Professional Documents
Culture Documents
WILLIAM WORDSWORTH
(1770-1850)
Page 1 of 18
Contents
1. Introduction
8. The Prospectus
10. Death
12. References
Page 2 of 18
Introduction
William Wordsworth (7 April 1770 – 23 April 1850) was one of the great
Romantic poets of 19th-century England. His poems celebrated the glories of nature
and the human spirit while using the simple language of the "common man" -- a radical
idea for the time. Wordsworth studied at Cambridge University and then traveled in
France during the Revolution, an experience which affected deeply his own political
leanings. On his return to England he met Samuel Taylor Coleridge, and in 1798 they
published the collection Lyrical Ballads. It included both Coleridge's "The Rime of the
Ancient Mariner" and Wordsworth's "Tintern Abbey’’, a rumination on man and nature
inspired by the "steep and lofty cliffs" and "pastoral farms" around the stone ruins of the
ancient church. Critics hooted at Wordworth's poems and his politics early in his career,
but in later years he became accepted as a key voice in the Romantic movement. His
other works include Poems in Two Volumes (1807) and The Excursion (1814). He
was Poet Laureate of England from 1843 until his death in 1850. His autobiographical
epic, "The Prelude," was published by his wife after his death.
Wordsworth's younger sister and close confidante Dorothy (1771-1855) was also an
accomplished writer; he praised her lavishly in "Tintern Abbey". While traveling in
France, Wordsworth fathered a daughter, Caroline (b. 1792) with a woman named
Annette Vallon, they were never married. In 1802 Wordsworth married a childhood
friend, Mary Hutchinson. The title of the 1961 movie Splendor in the Grass (starring
Natalie Wood and Warren Beatty) was taken from a line in Wordsworth's ode
"Intimations of Immortality," which reads: "Though nothing can bring back the hour of
splendour in the grass, of glory in the flower."
Page 3 of 18
Page 4 of 18
Wordsworth made his debut as a writer in 1787 when he published a sonnet in The
European Magazine. That same year he began attending St. John's College, and
received his B.A. degree in 1791 Cambridge; always returning with breathless delight to
the north and to nature during his summer vacations. Before graduating from
Cambridge, he took a walking tour through France, Switzerland, and Italy in 1790. The
Alps gave him an ecstatic impression that he was not to recognize until 14 years later
as a mystical "sense of usurpation, when the light of sense Goes out, but with a flash
that has revealed The invisible world" - the world of "infinitude" that is "our being’s heart
and home."
Sojourn in France
Revolutionary fervor in France made a powerful impact on the young idealist, who
returned there in November 1791 allegedly to improve his knowledge of the French
language. Wordsworth's stay in Paris, Orléans, and Blois proved decisive in three
important respects. First, his understanding of politics at the time was slight, but his
French experience was a powerful factor in turning his inbred sympathy for plain
common people, among whom he had spent the happiest years of his life, into articulate
radicalism. Second, in 1792 Wordsworth composed his most ambitious poem to date,
the Descriptive Sketches. An admittedly juvenile, derivative work, it was in fact less
descriptive of nature than the earlier An Evening Walk, composed at Cambridge. But it
better illustrated his vein of protest and his belief in political freedom.
Page 5 of 18
Finally, while Wordsworth's political ideas and poetic talent were thus beginning to take
shape, he fell passionately in love with a French girl, Annette Valon, who in 1792 gave
birth to their child, Caroline. Because of lack of money and Britain's tensions with
France, he returned alone to England the next year. The circumstances of his return
and his subsequent behavior raise doubts as to his declared wish to marry Annette but
he supported her and his daughter as best he could in later life. During this period, he
wrote his acclaimed "It is a beauteous evening, calm and free," recalling his seaside
walk with his wife, whom he had not seen for ten years. At the conception of this poem,
he had never seen his daughter before. The occurring lines reveal his deep love for
both child and mother. The Reign of Terror estranged him from the Republican
movement, and war between France and Britain prevented him from seeing Annette
and Caroline again for several years. There are also strong suggestions that
Wordsworth may have been depressed and emotionally unsettled in the mid 1790s.
With the Peace of Amiens again allowing travel to France, in 1802 Wordsworth and his sister,
Dorothy visited Annette and Caroline in France and arrived at a mutually agreeable settlement
regarding Wordsworth's obligations.
Page 6 of 18
The year 1797, he met Samuel Taylor Coleridge in Somerset. The two poets quickly
developed a close friendship. In 1797, Wordsworth and his sister, Dorothy, moved
Page 7 of 18
to Alfoxton House, Somerset, just a few miles away from Coleridge's home in Nether
Stowey. Together, Wordsworth and Coleridge (with insights from Dorothy)
produced Lyrical Ballads (1798), an important work in the English Romantic
Movement. The volume had neither the name of Wordsworth nor Coleridge as the
author. One of Wordsworth's most famous poems, "Tintern Abbey", was published in
the work, along with Coleridge's "The Rime of the Ancient Mariner". The second edition,
published in 1800, had only Wordsworth listed as the author, and included a preface to
the poems, which was significantly augmented in the 1802 edition. This Preface
to Lyrical Ballads is considered a central work of Romantic literary theory. In it,
Wordsworth discusses what he sees as the elements of a new type of poetry, one
based on the "real language of men" and which avoids the poetic diction of much
eighteenth-century poetry. Here, Wordsworth also gives his famous definition of poetry
askeets "the spontaneous overflow of powerful feelings from emotions recollected in
tranquility." A fourth and final edition of Lyrical Ballads was published in 1805.
Tintern Abbey:
Wordsworth's most memorable contribution to this volume was "Tintern Abbey," which
he wrote just in time for inclusion in it. This poem is the first major piece to illustrate his
original talent at its best. A lyrical summing up of the poet's experiences and
expectations, it skillfully combines matter-of-factness in natural description with a
genuinely mystical sense of infinity, joining self-exploration to philosophical speculation.
While tracing the poet's ascent from unthinking enjoyment of nature to the most exalted
perception of cosmic oneness, it also voices his gnawing perplexity as the writer -
prophetically, as it turned out - wonders whether his exhilarating vision of universal
harmony may not be a transient delusion. The poem closes on a subdued but confident
reassertion of nature's healing power, even though mystical insight may be withdrawn
from the poet.
In its successful blending of inner and outer experience, of sense perception, feeling,
and thought, "Tintern Abbey" is a poem in which the writer's self becomes an adequate
symbol of mankind; undisguisedly subjective reminiscences lead to imaginative
Page 8 of 18
speculations about man and the universe. This cosmic outlook rooted in egocentricity is
a central feature of romanticism, and Wordsworth's poetry is undoubtedly the most
impressive exponent of this view in English literature.
The writing of "Tintern Abbey" anticipated the later spiritual evolution of Wordsworth; it
clarified the direction that his best work took in the next few years; and it heralded the
period in which he made his imperishable contribution to the development of English
romanticism. Significantly, this period was also the time of his closest intimacy with
Dorothy - who kept the records of their experiences and thus supplied him with an
unceasing flow of motifs, characters, and incidents on which to base his poetry - and
with Coleridge, whose constant encouragement and criticism provided the incentive to
ever deeper searching and to more articulate thinking. The three lived at Nether
Stowey, Somerset, in 1797-1798; took a trip to Germany in 1798-1799, which left little
impression on Wordsworth's mind; and then settled in Grasmere in the Lake District.
Wordsworth, Dorothy, and Coleridge then traveled to Germany in the autumn of 1798.
While Coleridge was intellectually stimulated by the trip, its main effect on Wordsworth
was to produce homesickness. During the harsh winter of 1798–1799, Wordsworth lived
with Dorothy in Goslar, and despite extreme stress and loneliness, he began work on an
autobiographical piece later titled The Prelude. He also wrote a number of famous
poems, including "the Lucy poems". He and his sister moved back to England, now
to Dove Cottage in Grasmere in the Lake District, and this time with fellow poet Robert
Southey nearby. Wordsworth, Coleridge, and Southey came to be known as the "Lake
Poets". Through this period, many of his poems revolve around themes of death,
endurance, separation, and grief.
The prelude:
several years and completed the first version in May 1805. The Prelude can claim to be
the only true romantic epic because it deals in narrative terms with the spiritual growth
of the only true romantic hero, the poet. Thus Wordsworth evolved a new genre
peculiarly suited to his temperament. In this poem as in most of his best poetry - but
here on a larger scale - the egocentricity for which he has often been rebuked was
validated through symbolism. The inward odyssey of the poet was not described for its
own sake but as a sample and as an adequate image of man at his most sensitive.
Wordsworth shared the general romantic notion that personal experience is the only way to gain
living knowledge. The purpose of The Prelude was to recapture and interpret, with detailed
thoroughness, the whole range of experiences that had contributed to the shaping of his own
mind. Such a procedure enabled him to rekindle the dying embers of his earlier vision; it also
enabled him to reassess the transient truth and the lasting value of his earlier glorious insights
in the light of mature wisdom. It lies in the nature of such an extended process of reminiscence
and revaluation that only death can end it, and Wordsworth wisely refrained from publishing the
poem in his lifetime, revising it continuously. The posthumously printed version differs in
several ways from the text he read to Coleridge in 1807. It is surprising, however, that the
changes from the early version should not be more radical than they are. Most of them are
improvements in style and structure. Wordsworth's youthful enthusiasm for the French
Revolution has been slightly toned down. Most important and, perhaps, most to be regretted, the
poet also tried to give a more orthodox tinge to his early mystical faith in nature.
Page 10 of 18
In 1802, after returning from his trip to France with Dorothy to visit Annette and
Caroline, Wordsworth received the inheritance owed by Lord Lonsdale since John
Wordsworth's death in 1783. Later that year, he married a childhood friend, Mary
Hutchinson. Dorothy continued to live with the couple and grew close to Mary. The
following year, Mary gave birth to the first of five children.
John Wordsworth: June 18th 1803 - 1875. Married four times: 1) Isabella Curwen (d.
1848) had six children: Jane, Henry, William, John, Charles and Edward. 2) Helen Ross
(d. 1854) no issue. 3) Mary Ann Dolan (d. after 1856) had 1 daughter Dora (b.1858).
Dora Wordsworth - August 16th 1804 - July 9th 1847. She married Edward Quillinan
Thomas Wordsworth - June 15th 1806 - December 1st 1812
Catherine Wordsworth - September 6th 1808 - June 4th 1812
William "Willy" Wordsworth - May 12th 1810 - 1883. He married Fanny Graham and had four
children: Mary Louisa, William, Reginald and Gordon.
Page 11 of 18
Wordsworth had for years been making plans to write a long philosophical poem in
three parts, which he intended to call The Recluse. He had in 1798–99 started an
autobiographical poem, which he never named but called the "poem to Coleridge",
which would serve as an appendix to The Recluse. In 1804 he began expanding this
autobiographical work, having decided to make it a prologue rather than an appendix to
the larger work he planned. By 1805, he had completed it, but refused to publish such a
Personal work until he had completed the whole of The Recluse. The death of his
brother, John, in 1805 affected him strongly.
Page 12 of 18
relied chiefly on Coleridge for philosophical guidance, more recent scholarship has
suggested that Wordsworth's ideas may have been formed years before he and
Coleridge became friends in the mid 1790s. While in Revolutionary Paris in 1792, the
twenty-two year old Wordsworth made the acquaintance of the mysterious traveler John
"Walking" Stewart (1747-1822), who was nearing the end of a thirty-years' peregrination
from Madras, India, through Persia and Arabia, across Africa and all of Europe, and up
through the fledgling United States. By the time of their association, Stewart had
published an ambitious work of original materialist philosophy entitled
In 1807, his Poems in Two Volumes were published, including "Ode: Intimations of
Immortality from Recollections of Early Childhood". Up to this point Wordsworth was
known publicly only for Lyrical Ballads, and he hoped this collection would cement his
reputation. Its reception was lukewarm, however. For a time (starting in 1810),
Wordsworth and Coleridge were estranged over the latter's opium addiction. Two of his
children, Thomas and Catherine, died in 1812. The following year, he received an
appointment as Distributor of Stamps for Westmorland, and the £400 per year income
from the post made him financially secure. His family, including Dorothy, moved
to Rydal Mount, Ambleside (between Grasmere and Rydal Water) in 1813, where he
spent the rest of his life.
The Prospectus
In 1814 he published The Excursion as the second part of the three-part The Recluse.
He had not completed the first and third parts, and never would complete them.
However, he did write a poetic Prospectus to "The Recluse" in which he lays out the
structure and intent of the poem. The Prospectus contains some of Wordsworth's most
famous lines on the relation between the human mind and nature:
Page 13 of 18
My voice proclaims
How exquisitely the individual Mind
(And the progressive powers perhaps no less
Of the whole species) to the external World
Is fitted:--and how exquisitely, too,
Theme this but little heard of among Men,
The external World is fitted to the Mind…
Some modern critics recognize a decline in his works beginning around the mid-1810s.
But this decline was perhaps more a change in his lifestyle and beliefs, since most of
the issues that characterize his early poetry (loss, death, endurance, separation,
abandonment) were resolved in his writings. But, by 1820 he enjoyed the success
accompanying a reversal in the contemporary critical opinion of his earlier works. The
death of his friend painter William Green in 1823 led to Wordsworth mending
relations and by 1828, Wordsworth had become fully reconciled to Coleridge, and the
two toured the Rhineland together that year. Dorothy suffered from a severe illness in
1829 that rendered her an invalid for the remainder of her life. In 1835, Wordsworth
gave Annette and Caroline the money they needed for support.
Wordsworth received an honorary Doctor of Civil Law degree in 1838 from Durham
University, and the same honor from Oxford University the next year. In 1842 the
government awarded him a civil list pension amounting to £300 a year. With the death
in 1843 of Robert Southey, Wordsworth became the Poet Laureate. When his daughter,
Dora, died in 1847, his production of poetry came to a standstill.
Page 14 of 18
Death
William Wordsworth died of pneumonia on the 23rd April 1850 and was buried at St.
Oswald's church in Grasmere. His widow Mary published his lengthy autobiographical
"poem to Coleridge" as The Prelude several months after his death. Though this failed
to arouse great interest in 1850, it has since come to be recognized as his masterpiece.
Page 15 of 18
"In that sweet mood when pleasant thoughts bring sad thoughts to the mind."
- "Admonition"
- "Borderers"
Page 16 of 18
Major works
"Simon Lee"
"The Thorn"
"The Daffodils"
"Lucy Gray"
"Nutting"
"Michael"
Page 17 of 18
"Ode to Duty"
"Elegiac Stanzas"
"London, 1802"
"Mutability"
Page 18 of 18