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PRESENTS :

INTERNATIONAL MAGAZINE
ISSUE # 8
p re s e n ts : September - October 2007
Planet earth ! A blue and little
sphere in the middle of nowhere...
But a nice place to be.
Published by:
PUBLICISTAS.ORG The most important things for
everybody happens just there.
Creative Director: But bad things happens too.
Nelson Medina Our planet is going mad. Have
you heard about the biggest
Contact us: earthquake in Perú? I was in the
hola@publicistas.org middle of that when it happened
but hopefully whithout serious Helms to talk about that. He is
problems. Lot of people died in a professional photographer
Thanks to:
south under old constructions specialized in artistic nudes sharing
. Marcelo Lozada and we like to dedicate this with us his confidences.
. Michael Helms edition to them.
. Matt Mignanelli
. Vaquita Mu Also we have Matt Mignanelli,
. The boyz of the In the other hand, many people a cool cartoonist from from
Revolution are getting involved to preserve New York who share with us his
the good things in our planet. experiences working in one of the
Lot of advertisers and creative most competitive enviroments of
Dedicated to the designers think that they can the U.S. Watch his style!
earthquake victims in change the world, and for that we
Peru. have our guest Marcelo Lozada Wonderful works, wonderful
from Got Rainforest to show us pages. Enjoy this edition and don’t
the way. forget to participate into the next
Do you like to support
Yes, it’s possible. issue: INDUSTRIAL. Check our
the best magazine in the website for the guidelines!
world? This is a more bigger and fat Best wishes comrades,
We need enthusiasts edition than“Superstar“ and it’s
journalists to cover events
around the world.
a very good signal. People really Nelson Medina
like to get involved. As you will Creative Director
All the samples are propierty see our MODELS section it’s Publicistas.org
of their respective owners growing with beauty pages and
and can’t be reproduced
beauty models.
whithout permission.

http://revolutionart.publicistas.org But to analyze closer the woman’s


beauty we have invited Michael
REVOLUTIONART
CONTRIBUTORS Kristal Blanco
Italy
kristalblanco@libero.it
Issue 8 www.myspace.com/kristalblanco

LaLo De La Torre
Abigail Tonna México
Malta autorespondedor@hotmail.com
silverstar2727@gmail.com Guenda www.webextrema.net
Bologna Italy
Adrián Severino guendabrenda@tin.it Leah Coghlan
Argentina http://www.guendabrenda.com Canada
Nicolas Borda lcoghlan@vistaradio.ca
eldiegodelagente5@hotmail.com Peru
Hugo Gallipoli ipwa@ipwa.net
Arian Venezuela Mike Castelló
Indonesia mapachecreations@hotmail.com Spain
Omar de León mikecastello@gmail.com
soto_kudus@hotmail.com Guatemala
Ivan Carazo & Camila Galeano www.mikecastello.com
casazul@itelgua.com
Alex Petrosanu Colombia
Romania vektographics@gmail.com Rafael Andres Lozano Espitia
Pablo Ismael Bogota Colombia
me@zilnik.ro Mexico
www.zilnik.ro Iván Eduardo Rodríguez rale.di@gmail.com
paismast@yahoo.es
Colombia
Anon Begg ivanebat@yahoo.es Sara Gancho
Ivan Garcia Portugal
Thailand www.bizarrosdyp.com zeke_016@hotmail.com sara.gancho@gmail.com

YOU CAN PARTICIPATE IN THE NEXT ISSUE !


tambegg@gmail.com www.myspace.com/cinemarancio
Leticia Rodriguez Pavon aeneadellaluna.blogspot.com
André Toledo Dominican Republic Jan García Hellion.
Perú sz.publicidad@gmail.com Samuel K. Shum
Mexico U.S.A. (Northern California)
andre_362@hotmail.com j.hellion@gmail.com
Lolo_ko muelgraphics@yahoo.com
Bart Raeymaekers Colombia muelgraphics.com
Javier Cadena
Belgium http://myspace.com/lolo_ko México
bart.raeymaekers@gmail.com Tin Llorens Caminotti
www.labotikagrafika.com Argentina
www.raiillustrations.com Luis Carlos Rodriguez Mehmet Can Koçak
Colombia bamcondor@gmail.com
Turkey Jesús Zeballos 7in.110mb.com
Bruno Fonseca Bogotá mehmetcankocak@gmail.com Perú
Portugal graficluk@hotmail.Com jesuszeballos@gmail.com
gemadesign@gmail.com Víctor Hugo Bermudez Vásquez
Michael Helms Colombia
www.gema.cc Marcelo Lozada United States John Hopper
Argentina victorbermu@hotmail.com
Pelicanh@aol.com UK
Emmanuel Cázares Vidal marcelolozada@pixeloso.com www.disordered.co.uk
México Vlad Ilich Rodriguez
Marthacecil d.johnhopper@btinternet.com vladrodriguez79@gmail.com
ecv00@hotmail.com Mercedes Dutto Italy
Argentina pixeldomestiko.blogspot.com
martha.cip.ciop@tin.it Juan Ignacio Siwak
Francisco Pozo mercedesdutto@gmail.com Argentina
Ecuador mercedesdutto.blogspot.com Vinicio Trugli
Naomi juanisiwak@gmail.com Italy
franciscop62@hotmail.com Italy www.mantralab.com.ar project46@libero.it
mariko_koda@hotmail.com www.metropop.it
Franco Bressanutti Mahendra Josther
Italy Indonesia Nerosunero Venezuela
ilcigno7@alice.it digigalactic@yahoo.com Zion Ho
nerosunero@nerosunero.org frodo_rafa@hotmail.com Malaysia
www.myspace.com/franchino7980 mahend.deviantart.com www.nerosunero.org jogo5desing.blogspot.com zionho@cology.net
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PLANET EARTH
- issue 7 Bruno Fonseca - Portugal
- issue 7 Emmanuel Cázares Vidal - México
- issue 7 Emmanuel Cázares Vidal - México
- issue 7 Vinicio Trugli - Italy
- issue 7 Marthacecil - Italy
- issue 7 Marthacecil - Italy - issue 7 Marthacecil - Italy
- issue 7 Mehmet Can Koçak - Turkey - issue 7 Mehmet Can Koçak - Turkey
- issue 7 Josther - Venezuela
- issue 7 Josther - Venezuela
- issue 7 Mercedes Dutto - Argentina - issue 7 Mike Castello - Spain
- issue 7 Abigail Tonna - Malta Anon Begg - Thailand
- issue 7 Naomi Vona - Italy
- issue 7 Anon Begg - Thailand
- issue 7 Adrián Severino - Argentina
- issue 7 Nelson Medina - Perú
- issue 7 Bart Raeymaekers - Belgium
- issue 7 Alex Petrosanu - Romania - issue 7 Alex Petrosanu - Romania
- issue 7 Alex Petrosanu - Romania
- issue 7 Alex Petrosanu - Romania
- issue 7 Andre Tello - Perú Edgar Mendez - Colombia
- issue 7 Arian - Indonesia
- issue 7 Francisco Pozo - Ecuador
- issue 7 Francisco Pozo - Ecuador
- issue 7 Franco Bressanutti - Italy
- issue 7 Franco Bressanutti - Italy
- issue 7 Guenda - Italy
- issue 7 Hugo Gallipoli - Venezuela Hugo Gallipoli - Venezuela
- issue 7 Hugo Gallipoli - Venezuela
- issue 7 Ivan Carazo & Camila Galeano - Colombia
- issue 7 Ivan Carazo & Camila Galeano - Colombia - issue 7 Javier Cadena - México
- issue 7 Iván Eduardo Rodríguez - Colombia
- issue 7 Iván Eduardo Rodríguez - Colombia
- issue 7 Jan García Hellion - Mexico - issue 7 Jan García Hellion - Mexico
- issue 7 Jason Kay - Scotland
- issue 7 Javier Cadena - México
- issue 7 Javier Cadena - México
- issue 7 Jesús Zeballos - Perú
- issue 7 Jesús Zeballos - Peru
- issue 7 John Hopper - United Kingdom - issue 7 John Hopper - United Kingdom
- issue 7 John Hopper - United Kingdom
- issue 7 John Hopper - United Kingdom
- issue 7 John Hopper - United Kingdom
- issue 7 John Hopper - United Kingdom Sara Gancho - Portugal
- issue 7 Juan Ignacio Siwak - Argentina
- issue 7 Juan Ignacio Siwak - Argentina - issue 7 Juan Ignacio Siwak - Argentina
- issue 7 Juan Pablo Galindo - Colombia
- issue 7 Kristal Blanco - Italy
- issue 7 Lalo de la Torre - Mexico
INTERVIEW WITH

INTERVIEW WITH MATT MIGNANELLI


United States
August 2007
By Nelson Medina
nelson@publicistas.org M
© all images by Matt Mignanelli
Where are you located? Where do looking back at older work and see-
you do the majority of your artwork? ing how much better the newer work
I live in Chelsea, on the Westside of has become.
Manhattan. I live here with my girl-
friend Becca. All of my work is created My favorite piece is always the one
here as well. I have found it a great that I’m planning in my head, and
and inspiring environment to work in. the expectations and excitement
I love living in New York City, that accompany that.
it keeps me extremely motivated
with its fast pace, competition and What do you do for a day job?
constantly changing landscape. I work full-time as an artist. My days
are filled with illustration assign-
When were you first inspired to ments, painting, promotion and
create? everything else that goes along with
I can’t recall any one thing that led working for oneself.
me to create, it’s something that I
have been doing for as long as I can Can you sum up your creative
remember. I was raised with a great process in three steps? Where do
ell us a bit about yourself: appreciation for the arts, which only you look for inspiration?
I was born in Providence, Rhode helped to nurture my love to create. It My creative process begins with a
Island and now live in New York City. is what came naturally to me, and al- realization, observation, or experi-
When I’m not working in the studio I lowed me to create people and places ence. Something that sparks a start-
love to cook. I was brought up around from my imagination. ing point for me to jump off from.
great Italian food and it has really
become a passion of mine. I’m also How did you start into this style? The second thing, which I’ve realized
a huge Boston Red Sox fan, and love Well, the style in which I work now is the most difficult for me, as I’m
keeping up with my team. When I is something that has evolved sure is the same with many artists
have the time, traveling the world is throughout my entire life. I always is the capturing or recording the
one of my favorite things to do, ex- loved cartoons, and starting to mimic inspiration for later use.
periencing new cultures and places. my favorite cartoons at a young age
Earlier this summer I returned from has now become my life’s work and I’ve started about two years ago
spending a few weeks in Sicily, the way in which I express myself. The carrying a small notebook with me
Prague, and a weekend in London to style is a bi-product of countless in- so when I see something or think of
meet some business contacts and spirations and realizations over time. an idea I try and write it down. This
explore some new opportunities. It has also led to my desk and filing
was a fabulous time and I returned One of the most important things to cabinet to be filled with napkins and
home overtired, but inspired and with
me in terms of style is the ability for receipts with many ideas, but
some great recipes.
it to evolve on it’s own. I really enjoy the notebook has been an effort to

M Weeper Acrylic / Ink on Paper | 10” X 15”


Magic Trick Acrylic / Ink on maple(skateboard)

Knife Fight Acrylic / Ink on Panel | 12” X 24”

Kwolitee Inspection Financial World Magazine

M The Purple Gentleman Acrylic / Ink on Paper | 13” X 17” Empty Bottle, Broken Heart Acrylic / Ink on Panel | 12” X 12”
curb that to some degree and keep I’m also always very inspired by the What makes you happy?
it organized. people around me, my family and My girlfriend Becca, my brother
friends, the great laughs we have Adam, my Family, friends, New York
The third is the execution, by far my and the ideas I bounce off them that City, a great meal, Saturday nights,
favorite. I love the process of see- they aren’t afraid to say are shit. a Sunday tomato sauce, a scotch, a
ing the idea come to life in front of great painting, a new place, a day at
me. I’m also a big detail person, so How do you define the word the beach, a new job or opportunity,
the process is sometimes painstak- “humour”? and not knowing what’s around the
ing but the final product almost Humour to me is whatever brings next corner.
always makes it worth it. some sort of amusement to your life.
It’s that feeling that makes you smile How did you discover REVOLUTION-
I look for inspiration in the small or laugh on the inside and is dif- ART and what do you think about the
details of everyday life. What ferent for every person. The humour magazine?
inspires me the most is people; that I try and capture in my work is I first discovered REVOLUTIONART
derelicts, hot shots, has-beens, sometimes a little dark, sometimes linked from another site and had to
people with great character. The at someone else’s expense, but it’s see what is was all about. I love the
people in my work all have pieces what is funny to me. direction that the magazine is taking
of people I’ve met and seen. and think that it’s a great showcase
Last week we were out at a western of upcoming talent.
A fairly recent painting was themed bar around the corner
inspired by my years working in the from Rockefeller Center that had a What are your thoughts about the
restaurant industry and the people mechanical bull in the middle. Next current theme of Revolutionart:
you encounter there. One manager thing you know a huge fight breaks “Planet Earth” and how do you
I worked for was a huge, tough out, a girl in high heels hits the imagine a better world?
female convict who as soon as the floor, a little guy in a grey sweater Planet earth is a home to more
doors where locked for the night vest is fighting in the middle of it, places and experiences than could be
would grab a flask of whiskey from another guy has his hands around explored in a lifetime. A better world
behind a kitchen rack and fill up a the bouncers neck who is at least to me is where people work hard and
fountain soda while she counted double his size standing at about take pride in the work they do. It’s a
up the money from the days sales. 6’ 6” 250 lbs.. All the while some quickly dieing quality in many.
A lot of the girls there were on work guy who works there with a blond
release from the prison and the N’Sync haircut is screaming to bor- Thank you.
guards would come pick them up in row someone’s cell phone to call the
cops and runs off whimpering into Matt Mignanelli
the van once there shift was over.
the phone in the corner. To me it was New York City
They would all argue over which www.mattmignanelli.com
holding cells in the state had the priceless, and full of humour. I make
matt@mattmignanelli.com
most comfy mattresses. They all my work in the hopes that other +1 401.578.7740
had character. people will share a piece of that.
Smooth as Silk Acrylic / Ink on Panel | 12” X 12”
Design: www.thinkagm.com

M
- issue 7 Leah Coghlan - Canada
- issue 7 Leticia Rodriguez - Dominican Republic
- issue 7 Lolo_ko - Colombia - issue 7 Luis Carlos Rodriguez - Colombia
- issue 7 Lolo_ko - Colombia
- issue 7 Luis Carlos Rodriguez - Colombia
- issue 7 Mahendra - Indonesia
- issue 7 Nerosunero - Ireland
- issue 7 Nicolas Borda - Perú
- issue 7 Nicolas Borda - Perú
- issue 7 Nicolas Borda - Perú
- issue 7 Pablo Ismael - México
- issue 7 Pablo Ismael - México
- issue 7 Tin Llorens Caminotti - Argentina
- issue 7 Víctor Hugo Bermudez - Colombia
- issue 7 Vinicio Trugli - Italy
- issue 7 Vinicio Trugli - Italy
- issue 7 Vinicio Trugli - Italy - issue 7 Omar de León - Guatemala
- issue 7 Vlad Rodriguez - Perú
- issue 7 Zion Ho - Malaysia
- issue 7 Zion Ho - Malaysia
- issue 7 Zion Ho - Malaysia
- issue 7 Samuel Shum - United States
- issue 7 Samuel Shum - United States
- issue 7 Samuel Shum - United States Rafael Andres Lozano - Colombia
SPECIAL GUEST
MARCELO LOZADA
Argentina
August 2007
By Nelson Medina
nelson@publicistas.org
all images by Marcelo Lozada
REVOLUTIONART

MODELS . . .
IS LOOKING FOR MODELS

HOW TO PARTICIPATE ?

// You don’t have to be an experienced model or


have a perfect body to be the next Revolutionart
girl. Even if you’re amateur it’s right. Just send your
own beauty in revolutionary ways.
R
// Send the images with subject: “MODEL” to Y OU L
D TI
hola@publicistas.org SEN S UN 15TH
PIC BER
TO 7
OC 200
// Include credits from model and the photogra-
pher. Full names, country, email, website.
Model : Laureta Meci
Country: New York,USA
www.Lauretameci.Com
Model : Ericka Hopson
Country : United States
allwayzsmilez4u@aol.com
Models : Justin Rinehart & Brigitte
Country: United States
myspace.com/justin_rinehart
Model : Loly Genoval
Country: Rosario-Argentina
www.fotolog.com/lolygenoval
Model : Maria Camila Galeano
Country: Colombia
Photographer: Ivan Carazo
www.vektographics.com (coming soon)
Model : Porshia Evans
USA
nickolle_87@yahoo.com
Model: Samantha Lipkin
Country USA
www.myspace.com/mme_faerie_del_luna
Model: Sanna Azul
Country : New Your - USA
www.myspace.com/ladyblu81
Model: Toshia M. Jones
Country : USA
toshiamjones@yahoo.com
Model: Vanessa Sarceda - 27
Country : Spain
www.fotopunto.com/21467
David Quin, créateur
David Quin grew up in the world of fashion and
design, since his father was a cutter by trade. At the
age of 24, he began his studies in fashion design
at the Ecole de la Chambre Syndicale de la Couture
Parisienne and then continued his training at Studio
Berçot.

He started out working as a pattern designer for


Gilles Rosier for four seasons. Within that team, he
worked alongside expert seamstresses who helped
him develop the kind of attention to detail that is the
hallmark of Parisian dressmaking. He then went on
to work for several seasons as a pattern designer for
Prairies de Paris.

Last year, he decided to launch an independent


career. “I am an intuitive person. The time had come
to give free rein to what I felt. Design is my way of
expressing myself.” With support from his father,
who manages design studios in the Paris region
(producing garments for Haute Couture collections),
David created his first collection, which married city-
chic and feminine styling, in tweeds and silk.

In this new collection, David explores designer style


with an urban flair that is based on contrasts and
underscores ultra-femininity. The woman he creates
for is a delicate reincarnation of 1950s glamour. He
Showroom :
29 rue Jean Jacques Rousseau creates a hybrid Neo-Retro look using fabrics like
75001 Paris stretch silk and wool jersey in body-sheathing lines
tel: +33 1 44 88 28 44 and blends shiny and matte finishes, with black as
fax: +33 1 44 88 28 45 a backdrop to set off colours like gems in a jewel
presse: press@davidquin-paris.com box.
INTERVIEW WITH

MICHAEL
HELMS

The Body Collector


INTERVIEW WITH MICHAEL HELMS. How did you get interested
United States in photography?
August 2007
By Nelson Medina I have been shooting since I was 15. I got my
nelson@publicistas.org professional start when I moved to Los Angeles
all photographys by Michael Helms and started shooting fashion. Some years later I
moved into shooting more publicity headshots
for actors and models and some celebrities.

Some of the models I had come to know over


the years were willing to let me shoot nudes of
them and so I was fortunate to start with excel-
lent subjects.

What’s the difference


between “artistic nude”
and just “nude”?
That’s a good question....for me a shot has more
artistic merit when I can see that the photogra-
pher had more in mind than “Oh goodie, I have
a naked chick posing for me by a cool rock”. Is
there attention paid to line, form, movement,
LIGHTING (this one drives me NUTS!) and ESPE-
CIALLY feeling? I want to FEEL something when I
look at a nude. Just because the subject is naked 200mm f2.8. And a 100mm f2.8 that I use for
doesn’t make it art. Just because the subject is macro.
naked in a cool location, doesn’t make it art. TO I own a Profoto Acute2R 2400 for my ring flash,
be an “artistic nude” - I have to feel something.... and a couple of old Norman 2400 power packs
enjoy her body, love the light on her skin, soak that I’ve been using for years. And of course
up the line of her curves, and take in the expres- there are various umbrellas, soft boxes, pan re-
sion coming out of her. flectors and attachments that I don’t use very
much. I prefer to work in natural light.
All of this is, of course, subjective. One person
make look at an image and say “art”, another
would say “boring”, and yet another might say
“porn”. What are your best tools to
promote your work?
By far the best promotional tool is word of
mouth. Easily 75% of my work comes from peo-
Can you describe your ple telling other people. I DO consistently come
studio set-up? out with a new promo piece every year or so.
And of course business cards. And also my web
My studio is attached to my house. So I walk sites bring in business.
out of the house, go 3 steps and turn left into
my studio. I have a 1,000sq ft. studio just 15
minutes NW of the Burbank Airport. But - hav-
ing said that... I DO shoot a LOT of nudes in my What personal experiences
house. have influenced your
I use a Canon 1DS Mark II. I have a Canon 5D art to sway in a certain
for my backup, and a 20D for a backup to my
direction?
backup!! LOL
I had been shooting nudes for years but got
I use a Canon 85mm f1.2Lseries lens for most of
interested in Fetish people. The Fetish mod-
my nudes but also use a Canon 135mm F2.0.
els were different. They were tatooed, pierced,
I have a 16-35mm f2.8, a 24-70 f2.8, and a 70-
and they had different body shapes. It was cool
and fascinating to me. The first one I shot was the lovely
Courtney Cruz. I asked her who shot some of the images
on her web site and she told me Perry Gallagher. SO I went
to his web site and was blown away. Up to that point my
biggest inspiration was Helmut Newton. But when I saw
Perry’s work, it opened my eyes to a whole other way of
seeing. I contacted him and we have since become very
good friends and he introduced me to other amazing
photographers like Christine Kessler, Steve Diet Goedde,
Colin Rae, and others. All these people look at the world
in a sort of bent fashion. I was influenced by Perry to look
at shadows and even SHOOT into the shadows! And these
people have infuenced me to want more EMOTION and
INTENT in my imagery and not be satisfied with just a nice
shot of a nice body in a nice location.

What did you expect from a good


model?
More than anything, I hope a model can emote. It is, after
all, an acting job. If we are shooting nudes, I DON’T want a
shy model... and as goofy as it may sounds there are a lot
of them. I don’t expect perfect bodies... that bores me. I
don’t expect perfect hair, or noses, or anything. What I DO
expect is for them to be on time, be prepared, and have a
good time. For instance, if we are shooting nudes, I expect
the model to NOT wear anything to the shoot that is going
to leave lines on her body... like a bra, or panties, or sox, or
belts. I expect her to show up with clean face and humor. But I always try to address the human con-
hair and NOT having just come from a bender or a dition in some way. For instance, there are a lot
fight with her boyfriend. And I have a zero toler- of crotch shots in my work. This is because I was
ance rule when it comes to drugs. shooting a model and she told me she thought
her female parts were ugly!!! I was horrified. As I
questioned other models I came to find out LOTS of
What do you like to women have that terrible stigma. SO I keep push-
communicate in your ing those shots in people’s faces to say “LOOK at
photographies? this. See how BEAUTIFUL it is”.

Another shot I did recently was with Simone Kross.


I have MANY messages in my work. Sometimes it is She brought in a vanity set that belonged to Eva
just sensuality, sometimes seduction, sometimes Braun and Adolf Hitler!! It was a real challenge to
shoot something that referred to sexuality, religion,
and politics without being offensive.
I will have more to say in the future on the subject
of religion and it’s influence on how we, as a society,
feel about our sexuality.

I want women that I shoot to feel idolized and put


on a pedestal... not degraded and objectified. I love
women so I want them to revel in their sexuality and
walk in the power of it.

I
want women that I
shoot to feel idolized
and put on a pedes-
tal... not degraded and
objectified.

Tell us about a “bad


experience” in your
professional career.

OH DEAR... which one! LOL. Well, I still get occasional


models who don’t call or show up! Even after 27 years
of professional photography, I STILL get surprised!
And then there was the lady who came in and started
waving her arms around me before we had even shot a
frame. I asked her what she was doing and she informed
me she was “cleansing my aura”!! ha ha I asked her po-
litely to get her belongings and go home.
Far as I know, my aura is still dirty. LOL

What do you remember as your


better session of photos?
There are some models I shoot that EVERY session is a
winner. Every minute with them is a pleasure. I can’t start
naming them because I’d have a LONG list but great ses-
sions come from great models. MANY of them are now
close friends of mine and they know how much I adore
them, so they trust me, so our sessions just keep getting
better and better. The way they move, the way they freely
give themselves to camera, their fearless vulnerability!
YUM!

What advice do you have for


aspiring photographers?
Shoot what you love and love what you shoot. Photogra-
phy is a very tough and competitive field rife with politics.
So it can be a briar patch. But I LOVE it. I’ve had days when
I got cancellations at the last minute and I am always sur-
prised at myself because the first thing I do is get
on the phone and call a model to see if she wants Thank you Michael !
to come over and shoot.

I also advise aspiring photographers to COPY the


work of those they admire. TRY to shoot some-
thing exactly like an image they like. It is surpris- www.michaelhelms.com 818 353-5855
ingly difficult AND they will find that in the midst
of it, they will get an idea of their own. “Once you have tasted flight, you will forever walk
It is also always a good idea to assist a working pro the earth with your eyes turned skyward. For there
photographer to learn more about the biz. you have been and there you long to return...” Leon-
Care must be taken not to kill their love for photog- ardo DaVinci
raphy by making it their source of income. If they
are serious, then ALWAYS buy a little more camera
than they need. They can always grow into it.
But as I said... first and foremost... shoot what you
love and love what you shoot.
music
music
Do you have a music project? Send your name project, city, style, a picture
and a direct link to hear you music to hola@publicistas.org with the subject
“MUSIC”.
Click on the images to hear the music :

NEW YORK TO TOKYO


CHASOM
City: US
City : Italy
Style : Garage
Style :Rock / Hip hop
Hear: myspace.com/newyorktotokyo
Hear: www.chasom.com

RADIUS
EXPERIMENTO ALEPH
City : US
City : Bogotá / Colombia Style : Rock / Pop
Style : Rock Hear: www.radiusband.com
www.myspace.com/experimentoaleph

FRIDAY LIGHT VËRTICAL


City : Usa/Mexico City : Lima, Peru
Style: Rock / Indie / Alternative Style : Grunge
www.myspace.com/fridaylight Download full album: (click here)
music

DEAFENING DJ NAJH
City : U.S. City : Montevideo, Uruguay
Style : Metal / Alternative Style : Electronic
Hear: www.myspace.com/deafening Hear: myspace.com/najhendangered

NIKO LAURETA MECI


City : U.S. City : US
Style : Pop Rock Style : Pop
Hear: nikoonline.com Hear: lauretameci.com

WICKED AUTOMATIC
City : US
Style : Grunge
Hear: myspace.com/wickedautomatic
humourr
This space is available for comic illustrators, comediants
and everyone who like to share some funny. Send your
name, country and picture to hola@publicistas.org with
the subject “HUMOUR”.
Click on the images to hear the music :

Alan Moloney - Ireland


Matt Mignanelli - United States

Boyz of the revolution


CREAMOS MARCAS

Para que el mundo lo conozca mejor


MAKE YOUR OWN

FREE MERCHANDISE

1.-
GO TO OUR WEBSITE AND DOWNLOAD OUR ORIGINAL
LOGO IN VECTOR FORMAT.

2.-
USE YOUR POWERFUL MIND AND CREATE YOUR OWN
REVOLUTIONART STUFF.

3.-
SEND SOME PICTURES OF YOUR STUFF BEING USED
AND WE WILL PUBLISH THEM IN THE NEXT ISSUE !

WOHOOO

S.O RG
ISTA
U BLIC
NA RT.P
UTIO
R E VO L
P://
HT T

12

9 3

6
YOUR TARGET
IS OURS

WHY DO BUSINESS IN OTHER WAY?

REVOLUTIONART INTERNATIONAL MAGAZINE

PLACE YOUR AD HERE


Frequency: Every two months Readers origin :
hola@publicistas.org
Price: FREE $ 0 1.Europe 30.4 %
Estimated downloads per issue: 2.South America 22.5%
10,000 3.Asia 12.2 %
Estimated viral readers per issue: 4.USA and Canada 13.1 %
34,000 5.Centroamérica 9.1 %
Distribution: All the web 6.Australia 3.4 %
7.Africa 2.5 %
others 3.7 %

(stats pounded from past Issues)


Promoted in AD festivals, magazines, blogs, podcasts and lot of alliances on
Internet.
HOW TO SEND ARTISTS:

YOUR ARTWORK
// Send your artwork in high quality jpg to
hola@publicistas.org

// Size:
¿?
FOR
920 x 550 pixels (if artwork is horizontal)
460 x 550 pixels (if artwork is vertical)

// It could be computer generated, hand made


draw, photomanipulation, vector, raster, scanned

THE or any image from your creativity related to the


next issue’s theme. (See the last page)

// Send name, country, e-mail, and website.

NEXT E:

EDITION
L IN
AD
DE AUG
TH ADVERTISERS AND CREATIVES:
15 07
20

OF
// Send your coolest pieces of marketing cam-
paigns, below the line, direct marketing, viral,
above the line, promotional actions and creative
ads.

// Add a little brief (maybe campaign objec-


tives, idea, and results) and credits.

// Send it at any size in high quality jpg to


hola@publicistas.org
FO R
#9

“W AT CH AL L T HE I CO NS AND
SYMBOLS AT THE INDUSTRIAL
NE XT T HE M E : DESIGN SCENE AND

INDUSTRIAL
ADVERTISEMENT.
T HI NK AS A CO M P ANY
AN S E ND Y O UR I NDUS T RI AL P I E CE
O F ART ”

Send your work until:


October 15th 2007

© 2007 Publicistas.Org - REVOLUTIONART


http://revolutionart.publicistas.org
Find us: http://revolutionart.publicistas.org
Say something: http://revolutionart-forum.publicistas.org
Write us: hola@publicistas.org

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