eduardo moguillansky

TEMPO GIUSTO
// for oboe, bass flute and bassoon

(2006, rev. 2012)

Duration

Tongue vibrato. As if playing staccato but without

articulation (in oboe and bassoon, without touching the
reed)

7 min.

Multiphonics
For the oboe, all multiphonics have been taken from Techniques of Oboe Playing, by Peter Veale. Only a limited
number of fingerings are given in the score -it is strongly recommended to consult the book for the precise
fingerings and indications regarding reed position, air pressure, etc.

Bisbigliando

For the flute, the multiphonics have been worked in close colaboration with Carin Levine and most of the fingerings
have been taken from her bookThe techniques of Flute Playing.
For bassoon, most of the multiphonics fingerings where taken after try-outs with Pascal Gallois. The piece makes
extensive use of pedal notes, pitches which sound below the lowest normally played note. The fingerings are given
in the score, but in general these are really multiphonic fingerings with a strong low pitch. For example, the low A is
the result of fingering the low F and lifting the 3. finger of the left hand. It is in fact possible to play an overtone
glissando between this lowest A and the F.

Double bisbigliando

Notation
slow tongue vibrato. move the tongue to change the oral
cavity and touch the air stream, in order to produce
changes in timbre. Touching the air stream can make
certain overtones come out.
Only tongue, no pitch.

Flute. Blow away from the instrument, make it resonate.

Unfocused sound, loose embouchure.

Flute. Hand vibrato. Move the flute to intercept the air
stream intermitently.

The square notehead indicates the fingering.

P: Quasi trompa. Put the embouchure between the lips,

buzz them as if playing the trumpet. The flute produces
a defined pitch, approx. a minor seventh lower.
R : the same, with added voice action.

flatterzunge
With a multiphonic fingering, play an overtone gliss.
Multiphonic. If the M sign is under the pitch, this pitch
should be the upper note of the multiphonic. If it is above
the note, the note should just be included in the
multiphonic.

Overtone gliss. Normally indicates a transition between

two states of a same multiphonic. That is, the fingering
does not change, the different pitches indicated are
achieved with changes in the air pressure and in the lip
and embouchure positions. Its use is also extended to
indicate a transition between two multiphonics or
normal pitches where a change in fingering is needed.

Distorted sound, extra lip pressure (cuivre)

eduardo moguillansky

tempo giusto

4
4

Oboe

&

Bass Flute

tempo giusto

Bassoon: only tongue-noise, no pitch. Fingering

ad lib. The position of the notehead indicates
"brightness" of the sound.

Bassoon

K!

K!

K!

K!

K!

K!

K!

K!

K!

K!

K!

K!

K!

K!

K!

K!

                                               
 dolcissimo
1) this articulation means "as short as possible",
independently of the duration of the note above
which it is placed.

B

BN

B

BN

BN

13

B

K!


K!
 

K!


 

 

 

K!
 

 

K!
 

K!


K!

K!
 

K!

K!

K!


K!

 

 



 

K!
 

 

K!
 

K!
 

K!

K!


K!

K!

K!

K!

 



K!
 

K!

K!

 

K!


K!
 

K!

 

K!
 

K!


K!

 

 

K!
 

K!
 

 

K!
 

K!
 

K!
 

 



K!
 



K!
 

K!

K!
 

K!


K!

K!


K!
 

K!


K!

K!
 

K!

K!
 



17

B

BN

K!


K!
 

K!
 

K!
 

K!


K!
 

K!
 

K!
 

K!


K!
 

K!
 

K!
 

K!


K!
 

K!
 

K!
 



21

B

BN

K!
 

 

25

B

BN

K!

 

K!
 

K!


K!
 

K!
 

K!
 

K!


K!
 

K!
 

K!
 

K!


K!
 

K!
 

K!
 



poco a poco cresc.

K!


K!

K!
 

K!
 

K!

K!

   

K!

      

K!


K!


K!
 

K!
 

K!


 

K!

K!

K!

K!

 

  

  

  

29

B

BN

K!


K!
 

K!

  

K!
 

K!

K!

 

K!

  

K!

  

K!

  

K!

K!


K!

  

  

BN

33

K!

K!

 

  

K!


 

K!
 

K!

  

K!


K!


 

K!

 

K!


K!


 

K!

K!

K!

  



7

K!


 

K!

37

BN

K!
 

K!

  



K!

K!

  

K!

 

K!
 

K!


K!
 

K!

  

 

K!

  

 

41

B  

BN

very gradually mutates to pitched sound

K


 

B   

 



 





K!

V 



always like a shadow of the bassoon

pitched but still unfocused

sound, loose embouchure
5



K!

K!

i!

BFL

only tongue artiulation, no pitch

53

49

BN

BFL

  


45

BN



i!




5

K!





5
5

BN

i!

i!

i!




K!
5

K!

57
BFL

K!

 


K!

i!
k



65

BN

 

V
?



K K


i

k


5!



K K


i

k

69

BN



i
 
k

BFL

i!
k

5!

i!

5!

K
7

flatterzunge

harmonic, the square notehead indicates fingering

BFL

61

BN

BFL

BN

poco a poco cresc.


K" K"


 

i

K!

K!

1) multiphonics notated in this way (with a diamond like "M") are to be determined by the performed -in contrast to those which
appear later, where both sounding pitches and a suggested fingering are given. In the case of undetermined multiphonics,
always a pitch is given which should be contained in the multiphonic. If the indicated pitch is above the "M", then it is expected
to be either the upper note of the multiphonic or a prominent one in its register. If the indicated pitch is below the "M", then a
multiphonic should be found which contains this pitch as its lowest note or as a very prominent pitch in its register.

multiphonic 1)



5
K!



K"

K"

i
k

73
BFL

BN

>5


K


77
BFL

i i
k 



1) tongue-vibrato, as if playing a fast

staccato but without touching the
reed



1)

iii
k k
k

BN

>5

 

BFL

K K

81

>5

K"

isssssssss
i



K!



si K

K

embouchure vibrato, like a very

fast and irregular smorzato

BN

>5
66



n2
4

Tr.
3

 

s i" 




K


5 uuuuuuuui

85
BFL

BN

V
?


5

>5

66

 

>K

s i"


K 




vib.

89
BFL

vib.

uuuuuuuuuuuu7

5uuuuuuuuuuui

BN

?

! !

KK
5

 

666
7

s i i K


K


 s >55 

BN


o

>5 

 p


666

K! K!

 s>55

c




K
si
i
>i s iespressivo
> 


5
5

5

k

K K
>
>

cr1es


p


p
c
cr1es

1) all mordents with the immediate

semitone, if not otherwise indicated.
Always begins with the main note.

s>5  
55
c 

>5 

5
k
k


6666

BN

quasi echo

o
?

cr1es

97

BFL

away from the flute, get the resonance

1)

cr1es

93

  


s >i i K
>K



K! K!

c

bisbigliando muta in tongue-vibrato

BFL

1) slow tongue-vibrato: move the tongue to

change the oral cavity and "touch" the air
stream, in order to produce changes in timbre.
"Touching" the air stream makes the
overtones to come out.

>5

>5

666

 

>s i 

1)

s i>

i

 

decrsnoubitm

hand-vibrato: move he flute up and down

irregularly so that the air stream intermitently
excites the air-column.

2
3
4
2
3
4

100
BFL

C#

BN

i
i

p p  p p
o 




Trill

hand-vibrato

p  

>5

666
5


i si

K K i
>
>>

s>5
55 ssss

si

sK

1
cr1es

i =i
 >


2) if no fingering is given for a multiphonic it is because

this multiphonic has already been previously used in the
score. All fingerings are written in the individual parts.
1) vib. indicates always a diaphragm vibrato,
which means variations in the support of the
air stream. It is mainly an "intensity" vibrato
which is here asked for, not a variation of pitch.

104
BFL

BN



5
5

2)

p p



>5

s>55

is i

>K >K >i

108

1) vib.




 K

5

>s i

1

234567C

BN

i s 55

s >K


i i i i


i K


5
55  

p

 

K
o

p 
o

espressivo

p 


66666666666

cr1es

BFL

>5

6666
5

 

K K i i
>
>>


i

si

s 55 >555
5

si


si


K 5
s i i i i i
>


112
BFL

 i
K

Trill

BN

vib.

K i i i
>
>>>

i si

1) flute between the lips, soft

flatterzunge (like spanish "r")

116
BFL

1)

K K p

> >>

> >
si
K

si

i b
i

K 5 K


decrsnoubitm

vib.



D#

5 5
s 55 55 55 l 5

p p




a change of playing angle is accompanied with a change in pitch:

when such change is NOT written (like in this case) it is to be
compensated through a change in fingering, as if it were a
glissando.

4
2
3

1)



K p 


 K

vib.

n2

1 

1) this notation means the

same as the one in bar 113
regarding the appearance
and disappearance of notes
in a multiphonic.

K
cr1es


>5
s 5 55
55 ssss5sss

vib.

5
s 55

very slow tongue vibrato

 K

p 

ma cantabile

 p K K


>5 

66666

BN

s 5 55





b 55 ssssss5
K i i i i s i
i s i K s i i b i
K
i
s
i
i

>
>
>
>
>
>

>

cant.
4  
n
3



cr1es

decrsnoubitm

2
3
4

120
BFL


K
p
> >>>


poco

BN

?

vib.
5

i K i i b i
 > > >

5 ssssssssss
5 5

5
55

 s 55

s5

>5

66666

cr1es

decrsnoubitm

K K K K
>
> >
>>


>

dolce

s>5 55
55ssssss 5ssss  
i si
s >i
K
>

4 
K

dK K i   R R 
p K K
o 
 


b

K
s i i iggefeggi
o o

espressivo

i K


i



K

i bi i


p
>


s 555 ssss

i si i

n2
4
2
3

234567C

5
55

V  s 55

5
l5

BN

j5 5
5 5 5

l5

vib.

124
BFL

turn the flute until the sound breaks

5 >5
? s 555 
sss sss

>
si

4

234567C

4n567c

   b i  55 55 55  55 i     KR
R

p
K


cantabile
o

5



b

s i i s i i i s i i
>
o

cant.


i

K i




K i


5
 5

5
i
5 5 i K
 o


128
BFL

quasi echo

V 5 n s 55  n i i

j5

55 

K 

i bi i

s 555 555
5 ssssss ss5

i
si

i i

234nb7D



i



i i
i
b i
i s3 i i si




K i i

s5

vib.

si

i i

234567C

5
55 55 

vib.
5

s i i i i> s i

cant.

 l i  + 55 55 = s 55


234567C

>5

4

3

5
5

BN

234n67C

cr1es

234n56aD

smorz.

cantabile, da lontano

cr1es

4n567c

j5
5 5
s 5 5 5 i i s 55

24n56

j 5
5
l5

5 5

>


K

si i

b 5si

dolcissimo

34567nD

5 vib. s 5
5 5 K
5 5

>5

s 5 55
55 ssss5sss5

i

si i >
i

>>

1
cr1es

vib.

i
i
si
> s i1 > i 

cr1es

cant.

5 K


132
BFL

5 i

55

34n57C

234567C

sk sk

5 i 5 5 n s 55
55 5 5 55 5

+ 5 5 = s 55  s 5 5 55 
 l5 5
5 5 5

cantabile, ma lontano

n s 55  s i
3

34567nD

i 55 i i s 55 

>

BN

i
>

i i i


55 
s
5

 i i i
55 ssss5 sss 5 

b5 5
i si
i Di i
n
i
i
s i i> > s i s i

4 
5

cr1es

espressivo

i
i i i
> > 

decrsnoubitm

vib.
3



>i 

i

vib.

two different fingerings

fegg

i i i i


>i

n3
4
B
D#

136
BFL

+ 5 5 = s 55 5 s 5 5 55
5 5 5
s5 5 5
5



5
s s 55 
5 55
5

(still a shadow of bassoon)

cantabile

espressivo

vib.

55  i i

vib.
i i i  n b 55 55 


sk sk

55 i  s 55 55 

+ 5 = s 55 s 5  s 55
5
l5 5
5

Tr.

BN

i
i i

vib.

>i

espressivo

Di i


> >
vvvvvvvvvvvvD 55 5
s 55 5 n 5
5 5 s 55 5
3

b>5

4
cr1es

vib.
7

si
5


s i n>i
i

>


i
i  s i i si i i i

> >

1
cr1es

cant.

cresd<>

2


vib.

cresd<>



 i
i
i i i
i i i i
>


espressivo

i i i i i bi
> 
> >
cant.

vvvvvvvvvvvvvvvvvvv>5 >5
s 55 D 55
5 5 55 5

4
cr1es

i

10

BFL

s s 55
5
5

5 5
55 55 55 55

140

55 55 5 5
5 5
V


34567nD

n 5 s 55 5  n b 55 55

55

n 55

5 5

55

34n56bD

55 55 5
55

5ggeefeegg
3

vib.

1

cr1es

34bD

i i b 55 55 >i  55

i i 55 

5
5
5
5
5
5
5
5   5 5 5

5

34n56bc

Trill

?

i
>i  >i >i b
3

BN

vib.

2
cresd<>

bi



i
i 5

espressivo

144
BFL

55

5
5
K K

vib.

 
5

i

espressivo
K

cr1es

i
i i
> >i i >i i >i

vib.

cr1es

decrsnoubitm

cantabile

dolcissimo

vvvvvvvvvvvvvvvvvvvvvvvvvv 5 >5 + 5
sssssssssssss
D
5
5
s5 5

 

5 5 sssss55s s>5 5 5
5
i
b i i i i b i i b i i n i b i 5 n5
ni
>
>
>
>
>

vib.
vib.
4 

cresd<>

2
ssssssssssssss
5

vib.

vvvvvvvvvvvvvvvvvv

Trill

BN


i

i i
o

>5
5 5 5 55
6666666 5
s 5 s 5 D 55 5
55 55 5ssss55sss+ 5 n>5 >5

ssssss

i
i i> i i i> i 
> 
>

3

5
+5
5 5
cr1es

>5

sssssssssssssssssssssss
3

bi

 c

espressivo

decrsnoubitm

i i i i
> > >

sssssss

 i bi
b i
vib.
 cantabile

   
bi
ni i 3 i
o >

34n56bc

5

148
BFL

BN

+5

>5

b5

2

ssssssssss
5
5
 
i
b i i> i i >i >i i
i
i
i i i i
>
>
  
dolcissimo



cr1es

decrsnoubitm

cresd<>

+5

sssssssssssssssss

i i

2
cresd<>

smorz.

cr1es

decrsnoubitm

cr1es

cr1es

decrsnoubitm

cr1es

decrsnoubitm

>55 n 5
s

i 6i6666 55 5 sssssb 5555 + 5 n>5 5 b 5

i
i
5
bi i i i i i 5

>
>
>
>


1  c  S  c  
espressivo
dolcissimo

vib.

espressivo

>vvvvvvvvv
>5 55 55vvvvvvvvvvvvvvvvvv
>5 >
5 5 5
+ 5>
55
5
5

decrsnoubitm

5


>55 >
>
5
5 5 5 5 5

cr1es

55

&

55 55

vvvvvvvvvvvvv
55 s 5 D 5
l
66666666 5 5 ssss 5  5
i i
i i 5
5 ssss+ 5
i i i
i i

>
4  
3


o

i

11

1) both multiphonics are achieved with

the same fingering: in the first case
through underblowing, in the second
through overblowing. That is indicated
with the "-" and "+"

152
BN

vib.

smorz.

i5

i

5 i

1)


cant.

Trill

Trill

>vvvvvvvvvvv vvvvvvvvvvvvv

>
>5 >
5 5 55 555 555
>

+
5
+
5

5 5
55
6i666 55 5 5 5 b 5555 + 5 5

5 5 5 5 ih
s5


harmonic

play & sing

sssss

b i i i 5 5 5 5 5
>
>
>
>
o
 
 c 
5

cr1es

decrsnoubitm

5
k 5

6666666666666

vib.

5

i i i 5 55 ssssh5 555

5 5

diaphragm accents

b 55> > > b>555 

55

s5

ma espressivo

55

>5

>5>
>
+5

>

5 5 5

5 ih

 h

4

vvvvvvvvvvvvvvvv
> >55 555
5 5 5

cr1es

decrsnoubitm

1) different fingerings for the same note, orderer

according to their proximity to the normal note in
terms of timbre.

smorz.

>5 b>555 >555 

5

156
BN

b i

h

smorz.

160

& r b KKK

? K

>
molto

55> >5 y>5

y 5
5

c
cr1es

55

b55

5
 


espressivo

>

y y 55
+5
55
r5 5


5

p q w e

+5 >
>5 5 5 

r 5h



5 5 5
5 X5 k k 5 5 5

n r 5h

cr1es

>5
+5
+ 5

dolcissimo

5 5

 
5 5 b>55 >5 >5 5

b 5555

espressivo

>5

55 >5 > >> >5 y 5

5
+ y 55

>5

  i
i
o


r5 5 5
+5 d5 5
>
r5 5 5 5 5 g5 5 5

55

cr1es



4
cr1es

55
5
5
h
i 5 ssss5 5

5 
k


+ 5 b 5vib.5 bn5>55 

5 5 55

b 555 5 b 5
5

 c
cr1es

smorz.

4  c
cr1es

b 55

b>KKK 5

bi

cr1es

1

3

>

>5

 c c

cr1es

...

vib.

>

1)

cyclical form of bisbigliando:

p qwe

5555

> b>555

b 5>5 >

5
k 5

smorz.

n5 5
+5
+5 d5
5 5 >5 5 g 5 5 5

55

diaphragm accents

cr1es

BN

vvvvvvvvvvvvvvvvv
>
i i  i i 55 ssssssh5

decrsnoubitm

cant.


 

5 5

dolcissimo

>> >

s
 5
5 b 55 5 

5
5

5
55 b 5555  

4  c
3

cr1es

cr1es

poco

12

164
OB

&

BFL

>i

>i

i
i


 dolce

>i

>i

i

dolcissimo

smorz.

vib.

i >i

&i

>i

s i5

>i

Trill

&
BN

b 55

>
r b KKK >

5
? 5 b 55 b 55 K
5 K

ssssss

>5

n>55
5
55

55 5>>>>>>>5 l 55
5
l 5
+5
r5 5 5

h
cr1es

 cant.
decrsnoubitm

r5

b>55

>
>5 >5 5 5

KK
5bK

uuuuuuuuuuuuuu
vvvvvvvvvvvvvvv
ssssss>
>
>
b 55 b 555
b
5
5
5
5

5
5
5

55 b


5
5 555 5
5

c 
4



D5
5
55

K
K

cr1es

cr1es

decrsnoubitm

>5

5>

uuuuuuuuuuuuuuuuuuuuuuuuuu
>55
55
5> >>>>> >5
n
>
5
5
5

5
>
55

5
5

55

5
y y 55
+5
r5

15

h
cr1es



4

13

d y 55
5
d
5 55

smorz.

167
OB

& i

>c

>i 
5

3 vib.

5 5

 

55
5
55

55
5
55

>s 55

smorz.

sssssssssssssssss 5
5 5 ssssssssssssssss

vib.

 
decrsnoubitm

r5
s5
s5 5
5 5
s 5 s5 s5n 5 5

n>5
s
5 5
5
d
r 5 n 5 www 5 555
S  h
5

cr1es

cr1es

decrsnoubitm

c
cr1es

smorz.

BFL

i 5 >i
Vk k k

>i

i >i 55

>5

55

34n56bD

55
5

55

55
5

s>5>>>
wwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwws 5
vib.
>5 5  5 > 5
5
5
5
k

P P


h h

55 55
5

j5
5

5
3

cr1es

cr1es

decrsnoubitm

decrsnoubitm

Tr.

Trill
Trill

BN

Trill

vvvvvvvvvvvvvvvvvvvvvvvv vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv
> b>
5
5 >>>>> >> 5
b5
>
5>
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5 b KK 5> 5>55> 555 555 555
5
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5
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+
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5 5

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decrsnoubitm

14

>5 >5

>5

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170
OB

>
>
5 5 5

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5
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b
s 5 5 666 d 5 5
> s5 n5 5
l5
n5
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h
cr1es

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34n56bD

n 5 s5
n 55 55 5

BN

b 5 r b KKK5 >5 5 5 5 >5>5 555 555

5
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4  
decrsnoubitm

55
5

s >55 >

>
5 s 5 >>5

k k  
k

j 55

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d5
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cr1es

decrsnoubitm

cr1es

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>
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55 5 5

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>
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4

smorz.

decrsnoubitm

>

>
5 s 55 5 5 5 >c s 55 5 s 55 + 5 5 n
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[Veale 265]

[Veale 163]

j>55>>>
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diaphragm accents

55
5
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smorz.

>
n>5 5! 5!
5


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15

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3

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smorz.

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= y 55 666666
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55
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smorz.

173

5
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c

4

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3

decrsnoubitm

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cr1es

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16

decrsnoubitm

diaphragm accents

j 55   
d 555

j
j
5
5
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s 5 5 s 55 55 5
r 5 5 5 + 5 r 55 s 55 5
j 5  j s 55
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5
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+
5
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n
5
5
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&
s
5
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5 n 5 5 s 5 


 
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h
smorz.

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s 5 s 55 5 55  5


3

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5 

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>
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5 5 s 55 5 s 55
s 5 5


5

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2
3
4

2
3
4

2
3
4
2
3
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3
4
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cr1es

55
s
5
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5 5 b 55  5 5 b 5
5

5
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r5 5
5
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2
5 s5
ssssssssssssssssssssssssssss5 s 55
s 5 5 5 5 5 55 = s 55
5 5 5 s 55 5 
s K s 5 5 5 5

5 55

s 5 5 5 s 5 5 n 5 s 5 s 5 5 5>5 >5 s>5

d5
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5 5
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5

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s
5
s 5 5 5 5 55 = 5 s 55 n 5 n 55 b 55 b 5b 5 n K
5 5
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3.

234n67

5
5

n
5
5
5 n 5 s 5 n 5 ss 55 + 5 5 n K 5


5 n 5 

5
5


s 5 s 5 n 5  d 55 5 5 5 = 5
j5 s5 
+5
7

cantabile

variate the colour of the

multiphonic tremolo

17

r
180
+5 5
j 55 
&
s5 5

C

OB

j5
s 55
j
5
j

s 5 5 5 5 5 + 5 5 5 s 5 n 5

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5 s5
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55 5 s 55 55 5
4

BN

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5ssssssssss 5 5 s 5 5 5 5 5 5
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n

2
3
4

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5

25 34n6bc

d 5 s 55 55 

n5

s 5

5

s 5 5 5 n 5 5 5  s 5 5  r 5 n 5
5

s5
5

5 5 s5

2
3
4
2
3
4
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5 s s 55 5 5 

s 5 j 5


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dolcissimo e molto cantabile

&

dolcissimo e molto cantabile

rall.

3.

K K K K K K K K K K K K K K K K
>
> > > > > > > > >
5

18