to St John the Baptist, hidden by the Vatican, most interesting! John the Baptist, is one of several figures Ill just hint at in passing here. Each one of these subjects is probably worth a whole book to itself. Ill just mention that, there is a mystery and controversy connected to John the Baptist. It is something the Catholic Church does not want to discuss. It is also connected to Freemasonry, Gnostic Gospels and many other things. Here are some links if you are interested: http://www.elija.de/dossiers_engl/main_dossiers.htm Godlike Productions Banner Users Online Now: 2,801 (Who's On?) Visitors Today: 1,168,680 Page views Today: 1,710,588 Threads Today: 797Posts Today: 13,064 02:59 PM This site has some interesting things to say about John the Baptist and Jesus, here are some examples: Unlike Jesus, we do have testimony outside the Bible that John the Baptist existed. John is talked about by the first century historian Josephus. Incredibly the Bible Jesus himself says that John is the true Son of God. This contradicts the Christian lie that Jesus is the Son of God and the Messiah. This is the evidence that John was the Messiah not Jesus who was a fake having leapt on to Johns bandwagon. Anybody who was baptized by John the Baptist became Johns disciple. Jesus was

baptized by John in the Jordan. So by accepting baptism, Jesus was declaring to John that he was learning from him and not vice versa. http://www.godlikeproductions.com/forum1/message1098699/pg1 http://www.encyclomedia.com/john_the_baptist.html

This is some additional information I found, but since I had originally no intention of writing any of this down to share with anyone, I did not save the link, just copied what seemed important for me to look into. I insert this here, because it seems to fit best, even though I found this some time after a number of the following events occurred. Everything printed in this font are notes I have inserted. The Secret Solfeggio Frequencies: Sound Vibration Rates for Creation and Destruction
Table 1: The Nine Secret Solfeggio Frequencies.

2. 285 Hz = 285 = oe 3. 396 Hz Ut = 396 = 4. 417 Hz Re = 417 = (415 Hz to 417 Hz is a key energy balancing frequency range) 5. 528 Hz Mi = 528 = oe (528 Hz is known as the Miracle Frequency) 6. 639 Hz Fa = 639 = 7. 741 Hz So = 741 = 8. 852 Hz La = 852 = oe 9. 963 Hz Ti = 963 =
1. 174 Hz = 174 =

These sound frequencies or electromagnetic vibrations (previously kept secret) are most likely to eventually be recognized as the primary frequencies associated with the matrix of creation and destruction. Please note that all nine frequencies are mathematically and harmonically related. Nine is the number of completion. Nikola Tesla said many times that there is tremendous power in the s, oes, and s. Note that when you chant these sounds together you get a sound very much like that of Yaweh Table 1 shows the increasing frequencies encoded in the Torah and the Bible (Book of Numbers 7:12-83). Initially encrypted by Levi priests who translated the original Torah into Greek Septuagint, these nine frequencies apparently possess extraordinary spiritual power. In addition to their link to the hymn of St. John the Baptist and their likely association with creative and destructive events in the Bible, the third note -- Mi for Miracles or 528 - - is the exact frequency used by genetic engineers throughout the world to repair DNA. Note that there is some debate about this. I myself have not totally decided for or against this yet You can also program the following five frequencies from Table 2 and Table 3 into the custom data banks. Table 2: The Key of David/The Key of Libra/The Key of BALANCE and The GENESIS Frequency. 1. 360 Hz = (This is the Key of David Frequency which the ancient carillon bells were tuned to)

2. 531 Hz = (This is the GENESIS Golden Healing Frequency given by Archangel Michael) The Key of David or The Key of Libra (known in modern music as G or F) is based on the Golden Section or Golden Mean. It is associated with a vibrational formula to bring gifts of joy, love, and healing. Pythagoras and the Science of Vibrational Medicine today confirm the Golden measures of Divine Proportion and the three witnesses of the balancing effects on Health in The Key of David. Pythagoras also theorized that the earth creates a tone in space of G or F. NASA astronauts have since proven this to be correct using high-tech sound recording equipment. We will probably know with certainty at some future time that this represents the ageless wisdom of creation. Table 3: The Great Pyramid Kings Chamber Frequency, Royal Cubit Wave Form Frequency, and the Secret Concert Pitch. 3. 441 Hz = (441 Hz is the resonant frequency of the Great Pyramid Kings Chamber) 4. 144 Hz = (144 Hz is the Royal Cubit (20.625)Wave Form Frequency) 5. 432 Hz = (432 Hz is a key Secret Concert Pitch frequency) 6. 108 Hz = (54 Hz is the Breath of the Earth and 108 Hz is the sacred Egyptian Full Breath Frequency) 7. 50 Hz = OE (50 Hz is the frequency that the body nerves fire at. This is a useful frequency for pain relief) 8. 78 Hz = oe (78 Hz is the frequency that the body uses for the production of ozone) As you read on note that 432 is one of the numbers in my table. 108, 50, 78, and 144 are also connected in determining the pattern. I have not connected the 441 yet, but note it is the mirror image of 144. 144 or the 144,000 (since 0s are simply ignored). The Basics Definitions: solfa 1. the syllables do (formerly ut), re, mi, fa, sol, la, ti (formerly si). 2. the use of these syllables, as in vocal exercises. (Webster's Dictionary) solfeggio 1. a vocal exercise in which the solfa syllables are used. 2. the use of the solfa syllables to name or represent the tones of a melody or voice part or the tones of the scale, or of a particular series, as the scale of C. (Webster's Dictionary) The term "solfa syllables" refers to the actual syllables derived by Guido Aretinus (this will be explained later) and the term "solfeggio scale" refers to the act of singing those syllables. According to the dictionary, the term "solfa" was probably derived by combining the fifth and fourth syllables ("sol" and "fa"). We have used the already existing term of "solfa" as an acronym for the phrase Sound Of Life Frequency Attunement. The modern day solfa scale is a series of seven ascending notes that are sung to the syllables do-re-mi-fa-so-la-ti. The ancient solfa scale was a series of six ascending notes that were sung to the syllables ut-re-mi-fa-sol-la.

Introduction The solfa syllables were originally taken from a Gregorian chant written for John the Baptist called Ut Queant Laxis. The explanation of how these syllables were arrived at will be covered in a later section. The six sound frequencies in the Bible in the book of Numbers, chapter 7, verses 12-89 were discovered by Dr. Joseph Puleo. The frequencies are 396hz, 417hz, 528ha, 639hz, 741hz, and 852hz. My solfeggios. The exact frequencies used to sing the original solfeggio scale are unknown because throughout history different tuning applications have been used. The standard for tuning for the past 200 years is quite different from the tuning practices dating from antiquity through about the 16th century A.D. Ancient tuning practices used a system of tuning known as "Just Intonation." The tuning practice adopted for western cultures from about the 16th century and used today is know as "Twelve-Tone Equal Temperament." Music of modern man is basically in a box of limitations. A quote from the book, The Just Intonation Primer, written by David B. Doty is as follows: "Although it is difficult to describe the special qualities of just intervals to those who have never heard them, words such as clarity, purity, smoothness, and stability come readily to mind. The supposedly consonant intervals and chords of equal temperament, which deviate from simple rations to varying degrees, sound rough, restless, or muddy in comparison." "An equally serious problem with twelve-tone equal temperament is that it supplies composers with an artificially simplified, one-dimensional model of musical relationships. By substituting twelve equally spaced, fixed tones for a potentially unlimited number of tones, interconnected by a web of subtle and complex musical relationships, equal temperament not only impoverished the sonic palette of Western music, but also deprived composers and theorists of the means for thinking clearly about tonal relationships, causing them to confuse close relationships with remote ones and consonances with dissonances." "Just Intonation has depth and breadth. Its fundamental principles are relatively simple but its ramifications are vast. At present, the musical realm that comprises Just Intonation remains largely unexplored. A few pioneering composers and theorists have sketched some of its most striking features, but the map still contains many blank spaces where the adventurous composer may search for new musical treasures." It is important to understand that sound frequencies are very powerful, and intent is very powerful. When there is a marriage between certain frequencies and certain intents, they give birth to a living attunement with the Divine Mind that brings the physical and the etheric bodies into a balanced resonance. Balance is the key to well-being.

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Historical Figures Pythagoras (c. 569 BC c. 475 BC) Pythagoras was born in Greece on the island of Samos. He is described as the first pure mathematician. He founded a society known today as the Pythagoreans; they were a very secretive society that lived in communal conditions. They adhered to a strict code of secrecy. A few of their beliefs were: All reality is mathematical in nature; the soul can rise to union with the divine; certain symbols have a mystical significance. The Pythagoreans were not like the mathematicians of today; they were not interested in trying to formulate or solve mathematical problems, rather, they were interested in the concepts or mystical qualities of numbers and mathematical figures, such as a triangle, square, hexagon, circle, etc. They looked at patterns, just as I. One of the mystical concepts developed by this society was the reduction of a number to a single digit. For example, 15=1+5=6 or 236=2+3+6=11 and 11=1+1=2. This concept will be referred to later. This is called Gematria. According to an article in Yoga Journal written by Richard Leviton, Pythagoras believed that "the mathematical ratios between the vibratory rates of the notes on a scale reflect a universal law of harmony, (look at my table and see this incredible harmony between every number in every direction) descriptive of planetary motions, the laws of music, and the inner life of the soul. A single stretched and vibrating string illustrates both the fundamentals of musical harmonics and the laws of the cosmos. 'Study the monochord,' advised the Greek philosopher, 'and you will know the secrets of the universe'." It should be noted that the Pythagoreans were famous for their mutual friendship, unselfishness, morality, and honesty. St. Gregory the Great or Pope Gregory I (540 AD 604 AD) Gregory was born in Rome to a noble and wealthy family. As a young adult he held government office and was beloved and respected by the people. At about age 35 he had a spiritual awakening. He renounced worldly possessions and founded seven monasteries. He converted his family home in Rome into a monastery and became a simple monk. Eventually, he was chosen as secretary to the Pope. When the Pope died of the plague, Gregory was pressured into accepting the office, although he did not want it. At the time he became Pope he likened the church to an old ship that was shattered, decayed, and full of leaks. Pope Gregory labored zealously to improve the condition of the church and was known for his brilliance, as-well-as, his compassion and charity. He founded a school for singing and established a new way of chanting from which we have derived the name Gregorian chants. Realizing that monks and nuns had devoted their lives to God; but also that the mind wanders and the body is weak, chanting was used as a tool for intensifying the focus of mind and body. Chanting was effective at almost any moment, be it formal rituals or daily chores.

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Parts of a monastery were set aside for visitors. Refuge could be taken by pilgrims, the ill, the aged, etc. They could hear the monks chanting round the clock. The chant was believed to have a rhythmic pulse that was a fundamental order of the universe. The chant was believed to have healing qualities. Paul the Deacon aka Paulus Diaconus (c. 720 - c. 799) Paul the Deacon was born at Friuli. He was a descendant of a noble Lombard family. Paul was a medieval historian and one of his most important works was the history of the Lombards, a Germanic tribe that established a kingdom in northern Italy. Gregory the Great is also mentioned in his writings. According to the historian, Durandus, the hymn Ut Queant Laxis was composed by Paul the Deacon on a certain Holy Saturday when he found himself suffering from hoarseness of voice before having to chant the Exsultet. It has been speculated that the hymn was written in honor of Saint John the Baptist while Paul the Deacon was reflecting on the restoration of the voice of Zacharias, the father of John the Baptist. Guido Aretinus aka Guido dArezzo (c. 0995 AD c. 1050 AD) Guido was born in Paris, France. He was a Benedictine monk and traveled to the city of Arezzo in Italy around 1025. He was a music theorist and wrote a theoretical work entitled Micrologus. He was the author of much of our present day music notation. He also developed what we know as solfa syllables or the solfeggio scale, which is a tool used by singers to learn chants and songs more easily. Today we know the solfeggio scale as seven ascending notes assigned to the syllables Do-Re-Mi-Fa-So-La-Ti. The original scale was six ascending notes assigned to Ut-Re-MFa-Sol-La. The syllables for the scale were taken from a hymn to St. John the Baptist, Ut Queant Laxis. Guido may have been influenced by Boethuis, a mystic of the 6th century, because he is mentioned in Micrologus. Boethuis had also written five books on music fundamentals. He divided music into three parts. Music of the cosmos/world music related to astrology and numerology, Music of humanity music related to the body and soul and Music of instruments music produced by instruments or the human voice. The study of Boethuis warrants further examination. This would be a good adjunct for anyone interested in furthering their understanding of the effects of sound frequencies. Who is Dr. Joseph Puleo? Dr. Puleo is a naturopathic doctor currently living in northern Idaho. Through a series of unusual circumstances beginning in 1974, Dr. Puleo has been guided into the unraveling of certain vibrational frequencies and other mysteries encoded in the Bible. He was introduced, through an open vision, to the Pythagorean method of numeral reduction. Using this method, he discovered six sound frequencies coded into the book of Numbers, chapter 7, verses 12-89. These frequencies are 396hz, 417hz, 528hz, 639hz, 741hz, and 852hz. The fact that these are vibrational frequencies was further confirmed when it was discovered that the frequency of 528hz is used in the restoration of DNA. It has a powerful

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effect upon the water molecules that support the DNA helix (according to Dr. Lee Lorenzen, Ph.D.). Here is a quick synopsis of how the frequencies were deciphered. In the Bible, in the book of Numbers, chapter 7, verse 12 we find a reference to the first day. Moving down 6 verses, to verse 18, we find a reference to the second day, continuing down six more verses, to verse 24, we find a reference to the third day, and so forth until the final reference in verse 78 which is speaking of the twelfth day. What these verses have in common is a reference to a similar idea. To arrive at the first frequency the actual verse numbers are added using the Pythagorean method of reducing a number to a single digit. Thus, Verse 12 is 1+2=3, verse 18 is 1+8=9, verse 24 is 2+4=6, verse 30 is 3+0=3, verse 36 is 3+6=9, verse 42 is 4+2=6, etc. until verse 78. The pattern here is 396, 396, 396, etc. This is the first frequency. The next frequency is found by looking at verse 13 which is speaking of an offering. Six verses down, which is verse 19, the same offering or idea is repeated, six verses down at verse 25 there is another repeat, etc. Thus, by using the Pythagorean method of reduction, again we find a pattern developed. This pattern is 417, 417, 417, etc. Now we have the second frequency. The remaining frequencies are arrived at in the same manner. When all is complete the frequencies are 396, 417, 528, 639, 741, and 852. Translation of "Ut Queant Laxis" THE SECRET WITHIN THE ORIGINAL SOLFA SYLLABLES The original Gregorian chant was written in Latin. The solfa syllables were taken from the first stanza. Each line was divided in half and the first syllable of each half line was used. Ut queant laxis Resonare fibris Mira gestorum Famuli tuorum Solve polluti Labii reatum Sancte Iohannes Literal translation: In order that the slaves might resonate (resound) the miracles (wonders) of your creations with loosened (expanded) vocal chords. Wash the guilt from (our) Polluted lip. Saint John. Expanded translation: We, as prisoners, are crying out for release from our spoken expression of limited consciousness so that we might resonate

13

with your expanded creative vibrations. Enlarged translation: The Divine Mind needs an unconfined and freely moving relationship with us that will resonate our speech, or the very fiber of our being, to produce a miracle of communication, which will solve, dissolve, and release the restrictions of our speech. The Power of Intent and Intuition Applied with Sound Definitions: intent 1. Act of stretching out. 2. Having the mind, attention, or will concentrated on something or some end or purpose. intuition 1. Quick perception of truth or knowledge without conscious attention or reasoning. 2. That which is perceived or known intuitively. balance 1. A state of equilibrium or equality. 2. Equilibrium of the body. 3. Mental or emotional stability; sanity. 4. Harmonious proportion, as in the design or arrangement of parts. What is the Intent Behind the Solfa Syllables? Ut - preparatory tone to prepare the body, soul, and spirit to receive the intent of the next five tones (in order to receive) Re - tone to begin resonance with the Divine (resound or balance frequencies) Mi - tone to begin remarkable and extraordinary changes (miracles) Fa - tone to seek out limitations imposed upon us (slaves to mindsets) Sol - tone to loosen, release, unbind, untie, open, free (solve, resolve) La - tone to open the vocal chords (release the lips) Food for Thought "When we encode the six ascending frequencies discovered in the Bible into the hidden matrix of the six solfa syllables, focusing our intent upon creating a resonance with the divine mind, we release our own consciousness from the prison of thought restriction." "My intention is to balance and my intuition will guide me there."

14

Keep in mind that, at the time I refer to here I was not yet in possession of the above material. So these then are the things I have read, studied and puzzled about over the years, and I mention them now only to give an idea why I became so intrigued by these numbers. They touched almost every deep universal mystery across beliefs and cultures. When I began listening to the Solfeggio harmonics on YouTube, I found that each one of them corresponds to a Sacred Chakra color. Each one of the tones also is said to have specific healing properties. For instance, MI - the 528 frequency, is supposedly used by geneticists in order to repair damaged DNA. I found all of this information and wrote it down. However, it was not until much later that I found other and even more amazing connections between these subjects and the Solfeggios. For instance I found that the church, supposedly and intentionally, hid additional lost Solfeggio tones. My Solfeggios As I was writing the information in a notebook, something odd struck me about the numbers. I noticed that there were 3 sets of two numbers that used the same digits, so I wrote the numbers in a different order: 396 639 417 741 528 852 Staring, at the numbers I noticed two additional things. One of those things unfortunately seemed to negate the other. The first pattern was that from 417 to 852 the difference between any two consecutive numbers is 111. However the 396 did not fit into that theory. I kept staring at the numbers or several days and eventually something else hit me. These numbers are in pairs and so the harmonic pairs David Sereda, had been talking about came immediately to my mind. But again, as soon as I recognized this pattern I also saw that the number sets were not complete. It seemed obvious that some numbers were missing. I had 6 numbers, but there should actually be more numbers. Each set was missing a third number and should be: 174 - 417 741 285 528 - 852 396 639 - 963 417 741 174 528 852 285 not harmonic pairs, harmonic triplets. I was ready to forget about Mr. Sereda. I was going to forget Mr. Sereda for the moment, because something else struck me, the numbers still did not look quite right. The moment I was going to forget Davids harmonic pairs however, because there were none, I realized that there were harmonic pairs. The Solfeggios were a set of 18 numbers, like this: 147 174 258 285 369 396 417 471 528 582 639 693 714 741 825 852 936 963 3 sets of 6 or 6 sets of 3 or 9 sets of 2 or 9 pairs!

15

Encouraged by this small triumph, I began looking again at the numbers and again I noticed almost immediately, that put in a certain order, I had two sets of 9 numbers that increased by 111 from one to the next, like this: 147 174 258 285 369 396 417 471 528 582 639 693 714 741 825 852 936 963 There were two exceptions, between 369 and 471 and between 639 and 741. So once again I re-arranged: 147 258 369 471 aha!!! Eureka!!! I remembered the Pythagorean Skein (Base 9 ignoring 0), Kabala Numerology, Hebrew and Greek Language, no 0! 369 + 111 = the 3 becomes 4, the 6 becomes 7 and the 9 becomes 10, but since 0 is not used it becomes 1 = 471. Thus it works out this way: 147 258 369 471 582 693 714 825 936 One set of the Solfeggio Tones. For the second set I started again with the lowest number 174 285 396 417 528 639 741 852 963 The 2nd set of the Solfeggio Tones. By now, do you notice what I noticed? In the 1st set the next number in the sequence that begins with 147 and goes on to 936, will again return to 147, the last number returns you to the 1st number, Infinity! This is also true for the 2nd set of numbers, 963 will give 174 as the next number in sequence using the Pythagorean skein. This was too much of a coincidence, so I decided I now had the sequence right. I looked at the numbers to see what else was hidden in them, but for a couple of weeks I got absolutely nowhere. Then it hit me, base 9, Nikola Tesla, the 3, 6 and 9! I thought I had the 9; so where were the 3 and the 6? I saw several numbers with the digits of 3,6,9, and then I realized that these numbers are all divisible by (or multiples of ) 3. I checked all the other numbers and some can be divided by 6 and 9, but all can be divided by 3. Aha! I was elated, because I had a good puzzle on my hands, but I had no idea what to do with the puzzle. I put the numbers for each set of the Solfeggios in order. I had already noticed the fact that between each number in the set was a difference of 111, so the most logical next move was to figure out the difference between the numbers in order. This is what I got:

16

174 147 258

285 369

396 417

471 528

582 639

693 714

741 825

852 936

963

27 84

27 84

27 21

54 57

54 57

54 21

27 84

27 84

27

174 - 147 = 27 258 174 = 84 285 258 = 27 369 285 = 84 396 369 = 27 417 396 = 21 471 417 = 54 528 471 = 57 582 528 = 54 639 582 = 57 693 639 = 54 714 693 = 21 741 714 = 27 825 741 = 84 852 825 = 27 936 852 = 84 963 936 = 27

As above, so Below! Walter Russells opposing vortices

Note: the difference of 21 is really a difference of 111.

These frequencies do seem to have a harmonic wave to them, increasing and decreasing in a very harmonic pattern.

Im not sure what meaning this has. The only thing I have been able to come up with so far is that the sum of 27+84=111. So we have 111 twice on each side of the center 54. The real numeric difference for the 21 is 111, which gives us that number 3 times on each side. Now the remaining numbers 27+57+54+57+27= 222 111 on each side for a total of 8 times 111. I may be way off on this, but it seems there is some connection. But what did suddenly strike me was, that the original 6 numbers I had were after all Hz vibrations for our musical scales, and that David Sereda, had talked about harmonic pairs. There certainly seems to be a certain harmony in the arrangement if of these notes. I started searching on Google again, this time for base 9 and other number systems that do not use 0. I came across the amazing Marko Rodin and his torus-shaped universe. While I was watching his videos, I noticed that one of the images I had of the Solfeggio Tones, had them arranged around a circle. This arrangement perfectly matched the angles of the windings of Markos torus coil. It also so happened that they matched the angle of the Freemasons compass. But much more, I could hardly keep up with the connections at this point. To begin with, notice that Marko Rodins manner of winding his wire is just an infinity symbol with squared edges instead of rounded ones. But more so, notice the numbers and how they match.

17

The Gold numbers are Markos. Notice the center number of the Solfeggio Tones matches Markos number. When it gets to a double digit numbers, i.e. 16 and 32, notice that 1+6 = 7 which is the middle digit of the Solfeggio 174, 3+2 = 5, which is the middle digit of the Solfeggio 852. I followed this pattern, going around the circle a couple of times, and it continues to work out the same way with all of the numbers. Now take the other 9 numbers and put them in the same positions. Next based on the center number draw the 1,2,4,8,16, etc. connections of Rodin and the 3,6,9 Fig. 1 angle. Superimpose the two and see what you have. This is also works with the other set of 9 Solfeggio numbers. If we keep in mind, that Marko Rodins torus coil is not a 2 dimensional figure, but a 3 dimensional figure, then it must have another side to it. Fig. 2 shows the backside of the torus coil. It works the same way, but the infinity loop now starts at the 4 position instead of the 1. This was way too much of a pattern for me to believe in coincidence. But I have not even started yet with the patterns. Notice, the red/black open triangle is the same as the angle of the Freemasons compass. Does the second figure remind you of something? Like the facets on a diamond (crystal). Formation or manifestation of matter by sound! I now started looking into Cymatics. I recommend starting with Dr. Hans Jenny. I will not go into it here; I am still too much of a novice to try and explain it to someone else. But would it work with 3 circles also? As you can see with the line-up below, it does not work. When it gets to the 528, it will not automatically return to the next number, which is 693. Im getting these images tattooed on my arms! The next thing I did was look at the numbers themselves. All of them resulted in either 3, 6 or 9, when I reduced them all the way down to their single digits. Teslas 3,6 and 9 again. Back to surfing the www! Unfortunately at this time I had two computers, and the one I found the next, and perhaps the most important site, died shortly afterwards and I can not go back to it. What I found was incredible, but there was not a lot of documentation either. It looked like someone had started and then given up and left the barely begun project out in the www ether (a prophetic term I think). Anyway, during one of the searches I came across a site where I found a 9x8 (9 rows, 8 columns) table. Most of the boxes were empty, but a handful were filled in. Three of the numbers given happened to be my Solfeggios. The center column had a number in the 1st and the 6th row, 111 and 666 respectively. It seemed obvious where to start. I filled in all of the numbers in the center column. And yes, I did notice the 666!

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174 285 396

111 222 333 444 555 666 777 888 999

123

135

159

The red numbers are the ones that were filled in when I found the table. Step two was easy also, I filled in the rest of my Solfeggios in the way that seemed most logical, the ones from the 2nd set of the Solfeggios. Conveniently there were 9 numbers - perfect since there were 9 slots. At that point I was stuck for a moment. Then the brainstorm came. I noticed that the 111, 123 and 135 made a pattern. Take 111 and 123: the first digit stays the same, the second digit increases by 1 and the last digit increases by 2. This same pattern holds true going from 123 to 135. There is an arithmetic pattern also, it turns out that each cell increases by 12 over the previous one. but I noticed the other pattern first, because it is an obvious visual pattern, 111 123, etc.
741 852 963 174 285 396 417 528 639 111 222 333 444 555 666 777 888 999 123 135 159

The next number was missing, but assuming that I had found the pattern it should be 147. To check if I was right, all I had to do now is compare the 147 and the next number, which was given, 159. Eureka, it worked! From here it was easy to fill in the rest of the numbers on the right side of the center column.
741 852 963 174 285 396 417 528 639 111 222 333 444 555 666 777 888 999 123 234 345 456 567 678 789 891 912 135 246 357 468 579 681 792 813 924 147 258 369 471 582 693 714 825 936 159 261 372 483 594 615 726 837 948

But now I was faced with the other side! I tried to work it backwards, no go. The problem here was that I had a specific set of numbers I had to match the others to. So I studied the completed side some more. It didnt take me long to notice the 3rd column, they were some more of my Solfeggios. Looking at the left side of the table I noticed that the original Solfeggios were in the 3rd column from the center. So the rest must go into the

19

3rd column from the center on the left side also. Now I had 18 Solfeggios and in my order. An OMG moment! Looking at the Solfeggios I now had on both sides it jumped at me. As Above, So Below**. MIRROR IMAGE! Notice the Solfeggio columns the one closest to the center on the right is 147, 258 and so on, the one closest to the center on the left is 741, 852 etc. MIRROR IMAGE! From that it was easy to fill in the other numbers as well. The left side was a mirror image of the right side.
951 162 273 384 495 516 627 738 849 741 852 963 174 285 396 417 528 639 531 642 753 864 975 186 297 318 429 321 432 543 654 765 876 987 198 219 111 222 333 444 555 666 777 888 999 123 234 345 456 567 678 789 891 912 135 246 357 468 579 681 792 813 924 147 258 369 471 582 693 714 825 936 159 261 372 483 594 615 726 837 948

One evening, sitting in front of my computer with a bottle of wine, I got out the numbers and stared at them again. I thought why not see where the sequence takes me. I continued on the right side and was stunned when I ended with the table looking like this.
111 222 333 444 555 666 777 888 999 123 234 345 456 567 678 789 891 912 135 246 357 468 579 681 792 813 924 147 258 369 471 582 693 714 825 936 159 261 372 483 594 615 726 837 948 162 273 384 495 516 627 738 849 951 174 285 396 417 528 639 741 852 963 186 297 318 429 531 642 753 864 975 198 219 321 432 543 654 765 876 987 111 222 333 444 555 666 777 888 999

The sequence returns to the beginning number. Of course I immediately finished the other side of the table. There were no surprises this time, as I got exactly what I suspected. The sequence on the left side of the center 111 column too, returned to its beginning, the 111 column (I left them off here, for lack of space).
891 912 123 234 345 456 567 678 789 681 792 813 924 135 246 357 468 579 471 582 693 714 825 936 147 258 369 261 372 483 594 615 726 837 948 159 951 162 273 384 495 516 627 738 849 741 852 963 174 285 396 417 528 639 531 642 753 864 975 186 297 318 429 321 432 543 654 765 876 987 198 219 111 222 333 444 555 666 777 888 999 123 234 345 456 567 678 789 891 912 135 246 357 468 579 681 792 813 924 147 258 369 471 582 693 714 825 936 159 261 372 483 594 615 726 837 948 162 273 384 495 516 627 738 849 951 174 285 396 417 528 639 741 852 963 186 297 318 429 531 642 753 864 975 198 219 321 432 543 654 765 876 987

See Egyptian Mythology The Emerald Tablet of Hermes Trismegistus

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Lets look at the completed table, maybe there are other oddities hidden in the numbers. MIRROR IMAGE; Row Right Side All All numbers = 3, 6 or 9 when the digits of that number are added together 1 All numbers start with 1 2 Center digits range in order from 1 to 9 3 Last digits increase by 2 starting with odd number ending with even, would return to first odd number in next step Column All To be a Solfeggio frequency the digits of the number must give the single digit 3,6,or 9 Center 111, 222, 333, 444, 555, 666, 777, 888, 999 1 From top to bottom all digits 1-9 present in each position in the following order: first digit in order from1,2,3, etc. 1-9 second digit in order 2,3,4, etc. 2-1 third digit in order 3,4,5, etc.3-2 etc. 2 Now we go to the 2nd column to the right of the center and we keep up the same pattern. The first series is 19. The second series now starts with 3 and ends with 2 and then the 3rd series starts with 5 and ends with 4. On this side of the center column all columns start with the 1-9 sequence. Left Side All numbers = 3, 6 or 9 when the digits of that number are added together All numbers end with 1 Center digits range in order from 1 to 9 First digits increase by 2 starting with even number ending with odd, would return to first odd number in next step To be a Solfeggio frequency the digits of the number must give the single digit 3,6,or 9 111, 222, 333, 444, 555, 666, 777, 888, 999 From top to bottom all digits 1-9 present in each position in the following order: third digit in order from1,2,3, etc. 1-9 second digit in order 2,3,4, etc. 2-1 first digit in order 3,4,5, etc.3-2 etc. Notice that on the other side of the center column the pattern is the same, all sequences go through all the digits in order, depending on which one they start with

Once I was done with verifying that all the columns followed this pattern I noticed the most awesome thing of the whole table. At least I thought so at the time. As I just pointed out, to the right of the center column, looking at the last number in the row, the next number in this sequence would be 111 again, in the 2nd row it would be 222 again, and in the third 333, etc. Weird! But it gets weirder! To the left of the center column, after 891 the next number would also give you 111, 222, etc. again. In each row, on either side the end leads you to the beginning! It doesnt matter what column you start with, you always will end up in the same place again. But there is just one more step of weirdness! When you apply the same scheme to each column the result is the same. The last number in each column will bring you to the first number again if you follow the sequence. What we have is a pattern of infinity, because in either direction each end simply starts over again, and again

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.
891 912 123 234 345 456 567 678 789 891 681 792 813 924 135 246 357 468 579 681 471 582 693 714 825 936 147 258 369 471 261 372 483 594 615 726 837 948 159 261 951 162 273 384 495 516 627 738 849 951 741 852 963 174 285 396 417 528 639 741 531 642 753 864 975 186 297 318 429 531 321 432 543 654 765 876 987 198 219 321 111 222 333 444 555 666 777 888 999 111 123 234 345 456 567 678 789 891 912 123 135 246 357 468 579 681 792 813 924 135 147 258 369 471 582 693 714 825 936 147 159 261 372 483 594 615 726 837 948 159 162 273 384 495 516 627 738 849 951 162 174 285 396 417 528 639 741 852 963 174 186 297 318 429 531 642 753 864 975 186 198 219 321 432 543 654 765 876 987 198

Now Im not a religious person, actually I try to keep religion out of my life and as far away from me as possible. However, didnt the Bible say God has no beginning and no end, a concept most of us struggle with. I can suddenly see how this is possible, and Im beginning to think that the Bible may well be a book written in a code that no one has yet discovered. In the book of John it also says that in the beginning was the word, now what is a word? It is sound! And what is sound? It is vibration! And what are these numbers, they are harmonic vibrations. And what does vibration do? It manifests matter! Are you with me here? Before I go on, let me tie these numbers to Marco Rodin. Marco Rodin is an amazing mathematician who uses a number system closely based on the Pythagorean skein. For more information, which I highly recommend, go to YouTube and look for Marco Rodin, Torus Math, Torus Coil or Rodin Coil. Marco demonstrates (by using a mindboggling, ingeniously simple mathematical system) how the universe is a torus (a donut or inner tube shape). So how does my table connect with all of this? Put the table on a sheet of paper. Roll the paper up so that the top row connects to the bottom row, and you will have a tube. Connect the ends of the tube to one another you get A TORUS! You can keep adding tables both vertically and horizontally and you will always keep that torus shape, just like in a globe. Actually if you look at our terrestrial globe and picture the North and South Poles as the Axis Mundi, going right through the center of the ball and meeting in the middle at the core, you have a torus! Actually, if you look at an apple and picture the core going through the whole fruit, you have a torus. Just what was it that dawned on Eve when she bit into the Apple??? No, Im not done with patterns yet, but lets just review here for a moment: 1. the difference between the numbers in the rows is 111 for all rows and in each column. 2. all of the numbers are divisible by 3 (multiples of 3). 3. All numbers will reduce to the single digits of 3, 6 or 9. 4. No 0 is used. 5. No number has 2 or more identical digits, except the center and end columns. 6. The last numbers in both the rows and in the columns connect back to the first number again. 7. the numbers on the left side are mirror images of the numbers on the right side.

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8. Every column cycles through the digits 1-9 three times in varying orders, but always in sequence 9. The center and end column has the number 666 10. Columns 3 and 6 on either side of center hold a copy of the Solfeggios 11. The Vatican would like to keep some secret connected to the Solfeggios secret. 12. The difference between the Solfeggios have a very rhythmic, harmonic pattern 13. The Solfeggios are Hz frequencies 14. Frequencies are sound 15. Sound is vibration 16. Vibration manifests matter 17. The Bible says everything came into existence through the Word (sound/vibration)0 Now to some additional oddities:
+780 +570 +360 +150 +840 +630 +420 +210 891 681 471 261 951 741 531 321 210 360 420 570 630 780 840 150 111 222 333 444 555 666 777 888 999 +12 +24 + 36 +48 +60 +72 +84 +96 123 135 147 159 162 174 186 198 12 72 24 84 36 96 48 6 111 222 333 444 555 666 777 888 999

First notice the two odd increases, 60 on the right and 150 on the left. Notice that if we ignore the 0s we have 6 on the right and 15 on the left 6=6, 1+5=6. Both sides match! Next notice how harmoniously the numbers increase. The columns on either side of the center column =: 1st R +12, L +210 = 222 2nd R +24, L +420 = 444 3rd R +36, L +630 = 666 4th R +48, L +840 = 888 These are the even numbers and it is pretty easy to see how this works. With the uneven numbers 111, 333,555,777 and 999, it is trickier. Lets take the hardest one, because in a very neat way they too match 5th R + 60, L +150 =210 since we dont use 0, we have 2+1 = 3 or 111 6th R +360, L +72 = 432 = 4+3=7+2=9 = 333 7th R +570, L +84 = 654 = 6+5=11+4=15=555 8th R +780, L +96 = 876 = 8+7=15+6=21=777 I am still puzzling over the 999, though I am sure it is in there somewhere.

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Lets look some more. We have looked at the relationship between each column and the next one, but now lets look at the relationship between the columns on either side of the center one. 1. 111 + 111 = 222 2. 321 + 123 = 444 3. 531 + 135 = 666 4. 741 + 147 = 888 5. 951 + 159 = 1110 =111 6. 261 + 162 = 423 = 4-1=3 2+1=3 3=3 =333 7. 471 + 174 = 645 = 6-1=5 4+1=5 5=5 =555 8. 681 + 186 = 876 = 8-1=7 6+1=7=7 7=777 9. 891 + 198 = 1089 = 10-1=9 8+1=9 9=9 = 999 But lets just look at the numbers in the second row of each set of columns. 1. 2. 3. 4. 5. 6. 7. 8. 222 + 222 = 444 432 + 234 = 666 642 + 246 = 888 852 + 258 = 1110 = 111 162 + 261 = 324 = 4-1=3 2+1=3 3=3 = 333 372 + 273 = 645 =555 582 + 285 = 867 =777 792 + 297 = 1089 = 999 9. 912 + 129 = 1041 =222 The 222 is moved from the top of the column to the bottom. This will continue through all nine rows. It is sort of like a wave constantly disappearing and recreating itself SELF SIMILARITY. This pattern works all the way across the table. Also notice that it does not matter in this table where you start, you will always return to the same position. Once you know the most basic pattern, you can give someone any one of these numbers, just one, and that person will be able to construct the whole table in as long as it will take to write the numbers. Once you have one number, you have them all.
891 912 123 234 345 456 567 678 789 681 792 813 924 135 246 357 468 579 471 582 693 714 825 936 147 258 369 261 372 483 594 615 726 837 948 159 951 162 273 384 495 516 627 738 849 741 852 963 174 285 396 417 528 639 531 642 753 864 975 186 297 318 429 321 432 543 654 765 876 987 198 219 111 222 333 444 555 666 777 888 999 123 234 345 456 567 678 789 891 912 135 246 357 468 579 681 792 813 924 147 258 369 471 582 693 714 825 936 159 261 372 483 594 615 726 837 948 162 273 384 495 516 627 738 849 951 174 285 396 417 528 639 741 852 963 186 297 318 429 531 642 753 864 975 198 219 321 432 543 654 765 876 987
111 222 333 444 555 666 777 888 999

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Remember 555 + 555 = 1110 = 111, 666 + 666 = 1332 = 33(1+2)3, etc.
891 111 222 333 444 555 666 777 888 999 198 111 222 333 444 555 666 777 888 999

108 9 891 792 693 594 495 396 297 198 108 9 681

108 9

11x 99 198 297 396 495 594 693 792

111 222 333 444 555 666 777 888 999

891 108 9 186

111 222 333 444 555 666 777 888 999

867

111 222 333 444 555 666 777 888 999 111 222 333 444 555 666 777 888 999

867

111 222 333 444 555 666 777 888 999 111 222 333 444 555 666 777 888 999

681 582 483 384 285 186 987

186 285 384 483 582 681 789

If you add the two mirror image numbers on the diagonal they will always add to the same number.
471 111 222 333 444 555 666 777 888 174 111 222 333 444 555 666 777 888

645

645

25

999

999

471 372 273 174 975 876

111 222 333 444 555 666 777 888 999 111 222 333 444 555 666 777 888 999 111 222 333 444 555 666 777 888 999 111 222 333 444 555 666 777 888 999

174 273 372 471 579 678

111 222 333 444 555 666 777 888 999 111 222 333 444 555 666 777 888 999 111 222 333 444 555 666 777 888 999 111 222 333 444 555 666 777 888 999

261 423

162 423

261 162 963 864 765

162 261 369 468 567

951

111 0

111 0

159

951 852 753 654

111 222 333 444 555 666 777 888 999

159 258 357 456

111 222 333 444 555 666 777 888 999

Notice the pattern on he diagonal: on the right side of the center column starting with the number in the first row the succeeding number adds 1 to the first digit and subtracts one from the second digit, the center digit stays the same. On the left side the first digit increases by one, the last digit decreases by one, the center digit stays the same. This will

26

always return to the center column to the same triplet number as the sum of the three individual digits. Ex. 753 the next number on the diagonal is 654 7+5=12+3=15 15 divided by 3 (3 digits) = 5 = 555. Now take 654 or 456 applying the above diagonal pattern both numbers will give 555 as the next sequence. And true to the pattern, the next and center number is 555. This works for all diagonals, and it works whether you divide by 3 or 7-2=5 3+2=5 and 5 =5 (753) = 555.
741 111 222 333 444 555 666 777 888 999 111 222 333 444 555 666 777 888 999 111 222 333 444 555 666 777 888 999 111 222 333 444 555 666 777 888 999 111 222 333 444 555 666 777 888 999 147 111 222 333 444 555 666 777 888 999 111 222 333 444 555 666 777 888 999 111 222 333 444 555 666 777 888 999 111 222 333 444 555 666 777 888 999 111 222 333 444 555 666 777 888 999

888

888

741 642 543

147 246 345

531

135

531 432

135 234

321

123

27

912 813 714 615 516 417 318 219

111 222 333 444 555 666 777 888 999 111 222 333 444 555 666 777 888 999 111 222 333 444 555 666 777 888 999

219 318 417 516 615 714 813 912

111 222 333 444 555 666 777 888 999 111 222 333 444 555 666 777 888 999 111 222 333 444 555 666 777 888 999

123 444

321 444

123 924 825 762 627 528 429

321 429 528 627 726 825 924

Notice that when marking the numbers across the rows (horizontally) the pattern moves towards the center. Now, marking the numbers down the columns (vertically), they move away from the center.
111 222 333 444 555 666 777 888 999 111 222 333 444 555 666 777 888 999

234 135 936 837 738 639

432 531 639 738 837 936

Notice: the next number in sequence after 936/639 would be 135/531. Where are 135/531? It is in the next column in at the top. The next sequence on the diagonal would then be 234/432, and -VOILA - so it is.
531 432 234 135 936 837 111 222 333 444 555 666 777 135 234 432 531 639 738 111 222 333 444 555 666 777

28

738 639

888 999

837 936

888 999

Truly Harmonic Pairs! There are more patterns. The next pattern became clear when I looked at the difference between the matching columns. The difference between each set of mirror image columns is a multiple of 99 from 1x to 10x, working out to 2,4,6, and 8 x 99 in the innermost sets and 1,3,5 and 7 x 99 in the outer 4 sets. The outermost set = 10 x 99 if the true sequence numbers are used. 111 x 9 = 999 222 x 9 = 1998 = 1+8=9 99 333 x 9 = 2997 = 999 444 x 9 = 3996 555 x 9 = 4995 666 x 9 = 5994 777 x 9 = 6993 888 x 9 = 7992 999 x 9 = 8991 I am a long way from being done with finding patterns. If you add the mirror image columns in the following manner you will also get: 198+891=999 186+681=777 174+471=555 162+261=333 159+951=1110=111 147=741=888 135+531=666 123+321=444 111+111=222 Notice that these numbers also make MIRROR IMAGE pairs! 1998 8991 222 999 2997 7992 333 888 3996 6993 444 777 4995 5994 555 666 Notice something else? 2 + 9 = 11 3 + 8 = 11 4 + 7 = 11 5 + 6 = 11 Notice something else? 222 + 999 = 1221 = 222 333 + 888 = 1221 = 222 444 + 777 = 1221 = 222 555 + 666 = 1221 = 222 There is always just one more pattern to be found. Notice that all triple numbers can be evenly divided by 37, starting with 3X37, 6X37, 9X37 aha, Mr. Tesla again.

29

We are not done. Notice that each column adds up to the same total, 4995. And notice too that 4+5=9 =999. And notice too that SURPRISE - 4995/9=555, the center number of the table.
891 912 123 234 345 456 567 678 789
4995

681 792 813 924 135 246 357 468 579

4995

471 582 693 714 825 936 147 258 369

4995

261 372 483 594 615 726 837 948 159

4995

951 162 273 384 495 516 627 738 849

4995

741 852 963 174 285 396 417 528 639

4995

531 642 753 864 975 186 297 318 429

4995

321 432 543 654 765 876 987 198 219

4995

111 222 333 444 555 666 777 888 999

4995

123 234 345 456 567 678 789 891 912

4995

135 246 357 468 579 681 792 813 924

4995

147 258 369 471 582 693 714 825 936

4995

159 261 372 483 594 615 726 837 948

4995

162 273 384 495 516 627 738 849 951

4995

174 285 396 417 528 639 741 852 963

4995

186 297 318 429 531 642 753 864 975

4995

198 219 321 432 543 654 765 876 987

4995

At this point I came across Walter Russell, whom I introduced at the beginning and I began to believe in a higher hand messing with my life, or at least my mind. I cant remember which number I typed into the www, or if it was GOOGL or YAHOO, but typing in each one of the center numbers 111, 222, etc. the problem was that when I was working on these numbers at that time, I would just type in the first word, and then click on the first interesting thing that came up and then on the next one. When I finally found something I was 35 links away from where I started . But anyway, like on Jeff Dunhams show, on one of them, Walter popped up. Since the very first time I ever looked at the periodic table I have had the feeling, no the deep belief, that the order in which we have the elements listed is very awkward and does not make sense. I cant explain why, but all the gaps in the arrangement have never seemed logical to me. Among the many things Walter did so amazingly well, is drawing incredible diagrams and schematics. Here is one of them, it is his Octave Table of the Elements. It looks like he based the order on how stable the elements are, and perhaps on hardness, which means spin, which means vibration. What struck me, is that if you straighten this horseshoe shape, it looks pretty much like my table. Besides re-arranging the periodic table, Walter Russell also proposed that there are not 3 or 4 dimensions, but 18 of them, he listed them in his book The universal One These are Walters Dimensions; * The first Dimension is "Length". * The second Dimension is "Breadth". * The third Dimension is "thickness". * The fourth Dimension is "Time". * The Fifth, "sex" * The sixth, "pressures" * The seventh, "potentials" * The eighth, "temperature" * The ninth, "ionization" * The tenth, "crystallization" * The eleventh, "valence"

30

* The twelfth, "axial rotation" * The thirteenth, "orbital revolution" * The fourteenth, "mass" * The fifteenth, "color" * The sixteenth, "plane" * The seventeenth, "tone" * The eighteenth, "elliptic" Next I looked at each individual number. I started with the first row. I looked to see if I could find that same number repeated anywhere. Sure enough, I found every number in the first row repeated. The first oddity I noticed was the fact that each number was indeed repeated, but it was repeated on the opposite side of the 111 center column. I began marking the position of each number and ended up with the most amazing pattern. Following is a printout of the pattern. The small one at the top is of one individual table, the larger one is what emerges as I strung several tables together, both vertically and horizontally. Looking at the pattern horizontally it looks like a Navajo Indian blanket, looking at it sideways I see a harmonic sine wave. All of the above makes a weaving pattern, which gives the term Fabric of the Universe a literal meaning! Now look at the pattern and imagine a slight twist to it. Does it remind you of something else? How about the Double Helix DNA The Building Blocks of life itself! I will shortly show more evidence of this connection.

31

32

This is what Walter Russell Was talking About when he Wrote The Universal One

The moment I saw this chart, it clicked!

33

Now unbend the chart, so that instead of a horseshoe shape you have a table. Keep in mind that at Russells time not all elements we have today had been discovered. Also dont forget that Russell predicted and included a large number of elements that even today have not yet been found.(see the chart here for Russells elements). I now predict that we will eventually have a periodic table with 144 (2(8x9 )) elements plus 2 times 9 the same substance between the two sides. Perhaps that substance will be Russells inert gases. You can see on the chart here the fat dots along the center column (there are 9 of them) are his inert gases. Anyway I am convinced we will end up with a total of 162 substances.

34

Professor Willi Apel, wrote the origin of what is now called Solfeggioarose from a Medieval hymn to John the Baptist which has this peculiarity that the first six lines of the music commenced respectively on the first six successive notes of the scale, and thus the first syllable of each line was sung to a note one degree higher than the first syllable of the line that preceded it. By degrees these syllables became associated and identified with their respective notes and as each syllable ended in a vowel, they were found to be peculiarly adapted for vocal use. Hence Ut was artificially replaced with Do. (Something to consider there is a controversy surrounding Jesus and John the Baptist, something the Catholic Church is trying to hide at all costs, but hints and rumors of it are found throughout the non-traditional texts of the Gospels) In the 11th century Guido of Arezzo first adopted this scale. Six hundred years later a French musician, le Marie , added a seventh note, Si. ,The knowledge that sound and vibration are the cause of the manifesting of all matter was probably known to our earliest ancestors, but like so much other information was lost and/or hidden through the centuries. Then just a century after le Marie, added the additional note that knowledge re-emerged. The modern knowledge of this began with Ernst Chladni, a German scientist. In 1787 he wrote Discoveries Concerning the Theory of Music, a book about his research with sound. Chladni documented his method of making sound waves (look into the fact that sound is not a wave, but a sphere) produce structures. If you draw a violin bow across a plate that has a thin layer of sand in it, the vibrations of the bow produce distinct pattern in the sand (YouTube again, look for Cymatics). We call these patterns Chladni figures now. Nathaniel Bowditch, in 1815, determined that the appearance of these figures was because of the frequency oscillations, which were in certain ratios to one another, ex.1:1, 1:2, 1:3, etc. A more recent researcher into the characteristics of sound is Dr. Hans Jenny. Jenny even discovered that when he took a plate with a layer of sand, put it on an oscillator and spoke the letters of such ancient alphabets as Hebrew and Sanskrit, the sand actually formed these letters. Another modern scientist, Dr. Candice Pert, PhD, said Energy and vibration go all the way to the molecular level. We have 70 different receptors on the molecules and when vibration and frequency reaches that far they begin to vibrate. That sound has an effect on the human body is another example of knowledge that the ancient people possessed and we today did not discover this, but re-discovered it. All ancient religions and philosophies used sound to enter into spiritual connection with their sacred figures. They also used sound in healing. I can prove that Carl Jungs theory of synchronicity is correct. Some 2 years ago I bought Michael Hayes book The hermetic Code in DNA thinking it would answer some of my questions. I have since forgotten what answers to what questions I was searching for at the time. The book however, did not provide the answers I had hoped to find. Three days ago the Cuban, a.k.a. my husband, a.k.a. Tito, started working for himself, driving a delivery route halfway across the Realm of the People of the West wind,

35

a.k.a. Kansas. I decided that since I have the summer off Ill ride with him. Thus I started looking for reading material. Since my last move in May I have not yet unpacked the boxes with my books. I have been reading online since the move. I started looking for something that would allow me not to have to go to the basement, or my sons house, or the trunk of my car to look for my books. I came across Hayes book again and decided to finish reading it. I started reading where I had left off, and was stunned, on every page there were at least a couple of answers to questions I have accumulated since I bought the book. Ive found at least a couple of references to my number table on every page. Especially connected to the above subject is the chapter called Inner Octaves I can only recommend anyone interested in these subjects to read this book. Among a number of incredibly interesting facts, Mr. Hayes said that understanding the theory of full, half and quarter tones allows one to re-construct the whole scale of frequencies and harmonies from just one note. This is exactly true of the numbers in my table. On 5/16/11 I came across this web site, http://www.greatdreams.com/numbers/444/444.htm I think this is where the origin of the center number column can be found. The site has a lot of information that ties it to mine, but it is wrong on one thing: It is 1 X 72 or 2 X 36 = 72 2 X 72 or 4 X 36 = 144 3 X 72 or 6 X 36 = 216 4 X 72 or 8 X 36 = 288 5 X 72 or 10 X 36 = 360 Etc. It should be 3 X 24 = 72 6 X 24 = 144 9 X 24 = 216 12 X 24 = 288 15 X 24 = 360 Etc. + 3 X 13 (39) + 6 X 13 (78)) = 111 or 3 X 37 = 222 or 6 X 37

Look at the table for a moment, you should see why I used 24 instead of 72. Actually there are several reasons, but the obvious one should be that using 24 instead of 72 keeps with the 3, 6, 9 skip sequence. Think NikolaTesla, here. Notice that 24 + 13 = 37, therefore 3X24+3X13=3X37=111, etc. Now you may ask what is the significance of 37? Well, since you asked, look at this, also from the same web site: 1 30 24 13 12 31 35 8 23 17 26 2 34 28 15 21 9 4 3 27 16 22 10 33 32 11 14 20 29 5 6 7 19 18 25 36

36

This is called the Magic Square of the sun. Look at the numbers in the 4 corners 1 6

31 36 1+36=37 and 6+31=37 1+6=7 and 31+36=67, but 7+30=37 and 67-30=37 8 26 8=29=37 and 26+11=37 11 29

15 21

16 22

15+22=37 and 16+21+37 15+16=31 and 21=22=43, but 31+6=37 and 43-6=37 35 32

2 5 35+2=37 and 32+5=37 35+32=67 and 2+5=7, but 67-30=37 and 7=30=37 34 3

4 33 34+4=38 and 33+3=36, but 38-1=37 and 36+1=37 4+33=37 and 34+3=37

37

8 26

11 29

8+26=34 and 11+29=40, but 34+3=37 and 40-3=37; 8+11=19 and 26+29=55, but 19+18=37 and 55-18=37 28 9 27 10

28+10=38 and 9+27=36, but 38-1=37 and 36+1=37 28+9=37 and27+10=37 28+27=55 and 10+9=19, but 19+18=37 and 55-18=37 23 17 14 20

23+14=37 and 17+20=37 23+17=40 and 20+14=34, but 40-3=37 and 34+3=37 23+20=43 and 17+14=31, but 43-6=37 and 31+6=37 This works with all opposite numbers horizontal, vertical and diagonal. 1 30 24 13 12 31 35 8 23 17 26 2 34 28 15 21 9 4 3 27 16 22 10 33 32 11 14 20 29 5 6 7 19 18 25 36

What is the significance of these numbers? Lets begin with the 1st and last numbers in the first row and look for a pattern on the diagonal. Is there one? YES! 1+7=8+7=15+7=22+7=29+7=36. The same pattern works starting with the 6+5=11+5=16+5=21+5=26+5=31.

38

1 35 34 30 8 28 24 23 15 13 17 21 12 26 9 31 2 4 35+8=43 and 32+11=43 26-2=24 and 29-5=24 1 35 34 30 8 28 24 23 15 13 17 21 12 26 9 31 2 4 23-17=6 and 20-14=6 1 35 34 30 8 28 24 23 15 13 17 21 12 26 9 31 2 4 1+7=8 and 6+5=11 35-7=28 and 32-5=27 8+7=15 and 11+5=16 31-5=26 and36-7=29 2+7=9 and 5+5=10 26-5=21 and 29-7=22 1 35 34 30 8 28 24 23 15 13 17 21 12 26 9 31 2 4 30-7=23 and 7+7=14 12+5=17 and 25-5=20 1 30 24 13 12 35 8 23 17 26 34 28 15 21 9

3 27 16 22 10 33

32 11 14 20 29 5

6 7 19 18 25 36

3 27 16 22 10 33 3 27 16 22 10 33

32 11 14 20 29 5 32 11 14 20 29 5

6 7 19 18 25 36 6 7 19 18 25 36

3 27 16 22 10 33

32 11 14 20 29 5

6 7 19 18 25 36

3 27 16 22 10

32 11 14 20 29

6 7 19 18 25

39

31 2 4 33 5 36 24-19=5 and 18-13=5 and 24-6=18 and 19-6=13 33+4=37 and 34+3=37 1 35 34 3 32 6 30 8 28 27 11 7 24 23 15 16 14 19 13 17 21 22 20 18 12 26 9 10 29 25 31 2 4 33 5 36 in addition notice that the numbers in the 2 center columns are all separated by 1, even the first and last row numbers (they are simply switched) 33-34 and 3-4. Now the question comes up, what is the Magic Square of the sun? The Book of Threes - a Subject Reference Encyclopedia *1 has the following explanation One of the arguments the early Church used to convert pagans to Christianity was that Jesus Christ had more solar attributes than any other god. In the article the question is then raised did the early followers of Christ know some connection that would cause them to assume that Jesus and the sun are the same? Again I simply quote the same source: The "magic square of the sun," was one of the most important symbols used to represent the sun in antiquity because of all the symbolism it possessed involving the perfect number "6." There are six sides to a cube, the numbers 1, 2, an 3, when added or multiplied together are equal to "6," and the sum of all the numbers from 1 to 36 arranged in a 6x6 magic square are equal to the number "666." The square is "magic" because the sum of any row, column, or diagonal is equal to the number "111." After the Church became the state religion of the Roman empire, possessing the diagram below could get you burned at the stake! Finally, the diagonal of each square that holds a Christ circle by calculation is 666 units!!! July 2, 2011 The following link was sent to me today on Facebook:
http://web.mac.com/len15/MUSICAL_CULT_CONTROL/Leonard_G._Horowitz.html

As I was reading through it another EUREKA moment happened! The Solfeggio Numbers Once Again - Triplets this time Look at the following 9 sets of 3 numbers. 111 147 174 222 258 285 333 369 396 417 444 471 528 555 582 639 666 693 714 741 777 825 852 888 936 963 999

To begin with, these are the 18 major solfeggio tones plus the 9 triplet numbers of my center columns. However, lets look at the other properties: in the first 3 columns the triplets are the 1st number. 2. In the next 3 columns the triplets are the center number
1.
1

*http://threes.com/index.php?option=com_content&view=article&id=2853:the-magic-square-of-thesun&catid=81:religion&Itemid=61

40

3. In the last 3 columns the triplets are the last number Next, look at the differences: 1. 111 147 difference 36 2. 111 174 difference 63 3. 222 258 difference 36 4. 222 285 difference 63 5. 333 369 difference 36 6. 333 396 difference 63 7. 417 444 difference 27 8. 444 471 difference 27 9. 528 555 difference 27 10. 555 582 difference 27 11. 639 666 difference 27 12. 666 693 difference 27 13. 714 777 difference 63 14. 741 777 difference 36 15. 825 888 difference 63 16. 852 888 difference 36 17. 936 999 difference 63 18. 963 999 difference 36

= 162

= 108 = 252

If we were to add up the absolute value of the differences we end up with 2(378)= 756 = 71=6, 5+1=6, 6=6 = 666. If we take the actual values instead of the absolute ones we would end up with 0. As I am sitting here things are jumping again.
891 912 123 234 345 456 567 678 789 681 792 813 924 135 246 357 468 579 471 582 693 714 825 936 147 258 369 261 372 483 594 615 726 837 948 159 951 162 273 384 495 516 627 738 849 741 852 963 174 285 396 417 528 639 531 642 753 864 975 186 297 318 429 321 432 543 654 765 876 987 198 219 111 222 333 444 555 666 777 888 999 123 234 345 456 567 678 789 891 912 135 246 357 468 579 681 792 813 924 147 258 369 471 582 693 714 825 936 159 261 372 483 594 615 726 837 948 162 273 384 495 516 627 738 849 951 174 285 396 417 528 639 741 852 963 186 297 318 429 531 642 753 864 975 198 219 321 432 543 654 765 876 987
111 222 333 444 555 666 777 888 999

Look at the numbers diagonally. Start with the 1st one, 123. Next one down diagonally is 246. 123+123=246. Next one down is 369. 246+123=369. On the other side of the center column start with 321. 321+321=642. 642+321=963. This works with every column. If you determine the difference on the diagonal starting from the ends towards the center you will always get 99. For example 198 297 396, etc. Even if we keep expanding the table, the pattern continues horizontally, vertically and diagonally. 123 x1 = 123 123 x2 = 246 123 x3 = 369 123 x4 = 483 123 x5 = 615 here it doesnt work anymore because the number I have is 516 WOW do you see it?

41

123 x6 = 738 I have 639 (9-1=8 6+1=7 = 738) I would say this method is farfetched, except that it works every time. 123 x7 = 861 I have 753 (take 1 from the 3 to make 7 into 8 and take another 1 from the 3 to make the 5 into 6 and you have 861) 123 x8 = 984 I have 876 (take 1 from the 6 to make the 8 into 9 and take 1 from the 6 to make the 7 into 8 and you have 984) 123 x9 = 1107, since we dont use 0 = 117 I have 999 (take 1 from 9 to make the 9 into 10 and take 1 from 9 to make the 2nd 9 into 10 = 10107 since we dont use 0 = 117)
891 912 123 234 345 456 567 678 789 681 792 813 924 135 246 357 468 579 471 582 693 714 825 936 147 258 369 261 372 483 594 615 726 837 948 159 951 162 273 384 495 516 627 738 849 741 852 963 174 285 396 417 528 639 531 642 753 864 975 186 297 318 429 321 432 543 654 765 876 987 198 219 111 222 333 444 555 666 777 888 999 123 234 345 456 567 678 789 891 912 135 246 357 468 579 681 792 813 924 147 258 369 471 582 693 714 825 936 159 261 372 483 594 615 726 837 948 162 273 384 495 516 627 738 849 951 174 285 396 417 528 639 741 852 963 186 297 318 429 531 642 753 864 975 198 219 321 432 543 654 765 876 987
111 222 333 444 555 666 777 888 999

Now the other side: 321 x1 = 321 321 x2 = 642 321 x3 = 963 321 x4 = 1284 I have 384 (1+2=3= 384) 321 x5 = 1605 I have 615 (we dont use 0 = 165 or 615) 321 x6 = 1926 I have 936 (2+1=3 = 936) 321 x7 = 2247 I have 357 (take 1 from 2 to make 2 and take 1 from 2 to make 5 = 357) 321 x8 = 2568 I have 678 (take 1 from 2 to make the 5 into 6 and take the other 1 from 2 to make the 6 into 7 = 678) 321 x9 = 2889 I have 999 (take the 2 and make the 2 8s into 9s) On the Diagonal the increase is always 123 on the right side of the center Master Numbers or Walter Russells Master Tones. On the left side they all increase by 321. Coincidence? Then next coincidence! Starting at the opposite ends the last column on either side opposite the center one (now remember that between these is also a center column with the same triple numbers) going downwards diagonally towards the center column on the right increase by 99 and the numbers on the left decrease by 99, which means they cancel out to 0. This reminds me of Walter Russells Octave Periodic Table again. 99? Where does that fit in? Lets take 111, I just established that 111=3x37. However, 111 also = 99+12 or 3x33+3x4 222 also = 198+24 or 6x33+6x4 333 also = 297+36 or 9x33+9x4 444 also = 396+48 or 12x33+12x4 555 also = 495+60 or 15x33+15x4 666 also = 594+72 or 18x33+18x4 777 also = 693+84 or 21x33+21x4 888 also = 792+96 or 24x33+24x4

42

999 also = 891+108 or 27x33+27x4 This whole table is nothing but trinities: 1 Triple numbers in center column 2 All numbers are multiples of 3 3 123, first number, this is Walter Russells Universal One dividing into two opposing forces from the still equilibrium I noticed this a couple of days ago:
891 666 912 444 123 222 234 333 345 444 456 555 567 666 678 777 789 888 681 555 792 666 813 444 924 555 135 333 246 444 357 555 468 666 579 777 471 444 582 555 693 666 714 444 825 555 936 666 147 444 258 555 369 666 261 333 372 444 483 555 594 666 615 444 726 555 837 666 948 777 159 555 951 555 162 333 273 444 384 555 495 666 516 444 627 555 738 666 849 777 741 444 852 555 963 666 174 444 285 555 396 666 417 444 528 555 639 666 531 333 642 444 753 555 864 666 975 777 186 555 297 666 318 444 429 555 321 222 432 333 543 444 654 555 765 666 876 777 987 888 198 666 219 444 111 222 333 444 555 666 777 888 999 123 222 234 333 345 444 456 555 567 666 678 777 789 888 891 666 912 444 135 333 246 444 357 555 468 666 579 777 681 555 792 666 813 444 924 555 147 444 258 555 369 666 471 444 582 555 693 666 714 444 825 555 936 666 159 555 261 333 372 444 483 555 594 666 615 444 726 555 837 666 948 777 162 333 273 444 384 555 495 666 516 444 627 555 738 666 849 777 951 555 174 444 285 555 396 666 417 444 528 555 639 666 741 444 852 555 963 666 186 555 297 666 318 444 429 555 531 333 642 444 753 555 864 666 975 777 198 666 219 444 321 222 432 333 543 444 654 555 765 666 876 777 987 888

All the numbers in the table can be expressed as Master Tones; for example 123 = 1+2+3=6, 6/3 =2 = factored as 3,2 = 222 135 = 1+3+5=9, 9/3 =3 = factored as 3,3 = 333 147 = 1+4+7=12, 12/3 =4 = factored 3,4 = 444 Im looking for a pattern in this now,
111 222 333 444 555 666 777 888 999 666 444 222 333 444 555 666 777 888 555 666 444 555 333 444 555 666 777 444 555 666 444 555 666 444 555 666 333 444 555 666 444 555 666 777 555 555 333 444 555 666 444 555 666 777 444 555 666 444 555 666 444 555 666 333 444 555 666 777 555 666 444 555 222 333 444 555 666 777 888 666 444 111 222 333 444 555 666 777 888 999 222 333 444 555 666 777 888 666 444 333 444 555 666 777 555 666 444 555 444 555 666 444 555 666 444 555 666 555 333 444 555 666 444 555 666 777 333 444 555 666 444 555 666 777 555 444 555 666 444 555 666 444 555 666 555 666 444 555 333 444 555 666 777 666 444 222 333 444 555 666 777 888 111 222 333 444 555 666 777 888 999

43

The pattern does not emerge until the numbers are reduced to their single digits, then Tesla comes into the picture (table). One thing that becomes obvious from this is how harmonious these numbers really are (each one 1 octave higher). You can cut the table apart and put it together in a different way, it still gives you a harmonic pattern.
9 3 6 9 3 6 9 3 6 3 6 9 3 6 9 3 6 9 6 9 3 6 9 3 6 9 3 9 3 6 9 3 6 9 3 6 3 6 9 3 6 9 3 6 9 6 9 3 6 9 3 6 9 3 9 3 6 9 3 6 9 3 6 3 6 9 3 6 9 3 6 9 6 9 3 6 9 3 6 9 3 9 3 6 9 3 6 9 3 6 3 6 9 3 6 9 3 6 9 6 9 3 6 9 3 6 9 3 9 3 6 9 3 6 9 3 6 3 6 9 3 6 9 3 6 9 6 9 3 6 9 3 6 9 3 9 3 6 9 3 6 9 3 6 111 222 333 444 555 666 777 888 999 555 666 777 888 999 111 222 333 444 6 9 3 6 9 3 6 9 3 9 3 6 9 3 6 9 3 6 9 3 6 9 3 6 9 3 6 3 6 9 3 6 9 3 6 9 3 6 9 3 6 9 3 6 9 6 9 3 6 9 3 6 9 3 6 9 3 6 9 3 6 9 3 9 3 6 9 3 6 9 3 6 9 3 6 9 3 6 9 3 6 3 6 9 3 6 9 3 6 9 3 6 9 3 6 9 3 6 9 6 9 3 6 9 3 6 9 3 6 9 3 6 9 3 6 9 3 9 3 6 9 3 6 9 3 6 9 3 6 9 3 6 9 3 6 3 6 9 3 6 9 3 6 9 111 222 333 444 555 666 777 888 999 555 666 777 888 999 111 222 333 444

9 3 6 9 3 6 9 3 6

6 9 3 6 9 3 6 9 3

3 6 9 3 6 9 3 6 9

9 3 6 9 3 6 9 3 6

555 666 777 888 999 111 222 333 444

9 3 6 9 3 6 9 3 6

3 6 9 3 6 9 3 6 9

6 9 3 6 9 3 6 9 3

9 3 6 9 3 6 9 3 6

3 6 9 3 6 9 3 6 9

6 9 3 6 9 3 6 9 3

9 3 6 9 3 6 9 3 6

3 6 9 3 6 9 3 6 9

555 666 777 888 999 111 222 333 444

3 6 9 3 6 9 3 6 9

9 3 6 9 3 6 9 3 6

6 9 3 6 9 3 6 9 3

3 6 9 3 6 9 3 6 9

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In truth, without deceit, certain, and most veritable. That which is Below corresponds to that which is Above and that which is Above corresponds to that which is Below, to accomplish the miracles of the One Thing. And just as all things have come from this One thing, through the meditation of One Mind, so do all created things originate from this One Thing, through Transformation. Its father is the Sun; its mother the moon. The Wind carries it in its belly; its nurse is the Earth. It is the origin of All, the consecration of the Universe. Its inherent Strength is perfected, if it is turned into Earth. Separate the Earth from Fire, the Subtle from the Gross, gently and with great Ingenuity. It rises from Earth to heaven and descends again to Earth, thereby combining within Itself the powers of both the Above and the Below. Thus will you obtain the Glory of the Whole Universe. All Obscurity will be clear to you. This is the greatest Force of all powers, because it overcomes every Subtle thing and penetrates every Solid thing. In this way was the Universe created. From this come many wondrous Applications, because this is the Pattern. Therefore am I called Thrice Greatest Hermes, having all three parts of the wisdom of the Whole Universe. Herein have I completely explained the Operation of the Sun.

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891 912 123 234 345 456 567 678 789

681 792 813 924 135 246 357 468 579

471 582 693 714 825 936 147 258 369

261 372 483 594 615 726 837 948 159

951 162 273 384 495 516 627 738 849

741 852 963 174 285 396 417 528 639

531 642 753 864 975 186 297 318 429

321 432 543 654 765 876 987 198 219

111 222 333 444 555 666 777 888 999

123 234 345 456 567 678 789 891 912

135 246 357 468 579 681 792 813 924

147 258 369 471 582 693 714 825 936

159 261 372 483 594 615 726 837 948

162 273 384 495 516 627 738 849 951

174 285 396 417 528 639 741 852 963

186 297 318 429 531 642 753 864 975

198 219 321 432 543 654 765 876 987

111 222 333 444 555 666 777 888 999

November 14, 2011 I just noticed this today. The numbers in the two columns between the solfeggio columns are mirror images of each other on the diagonal towards the center. This works on both sides of the center triplet column. The last set at the bottom returns to the first set at the top.
891 912 123 234 345 456 567 678 789 681 792 813 924 135 246 357 468 579 471 582 693 714 825 936 147 258 369 261 372 483 594 615 726 837 948 159 951 162 273 384 495 516 627 738 849 741 852 963 174 285 396 417 528 639 531 642 753 864 975 186 297 318 429 321 432 543 654 765 876 987 198 219
111 222 333 444 555 666 777 888 999

123 234 345 456 567 678 789 891 912

135 246 357 468 579 681 792 813 924

147 258 369 471 582 693 714 825 936

159 261 372 483 594 615 726 837 948

162 273 384 495 516 627 738 849 951

174 285 396 417 528 639 741 852 963

186 297 318 429 531 642 753 864 975

198 219 321 432 543 654 765 876 987

111 222 333 444 555 666 777 888 999

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I can hear Walter Russell in the above words, but I also see him here!

Look at the first set of Hebrew letters, they tell the whole story of creation according to almost all creation myths and to Walter Russell. The most common meaning of Aleph, the first letter, is apple as in Eve and all as in everything and Yahweh YHWH or Jehovah YHVH or Russells Universal One. The second letter Bet, to break open as in an egg (see myths of the cosmic egg). The first activity ever. The third letter Gimel means to act. At this point the All or Universal One has broken through and is beginning to bring all other things into existence. This is Breshit, the Beginning of creation, not the beginning of God, God has no beginning or end. Now according to Walter Russell The Universal One, which is pure energy, causes itself to move (vibration). Genesis speaks of the spirit of God (pure energy) moving on the undivided waters (the still equilibrium). Keep in mind that there is no E,W,N,S. Next Genesis mentions that God created North and South. Why is East and West not mentioned? We, being used to having 4 directions here on Earth assume that by naming North and South it was the Earthly directions, including E and W that were created here. But, being familiar with Russells cosmogony, it makes much more sense to take this literally as God created North (inward) and South (outward), the only two directions possible in space. and since everywhere is filled with the still substance of The Universal One this vibration does not ripple in only

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one direction, but in two opposing ones Russells opposing vortices or Dalet, the 4th letter, which means to divide. The 5th letter He (another component of Gods name) means in and out and to connect. Again, according to Russells cosmogony, The Universal One now begins to breathe, meaning a rhythmic in and out (N and S) vibration and connecting the one substance of itself into many substances, forming atoms and elements matter. Next comes another component of Gods name, Vav. This means to Unfold and to multiply. The creative period is in full swing, God, The Universal One (pure energy) is forming multiple creations from his one substance by dividing and multiplying it/himself. Remember Matter can neither be destroyed nor created, it can only change form. Letter number 7 means axis and project. This is my spin on the story now, God gives an axis to every body and thus adds spin to back and forth movement, which makes (Walter Russell now) all direction curved and all motion spiral, not circular. Back to my take again. God projects the ideas his mind conjure up outward, but in order to serve a purpose he needs an audience. Man was created to be Gods audience. The Universal One is an existentialist. Letter number 8 means to fence in or to enclose. God has created a finite, not an infinite Universe. Finally letter number 9 means to complete. God has finished creating the Universe and rests, letting the play unfold for us. We are truly living an illusion, a marvelous illusion.

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Creation from the cosmic egg

src= "http://adserver.adtechus.com/addyn/3.0/5308.1/1371251/0/170/ADTECH;target=_blank;gr p=678;key=history society+social sciences+sportsrecreation+tourism;kvqsegs=D,T,2887,2775,1361,1355,1340;kvtopicid=14 2144;kvchannel=HISTORY;misc=1320980179948"></script> In the Dogon myth the creation deity begins the act of creation by placing two embryonic sets of twins in an egg. In each set of twins is a male and female; during the maturation process they are together thus forming androgynous beings. In a Tahitian myth, the creator deity himself lives alone in a shell. After breaking out of the shell, he creates his counterpart, and together they undertake the work of creation. A Japanese creation narrative likens the primordial chaos to an egg containing the germs of creation. In the

THE COSMIC EGG AND THE 'BIG BANG'

Hindu Mythology and the Big Bang

The subject of the origins of the Universe, and of life has been studied by man for many millennia. The concept of the cosmic egg as the source from which the Universe originated is an ancient one. Over some 3000 years, the Hindus have developed a rather sophisticated theology whereby they have come to understand the creation process on such a level that even science has borrowed heavily from their philosophies in the field of the theories of origins such as the Big Bang theory. The whole field of Quantum Physics that attempts to explain the nature of the Universe is more of a Hindu religious philosophy than it is a science. It is an open secret that physics of the origins of the Universe is much more of a philosophy, and admitted as such by leading proponents of theories of origins, particularly the Big Bang. Hindu theologies and other mythologies that have heavily influenced the present scientific models for origins, claim the cosmic egg, defined below as the beginning of creation, an ancient concept that has birthed modern cosmology and quantum physics. From Wikipedia: A WORLD EGG or COSMIC EGG is a mythological motif found in the creation myths of many cultures and civilizations. Typically, the world egg is a beginning of some sort, and the universe or some primordial being comes into existence by "hatching" from the egg.

COSMIC EGG MYTHOLOGY IN HINDUISM

The following quotes are from the ancient writings of the Hindus that address the subject of the origins, and of the nature of the Universe. The comments in italics below the quote are explanatory notes that expound on the text being quoted. The whole universe including sun, moon, planets, and galaxies was all inside the egg...(Vayu Purana 4.74-75)

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The Vayu Purana deals with the following topics: creation and re-creation of the universe; this ancient Sanskrit text describes the whole Universe as rising out of the cosmic egg. The only scientific explanation for such a claim is that the cosmic egg itself was a single cell of living matter that was encoded with the language of creation, the DNA of the Universe much as a human cell contains the language of human life, the DNA of man. The question that arises is where did such a cosmic egg come from? In Hindu tantra, based on the Hindu philosophy of Kashmir Shaivism, the Shri Yantra represents the expansion of the universe from the 'cosmic egg' after its creation by Shiva through the power of Shakti. If the 'cosmic egg was like a hens egg that when hatched can only bring forth a chick, not a cow or any other animal; then only one thing should have come out of the hatching of the cosmic egg, not the whole Universe. However if the cosmic egg was a cell of living matter encoded with the DNA of the Universe, the language of creation, that began to divide and mutate then various organs of the Universe such as planets, stars, and even life would arise as the growth and mutation continued over time. The idea of the EXPANSION OF THE UNIVERSE is both scientific and logical for as the Universe grew, the womb or membrane that contained it would literally have to expand till fully gestated, much like a pregnant womans womb expands when a fetus grows inside it. During this gestation period various organs of the Universe such as planets and stars would have been formed much as limbs grow inside the womb of a pregnant woman. The stretching (expansion) of the heavens is an expression used in several OT scriptures, as for example in Isa. 45:12. The earliest ideas of Egg-shaped Cosmos come from some of the Sanskrit scriptures. The Sanskrit term for it is Brahmanda (Brahm means 'Cosmos' or 'expanding', Anda means 'Egg'). Certain Puranas such as the Brahmanda Purana speak of this in detail. Another one of the ancient Hindu texts literally defines the cosmic egg as expanding cosmos. Once again this is not possible with a literal egg but only if the cosmic egg was a cell of living matter that divided and grew. The Big Bang theory is a variation of this Hindu myth that the Universe expanded from a single particle that was termed Primeval Atom instead of cosmic egg. The Rig Veda (RV 10.121) uses a similar name for the source of the universe: Hiranyagarbha, which literally means "golden fetus" or "golden womb". The Upanishads elaborate that the Hiranyagarbha floated around in emptiness for a while, and then broke into two halves which formed Dyaus (Heaven) and Prithvi (Earth) - concepts that existed in nearly every ancient culture, and were also articulated by the Abrahamic religions. (Genesis 1:1). The concept of the Universe gestating in an expanding womb is not limited to one Hindu text such as the one above but is found in many texts of the Vedas, the Puranas and the Mahabharata. The womb is the equivalent of that which science terms Space in which the

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heavens and the earth are to found. The concept of the expansion of Space from the beginning has been much theorized by science, and is also found in numerous Biblical scriptures such as Psalm 104:2, Isaiah 40:22, Isaiah 42:5. The breaking of the golden fetus into two halves is exactly the same process observed in cell division as the fetus grows in the womb. Watch this short Youtube video for a visual demonstration of this process. The formation of Heaven and Earth at the very beginning of creation is also reported in Genesis 1:1 'In the beginning God created the heaven and the earth'. It may seem strange to our natural senses that the heaven and the earth, and the heavens were created by the same process as a baby is formed in a womb but this explanation is as plausible as, or more plausible than any other that has been proposed for the creation of the Universe. In the Mahabharata we read: In this world, when it was destitute of brightness and light, and enveloped all around in total darkness, there came into being, as the primal cause of creation, a mighty egg, the one inexhaustible seed of all created beings. The above text from the epic Hindu poem, The Mahabharata, highlights both the science and the contradictions found in Hindu texts. The idea that all creation originated with one inexhaustible seed is a scientifically valid idea. However there is also a contradiction in the above statement in that the mighty egg, the inexhaustible seed could not have come INTO THIS WORLD if the mighty egg was the seed of all created beings. How could the world exist before the seed came into existence from which it arose? And how did the mighty egg come into existence?

COSMIC EGG MYTHOLOGY IN SCIENCE

The 'cosmic egg' is an ancient concept resurrected by modern science in the 1930s and explored by theoreticians during the following two decades. The idea comes from a perceived need to reconcile Edwin Hubble's observation of an expanding universe (which is also predicted by Einstein's equations of general relativity) with the notion that the universe must be eternally old. Georges Lemaitre proposed in 1927 that the cosmos originated from what he called the PRIMEVAL ATOM. Current cosmological models maintain that 13.7 billion years ago, the entire mass of the universe was compressed into a singularity, from which it expanded to its current state (the Big Bang), the so-called cosmic egg. According to science, The Big Bang or the Singularity is in itself the cosmic egg, that which existed in the beginning and the expansion (or hatching) of which brought everything we see into existence. The cosmic egg was given a more scientific name, the Primeval Atom when this theory was originally proposed. Scientists have achieved a great deal of consensus that the Universe did in fact have a beginning. This however poses a great deal of philosophical and theological problems for science, for in order to get anything started, it stands to reason that there must have been someone around to get it started. A beginning implies the presence of Intelligence (God) from before the beginning and that idea is repugnant to science even if it can be proven to be the only valid one. Heres a quote from a lecture by Dr. Henry F. "Fritz" Schaefer, III, a 5 time Nobel Prize nominee. Einstein ultimately gave grudging acceptance to what he

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called "the necessity for a beginning" and eventually to "the presence of a superior reasoning power." But he never did accept the reality of a personal God. Heres another quote from the Big Bang article on Wikipedia: In 1931 Lematre went further and suggested that the evident expansion in forward time required that the Universe contracted backwards in time, and would continue to do so until it could contract no further, bringing all the mass of the Universe into a single point, a "primeval atom", at a point in time before which time and space did not exist. The Big Bang is not an explosion of matter moving outward to fill an empty universe. Instead, space itself expands with time everywhere and increases the physical distance between two comoving points. This idea of the expansion of space, of the stretching of the heavens is found in many Biblical scriptures as mentioned previously in this chapter. This concept is also found in Hindu philosophy as previously noted, as well as in other mythologies; it forms the basis of the scientific theory of the expanding universe. If the Universe expanded or grew as is proposed both by religion and science, then it stands to reason that if we go back in time we would see it contracting till it reached the beginning. The point in time at which the Universe could contract no further would bring us to that moment when all that existed, materially speaking, was the cosmic egg, the primeval atom, the inexhaustible seed and nothing else. The difference between science and religion is not in the theory but rather the source of the cosmic egg. Science has no explanation for the source of the primeval atom or the Big Bang from which the Universe has apparently risen. Religions credit a deity or deities to be the creator (s) of the cosmic egg. The science of Cosmology attempts to explain the origins of the Cosmos as well as its nature. Prior to the 19th century, this subject was mainly the domain of philosophy and religion. From Wikipedia: A Physical cosmology, as a branch of astronomy, is the study of the largest-scale structures and dynamics of our universe and is concerned with fundamental questions about its formation and evolution. Cosmology is unusual in physics for drawing heavily on the work of particle physicists' experiments, and research into phenomenology and even string theory; from astrophysicists; from general relativity research; and from plasma physics. Thus, cosmology unites the physics of the largest structures in the universe with the physics of the smallest structures in the universe. That science attempts to understand the origin of the largest bodies in the Universe by studying the smallest particles does not seem so incredulous when we reflect on the fact that even the largest known animal on the planet, the blue whale, grows from a microscopic cell. Therefore the possibility that the Universe itself arose from such a single particle (primeval atom), a cosmic egg or a seed is not unscientific at all. The only question is who created the original seed and who has the near infinite language capabilities that would be necessary to encode such a seed? Language in the case of DNA encoding is almost certainly a mathematical language, like that of a computer, not a human tongue. It would almost certainly be mathematics that is not known to man. Therefore the science that can write or encode a DNA molecule is as far beyond mans capabilities as that of a monkey writing the Encyclopaedia Britannica. Nonetheless the process is scientific and thus the creator of the Universe is a scientist whose science is simply beyond the capabilities of the human mind, for which reason man seeks desperately to understand

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origins without giving credit to an originator. Since man does not understand the process that could give rise to such a complex structure as the Universe, he refuses to acknowledge that there may exist an intelligence that has the required knowledge to create such a complex seed that would result in the birth and maturity of the Universe itself. By denying a superior intelligence as the source of creation, science denies its own observations and reaches conclusions that are most unscientific. It helps to keep in mind that scientifically speaking an Egg, and a Seed is the same as a Cell that has encoded in its DNA the instructions, that when the Cell is fertilized will produce that which is defined by the language (the Word) of the encoded instructions. If a human being or an animal or a plant can grow from a single cell through a process that is daily observed, if not yet fully understood, why could not have the Universe have similarly arisen from a Cosmic Egg, a Mighty Egg, an Inexhaustible Seed, a single Cell? Could not a single Cell encoded with the appropriate information develop into the Universe over a required period of gestation, much as a baby develops in a womb from a single Cell. Though some may scoff at this idea, the reason for their incredulity is not that such a concept is a possibility, but rather because of the magnitude of that which they observe is so huge, infinite in scope, that they feel (despite the evidence) that it is not possible that the Universe could have grown from a single Cell, a single seed, a single egg. Yet that is exactly what science theorizes by claiming that everything has emerged from the Big Bang, a Primeval Atom, a Singularity or Cosmic Egg that would be more scientifically accurate to define as a Cell, literally the Seed of the Universe. From Wikipedia: The cell theory, first developed in 1839 by Matthias Jakob Schleiden and Theodor Schwann, states that all organisms are composed of one or more cells, that all cells come from preexisting cells, that vital functions of an organism occur within cells, and that all cells contain the hereditary information necessary for regulating cell functions and for transmitting information to the next generation of cells. The function of cells as encoders and decoders of LANGUAGE or INFORMATION (words) that are contained in them is apparent from the above definition. Without the information encoded on it a Cell would be as useless as a computer without an operating system. So if a self replicating and mutating Cell can be created, the only limitation on what it could bring forth would be the limitation of the language encoded on it, if the language itself was infinite, what could be brought forth would be infinite. The concept of an infinite language that can only stem from an infinite intelligence is the only valid explanation for an infinite Universe. The question that naturally arises is who is this intelligence that has the scientific capability of encoding a language on a Cell, be it that of an amoeba or that of the Universe? As the science of Genetics develops and becomes more clearly understood, it becomes apparent that Language is the fundamental building block of all organisms. Cells therefore are carriers of information, of language; without instructions encoded on cells to define what it must become, no organism would exist. The same must be true for inorganic matter, it too must have grown from cells or particles that have the required information encoded on them to form rocks, and soil, and water and, air and, so on and so forth. The question that again arises is who is the intelligence with whom this language, the Language of Creation originated? Creation it appears has resulted from Language and words, but who is the author? Science does not tackle this question at all since science

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does not acknowledge the role of language in the beginning, does not acknowledge that language, and therefore intelligence, must have preceded the creation of matter even though the evidence mounts daily that language is to be found written on all matter! Since science denies the existence of an intelligent Creator who alone could have encoded the original Cosmic Egg, it dodges this vital question by not raising the question at all. To suggest that creation could have occurred without a creator is like trying to suggest that a book may have been written without an author. In the next chapter we will explore from whence came this Cosmic Egg, the primordial Seed of the Universe?

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Remedies for Boredom

Sources to check out

http://www.redicecreations.com/radio/2011/06/RIR-110630.php http://www.redicecreations.com/radio/2011/06/RIR-110630.php http://www.elija.de/dossiers_engl/main_dossiers.htm http://www.svpvril.com/Cosmology/addendum9.html http://www.soundsofwonder.com/solfeggio.htm http://threes.com/index.php?option=com_content&view=article&id=2853:themagic-square-of-the-sun&catid=81:religion&Itemid=61 http://www.greatdreams.com/numbers/444/444.htm http://www.whatabeginning.com/Misc/Genetics/Genetics_VS.htm http://www.craigdemo.co.uk/geneticpatterns.htm http://www.cosmicfingerprints.com/mathematics-of-dna/ http://treeincarnation.com/homepage.htm http://taliscope.com/Agrippa_en.html

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