CARLOS CARVALHO

ARTE CONTEMPORNEA

(Lisbon, Portugal)

Booth: 10f28

15<19 Feb 2012

Ifema, Feria de Madrid, Spain

ARTISTS AT ARCOMadrid HIGHLIGHTED Susana Gaudncio (1977, Lisbon, Portugal) Ricardo Anglico (1973, Angola) Daniel Blaufuks (1963, Lisbon, Portugal) Manuel Caeiro (1975, vora, Portugal) Javier Nez Gasco (1971, Salamanca, Spain) Jos Loureno (1975, Lisbon, Portugal) Jos Batista Marques (1975, Lisbon, Portugal)

MANUEL CAEIRO

MANUEL CAEIRO, Views of the exhibition 12 000m2 dentro de um T0 Carlos Carvalho Arte Contempornea . Lisbon, Portugal

Manuel Caeiros work is based on a constructive principle, giving emphasis to the cromathics, the texture, interrelating drawing, architecture and painting. He focuses in compositive order coming through the classical roles of perspective, and disorders it, dismantling it. This kind of intervention is also seen in the way he uses tonal and material changes, 2 and 3 dimensions, that show us more than the classical balance and symmetry. Between the years 1999 and 2000 he centres his work in a research process about the weathering of tiles and walls of the typical Lisbon taverns. From 2001 he has leaning over around the house concept, through Cenas Domsticas (Gallery Ara, 2001), Neighbourhood (Gallery vora Arte, 2002) and the group of exhibitions Dream Houses (gallery Ara, 2003), Inbox (Gallery Paos do Concelho de Torres Vedras, 2004), Outside Door (Palcio da gallery, Tavira, 2004) conceiving spaces as geometricaly progressive structures, based on drawing as a structural principle of volumetry. From his solo exhibition we have to distinguish Down side up (Lurixs-Bar) (Galeria Bar . So Paulo, Brasil, 2011), 33 de fama (Carpe Diem Arte e Pesquisa . Lisbon, Portugal, 12 000m2 dentro de um T0 (Carlos Carvalho Arte Contempornea . Lisbon, Portugal, (Domestic Viability, Crown gallery . Bruxelas Brussels, Blgica Belgium), DownTown (Lurixs Arte Contempornea . Rio de Janeiro, Brazil), Manuel Caeiro (Palcio Vila Flor . Guimares, Portugal), Welcome to my loft (Carlos Carvalho Arte Contempornea, 2008), Reconstruyendo el Vaco (Cubo Azul, Lon, Spain) and Deconstruction and Rebuilding (Galeria Gomes Alves, Guimares, Portugal). As far his exhibitions in a group, we have to mention his work in the many ARCO art fairs, Terceira Metade (curated by Marta Mestre e Luiz Camillo Osrio, MAM Rio de Janeiro . Rio de Janeiro, Brazil, 2011), Processo e Transfigurao (Casa da Cerca . Almada, Portugal, 2010), Fiat Lux Iluminacin y creacin (curated by Paulo Reis, MACUF Museo de Arte Contemporneo . Corua, Spain, 2010), Parangol: Fragmentos desde los 90

MANUEL CAEIRO, National Geometric, 2012, Acrlico s/ linho, 150 x 200 cm

en Brasil, Portugal Y Espanha (Patio Herreriano Museo de Arte Contempornea Espaol . Valladolid, Spain, 2008), Surrounding Matta-Clark (Carlos Carvalho Arte Contemporenea), Prmio Ariane de Rothschild (Palcio Galveias, Lisbon, Portugal) and Outras Arquitecturas, Outros Artistas...Outras Alternativas (Carlos Carvalho Arte Contempornea, Lisbon, 2005). He is represented in various public and private collections such as Barclays Bank, Sociedade Nacional das Farmcias, Tipografia Fernandes & Terceiro, Eastcnica, Fundao PLMJ, Francisco Pimentel & Associados SADV, Serralvarez Arquitectos, Aires Mateus Arquitectos, CGD - Culturgest, CME - Lisboa, Faculdade de Direito Universidade Clssica de Lisboa, Vtor Pinto da Fonseca, Banque Prive Edmond de Rothschild Europe, Lisboa, OPCA, BES Vida, Coleco Manuel de Brito, Fundaci Banc Sabadell, Barcelona, Spain, Coleco AIP Associao Industrial Portuguesa, Lisboa, Cmara Municipal de Tavira, Banco Mais.
MANUEL CAEIRO, 12 000m2 dentro de um T0 #5, 2011, Acrlico s/ linho, 140 x 200 cm

DANIEL BLAUFUKS

DANIEL BLAUFUKS, Mo com pistola de brincar, (from the series O Ofcio de Viver), 2010, C-Print, 70 x 100 cm

DANIEL BLAUFUKS, Um copo de gua, (from the series O Ofcio de Viver), 2010, C-Print, 70 x 100 cm

DANIEL BLAUFUKS, Aula de anatomia, (from the series O Ofcio de Viver), 2010, C-Print, 70 x 100 cm

DANIEL BLAUFUKS, Panorama de Veneza, (from the series O Ofcio de Viver), 2010, C-Print, 70 x 100 cm

Daniel Blaufuks was born in Lisbon in 1964. He graduated in Photography Studies by Ar.Co., Lisbon, 1989, Royal College of Art, London, 1993 and Watermill Center, New York, 1994. He was one of the founders of the visual arts school Maumaus and has worked as a teacher at Maumaus, Ar.Co, ETIC, EPI, all in Lisbon, and SESC, in Rio de Janeiro. About his individual exhibitions we have to mention Trs quartos de memria (Fundao Eva Klabin, Rio de Janeiro, Brasil, 2011), Hoje sempre ontem (comissariada por Luiz Camillo Osrio, MAM, Museu de Arte Moderna, Rio de Janeiro, Brasil, 2011), Perecs Bro (curated by Srgio Mah, Kunstverein Ruhr, Essen, Germany, 2010), Viagens com a minha tia (Solar Galeria de Arte Cinemtica . Vila do Conde, Portugal, 2009), Album (Centro Cultural Vila Flor . Guimares, Portugal, 2008), Cinema Motel, (Elga Wimmer PCC, New York City, 2006), No Prximo Sbado, (Gallery Carlos Carvalho Arte Contempornea, Lisbon, 2006), A Perfect Day, (Museu do Chiado, Lisbon, 2005), Tomorrow is a Long Place, (Lurixs Arte Contempornea, Rio de Janeiro, 2004), Collected Short Stories, (Centro de Arte Moderna, Fund. Calouste Gulbenkian, Lisbon, 2003), Exile, (Image Galery, Aarhus, 2001), Tasso, (Mois de la Photo, Paris, 1996) and Ein Tag in Mostar, (Haus der Kulturen der Welt, Berlin, Goethe-Institut, Madrid, 1996). As far her exhibitions in a group, we have to mention his work in Staging the Archive (MACE Museu de Arte Contempornea de Elvas . Elvas, Portugal, 2011), Between Times, Instants, intervals, durations (Photoespaa.Teatro Fernn Gmez, Centro de Arte . Madrid, Spain, 2010), Da outra margem do Atlntico, alguns exemplos da fotografia e do vdeo portugus (curated by Paulo Reis, Centro de Artes Hlio Oiticica . Rio de Janeiro, Brazil), 50 Anos de Arte Portuguesa, (Fundao Calouste Gulbenkian, Lisbon, 2007), BES Photo, (Centro Cultural de

Belem, Lisbon, 2007), Del Zero al 2005, (Fundacion Marcelino Botin, Santander, 2005), Erich Kahn, (Museu de Arte Moderna Coleco Berardo, Sintra, 2005), 20 + 1, (Centro Galego de Arte Contempornea, Santiago de Compostela, 2004), We Are The World, (Chelsea Art Museum, New York City, 2004), RE-Location Shake, (National Museum of Contemporary Art, Bucharest, 2004), Pallazzo delle Libert, Palazzo delle Papesse, Siena, 2003, Arquivo e Simulao - Archive and Simulation, (LisbonPhoto, Centro Cultural de Belm, Lisbon, 2003), Artists in Residence 2002-2003, (Location One, New York, 2003), Open Studios, (International Studio and Curatorial Program, New York, 2002), London Art Biennale,(Shoreditch Town Hall, London, 2000), O Autoretrato na Coleco, (Fundao Calouste Gulbenkian, Lisbon, 1999), Linha de Sombra, (Centro de Arte Moderna, Lisbon, 1999), Biennale Internazionale di Fotografia, (Palazzo Bricherasio, Torino, 1997), En la piel de Toro, (Centro de Arte Reina Sofia, Madrid, 1997), Carnets de Route, (Galerie Contretype, Bruxelas, 1997), Imagens para os Anos 90, (Fundao de Serralves, Porto, Culturgest Lisbon, 1993). He is represented in various public and private collections such as Byrd Hoffman Foundation, New York, Centro de Arte Moderna da Fundao Calouste Gulbenkian, Lisbon, Centro Cultural de Belm, Lisbon, Centro Galego de Arte Contempornea, Santiago de Compostela, Centro Portugus de Fotografia, Porto, Centro de Artes Visuais, Coimbra, Coleco BES, Lisbon, Fundao PLMJ, Lisbon, MEIAC, Badajoz, Museu de Arte Contempornea, Funchal, Museu de Arte Contempornea - Coleco Berardo, Sintra, O Museu Temporrio, Lisbon, Museu da Cidade, Lisbon, Palazzo delle Papesse, Siena, Sagamore Art Collection, Miami and The Progressive Collection, Ohio.

DANIEL BLAUFUKS, Untitled, (from the series Endless End), 2005, C-Print, 30 x 40 cm, Ed. 5

DANIEL BLAUFUKS, As moedas de ouro, (from the series Odisseia de Viver), 2010, C-Print, 70 x 100 cm

DANIEL BLAUFUKS, Untitled, (from the series Endless End), 2005, C-Print, 30 x 40 cm, Ed. 5

We may define Daniel Blaufuks as an artist capable of contradicting the norm, who expandes and deformes the landscape in order to allow different levels of reading that will in many cases elude his initial intentions. To a certain extent, almost all of Daniel Blaufukss works are in the manner of a polyphonic experiment, from arranged ideas; a montage of sequences in a cinematic style, independently of the fact that in many cases it does not valorise a narrative linearity, but, rather, a game of language in the sense of Wittengenstein. In Blaufukss work everything has to do with the evolution of the thought process, like a river capable of shaping its own course and ending at the right place. Everything is the product of an event about which we know nothing and in which it doesnt matter who the protagonists are. Everything is true, and what is not, is pure imagination. Or, in any case, a series of notes that will be of use to him in another story in images, one of those stories capable of building itself. Blaufuks is interested in that suspended moment, that is his decisive moment, precisely the non-decision, the event resulting from the space between two virtual events, the moment of lack of communication in this universe of continuous communication, of saturation of apparently decisive instants, that do not allow the encountering of meaning, at every second, in a simple gesture. Thus, each photograph points out an option, a choice, a phrase, word or story. DAVID BARRO

DANIEL BLAUFUKS, Untitled, (from the series Endless End), 2005, C-Print, 30 x 40 cm, Ed. 5

JAVIER NEZ GASCO

JAVIER NEZ GASCO, Miedo Escnico, 2012, Project in cooperation with Andr Teodsio and Companhia Nacional de Bailado of Portugal in the theatrical performance Perda Preciosa Teatro Cames, Lisbon, 2012

Javier Nnez Gasco is looking for tenants who wish to rent 4m2 of the stage of Teatro Cames during ballet dance Perda Preciosa, performed by CNB/ Companhia Nacional de Bailado (authorship Andr E. Teodsio, Rui Lopes Graa and Massimo Mazzeo) from April 19 to 22 and 27 to 29 between 9:30 and 11:00pm. The artist is giving the opportunity to any person who wishes to make anything of what will be presented in such rented space. The project will first be presented and advertised as a house model in real property rental at Carlos Carvalho Arte Contemporneas booth in ARCOMadrid. An enormous outdoor will be placed along with a photo of the exact space to be rented in order to catch both costumers and art viewers attention. Five photo views of the stage shows the space to be rented. An advertising campaign and other promotional activities will be organized in order to run an effective communication operation. The rented space will be separated from the wooden floor of the stage by a thin layer of transparent thermoplastic holding the marks of people who have visited the booth in order to establish a different zones. Therefore, what the artist is trying to investigate is

how to rent the time of the play by renting the space. The artist plays with objects presented in real life putting them in stage performance, sharing artistic with conventional space. Taking the subject of authorship more deeply by addressing legal and social questions, Javier Nez Gasco opens a gap on an established authorship as of the choreografers and creators of Perda Preciosa by offering the tenant the possibility to be an artist (or not). For that matter, althought he is driving attention on setting and determine conditions of the legal right to use 4m2 of the stage, Javier Nuez Gasco by expanding his authorship, chooses not to control creatively the entire artwork. However Javier Nez Gasco, as the artist will take and include photos of the performance in the final artwork project. For more information please visit http://miedoescenico2012.blogspot.com/

Javier Nez Gasco was born in Salamanca, Spain in 1971. About his solo shows we have to mention Misrias Ilimitadas, Lda. Pantallas sensibles (curated by Javier Panera, DA2 Domus Artium 2002 Centro de Arte de Salamanca . Salamanca, Spain), Tu Creador no te olvida, Espao Land, Lisbon, Portugal) Registros (2004, curated by por Javier Panera, DA2 Domus Artium 2002 Centro de Arte de Salamanca . Salamanca, Spain), VIII Edio do Concurso Bienal de fotografia Purificacin Garcia (Museu da Cidade . Lisboa Lisbon, Portugal and Palcio de Cristal . Porto, Portugal, 2011), Abismos Contemporneos I Look Up! Natural Porto Art Show (2010, comissariado por curated by David Barro, Fundao da Juventude Palcio das Artes . Porto, Portugal), Spain on the Edge Limits of a Narrative Conflict NEXT: the invitational Exhibition of Emerging Art (2010, curated by Nacho Ruiz), No future Art Bus (2008, comissariada por curated by Ral Martnez e Michele Robecchi, Monkey Town . New York, United States), Idlios (2007, curated by Javier Panera, DA2 Domus Artium 2002 Centro de Arte de Salamanca . Salamanca, Spain, War trade (2006, curated by por Ramn Mateos), Video Lounge, La Constancia, Plataforma Puebla 2006 (curated by Priamo Losada and Barbara Perea, Puebla, Mxico), Luzboa Bienal Internacional da Luz (curated by Mrio Caeiro; organizacin Extramuros Associao Cultural para a Cidade, Lisbon, Portugal), Sin

Miramiento Alguno Arte Iberoamericano Actual (curated by Omar-Pascual Castillo; organizacin: Alexis Esquvel, Martha Elizabeth Laguna, Ral Genaro), Bienal de la Habana Playa, Havana . Havana, Cuba), Making Life Come to Life: Ben dArmagnac (curated by Claudine Hellweg, Ardi Poels, Stedelijk Museum . Amsterdam, The Netherlands), Videomix: Geometras del Deseo (curated by Javier Duero, La Casa Encendida . Madrid, Spain Resonance (curated by Dominique Busch, The Netherlands Instituut voor Mediakunst, Montevideo . Amsterdam, The Netherlands Seducidos por el Accidente (curated by David Barro, Fundacin Luis Seoane . La Corua, Spain). He is represented in the following collections: Junta de Castilla y Len, Spain, Museo de Salamanca, Salamanca, Spain Instituto de la Juventud, Ministerio de Trabajo y Asuntos Sociales, Madrid, Spain, Ayuntamiento de Legans, Madrid, Spain, Centro Fotogrfico Universidad de Salamanca, Salamanca, Spain, DA2 Domus Artium 2002 Centro de Arte de Salamanca, Salamanca, Spain, ADIAC Associao para a Difuso Internacional da Arte Contempornea, Lisbon, Portugal, COFF Centro Ordez-Falcn de Fotografa, San Sebastin, Spain, O Espao do Tempo, Montemor-o-Novo, Portugal.

RICARDO ANGLICO

RICARDO ANGLICO, Estudo para instalao #7, RICARDO ANGLICO, Estudo para instalao #4, 2011, Gouache on paper, 75 x 110 cm 2011, Gouache on paper, 75 x 110 cm

RICARDO ANGLICO, Estudo para instalao #5, 2011, Gouache on paper, 75 x 100 cm

RICARDO ANGLICO, Estudo para instalao, 2011, Gouache on paper, 75 x 110 cm

Ricardo Anglico was born in Angola in 1971 and works and lives in Pvoa de Varzim. He has studied Fine Arts at Faculdade de Belas Artes da Universidade do Porto and has been exhibiting regularly since 1995. About his solo exhibitions we have to mention There will be no safety zone (Carlos Carvalho Arte Contempornea . Lisbon, Portugal, 2011), God is great, but God is greater (Galeria Adhoc . Vigo, Spain, Portugal, 2010), Pele, Plinto e Pelicano (Galeria Gomes Alves 1 . Guimares, Portugal, 2009), The aronburg mystery (Carlos Carvalho Arte Contempornea . Lisbon, Portugal, 2008), St. Adolf II Um arquitecto em Waldau, (Biblioteca Municipal da Pvoa de Varzim. Pvoa de Varzim, Portugal, 2005), Caro Jnger/Caro Nabokov (Museu Nacional de Histria Natural, Sala do Veado. Lisbon, 2004), Museu de Cera Imagens da Coleco Christian D. Karloff, (Fundao D. Lus . Cascais, Portugal, 2003), Tln para principiantes uma histria natural, (Galeria Ara . Lisbon, Portugal, 2003) and Novas espcies alimentares (Galeria Ara. Lisbon, Portugal, 1999). About his most noteworthy group exhibitions we have

to mention his regular participations on ARCOMadrid, 20 anos da Sala do Veado (Museu Nacional de Histria Natural, Sala do Veado . Lisbon, Portugal, 2010, O Desenho Dito, 2009 (Casa da Cerca Centro de Arte Contempornea . Almada, Portugal, 2009), volta do papel, 100 artistas (Centro de Arte Manuel de Brito . Algs, Portugal, 2008), V Prmio Fidelidade Jovens Pintores, (Culturgest . Lisbon, Portugal, 1998). He is represented in the following collections, Caixa Geral de Depsitos, Lisbon, Portugal, Fundao D. Lus I, Cascais, Portugal, Fundao PLMJ, Lisbon, Portugal, Centro de Arte Manuel de Brito, Algs, Portugal

RICARDO ANGLICO, Untitled, 2011, Acrylic and China ink on paper, 130 x 144 cm

JOS LOURENO

Jos Loureno was born in Lisbon in 1975 and works and lives in Lisbon. He has studied Painting at Faculdade de Belas Artes da Universidade de Lisbon and he has exhibiting regurarly since 1994. About his solo exhibitions we have to mention Anamorphosis (Marlia Razuk galeria de arte, So Paulo, Brasil, 2010), Paisagens (Pavilho de Portugal, Lisbon, 2007), Ao redor do teu corpo, (Carlos Carvalho Arte Contempornea, Lisbon, 2006), Lugares (Gallery My names lolita art. Madrid, 2005) Dnde os perdi? (Gallery Marisa Marimn. Ourense), Os teus segredos eram jardins (Gallery Ara. Lisbon, 2001). As far his exhibitions in a group, we have to mention his work in Lugares de incerteza / Look up! Natural Porto art show (Palacete Pinto Leite, Porto, Portugal, 2010), Ressonncia Visual (curated by David Barro, Paos da cultura, S. Joo da Madeira, Portugal, 2010), Antes de ayer y pasado maana; o lo que puede ser pintura hoy, (Museo de Arte Contemporneo Unin Fenosa - MACUF . Corua, Spain, 2009), Fragmentos desde os 90: Brazil, Portugal, Spain, (Museu Patio Herreriano de Valladolid, curated by Paulo Reis and David Barro), 2 Prmio de Pintura Ariane de Rothschild (Gallery Municipal - Galveias, 2005), Outras Arquitecturas, Outros ArtistasOutras Alternativas (Carlos Carvalho Arte Contempornea, 2005) Le Premier Dessin (Gallery Ara, 2004, Lisbon, with Manuel Caeiro and Jos Batista Marques). He is represented in various public and private collections such as Secil, Barclays Bank, Baviera, S.A., Cmara Municipal da Amadora, Coleco Norte de Arte Contempornea. Governo da Cantbria, Diputacin de Ourense, Faculdade Belas-Artes da Universidade de Lisbon, Fundao Baruch Spinoza. Barcelona, Fundao PLMJ . Lisbon, Instituto Cervantes and Museu de Belas Artes de Santander.

JOS LOURENO, Untitled, 2008, Acrylic on canvas,120 x 120 cm

JOS LOURENO, Untitled, 2008, Acrylic on canvas, 130 x 195 cm, detail

SUSANA GAUDNCIO

SUSANA GAUDNCIO, Elsewhere, 2012, site specific installation, variable sizes. Comprised by Houyhnhnm, 2009, Vdeo animation, 307

Addressing questions about utopia and the main narratives, Elsewhere is a site specific project to ARCO 2012 comprised by Houyhnhnm and Cadmus which are two projects already presented by the artist. Houyhnhnms are the acutely rational race that Jonathan Swift envisages as archetypes of purity in Gullivers Travels. The reference serves as a counterpoint to the animations, where loaded societal icons inhabit a strange world. Urban spaces, amassed crowds, and orators are rendered in full cinematic action, alongside the colorful and idiosyncratic excesses caused by the animation process. Houyhnhnm was presented at Res Publica (curated by Leonor Nazar and Helena de Freitas), CAM Fundao Calouste Gulbenkian, from October 2010 to January 2011. Reviews Jos Marmeleira in Pblico Presented also at ISE Foundation, New York in October 2009.

Reviews Author: Miguel Amado 10.23.09-11.20.09 ISE Foundation http://artforum. com/archive/id=24170 http://susanagaudencio.com/houyhnhnm/

Cadmus represents the formal and programmatic construction of the city according to its maps and organization of its basic needs such as energy and communication.

Cadmus, 2010, Drawings, Gouache and inkjet print on paper, 29,7 x 21 cm (each)

Susana Gaudncio was born in Lisbon in 1977 and works and lives in Lisbon. She has studied Fine Arts at Faculdade de Belas Artes da Universidade de Lisbon and at Hunter College in New York and has been exhibiting regularly since 2000. About her solo exhibitions we have to mention Chamber of Execution (Carlos Carvalho Arte Contempornea. Lisboa Lisbon, Portugal, 2011), Chamber of Invention (Drawing spaces. Lisbon, Portugal, 2011) Chamber of Examination (Galeria Presena. Porto, Portugal, 2010), Stout Cobweb (organized by Mafalda Santos and Daniel Pires, Maus Hbitos Espao de interveno cultural . Porto, Portugal, 2010), Agonized Humor II (The Mews Project Space, London, United Kingdom, 2010), Agonized Humor I (NOGO Project room for architecture, contemporary art & experimental cinema, Lisbon, Portugal), Front Project Space (ISE Cultural Foundation. New York, United States, Library of Sorts (Bowery Poetry Club . New York, United States, 2009), Blocking (Carlos Carvalho Arte Contempornea . Lisbon, Portugal, 2007), Agent Provocateur (curated by Miguel Amado e Filipa Oliveira, Carlos Carvalho Arte Contempornea - Sala Zoom . Lisbon, Portugal), What time is this place (Chashama Gallery Visual Arts Program . New York, United States, 2007), Project Room (CAV - Centro de Artes Visuais. Coimbra, Portugal, 2004), A/C #1Arte Contempo . Lisbon, Portugal), Tcnicas de Auto-defesa (Gallery Arte Perifrica, Lisbon, 2001, Susana Gaudncio (Project Room programme) (Centro de Artes Visuais, Coimbra, 2004), Susana Gaudncio (Arte Contempo, Lisbon, 2004) and Mnemnica de lugares (Gallery Pedro Cera, Lisbon, 2005). About her most recent exhibitions we have

to mention Rdio Europa Livre (Plataforma Revlver . Lisbon, Portugal, 2011), ResPublica 1910 e 2010 face a face (curated by Leonor Nazar e Helena de Freitas Edifcio sede da Fundao Calouste Gulbenkian . Lisbon, Portugal, 2010), Bio Arte 10 + 1 (So Vicente . Madeira, Portugal, 2010), 700IS Experimental Film and Video Festival, Egilsstair, Islndia Iceland, 2010), Seven Easy Steps for Social Improvement (curated by Amanda Schmitt, Galeria Hortin & Lui . New York, United States, 2009), NYC Visions (curated by Maurizio Pellegrin, Milbank Chapel and Macy Gallery Columbia University . New York, United States), A Escolha da Crtica (curated by Lgia Afonso, Plataforma Revlver / Edifcio Transboavista . Lisbon, Portugal), Opes e Futuros - Coleco da Fundao PLMJ (Museu da Cidade . Lisbon, Portugal), Artistas Portugueses L Fora (curated by Joo Pinharanda, Museu da Electricidade. Lisbon, Portugal), Group (curated by Emma Spertus, Subletters gallery . Brooklyn, New York, Estados Unidos, 2008), How we Know (Beta Spaces 08, Arts in Bushwick . Brooklyn, New York, United States), Enganar a Fome (Espao Avenida . Lisbon, Portugal), Cut! (curated by Tiffany Sum e Yuka Yokoyama, Monkey Town . Brooklyn, New York, United States), MFA thesis Show (Hunter College, Times Square Gallery . New York, United States), Artistas Portugueses L Fora (curated by Joo Pinharanda, Edifcio da Praa da Liberdade . Viana do Castelo, Lisbon, Portugal ), The Equestrian Project (Hunter College, Times Square gallery . New York, United States, 2007) and Pirate radio (Bienal de Liverpool, The Walker Art Gallery . Liverpool, United Kingdom, 2002).

JOS BATISTA MARQUES

JOS BATISTA MARQUES, O Grande Livro, 2011, Oil and plaster, 97 x 57,5 x 41 cm

Jos Batista Marques was born in Lisbon in 1975. He graduated in Painting Studies by Faculty of Fine Arts of the University of Lisbon. About his individual exhibitions we have to mention A cor a terapia do impossvel (Centre Municipal de Cultura La Merc, Burriana, Castelo, Spain, 2011), O crime oculto (Galeria Gomes Alves, Guimares, Portugal, 2010) e Odisseia Dor & Espanto (Carlos Carvalho Arte Contempornea, Lisbon, Portugal, 2010). As far his exhibitions in a group, we have to mention Muito Obrigado Arte Portugus del siglo XXI en la coleccin Coca Cola (DA2 Domus Artium, Salamanca, Spain, 2010), Jeune Cration Europenne 2007/09 (Museu Municipal Amadeo de Souza-Cardoso, Amarante, Portugal, 2009), A imagem seguinte (Espao Arte Tranquilidade, Lisboa, Lisbon, Portugal, X Mostra Internacional Unin Fenosa, Museu de Arte Contemporneo Unin Fenosa . A Corua, Spain, 2008), volta do papel (CAMB Centro de Arte Manuel de Brito, Algs, Portugal, 2008), Pretrito Perfeito (Museu de Francisco Tavares Proena Jnior . Castelo Branco, Portugal, 2008), XIII Premi DArtes Visuals Ciutat de Burriana (C.M.C La Merc . Burriana, Spain, 2008), IV Certamen Internacionat de Pintura de Castelln (Museu de Belles Arts de Castell . Espanha Spain, 2008), 3 Prmio de Pintura Ariane de Rothschild (Antiga grfica de Mirandela Lisbon, Portugal, 2007), Outras Arquitecturas, Outros Artistas...Outras Alternativas (Carlos Carvalho Arte Contempornea, Lisbon, Portugal, 2005), Wunderkammer II: paisages (Celebrao do 15aniversrio da galeria Nina Menocal . Cidade do Mxico, 2005). He is represented in various public and private collections such as BES-Vida, Lisbon, Portugal, Barclays Bank , Lisbon Portugal, Cmara Municipal de Oeiras, Oeiras, Portugal, Eastcnica, Lisbon Portugal, Banque Prive Edmond de Rothschild, Lisbon Portugal, Banco Mais, Lisbon Portugal, Fundao Marqus de Pombal, Lisbon, Portugal, Faculdade de Belas-Artes da Universidade de Lisboa, Lisbon, Portugal and DA2 Domus Artium 2002, Salamanca, Spain

JOS BATISTA MARQUES, O homem invisvel, 2011, Oil and plaster, 120 x 15 x 15 cm

JOS BATISTA MARQUES, Untitled, 2011, Oil and plaster, 120 x 15 x 15 cm

ARCOmadrid_2012
GALLERY ARTISTS Ricardo Anglico (1973, Angola) Jos Bechara (1957, Rio de Janeiro, Brazil) Daniel Blaufuks (1963, Lisbon, Portugal) Isabel Brison (1963, Lisbon, Portugal) Carla Cabanas (1979, Lisbon, Portugal) Manuel Caeiro (1975, vora, Portugal) Catarina Campino (1975, Lisbon, Portugal) Mnica Capucho (1971, Lisbon, Portugal) Alexandra do Carmo (1966, Felgueiras, Portugal) Paulo Catrica (1965, Lisbon, Portugal) Sandra Cinto (1968, Santo Andr, SP, Brazil) Roland Fischer (1957, Saarbrcken, Germany) Javier Nez Gasco(1952, A Corua, Spain) Susana Gaudncio (1977, Lisbon, Portugal) Jos Loureno (1975, Lisbon, Portugal) Jos Batista Marques (1975, Lisbon, Portugal) Anta Moure (1981, Lugo, Spain) lvaro Negro (1973, Laln, Spain) Lus Nobre(1971, Lisbon, Portugal) Ana Lusa Ribeiro(1962, Lisbon, Portugal) Richard Schur(1971, Munich, Germany) Eurico Lino do Vale (1966, Porto, Portugal) Manuel Vilario (1952, A Corua, Spain)

CARLOS CARVALHO ARTE CONTEMPORNEA Rua Joly Braga Santos, Lote F R/C 1600 123 Lisboa Portugal Tel.+(351) 217 261 831 Fax+(351) 217 210 874 carloscarvalho-ac@carloscarvalho-ac.com www.carloscarvalho-ac.com Booth: 10f28

STAFF AT ARCOMadrid Director: Carlos Carvalho tel. +(351)919 728 575 Assistant: Isabel Amaral carloscarvalho-ac@carloscarvalho-ac.com