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Virgin Mobile India: Building a youth brand in a youthful country Dheeraj Sinha Warc Prize for Asian Strategy Shortlisted, 2011
EXECUTIVE SUMMARY
India has one of the youngest populations in the world with a median age of 24 years. But if you are an Indian youth, you have nowhere to go, this paper claims. India is a market of middle-aged teenagers. Virgin Mobile, the telecommunications operator, realized that with much discussion of 40 as the new 20, Indias twenty-somethings were being squeezed out. The fact that there wasnt a mainstream youth brand in one of the youngest countries of the world was seen as an opportunity by the brand. By positioning itself as a partner in crime with Indian youth, Virgin Mobile gave Indian youth a brand they could call their own. This led to a campaign which celebrated the rule-breaking nature of Indian youth via cheeky TV and radio spots, and other social media and outdoor executions. As evidence of the success of its approach, this case study cites results such as the above market growth in Virgin Mobiles new subscriber growth and average revenue per user, as well as a high level of
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1. Create high awareness for Virgin Mobile as a brand 2. Achieve a total brand awareness of at least 30% in the first 9 months of the launch 3. Establish differentiation on parameters a. A brand for the youth b. Does things differently and is innovative c. A unique Virgin wayof advertising 4. Dominate youth conversation in the online space
Virgin Mobile recognizes that todays discontinuous desires need discontinuous ways to achieve them. Virgin exhorts Indian youth to be inventive in their ways, to find new ways around old things. In the same way as Virgin Mobile is challenging the category and its doneways to unlock value for the youth. Virgin Mobile will be their partner in crime, and will exhort them to: Bypass The Firewall Of Sanctions Virgin Mobile as a brand in India has exhorted the youth to bypass sanctions over the last three years of its campaign. While year one and two (2008 & 2009) were largely dominated by brand and product campaigns, year three (2010) saw the brand making a big dent in the digital space. In 2010 Virgin was launching its GSM service around the time of IPL1 season 3 Indias largest television event, but Virgin Mobile had only 1% of the budget of its leading competitors to build momentum for its new offering. With 80 brands in the advertising melee and a 200% premium on spot rates, it was futile to enter the big boysleague on a limited budget. Any effort would be missed in the blink of an eye with the big beasts of telecoms splurging nothing less than $11m (Vodafone), compared to our IPL budget of less than $0.2m. We decided to shift the battleground from the television screen to the computer screen because thats where our audience was. And for the first time, the IPL was being telecast live on YouTube. Thus was born the idea of the Indian Panga2 League, which took the brand philosophy forward. The Indian Panga League was a series of 105 films which captured the spirit of sledging amongst cricket fans supporting different states over cheap inter-state calls.
IMPLEMENTATION
Creative Strategy
Telling Stories that Upset Social Codes
Our campaign creative told stories that were purposefully designed to bring out some of the grey areas in the public space. For the first time on national television, which seemed to have become the surrogate for Indias conscience, there were storylines and characters which were not whitewashed in goodness. The first brand film showed a young girl pretending to have lesbian tendencies in front of her parents, only to manipulate them into letting her go to Goa with her boyfriend. The second story is about how a young guy manages to bypass the hard-nosed traffic cop (in the Indian context often corrupt and seeking bribes) by making him talk to his father on the mobile phone. The father is no other than a friend of our protagonist. The third film is about a typical Indian government clerk falling for a faux sex hotline. A commentary on how its our senior generation that is pervert as against their constant bickering about the liberal ways of todays youth. The brand continued its tonality with the Indian Panga League. Staying true to its stance of being a real youth brand, each story/ pangacaptured the spirit of sledging as realistically as possible not only in content but also execution style and casting. The pangastook-off on player performances, idiosyncrasies, names, histrionics on and off the field, current events and cultural nuances, which all went into making the pangasrip-roaring hilarious. Giving the campaign a bolder and
provocative tinge were the liberally sprinkled expletives in response to the oppositions jibes (which were obviously beeped out). To retain interest levels we actually scripted stories as the IPL was being played out, leveraging the most recent exploits and performances. This built momentum and gave the entire campaign an extremely livefeel. Media Strategy To connect with youth at a limited budget we decided to target the media that they would have most affinity with. With a 6% share of expenditure, the brand managed to capture a 10% share of voice amongst the youth. While TV and radio was used, only shows on channels that they could connect with were chosen. Allocation to digital was twice that of the category average and outdoors share of budget was 18% compared to category average of 30%.
For the IPL campaign we knew the medium to reach the youth with minimal cost and break the clutter was stand-alone digital. We had to target and leverage viral behaviour to generate momentum and hype for it to turn into a larger than life property. We used video banners, posted films on youth news sites and targeted email databases. We initiated a massive social media strategy to further participation and encourage visits to the site and our YouTube channel. Other assets included:
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Facebook: IPL fan page linked back to the IPL site Seeding of the TVCs on the teamsfan pages and linking it to the IPL site Twitter: Live broadcast of the match updates followed by Pangas
Source: Virgin Mobile India Pvt. Ltd. BRAND 1. Achieved a total awareness of 91% in the year of launch, significantly above the objective of 30% in the first 9 months of launch Source: AC Nielsen, Brand Health Evaluation, August October 08 2. Scored high on uniqueness as 86% felt Virgin Mobile advertising was uniquely different as compared to other telecom ads seen Source: AC Nielsen, Brand Health Evaluation, August October 08 3. Virgin Mobile scored higher than all competitive brands on imagery parameters of being innovativeand trendsetting consistently through 2008-2010
4. Higher views on YouTube for Virgin Mobile advertising compared to competitors ads on air during the same period. Just the nurse film got 196,456 views.
5. The Virgin Mobile website recorded 4,039,835 visits from April 1st 2008 to June 30th 2009 with 78% of them being new visits
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Source: Virgin Mobile, Google Analytics, November 09 6. Virgin Mobile dominated youth conversation online in 2010
Our website www.indianpangaleague.in: 1.5 Million+ unique views in over a month Fans posting their own pangas which we actually developed into films 43,000+ referrals and forwards to friends by visitors
Facebook: Fastest registration across industries!! 2,590 fans in just 22 days, compared to Fosters 500 odd fans after a one month activity. Twitter: exposure to 60,000+ Twitter users in just 29 days.
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Fans re-tweeting pangas Creating their own IPL hash tags Sending requests for not only more pangas but also the uncensored ones!
Biggest fan ever! An individual fan uploaded all the 105 films on a separate channel on YouTube which garnered 3,90,000 views YouTube: 1.35 Million views in just 50 days! +300 times more cost efficient (per view) vs. Aircel
Silver EFFIE 2008 Bronze at JAY CHIAT 2009 AME 2009 for Best Insight and Strategic Thinking Bronze EFFIE 2009 Gold and Silver EFFIE 2010 Yahoo Big Idea Chair India
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Bronze at Spikes Asia 2010 Best Use of Digital Media, Including Social Media category Shortlist at the Digital Media Awards 2010 Potential entry for a Guinness Record for the maximum number of commercials by a single brand advertiser within a span of 45 days
LESSONS LEARNED
1. Building a young looking brand is different from building a brand for the youth. A real youth brand is not desperate to look cool. It is cool because of the things it does. We had to be young in motivation, not imagery. 2. Talking up versus talking down: Marketers and advertisers are always happy building brands that promise empowermentor liberation. We realized that the youth of todays India needed neither of these, as they were the silverspoongeneration. All that they needed was a certain legitimatization of their way of life. They needed a brand to be their partner in crime and not sit on a pedestal. 3. Youth is not a species, just a new generation. We often tend to stereotype youth as those guys with tattoos and piercings all over their bodies and gel in their hair. In real life, youth is just another generation, dealing with its own set of issues. They are normal people. 4. Being brave: Youth brands need to have the courage to bring out whats swept under the carpet. The locus of morality in India was changing. Virgin had to be brave to put it on the national television. Footnotes INSIGHTS AND STRATEGIC THINKING
1 IPL is the Indian Premier League A hugely popular yearly cricket match series between different state teams on the lines of
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