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GUITAR SCALE MASTERY

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Special Report:
How To Totally Master The Sound Of ANY Scale
IMPORTANT: This special report may be freely distributed as long as the content is not altered in any way.

Hi there, Welcome! This free special report helps you do one main thing Internalize the sound of ANY scale. Learning to do this will help you tremendously! A few benefits that youll notice include: Youll learn to improvise in a much more melodic way. Youll be able to memorize licks and solos much more quickly. Youll be able to transcribe licks and solos more easily. Your ability to play-by-ear will improve. Youll be able to solo in different keys more confidently. Ill stop there. Lets just say that it will help your guitar playing a lot. Anywayenough talk from me. Have fun with this stuff. All the best,

Craig Bassett. P.S. If gaining a complete and total mastery of scales is important to you, be sure to check out www.GuitarScaleMastery.com

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GUITAR SCALE MASTERY

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Learning to internalize the sounds of scales is a vital skill. This means that you should be able to hear what each scale degree of a scale sounds like clearly. If I asked you to sing the sixth note of a particular major scale, could you do it without thinking? If the answer is no, then the project in this section will really help!

Lets get started

Ear Training For Scales Project

In this project well look at some ear training exercises for scales. The aim of the exercises is to imprint the sound of each note of the scale into your brain. Youll learn to think of any note in a scale and then hear it in your Minds ear. For this project well apply the exercises to the A major scale. Although we focus on this scale, the concepts youll learn can be applied to any scale. Before we get to the exercises, I need to talk quickly about how to actually practice them. Please read the following instructions at least five times. Yes its that important! J
How To Do The Exercises In This Project
The ideal way to do each exercise is to follow these four steps. 1. Hear the note in your head. 2. Sing the note. 3. Play the note on your guitar to see if you were right. 4. Correct any mistakes. A mistake people often make is to sing each note as they play it on their guitar. This leads them to follow what is being played on the guitar rather than truly hearing each note clearly in their head. Here are a few important points:

Sing the scale degree rather than the note name. This means that the exercise is transferable to every key. Note that I have written the scale degrees underneath the TAB. Repeat each exercise many times. Repetition is the mother of memory and skill. Do the exercises very slowly. Take the time to really hear each note in your head before you sing it. Do about 10-15 minutes of ear training on a daily basis. If you dont do ear training every day, your progress will be slow.

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GUITAR SCALE MASTERY

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Lets take a look at the first exercise now Exercise 1:

Please spend a few minutes practicing it now. Once youve finished, please read on When I teach this exercise to my students there is a really common issue that often crops up. Lets take a look at it now
Common Issue: You cant sing the exercise at all.

Dont panic! There are two possible reasons for this Vocal Range: The exercise is out of your vocal range. Please move the exercise to a position that is more comfortable for your singing range. Vocal Training: Your voice hasnt had enough training to be able to match ANY note yet. If this is the case, please have a look at the box below

What To Do If You Cant Sing A Note At All:


The first thing isdont feel bad. Its actually really common. Ive taught these exercises to many people who couldnt sing a single note to start with. It WILL take some time and patience, but you WILL be able to do it. Heres how Step One: Choose a note on your guitar that you feel is within your singing/humming range. If youre not sure, just choose any note on your Thick E-String. Step Two: Play the note on your guitar. Close your eyes and just listen to the sound of the note. Please listen in an effortless way. Just enjoy the sound of the note. Repeat this for a minute or so. Step Three: Play the note again. This time try to hum the note. If you dont get the same pitch, see if you can adjust your hum. Repeat this several times. Step Four: Repeat Steps Two and Three daily. Each day choose a different note, until you find one that you can hum. Once you find a note you can hum, practice Steps Two and Three on it for 5 minutes every day. Once you get used to this youre ready for Exercise One. Keep in mind that you may need to practice it in a key different to what its written in.

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GUITAR SCALE MASTERY

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Here are the other exercises Exercise 2:

Exercise 3:

Exercise 4:

I would recommend spending a lot of time on these four exercises before moving onto the next set of exercises. They really help you lock in the sound of the scale into your brain! At this point, my students often ask a question like
Is it best to master all exercises in one key before moving onto another, or is best to master one exercise in all keys before moving onto the next exercise?

My answer to those questions is experimenttry both ways and see what works best for you. My personal preference is to stick to one key until I have mastered all exercises using that key. For example: If I decided to work on the key of C major I would only move onto a new key when I mastered all four exercises in C major. Heres a question for you. How do you know when you have mastered an exercise? Lets take a look I highly recommend setting a time goal for each exercise. I usually set a time goal of 60 minutes. For example: Lets say I was working on Exercise 1 for 10 minutes each day. It would take me six practice sessions to master the exercise. Of course, if I still found the exercise difficult after six sessions, I would continue practicing it daily until it became easy.

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GUITAR SCALE MASTERY

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Here is a table to help you keep track of your progress. Each time you practice an exercise write down how many minutes you spend on it. For example: if you spent 10 minutes practicing Exercise 1 in the key of G, you would write 10 in the Exercise 1 column in the G major row.
Key C major G major D Major A major E major B/Cb major F#/Gb major C#/Db major F major Bb major Eb major Ab major Exercise 1 Exercise 2 Exercise 3 Exercise 4

IMPORTANT: Please dont move onto the next exercise until you have mastered all four exercises in at least one key. When youve done that, please keep on reading

Now well look at some more exercises to help you internalize the sound of the major scale. They are a little more advanced than the first four, so be patient. J The next eight exercises are what I call pivot exercises. The reason why these exercises are called pivot exercises is that you consistently are going back (i.e. pivoting) to the same scale degree. They are great for learning the sound of a specific scale degree. For example: If you really wanted to internalise the sound of the 3, you would work on Pivot Exercise 3. Here are the exercises. Do them in the same way as you did the first four exercises. Make sure that you sing the scale degrees, not the actual note names.

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Pivot Exercise 1:

Pivot Exercise 2:

Pivot Exercise 3:

Pivot Exercise 4:

Pivot Exercise 5:

Pivot Exercise 6:

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GUITAR SCALE MASTERY

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Pivot Exercise 7:

Pivot Exercise 8:

And heres a table to help you keep track of your progress. Have fun!
Key C major G major D Major A major E major B/Cb major F#/Gb major C#/Db major F major Bb major Eb major Ab major P.E. 1 P.E. 2 P.E. 3 P.E. 4 P.E. 5 P.E. 6 P.E. 7 P.E. 8

IMPORTANT: Please dont move onto the next exercise until you have mastered all the pivot exercises in at least one key. When youve done that, please move on

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GUITAR SCALE MASTERY

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Lets finish off this project, by giving you some melody drills. These will help you test to see how well you have internalized the sound of the major scale. Lets get started Melody Drills: Please sing the following melodies in a key that is comfortable for your singing range. After you sing each note, play it on your guitar to see if you were right. Correct any mistakes that you might make. To make it 100% clear heres the four-step process to follow 1. Imagine the sound of the note in your minds ear. 2. Sing the note. 3. Play the note on the guitar. 4. Correct any mistakes. The melodies are written as scale degrees. For example: If you see a 5, sing the fifth note of the major scale. The 1H means sing the 1 which is up the octave (H=high). Melody 1: 1 3 5 4 7 1H 6 2 5 1 5 7 3 1H 7 1H 6 4 1 6 4 7 2 1 Melody 2: 1 2 7 3 5 1H 4 3 7 5 2 1H 5 6 2 7 1 6 1 4 6 7 1H 3 Melody 3: 1 5 7 2 4 6 1H 2 1H 6 3 1 5 2 6 1H 3 6 2 4 7 3 1 How did you do? Were there any scale degrees that you had trouble with? If you found a particular scale degree that you made mistakes on, then go back to the pivot exercises and work on the relevant one. For example: If you consistently got the 6 wrong, then go back and work on Pivot Exercise 6. Lets look at some more melodies Melody 4: 1 6 2 7 4 3 5 1H 3 6 4 1 4 7 1H 3 1H 6 5 7 2 1 Melody 5: 1 4 6 3 5 2 4 1H 6 3 1 1H 2 7 3 6 4 5 1 7 2 1H Melody 6: 1 7 3 4 1H 5 2 6 3 1 1H 5 6 3 7 1 6 2 4 3 2 1H Melody 7: 1 5 1H 2 7 3 6 1H 4 2 7 1 3 5 7 2 4 6 1H 4 2 1H Melody 8: 1H 6 2 5 3 4 1 7 3 4 7 1H 3 6 2 4 1 6 1H 4 3 1 Melody 9: 1 5 3 2 6 1H 4 1 6 7 4 2 3 5 7 1 1H 6 4 1 7 3 2 1H Melody 10: 1H 4 6 2 7 1 3 2 6 5 1H 4 7 3 2 6 1 5 2 7 3 6 1 Melody 11: 1 7 6 2 1H 3 4 6 1H 2 5 1 6 3 7 1 5 4 6 1H 5 2 1 Melody 12: 1H 5 2 7 6 5 2 6 1 7 1H 2 6 3 6 2 5 1H 3 2 1H 5 1

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GUITAR SCALE MASTERY

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How did that go? Were there any scale degrees that you consistently got wrong? If you are finding that you havent improved, then dont panic! For some people the progress can seem very slowbut they always get there in the end. Just keep on doing at least 10 minutes every day and I guarantee the results will come. I should point out now that people who dont do some ear training on a daily basis often have incredibly slow progress. If you arent currently doing daily ear training then I strongly suggest starting. I know that it takes discipline, but the benefits that youll gain make it totally worthwhile! If you are doing some ear training every day then CONGRATULATIONS! Keep up the good work. Your discipline and commitment to improving your ears definitely pay off!
STOP! Please dont go any further on this project until you can sing all melodies easily. We are about to take the final test, and I want you to be prepared for it! J

Final Test: Sing the following melodies in a comfortable key. If you can sing them without making a single mistake you have passed the test. If you do make a mistake, keep on working on the ear training exercises every day until you can pass this final test. Good luck! Melody 1: 1 6 2 7 1H 3 6 4 2 5 1H 1 4 7 2 6 3 1H 2 7 3 6 1 5 1H Melody 2: 1H 2 6 1 4 1 7 4 6 1H 3 7 4 5 1 6 2 5 1H 6 3 7 2 6 1 Melody 3: 1 7 4 2 6 3 5 2 1H 6 4 2 7 1 6 5 3 2 1H 3 7 6 2 5 1 Melody 4: 1H 5 2 6 4 3 1 5 6 2 7 1H 5 1 6 3 7 1H 4 6 3 2 7 1H Melody 5: 1 6 2 4 5 1H 3 7 2 1 6 4 3 7 5 1H 6 3 7 4 1 5 1H 2 1 Melody 6: 1H 3 6 4 7 1 6 2 5 6 3 1H 1 5 1 4 6 2 4 1H 6 1H 7 3 1 Melody 7: 1 4 6 1H 5 1 6 3 7 2 1H 4 6 5 2 7 1 5 3 6 1H 4 2 1 Melody 8: 1H 1 6 7 3 2 4 7 5 1 1H 3 6 2 7 4 1 5 1 7 1H 3 1H 4 1 Melody 9: 1 5 2 4 7 3 1H 6 4 3 2 1H 1 5 4 6 1 7 2 6 1H 4 6 3 1H Melody 10: 1H 5 1 3 7 5 6 1 4 7 3 6 4 1H 2 6 3 5 1 7 4 2 5 1H 3 1 Melody 11: 1 7 4 2 6 3 4 1 1H 6 5 2 3 7 1 6 1 4 1H 5 2 7 3 6 1H

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GUITAR SCALE MASTERY

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Melody 12: 1H 6 7 3 5 2 1 3 6 2 5 1H 7 1H 6 1H 3 6 4 1 5 7 4 1 Melody 13: 1 5 6 1H 3 2 5 1 4 6 7 3 5 1H 5 2 7 3 6 4 1 7 3 1H Melody 14: 1H 4 6 2 4 7 1 5 6 3 2 7 6 1H 3 1H 2 1H 5 4 2 6 1 Melody 15: 1 3 7 4 1H 2 6 7 1 5 4 1H 3 6 1 4 7 2 1H 3 6 1 7 1 Melody 16: 1H 4 6 2 5 3 1 7 5 6 4 1H 3 7 2 4 1 6 1H 3 5 2 6 1 Melody 17: 1 6 3 2 7 4 1H 5 7 4 1 6 1H 4 7 3 1 5 7 6 1 4 1H Melody 18: 1H 6 3 5 1 4 7 3 5 1H 1 2 3 6 4 1H 6 1 7 2 5 2 1 Melody 19: 1 6 1H 5 2 7 4 3 1H 4 1 7 5 3 4 6 4 7 2 1H 1 4 1H Melody 20: 1H 2 6 1 7 4 1H 3 6 2 7 1 5 1H 3 1 6 3 7 4 5 1H 3 1 Phew. Well done for making it this far! At this stage you should have the sound of the major scale ingrained in your brain for life. This will be of an immense benefit to you. J Before we move on, I invite you to read and answer the following three questions. Please write your answers in the space provided 1. In what ways will ear training help your guitar playing? List every benefit that you can think of. 2. What could be some other ear training exercises that you could practice? 3. Why is ear training one of the most important things that you could practice?

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GUITAR SCALE MASTERY

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All right! Lets finish off this project by talking about how to apply this ear training system to any scale. Heres a step-by-step example of how to do this

Step One: Decide on a scale that you would like to work on. For this example well focus on the minor pentatonic scale. Step Two: Choose a key then write down the notes and scale degrees. For this example well focus on the A minor pentatonic scale 1 A b3 C 4 D 5 E b7 G 1 A

Step Three: Write down the first four exercises in TAB. Write down the scale degrees underneath the TAB Exercise 1

Exercise 2

Exercise 3

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GUITAR SCALE MASTERY

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Exercise 4

Step Four: Write down the pivot exercises in TAB. I usually dont bother writing down the scale degrees for this step. This is because I already have them memorized after practicing the first four exercises Pivot Exercise 1

Pivot Exercise 2

Pivot Exercise 3

Pivot Exercise 4

Pivot Exercise 5

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GUITAR SCALE MASTERY

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Pivot Exercise 6

Step Five: Write down some random melodies using the scale. Heres some that I prepared earlier Melody 1: 1 5 b3 b7 1H 4 b7 b3 1 5 1 b7 1H b3 5 4 b7 5 4 b3 1H Melody 2: 1H 4 b7 1 5 b3 b7 1 1H 5 b7 4 1 b3 5 b7 1H 5 b7 4 1 Melody 3: 1 5 b3 1H 5 1 4 b7 b3 1H 4 1H 5 1H b7 5 b3 4 b3 1 1H Melody 4: 1H 5 b3 4 1 b7 1 5 b7 1H b3 b7 5 1 1H 1 5 b3 1H b7 1 Melody 5: 1 5 b3 b7 4 1H 5 1 b7 4 b3 5 1 b3 b7 4 1H b3 1 5 b7 1 Melody 6: 1H b3 4 b7 1 b7 1 4 1 1H 4 b7 b3 5 1 4 b7 1H b3 5 1H Melody 7: 1 b7 4 b3 5 1H 4 b7 b3 1 5 1H 4 1H b3 1H 1 5 4 1H Melody 8: 1H 5 1 4 b7 b3 5 1 b7 4 1H b7 b3 5 1 4 b7 1H b3 5 1 Melody 9: 1 4 b7 b3 1H 5 b7 4 b3 1 1H 4 b7 5 b3 b7 1 5 b3 4 1H Melody 10: 1H 5 b3 b7 1 4 1H b7 1H b3 4 1 5 b7 4 1H b3 5 1 4 1H Melody 11: 1 5 b7 4 b3 1H 4 b7 1 5 b3 b7 4 1H b3 b7 5 1 5 1H Melody 12: 1H b3 5 1 b7 4 1 b7 b3 5 4 1H b3 b7 4 5 1H 5 4 1 Step Six: Write down at least 20 melodies that will form your final test Melody One: 1 4 5 b7 1H b3 b7 4 1 5 1H 1 4 5 b7 b3 b7 1H 5 1 Melody Two: 1H 4 b7 1 4 1 b7 4 b3 1H b3 b7 4 5 1 b3 5 b7 b3 4 5 1H Melody Three: 1 b7 4 b7 b3 5 1 1H b3 4 1H b7 1 b3 5 b3 5 1H b3 b7 1

Melody Four: 1H 5 b3 b7 4 b3 1 5 4 b7 1H 5 1 4 b3 b7 1H 4 5 b3 1H Melody Five: 1 b3 1H 4 5 1H b3 b7 4 1 b3 4 b3 b7 5 1H 5 b3 b7 4 1

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GUITAR SCALE MASTERY

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Melody Six: 1H b3 b7 4 b7 1 b3 4 5 b7 b3 1H 1 5 1 4 b7 5 4 1H b3 1 Melody Seven: 1 4 b3 1H 5 1 4 b3 b7 5 1H 4 b3 5 1 b7 1 5 b3 b7 4 1H Melody Eight: 1H 1 b3 b7 b3 1H 4 b7 5 1 1H b3 1 5 b7 4 1 5 1 b7 1H Melody Nine: 1 5 b3 4 b7 b3 1H b7 4 b3 5 1H 1 5 4 b3 1 b7 4 5 1H 1 Melody Ten: 1H 5 1 b3 b7 5 b3 1 4 b7 b3 5 4 1H 1 b7 b3 5 1 b7 4 1H Melody Eleven: 1 b7 4 5 b7 b3 4 1 1H 4 5 1 b3 b7 1 b3 1 4 1H 5 b3 1 Melody Twelve: 1H 4 b7 b3 5 1H 1 b3 b7 4 5 1H b7 1H 5 1H b3 b7 4 1 Melody Thirteen: 1 5 b7 1H b3 4 5 1 4 b3 b7 b3 5 1H 5 4 b7 b3 b6 4 1 Melody Fourteen: 1H 4 b7 5 4 b7 1 5 b7 b3 1H b7 b3 1H b3 1H 4 1H 5 1 Melody Fifteen: 1 b3 b7 4 1H 5 b3 b7 1 5 4 1H b3 b7 1 4 b7 4 1H 5 1

Melody Sixteen: 1H 4 b7 4 5 b3 1 b7 5 b3 4 1H b3 b7 5 4 1 b3 1H 5 1 Melody Seventeen: 1 5 b3 4 b7 4 1H 5 b7 4 1 b7 1H 4 b7 b3 1 5 b3 1H Melody Eighteen: 1H 4 b3 5 1 4 b7 b3 5 1H 1 5 b3 b7 4 1H b3 1 5 1H Melody Nineteen: 1 b7 1H 5 4 b7 4 b3 1H 4 1 b7 5 b3 4 b3 4 b7 5 4 1 Melody Twenty: 1H 4 b7 1 b7 4 1H b3 4 5 b7 1 5 1H b3 1 1H 3 b7 4 1 Step Seven: Get to work! Start working on the project.

Thats all for this special report. To learn other secrets, tips and strategies to master scales, please head on over to: www.GuitarScaleMastery.com

2009 by Craig Bassett. All Rights Reserved. u Web: www.GuitarScaleMastery.com

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