Professional Documents
Culture Documents
Introduction The Guide to Black Art Exhibitions in 2006 is a comprehensive selection of art exhibitions in the United States of America. This, the third in a series of this Guide, has a twofold purpose. If you plan to travel within the United States and you visit one of the cities listed, take an excursion to the featured museum(s) in that city and enjoy the exhibition(s). If you discover an exhibition that is not included or find errors in this Guide, please send an e-mail to either blackartproject@yahoo.com or blackartproject@comcast.net. It is recommended that you telephone, e-mail, or visit the venues web site in advance to confirm that the exhibition will be on view when you plan to visit. Its second major purpose is to provide documentation, in one source, of the exhibition history of African American art exhibitions in museums, large commercial galleries, and cultural centers across the country. This documentation does not exist in any other source. The Guide is currently produced by George-McKinley Martin of Black Art Project. We hope that the Guide will encourage more people to visit and enjoy exhibitions of African American art. It is hoped that strong support of these exhibitions will encourage more museums to mount exhibitions of the works of African American artists either as a theme or included in other major subject/theme related exhibitions. How to Use This Guide The Guide is arranged by month. All entries are in alphabetical order by city. Each time an exhibition appears in the Guide, it is given a full entry. The first line of a full entry (left column) includes the museum/gallery site, followed by the name of the exhibition in bold print, the inclusive dates of the exhibition, a brief description of the exhibition. The right column includes additional information -- address, telephone number, web site and/or e-mail addresses when they exist-- to help make your contact or visit easier. When an exhibition continues to subsequent months, there is a full entry under each of those months and it includes the 1
museum/gallery site, the title of the exhibition, its ending date, and a brief description, as well as the appropriate contact information.
January
Andover
Addison Gallery of American Art Portraits of a People: Picturing African Americans in the Nineteenth Century January 14 - March 14, 2006
Portraits of a People looks critically at images made of and by African Americans and the role those images have played in establishing and fostering racial identity during a period of radical social change. This landmark exhibition, and its accompanying publication, features approximately 75 works ranging from paintings, photographs, and silhouette profiles to book frontispieces and popular prints.
Phillips Academy 180 Main Street Andover, Massachusetts 01810-4161 978/ 749-4015 www.andover.edu/addison addison@andover.edu
Ann Arbor
The University of Michigan Museum of Art Betye Saar: Extending the Frozen Moment On view through January 8, 2006
Throughout her career, Betye Saar has made art that challenges us to think about our societal responses to race and to the history of race in the United States. Though politically trenchant, Saars work moves beyond protest to encompass a profound spirituality and an awareness of the things that link human beings across cultural lines and across time. This exhibition examines Saars achievement by focusing on her work with photography, specifically, her incorporation of photographic fragments as a metaphor for her view of the African American experience and of lives too often obscured in American visual history.
525 South State Street corner of South State and South University Ann Arbor, Michigan 48109 734/ 764-0395 www.umma.umich.edu
Asheville
Asheville Art Museum 2 South Pack Square at Pack Place
Atlanta
Hammond House Galleries Renee Stout On view through January 7, 2006
Renee Stout's work focuses on the process of empowering and healing rituals by looking at belief systems and actions that various African peoples and their New World descendants have adopted to influence their circumstances. Stout explores the rich culture of traditional healing and the restorative power of music as a creative base. She assembles and creates a wide range of evocative objectives, material, symbols and subjects to suggest multiple layers of African American culture and history.
Spelman College Museum of Fine Art Amalia Amaki: Boxes, Buttons and the Blues January 26 - May 13, 2006
Incorporating engaging themes, accessible images, common materials and wise humor, Amalia Amakis art disrupts and challenges conventional ideas about culture, race and American history. For more than three decades, this Atlanta-based artist has garnered acclaim for her mixed media quilts, button-encrusted souvenirs and manipulated photographs. Amalia Amaki: Boxes, Buttons and the Blues is a collaboration between the National Museum of Women in the Arts and the Spelman College Museum of Fine Art.
350 Spelman Lane, SW Atlanta, Georgia 30314 404/ 270-5607 www.spelman.edu/museum museum@spelman.edu
Baltimore 3
The Baltimore Museum of Art Henry Ossawa Tanner and the Lure of Paris On view through May 28, 2006
The first African-American artist to achieve international acclaim, Henry Ossawa Tanner spent more than half his life in France and was inspired by a broad range of artistic styles. Featuring four major paintings by Tanner on loan from the Des Moines Art Center, this exhibition presents more than 60 paintings, drawings, photographs, and prints by French and European artists who were likely influences, including Eugne Delacroix, Jean-Joseph-Benjamin Constant, and Camille Pissarro. These works, along with recent Tanner acquisitions from the BMA's collection, will also showcase the artist's fascination with religious subjects, landscapes, and Orientalism.
10 Art Museum Drive Art Museum Drive at North Charles and 31st Streets Baltimore, Maryland 21218-3898 410/ 396-7100 www.artbma.org
Boston
Boston University Art Gallery Syncopated Rhythms: 20th Century African American Art from the George and Joyce Wein Collection On view through January 22, 2006
The exhibition, Syncopated Rhythms: 20th -Century African American Art from the Collection of George and Joyce Wein , will showcase the Weins outstanding collection of sixty-five works including paintings, sculpture, drawings and a contemporary quilt. This is the first time the collection will be shown publicly.
855 Commonwealth Avenue Boston, Massachusetts 02215 617/ 353-4672 www.bu.edu/art gallery@bu.edu
Chapel Hill
The Ackland Art Museum Family Legacies: The Art of Betye, Lezley and Alison Saar On view through March 26, 2006
The exhibition will feature thirty-six objects, including mixed media sculptures, assemblages, collages and a collaborative installation created by the Saars. Twelve key
The University of North Carolina Campus Box 3400 Chapel Hill, North Carolina 275993400 919/ 966-5736 www.ackland.org ackland@email.unc.edu
works by each artist, representing the full chronological range and stylistic evolution of their oeuvre, will be arranged according to overlapping themes that underline the artists' family ties, multi-racial heritage and strong affinities to nature and African cultures. The works demonstrate a desire to reclaim the visual representation of African American women by exploring subjects including slavery, stereotypes of domestic labor and contentious historical images of the female body.
Doylestown
James A. Michener Art Museum Wachovia Gallery Romare Bearden: Enchanter in Time On view through February 5, 2006
Romare Bearden filled his work with the symbols and myths of the American black experience. Drawing from a variety of literary, musical, and historical sources, Bearden often employed a collage-like technique that fused many different elements, almost like a jigsaw puzzle. But unlike a puzzle, each element had a poetic and symbolic meaning. Shortly before he died, Bearden said that working directly with fragments of the past made them more immediate and relevant.
138 South Pine Street Doylestown, Pennsylvania 18901 215/ 340-9800 www.michenermuseum.org jaman1@michenerartmuseum.org
Easton
William Center for the Arts William Center Art Gallery David C. Driskell: Reflections and Memories January 27 - March 12, 2006
As a leading authority on African American Art, Driskells workpaintings, prints, and collages will be exhibitedoften reflects his complex experiences dealing with race in this country. He is a Distinguished University Professor Emeritus of Art at University of Maryland, College Park, and has maintained an active career as a practicing artist, art historian, curator and collector.
Fargo
Plains Art Museum Jane L Stern Gallery Jacob Lawrence: Three Series of Prints On view through January 8, 2006
Since his first published print in 1963, Jacob Lawrence has produced a body of prints that is both highly dramatic and intensely personal. In his graphic work- as in his wellknown and famous paintings-Lawrence has turned to the lessons of history and to his own experience. From depictions of civil rights confrontations to scenes of daily life, these images present a vision of a common struggle toward unity and equality, a universal struggle deeply seated in the depths of the human consciousness.
704 1st Avenue North Fargo, North Dakota 58102 701/ 232-3821 www.plainsart.org
Greensboro
University Galleries H. C. Taylor Gallery James McMillan: Retrospective Images and Impressions January 13 March 3, 2006 North Carolina A&T State University Dudley Building 1601 East Market Street Greensboro, North Carolina 27411 336/ 334-3209 http://www.ncat.edu/ %7emuseum/index.html mcpember@ncat.edu
Hampton
Hampton University Museum The Art of Elizabeth Catlett: Selections from the Hampton University Collection January 27 July 29, 2006
Pulled from the collection of the Hampton University Museum, this exhibition will feature works on paper and sculpture by world renowned artist Elizabeth Catlett. Artist, educator, social and political activist the works represented in this exhibition show the importance of Catlett as a major contemporary international artist.
Hartford
The Amistad Foundation at the Wadsworth Atheneum Museum of Art Double Exposure January 14-June 18, 2006
The exhibition while providing a general overview of the development of photography, will present very fine examples from our collection of daguerreotypes, ambrotypes, tintypes, albumen, and gelatin prints; and the provocative photographs and art forms of contemporary photographers. Varying themes encompassing the photographic processes, the history of races and racism in America, and contemporary explorations in photography of identity and history will also be discussed through related programs.
Wadsworth Atheneum Museum of Art Moved by Music: Herbert Gentry On view through October 29, 2006
Drawn from The Amistad Centers collection, this exhibition showcases never seen prints based on original paintings and drawings by Herbert Gentry (1919-2003). The exhibit will also highlight works from the G. R. NNamdi Gallery and from the personal collection of Gentrys widow, Mary Ann Rose. Gentry is best known for his figurative abstractions that were inspired by the spontaneous rhythmic expressions of jazz. Faces were a recurrent theme found in his works, which the artist said are intended to symbolize the family of man.
600 Main Street Hartford, Connecticut 06103 860/ 278-2670 www.wadsworthatheneum.org info@wadsworthatheneum.org
Henderson
Clark County Heritage Museum Recoverd Views: AfricanAmerican Portraits, 19121925 On view through March 10, 2006
Recovered Views features 40 black-and-white portraits attributed to John Johnson, an African American
1830 South Boulder Highway Henderson, Nevada 89015 702/ 455-7955 www.co.clark.nv.us/parks/clark_county_muse um.htm
photographer who lived and worked in Lincoln, Nebraska in the early part of the 20th century. These portraits are more than just stunning images; they document life in a vibrant black community in a small Midwestern city, a society rarely depicted in any medium.
Houston
Contemporary Arts Museum Houston Glenn Ligon: Some Changes January 14 April 2, 2006
Glenn Ligons works examine how the social and political history of the United States has subtly yet definitively shaped Americans identities. Incorporating text from sources as diverse as James Baldwin and Richard Pryor, Ligon uses existing language to explore the value systems and influence of American culture, as well as how broad generalizations of race, gender, and sexuality pervasively affect personal experience. This survey exhibition includes his landmark text paintings, sculpture, prints, installations, videos, and mixed-media work, as well as new work commissioned for this project.
5216 Montrose Boulevard Houston, Texas 77006-6598 713/ 284-8250 www.camh.org info@camh.org
The Museum of Fine Arts, Houston The Caroline Wiess Law Building Basquiat On view through February 12, 2006
During the tragically brief life of Jean-Michel Basquiat (19601988), he created a distinct style of painting that involved language, a set of repeated personal symbols, and a rhythmic harmony of surface based on a loosely girded picture plane. This traveling exhibition marks the first serious examination of Basquiats work by an American museum. Basquiat comprises 67 paintings, many drawn from European collections, and 36 drawings, all of which examine the artists work in the context of his role as the last Modernist.
1001 Bissonnet Street Houston, Texas 77005 713/ 639-7300 www.mfah.org visitorservices@mfah.org
Johnstown
Southern Alleghenies Museum of Art A Symphony of Color: The Lyrical Pasquerilla Performing Arts Center
Lakeland
Polk Museum of Art Dorothy Jenkins and Emily S. Macey Galleries Carrie Mae Weems: The Louisiana Project On view through February 12, 2006
The Louisiana Project incorporates still photography, sound and video projection as part of an exploration of culture, gender, and race. The exhibition features dozens of large scale photographs that evoke the courtly, European image of eighteenth century New Orleans society but are charged with Weems signature edge- silhouetted figures in period dress, masked men and women engaged in provocative and ambiguous interactions.
800 East Palmetto Street Lakeland, Florida 33801-5529 863/ 688-7743 www.polkmuseumofart.org info@polkmuseumofart.org
Lexington
University of Kentucky Art Museum Singletary Center for the Arts Afterburn - Willie Cole: Selected Works 1997 2004 January 29 - March 18, 2006
In his assemblage, installation and wall works, Willie Cole (b. 1955) transforms ordinary, domestic objects such as bicycle parts, irons, and lawn jockeys into powerful works embedded with references to the African-American experience and inspired by West African religion, mythology, and culture. The fifteen works included in the exhibition include examples of Coles sculptures, scorched canvases, and iris prints.
Rose Street and Euclid Avenue Lexington, Kentucky 40506-0241 859/ 257-5716 www.uky.edu/ArtMuseum
Los Angeles
California African American Museum Milton Bowens Writings on the 600 State Drive Exposition Park
California African American Museum The Whole Worlds Watching: Peace and Social Justice Movements of the 1960s and 1970s On view through February 10, 2006
The Whole Worlds Watching examines the rich history of the social movements of the 1960s and 1970s through 90 documentary photographs. The brutality of racial injustice, the courage of the weak challenging the powerful, the tragedy of fallen heroes, the horrors of war, the rage of students, and excesses of the Summer of Love all touched Americans through the pictures in Life and Look, the newspapers, and television sets.
600 State Drive Exposition Park Los Angeles, California 90037 213/ 744-7432 www.caamuseum.org
Macon
Tubman African American Museum Pictures from Home: Six African American Studio Photographers in the South, 1900-1950 On view through January 8, 2006
Pictures from Home examines the creation and use of photography by and for African American individuals, families and groups during a fifty year periods when Jim Crow and negative racial stereotyping still prevailed in the South. The exhibition features 120 images by six gifted studio photographers and self-made entrepreneurs, each of whom enjoyed significant and lasting careers within their own respective communities. The
340 Walnut Street Macon, Georgia 31201 478/ 743-8544 www.tubmanmuseum.com adudley@tubmanmuseum.com museumstore@tubmanmuseum.com
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significance of their photography lies not only in its intrinsic beauty but also in its true and powerful representation of the richness and diversity of African American life and the need to keep memory and the past alive across continents and generations.
Mobile
Mobile Museum of Art Black is a Color: African American Art at the Corcoran Gallery January 13 April 2, 2006
In addition to the overriding aesthetic focus of the exhibition, the featured works will be organized into thematic groups to address ideas that have historically occupied African American artists: racial and cultural heritage and identity, history, religion, and class. The works in the exhibition, both representational and abstract, pose a recurring question that cuts across the thematic groups: how much should such art reflect African American identity?
4850 Museum Drive Langan Park Mobile, Alabama 36608 251/ 208-5200 www.mobilemuseumofart.com
Montgomery
Montgomery Museum of Fine Arts Jacob Lawrence: Three Series of Prints- Genesis, Hiroshima, and Toussaint LOuverture January 21 March 19, 2006
The exhibition features 44 framed works including: 31 color prints and 13 text pages from the three Series. Also included are text panels with an introductory exhibition essay, a chronology, and photos of the artist. The exhibition is curated by Peter Nesbett, editor of Jacob Lawrence: The Complete Prints (1963-2000) and The Catalogue Raisonn.
Wynton M. Blount Cultural Park One Museum Drive Montgomery, Alabama 36117 334/ 240-4333 www.mmfa.org info@mmfa.org
Muskegon
Muskegon Museum of Art Picture Stories: A Celebration of African American Illustrators On view through January 29, 2006 296 West Webster Avenue Muskegon, Michigan 49440 231/ 720-2570 www.muskegonartmuseum.org
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Picture Stories celebrates the talents and creativity of African American artists who illustrate childrens picture books. The exhibition features exciting work by twelve American illustrators of African heritage who capture daily life as well as extraordinary perseverance and talent of Black American heroes. History, folktales, and the emergence of jazz are explored in the color paintings, collage, scratchboard and mixed media pieces featured in the exhibition.
Nashville
The Parthenon Carlton Wilkinson, Coming Home: A Retrospective East Gallery On view through February 11, 2006
Nationally acclaimed Nashville photographer, Carlton Wilkinson, exhibits a compilation of series created over the past 25 years.
Centennial Park Nashville, Tennessee 37201 615/ 862-8431 www.nashville.gov/parthenon/Gallerie s.htm info@parthenon.org
New York
The New-York Historical Society Slavery in New York On view through March 5, 2006
The story of New York's rootedness in the enslavement of Africans is largely unknown to the general public. For the last 30 years, scholars here and abroad have recovered many fascinating details of the hidden worlds of New York's enslaved people. Among the richest sources for that new scholarship have been the library and museum collections of the New-York Historical Society. Other important materials reside in the New York State Library in Albany, the Schomburg Center, the Municipal Archives, and the Gilder Lehrman Collection, now on deposit at NYHS.
170 Central Park West New York, New York 10024 212/ 873-3400 www.nyhistory.org
The Studio Museum in Harlem Frequency On view through March 12, 2006
Frequency will feature art work by thirty of the hottest emerging, black artists of 2005!
144 West 125th Street New York, New York 10027 212/ 864-4500 www.studiomuseum.org
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Living and working in the United States and ranging in age from 25 to 42, their inspirations and influences range from hip hop videos and folktales, to baseball stars and Abstract Expressionism, to tattoo design and non-western aesthetics.
Oberlin
The Allen Memorial Art Museum Portraits of the Black Experience On view through June 4, 2006
What does it mean for a Black artist to represent him or herself? Portraits of the Black Experience includes twenty works by African-American artists that quietly infuse representations of Black life and consciousness with individualism and passion. This exhibition, which investigates Black artists cultural heritage in powerful images, complements a wide range of subjects addressed by courses being taught this fall in the African American Studies Department.
Oberlin College 87 North Main Street Oberlin, Ohio 44074 440/ 775-8665 www.oberlin.edu/allenart
Philadelphia
Philadelphia Museum of Art Dorrance Special Exhibition Galleries, first floor Beauford Delaney: From New York to Paris On view through January 29, 2006
Beauford Delaney: From New York to Paris explores Delaneys dramatic stylistic shift from figurative compositions of New York life to abstract expressionist studies of color and light following his move to Paris in 1953. Approximately fifty paintings, including several never before exhibited, illuminate some of Delaney's most innovative years and firmly place his work among the dominant art movements of the day.
26th Street and the Benjamin Franklin Parkway Philadelphia, Pennsylvania 19130 215/ 763-8100 www.philamuseum.org/main.asp
Princeton
Princeton University Art Museum Between Image and Concept: Recent Acquisitions in AfricanAmerican Art Princeton, New Jersey 08544-1018 609/ 258-3788 www.princetonartmuseum.org
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Ridgefield
The Aldrich Contemporary Art Museum Fred Wilson: Black Like Me
2002 Larry Aldrich Foundation Award Exhibition
Fred Wilson will mount a solo exhibition in conjunction with the Award of new work based around his growing interest in the medium of glass. As the American representative at the 2003 Venice Biennale, Wilson produced a large body of work much of which was made in collaboration with glass technicians from the legendary glass making center of Murano in Venice. Wilsons interest in history, especially as it is revealed through objects, will come into play in this new installation for The Aldrich.
Stevenson
Villa Julie Art Gallery Don Griffin: A State of Mind On view through January 7, 2006
Baltimore artist Don Griffin was the first recipient of an award by Friends of the Arts in Baltimore that provided him with a studio and means to focus on his work. Already widely shown throughout the region Griffin will exhibit the results of a years uninterrupted painting.
Villa Julie College 1525 Greenspring Valley Road Stevenson, Maryland 21153 443/ 334-2163 www.vjc.edu/newsandevents/art_galle ry.aspx exhibitions@mail.vjc.edu
Washington, DC
The Corcoran Gallery of Art Sam Gilliam: A Retrospective On view through January 22, 2006
This exhibition marks the first full-scale
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retrospective of the art of Sam Gilliam. Featuring approximately 50 of Gilliam's paintings, elaborate mixed-media constructions and installations, A Retrospective is a celebration of a magisterial post-1960s artist, and one of the most important artists to have lived and worked in Washington, DC.
Worcester
Worcester Art Museum AFTERBURN-Willie Cole: Selected Works, 1997-2004 On view through January 7, 2006
In his assemblage, installation and wall works, Willie Cole (b. 1955) transforms ordinary, domestic objects such as bicycle parts, irons, and lawn jockeys into powerful works embedded with references to the African-American experience and inspired by West African religion, mythology, and culture. The fifteen works included in the exhibition include examples of Coles sculptures, scorched canvases, and iris prints.
February
Andover
Addison Gallery of American Art Portraits of a People: Picturing African Americans in the Nineteenth Century On view through March 14, 2006
Portraits of a People looks critically at images made of and by African Americans and the role those images have played in establishing and fostering racial identity during a period of radical social change. This landmark exhibition, and its accompanying publication, features approximately 75 works ranging from paintings, photographs, and silhouette profiles to book frontispieces and popular prints.
Phillips Academy 180 Main Street Andover, Massachusetts 01810-4161 978/ 749-4015 www.andover.edu/addison addison@andover.edu
Asheville 15
Asheville Art Museum Kickin' It with Joyce J. Scott On view through March 16, 2006
This 30-year retrospective of 60 works created since 1970 includes sculpture, jewelry, prints, and textiles as well as videos and photographs of Scott's performance and installation work, making for an excellent overview of her varied and potent artistic career. Kickin' It with Joyce J. Scott is a visually dazzling and intellectually challenging retrospective of the work of an important American artist.
2 South Pack Square at Pack Place Asheville, North Carolina 28802-1717 828/ 253-3227 www.ashevilleart.org mailbox@ashevilleart.org
Atlanta
Clark Atlanta University Art Galleries Trevor Arnett Hall, 2nd floor Freddie Styles: Evolving February 5 July 23, 2006 223 James P. Brawley Drive, SW Atlanta, Georgia 30314 404/ 880-6102 www.cau.edu/artgalleries
Clark Atlanta University Art Galleries Trevor Arnett Hall, 2nd floor Selections from the Permanent Collection February 5 December 2006
223 James P. Brawley Drive, SW Atlanta, Georgia 30314 404/ 880-6102 www.cau.edu/artgalleries
Spelman College Museum of Fine Art Amalia Amaki: Boxes, Buttons and the Blues On view through May 13, 2006
Incorporating engaging themes, accessible images, common materials and wise humor, Amalia Amakis art disrupts and challenges conventional ideas about culture, race and American history. For more than three decades, this Atlanta-based artist has
350 Spelman Lane, SW Atlanta, Georgia 30314 404/ 270-5607 www.spelman.edu/museum museum@spelman.edu
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garnered acclaim for her mixed media quilts, button-encrusted souvenirs and manipulated photographs.
Baltimore
The Baltimore Museum of Art Henry Ossawa Tanner and the Lure of Paris On view through May 28, 2006
The first African-American artist to achieve international acclaim, Henry Ossawa Tanner spent more than half his life in France and was inspired by a broad range of artistic styles. Featuring four major paintings by Tanner on loan from the Des Moines Art Center, this exhibition presents more than 60 paintings, drawings, photographs, and prints by French and European artists who were likely influences, including Eugne Delacroix, Jean-Joseph-Benjamin Constant, and Camille Pissarro. These works, along with recent Tanner acquisitions from the BMA's collection, will also showcase the artist's fascination with religious subjects, landscapes, and Orientalism.
10 Art Museum Drive Art Museum Drive at North Charles and 31st Streets Baltimore, Maryland 21218-3898 410/ 396-7100 www.artbma.org
Chapel Hill
The Ackland Art Museum Family Legacies: The Art of Betye, Lezley and Alison Saar On view through March 26, 2006
The exhibition will feature thirty-six objects, including mixed media sculptures, assemblages, collages and a collaborative installation created by the Saars. Twelve key works by each artist, representing the full chronological range and stylistic evolution of their oeuvre, will be arranged according to overlapping themes that underline the artists' family ties, multi-racial heritage and strong affinities to nature and African cultures. The works demonstrate a desire to reclaim the visual representation of African American women by exploring subjects including slavery, stereotypes of domestic labor and contentious historical images of the female body.
The University of North Carolina Campus Box 3400 Chapel Hill, North Carolina 275993400 919/ 966-5736 www.ackland.org ackland@email.unc.edu
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Doylestown
James A. Michener Art Museum Wachovia Gallery Romare Bearden: Enchanter in Time On view through February 5, 2006
Romare Bearden filled his work with the symbols and myths of the American black experience. Drawing from a variety of literary, musical, and historical sources, Bearden often employed a collage-like technique that fused many different elements, almost like a jigsaw puzzle. But unlike a puzzle, each element had a poetic and symbolic meaning. Shortly before he died, Bearden said that working directly with fragments of the past made them more immediate and relevant.
138 South Pine Street Doylestown, Pennsylvania 18901 215/ 340-9800 www.michenermuseum.org jaman1@michenerartmuseum.org
Easton
William Center for the Arts William Center Art Gallery David C. Driskell: Reflections and Memories On view through March 12, 2006
As a leading authority on African American Art, Driskells workpaintings, prints, and collages will be exhibitedoften reflects his complex experiences dealing with race in this country. He is a Distinguished University Professor Emeritus of Art at University of Maryland, College Park, and has maintained an active career as a practicing artist, art historian, curator and collector.
Evanston
Dittmar Memorial Art Gallery Norris University Center, 1st floor Terry Dixon: Jazz on Canvas February 12- March 19, 2006 Northwestern University 1999 Campus Drive Evanston, Illinois 60208 847/ 491-2348 www.norris.northwestern.edu/nbsm_ditt mar.php dittmargallery@northwestern.edu
Greensboro 18
University Galleries H. C. Taylor Gallery James McMillan: Retrospective Images and Impressions On view through March 3, 2006
North Carolina A&T State University Dudley Building 1601 East Market Street Greensboro, North Carolina 27411 336/ 334-3209 http://www.ncat.edu/ %7emuseum/index.html mcpember@ncat.edu
Hampton
Hampton University Museum The Art of Elizabeth Catlett: Selections from the Hampton University Collection On view through July 29, 2006
Pulled from the collection of the Hampton University Museum, this exhibition will feature works on paper and sculpture by world renowned artist Elizabeth Catlett. Artist, educator, social and political activist the works represented in this exhibition show the importance of Catlett as a major contemporary international artist.
Hartford
The Amistad Foundation at the Wadsworth Atheneum Museum of Art Double Exposure On view through June 18, 2006
The exhibition while providing a general overview of the development of photography, will present very fine examples from our collection of daguerreotypes, ambrotypes, tintypes, albumen, and gelatin prints; and the provocative photographs and art forms of contemporary photographers. Varying themes encompassing the photographic processes, the history of races and racism in America, and contemporary explorations in photography of identity and history will also
19
Wadsworth Atheneum Museum of Art Moved by Music: Herbert Gentry On view through October 29, 2006
Drawn from The Amistad Centers collection, this exhibition showcases never seen prints based on original paintings and drawings by Herbert Gentry (1919-2003). The exhibit will also highlight works from the G. R. NNamdi Gallery and from the personal collection of Gentrys widow, Mary Ann Rose. Gentry is best known for his figurative abstractions that were inspired by the spontaneous rhythmic expressions of jazz. Faces were a recurrent theme found in his works, which the artist said are intended to symbolize the family of man.
600 Main Street Hartford, Connecticut 06103 860/ 278-2670 www.wadsworthatheneum.org info@wadsworthatheneum.org
Henderson
Clark County Heritage Museum Recoverd Views: AfricanAmerican Portraits, 19121925 On view through March 10, 2006
Recovered Views features 40 black-and-white portraits attributed to John Johnson, an African American photographer who lived and worked in Lincoln, Nebraska in the early part of the 20th century. These portraits are more than just stunning images; they document life in a vibrant black community in a small Midwestern city, a society rarely depicted in any medium.
1830 South Boulder Highway Henderson, Nevada 89015 702/ 455-7955 www.co.clark.nv.us/parks/clark_county_muse um.htm
Houston
Contemporary Arts Museum Houston Glenn Ligon: Some Changes On view through April 2, 2006
Glenn Ligons works examine how the social and political history of the United States has subtly yet definitively shaped Americans
5216 Montrose Boulevard Houston, Texas 77006-6598 713/ 284-8250 www.camh.org info@camh.org
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identities. Incorporating text from sources as diverse as James Baldwin and Richard Pryor, Ligon uses existing language to explore the value systems and influence of American culture, as well as how broad generalizations of race, gender, and sexuality pervasively affect personal experience. This survey exhibition includes his landmark text paintings, sculpture, prints, installations, videos, and mixed-media work, as well as new work commissioned for this project.
The Museum of Fine Arts, Houston The Caroline Wiess Law Building Basquiat On view through February 12, 2006
During the tragically brief life of Jean-Michel Basquiat (19601988), he created a distinct style of painting that involved language, a set of repeated personal symbols, and a rhythmic harmony of surface based on a loosely girded picture plane. This traveling exhibition marks the first serious examination of Basquiats work by an American museum. Basquiat comprises 67 paintings, many drawn from European collections, and 36 drawings, all of which examine the artists work in the context of his role as the last Modernist.
1001 Bissonnet Street Houston, Texas 77005 713/ 639-7300 www.mfah.org visitorservices@mfah.org
Johnstown
Southern Alleghenies Museum of Art A Symphony of Color: The Lyrical Paintings of Joseph Holston On view through March 5, 2006 Pasquerilla Performing Arts Center University of Pittsburg at Johnstown Johnstown, Pennsylvania 15904 814/ 269-7234 www.sama-art.org
Lakeland
Polk Museum of Art Dorothy Jenkins and Emily S. Macey Galleries Carrie Mae Weems: The Louisiana Project On view through February 12, 2006
The Louisiana Project incorporates still photography, sound and video projection as
800 East Palmetto Street Lakeland, Florida 33801-5529 863/ 688-7743 www.polkmuseumofart.org info@polkmuseumofart.org
21
part of an exploration of culture, gender, and race. The exhibition features dozens of large scale photographs that evoke the courtly, European image of eighteenth century New Orleans society but are charged with Weems signature edge- silhouetted figures in period dress, masked men and women engaged in provocative and ambiguous interactions.
Lexington
University of Kentucky Art Museum Singletary Center for the Arts Afterburn - Willie Cole: Selected Works 1997 2004 On view through March 18, 2006
In his assemblage, installation and wall works, Willie Cole (b. 1955) transforms ordinary, domestic objects such as bicycle parts, irons, and lawn jockeys into powerful works embedded with references to the African-American experience and inspired by West African religion, mythology, and culture. The fifteen works included in the exhibition include examples of Coles sculptures, scorched canvases, and iris prints.
Rose Street and Euclid Avenue Lexington, Kentucky 40506-0241 859/ 257-5716 www.uky.edu/ArtMuseum
Los Angeles
California African American Museum Milton Bowens Writings on the Walls On view through March 5, 2006
For the first time in Los Angeles, the California African American Museum presents the selected works of northern California artist and social commentator Milton Bowens. Born and raised in Oakland, this painter, teacher and radio host has been inspired by Basquiat, Bearden, Rauschenberg and Haring. With a critical eye, vibrant color, collage, and both hand-written and printed text, the artist reflects upon personal recollections and pivotal moments of African American history in his search for truth, pride and cultural freedom.
600 State Drive Exposition Park Los Angeles, California 90037 213/ 744-7432 www.caamuseum.org
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The Whole Worlds Watching: Peace and Social Justice Movements of the 1960s and 1970s On view through February 10, 2006
The Whole Worlds Watching examines the rich history of the social movements of the 1960s and 1970s through 90 documentary photographs. The brutality of racial injustice, the courage of the weak challenging the powerful, the tragedy of fallen heroes, the horrors of war, the rage of students, and excesses of the Summer of Love all touched Americans through the pictures in Life and Look, the newspapers, and television sets.
Lubbock
Museum of Texas Tech University Picture Stories: A Celebration of African American Illustrators February 19 April 16, 2006
Picture Stories celebrates the talents and creativity of African American artists who illustrate childrens picture books. The exhibition features exciting work by twelve American illustrators of African heritage who capture daily life as well as extraordinary perseverance and talent of Black American heroes. History, folktales, and the emergence of jazz are explored in the color paintings, collage, scratchboard and mixed media pieces featured in the exhibition.
Fourth Street and Indiana Avenue Lubbock, Texas 79409-3191 806/ 742-2490 www.depts.ttu.edu/museumttu museum.texastech@ttu.edu
Mobile
Mobile Museum of Art Black is a Color: African American Art at the Corcoran Gallery On view through April 2, 2006
In addition to the overriding aesthetic focus of the exhibition, the featured works will be organized into thematic groups to address ideas that have historically occupied African American artists: racial and cultural heritage and identity, history, religion, and class. The works in the exhibition, both representational and abstract, pose a recurring question that cuts across the thematic groups: how much
4850 Museum Drive Langan Park Mobile, Alabama 36608 251/ 208-5200 www.mobilemuseumofart.com
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Montclair
Montclair Art Museum African American Artists from the Collection 3 South Mountain Avenue Montclair, New Jersey 07042-1747 973/ 746-5555 www.montclairartmuseum.org
February
This show will be a survey of works by Romare Bearden, Elizabeth Catlett, Lois Mailou Jones, Charles White and other African American artists represented in the collection of the Montclair Art Museum.
Montgomery
Montgomery Museum of Fine Arts Jacob Lawrence: Three Series of Prints- Genesis, Hiroshima, and Toussaint LOuverture On view through March 19, 2006
The exhibition features 44 framed works including: 31 color prints and 13 text pages from the three Series. Also included are text panels with an introductory exhibition essay, a chronology, and photos of the artist. The exhibition is curated by Peter Nesbett, editor of Jacob Lawrence: The Complete Prints (1963-2000) and The Catalogue Raisonn.
Wynton M. Blount Cultural Park One Museum Drive Montgomery, Alabama 36117 334/ 240-4333 www.mmfa.org info@mmfa.org
Nashville
The Parthenon Carlton Wilkinson, Coming Home: A Retrospective East Gallery On view through February 11, 2006
Nationally acclaimed Nashville photographer, Carlton Wilkinson, exhibits a compilation of series created over the past 25 years.
Centennial Park Nashville, Tennessee 37201 615/ 862-8431 www.nashville.gov/parthenon/Gallerie s.htm info@parthenon.org
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New York
The New-York Historical Society Slavery in New York On view through March 5, 2006
The story of New York's rootedness in the enslavement of Africans is largely unknown to the general public. For the last 30 years, scholars here and abroad have recovered many fascinating details of the hidden worlds of New York's enslaved people. Among the richest sources for that new scholarship have been the library and museum collections of the New-York Historical Society. Other important materials reside in the New York State Library in Albany, the Schomburg Center, the Municipal Archives, and the Gilder Lehrman Collection, now on deposit at NYHS.
170 Central Park West New York, New York 10024 212/ 873-3400 www.nyhistory.org
The Studio Museum in Harlem Frequency On view through March 12, 2006
Frequency will feature art work by thirty of the hottest emerging, black artists of 2005! Living and working in the United States and ranging in age from 25 to 42, their inspirations and influences range from hip hop videos and folktales, to baseball stars and Abstract Expressionism, to tattoo design and non-western aesthetics.
144 West 125th Street New York, New York 10027 212/ 864-4500 www.studiomuseum.org
Oberlin
The Allen Memorial Art Museum Portraits of the Black Experience On view through June 4, 2006
What does it mean for a Black artist to represent him or herself? Portraits of the Black Experience includes twenty works by African-American artists that quietly infuse representations of Black life and consciousness with individualism and passion. This exhibition, which investigates Black artists cultural heritage in powerful images, complements a wide range of subjects addressed by courses being taught this fall in
Oberlin College 87 North Main Street Oberlin, Ohio 44074 440/ 775-8665 www.oberlin.edu/allenart
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Princeton
Princeton University Art Museum Between Image and Concept: Recent Acquisitions in AfricanAmerican Art On view through February 26, 2005
This selection of recently acquired works in different media by a broad range of artists, including Henry Ossawa Tanner, Charles White, Kara Walker, and Leonardo Drew, spans the early twentieth century to the present
March
Andover
Addison Gallery of American Art Portraits of a People: Picturing African Americans in the Nineteenth Century On view through March 14, 2006
Portraits of a People looks critically at images made of and by African Americans and the role those images have played in establishing and fostering racial identity during a period of radical social change. This landmark exhibition, and its accompanying publication, features approximately 75 works ranging from paintings, photographs, and silhouette profiles to book frontispieces and popular prints.
Phillips Academy 180 Main Street Andover, Massachusetts 01810-4161 978/ 749-4015 www.andover.edu/addison addison@andover.edu
Asheville
Asheville Art Museum Kickin' It with Joyce J. Scott On view through March 16, 2006 2 South Pack Square at Pack Place Asheville, North Carolina 28802-1717 828/ 253-3227 www.ashevilleart.org mailbox@ashevilleart.org
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This 30-year retrospective of 60 works created since 1970 includes sculpture, jewelry, prints, and textiles as well as videos and photographs of Scott's performance and installation work, making for an excellent overview of her varied and potent artistic career. Kickin' It with Joyce J. Scott is a visually dazzling and intellectually challenging retrospective of the work of an important American artist.
Atlanta
Clark Atlanta University Art Galleries Trevor Arnett Hall, 2nd floor Freddie Styles: Evolving On view through July 23, 2006 223 James P. Brawley Drive, SW Atlanta, Georgia 30314 404/ 880-6102 www.cau.edu/artgalleries
Clark Atlanta University Art Galleries Trevor Arnett Hall, 2nd floor Selections from the Permanent Collection On view through December 2006
223 James P. Brawley Drive, SW Atlanta, Georgia 30314 404/ 880-6102 www.cau.edu/artgalleries
Spelman College Museum of Fine Art Amalia Amaki: Boxes, Buttons and the Blues On view through May 13, 2006
Incorporating engaging themes, accessible images, common materials and wise humor, Amalia Amakis art disrupts and challenges conventional ideas about culture, race and American history. For more than three decades, this Atlanta-based artist has garnered acclaim for her mixed media quilts, button-encrusted souvenirs and manipulated photographs.
350 Spelman Lane, SW Atlanta, Georgia 30314 404/ 270-5607 www.spelman.edu/museum museum@spelman.edu
Baltimore
The Baltimore Museum of Art Henry Ossawa Tanner and the Lure of Paris On view through May 28, 2006 10 Art Museum Drive Art Museum Drive at North Charles and 31st Streets Baltimore, Maryland 21218-3898 410/ 396-7100
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The first African-American artist to achieve international acclaim, Henry Ossawa Tanner spent more than half his life in France and was inspired by a broad range of artistic styles. Featuring four major paintings by Tanner on loan from the Des Moines Art Center, this exhibition presents more than 60 paintings, drawings, photographs, and prints by French and European artists who were likely influences, including Eugne Delacroix, Jean-Joseph-Benjamin Constant, and Camille Pissarro. These works, along with recent Tanner acquisitions from the BMA's collection, will also showcase the artist's fascination with religious subjects, landscapes, and Orientalism.
www.artbma.org
Chapel Hill
The Ackland Art Museum Family Legacies: The Art of Betye, Lezley and Alison Saar On view through March 26, 2006
The exhibition will feature thirty-six objects, including mixed media sculptures, assemblages, collages and a collaborative installation created by the Saars. Twelve key works by each artist, representing the full chronological range and stylistic evolution of their oeuvre, will be arranged according to overlapping themes that underline the artists' family ties, multi-racial heritage and strong affinities to nature and African cultures. The works demonstrate a desire to reclaim the visual representation of African American women by exploring subjects including slavery, stereotypes of domestic labor and contentious historical images of the female body.
The University of North Carolina Campus Box 3400 Chapel Hill, North Carolina 275993400 919/ 966-5736 www.ackland.org ackland@email.unc.edu
Easton
William Center for the Arts William Center Art Gallery David C. Driskell: Reflections and Memories On view through March 12, 2006
As a leading authority on African American Art, Driskells workpaintings, prints, and collages will be exhibitedoften reflects his complex experiences dealing with race in this
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country. He is a Distinguished University Professor Emeritus of Art at University of Maryland, College Park, and has maintained an active career as a practicing artist, art historian, curator and collector.
Evanston
Dittmar Memorial Art Gallery Norris University Center, 1st floor Terry Dixon: Jazz on Canvas On view through March 19, 2006 Northwestern University 1999 Campus Drive Evanston, Illinois 60208 847/ 491-2348 www.norris.northwestern.edu/nbsm_ditt mar.php dittmargallery@northwestern.edu
Greensboro
University Galleries H. C. Taylor Gallery James McMillan: Retrospective Images and Impressions On view through March 3, 2006 North Carolina A&T State University Dudley Building 1601 East Market Street Greensboro, North Carolina 27411 336/ 334-3209 http://www.ncat.edu/ %7emuseum/index.html mcpember@ncat.edu
Hampton
Hampton University Museum The Art of Elizabeth Catlett: Selections from the Hampton University Collection On view through July 29, 2006
Pulled from the collection of the Hampton University Museum, this exhibition will feature works on paper and sculpture by world renowned artist Elizabeth Catlett. Artist, educator, social and political activist the works represented in this exhibition show the importance of Catlett as a major contemporary international artist.
Hartford
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The Amistad Foundation at the Wadsworth Atheneum Museum of Art Double Exposure On view through June 18, 2006
The exhibition while providing a general overview of the development of photography, will present very fine examples from our collection of daguerreotypes, ambrotypes, tintypes, albumen, and gelatin prints; and the provocative photographs and art forms of contemporary photographers. Varying themes encompassing the photographic processes, the history of races and racism in America, and contemporary explorations in photography of identity and history will also be discussed through related programs.
Wadsworth Atheneum Museum of Art Moved by Music: Herbert Gentry On view through October 29, 2006
Drawn from The Amistad Centers collection, this exhibition showcases never seen prints based on original paintings and drawings by Herbert Gentry (1919-2003). The exhibit will also highlight works from the G. R. NNamdi Gallery and from the personal collection of Gentrys widow, Mary Ann Rose. Gentry is best known for his figurative abstractions that were inspired by the spontaneous rhythmic expressions of jazz. Faces were a recurrent theme found in his works, which the artist said are intended to symbolize the family of man.
600 Main Street Hartford, Connecticut 06103 860/ 278-2670 www.wadsworthatheneum.org info@wadsworthatheneum.org
Hampton
Hampton University Museum The Art of Elizabeth Catlett: Selections from the Hampton University Collection On view through July 29, 2006
Pulled from the collection of the Hampton University Museum, this exhibition will feature works on paper and sculpture by world renowned artist Elizabeth Catlett. Artist, educator, social and political activist the works represented in this exhibition show the importance of Catlett as a major contemporary international artist.
Henderson 30
Clark County Heritage Museum Recoverd Views: AfricanAmerican Portraits, 19121925 On view through March 10, 2006
Recovered Views features 40 black-and-white portraits attributed to John Johnson, an African American photographer who lived and worked in Lincoln, Nebraska in the early part of the 20th century. These portraits are more than just stunning images; they document life in a vibrant black community in a small Midwestern city, a society rarely depicted in any medium.
1830 South Boulder Highway Henderson, Nevada 89015 702/ 455-7955 www.co.clark.nv.us/parks/clark_county_muse um.htm
Houston
Contemporary Arts Museum Houston Glenn Ligon: Some Changes On view through April 2, 2006
Glenn Ligons works examine how the social and political history of the United States has subtly yet definitively shaped Americans identities. Incorporating text from sources as diverse as James Baldwin and Richard Pryor, Ligon uses existing language to explore the value systems and influence of American culture, as well as how broad generalizations of race, gender, and sexuality pervasively affect personal experience. This survey exhibition includes his landmark text paintings, sculpture, prints, installations, videos, and mixed-media work, as well as new work commissioned for this project.
5216 Montrose Boulevard Houston, Texas 77006-6598 713/ 284-8250 www.camh.org info@camh.org
Johnstown
Southern Alleghenies Museum of Art A Symphony of Color: The Lyrical Paintings of Joseph Holston On view through March 5, 2006 Pasquerilla Performing Arts Center University of Pittsburg at Johnstown Johnstown, Pennsylvania 15904 814/ 269-7234 www.sama-art.org
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Lexington
University of Kentucky Art Museum Singletary Center for the Arts Afterburn - Willie Cole: Selected Works 1997 2004 On view through March 18, 2006
In his assemblage, installation and wall works, Willie Cole (b. 1955) transforms ordinary, domestic objects such as bicycle parts, irons, and lawn jockeys into powerful works embedded with references to the African-American experience and inspired by West African religion, mythology, and culture. The fifteen works included in the exhibition include examples of Coles sculptures, scorched canvases, and iris prints.
Rose Street and Euclid Avenue Lexington, Kentucky 40506-0241 859/ 257-5716 www.uky.edu/ArtMuseum
Los Angeles
California African American Museum Milton Bowens Writings on the Walls On view through March 5, 2006
For the first time in Los Angeles, the California African American Museum presents the selected works of northern California artist and social commentator Milton Bowens. Born and raised in Oakland, this painter, teacher and radio host has been inspired by Basquiat, Bearden, Rauschenberg and Haring. With a critical eye, vibrant color, collage, and both hand-written and printed text, the artist reflects upon personal recollections and pivotal moments of African American history in his search for truth, pride and cultural freedom.
600 State Drive Exposition Park Los Angeles, California 90037 213/ 744-7432 www.caamuseum.org
Lubbock
Museum of Texas Tech University Picture Stories: A Celebration of African American Illustrators On view through April 16, 2006
Picture Stories celebrates the talents and creativity of African American artists who illustrate childrens picture books. The exhibition features exciting work by twelve American illustrators of African heritage who
Fourth Street and Indiana Avenue Lubbock, Texas 79409-3191 806/ 742-2490 www.depts.ttu.edu/museumttu museum.texastech@ttu.edu
32
capture daily life as well as extraordinary perseverance and talent of Black American heroes. History, folktales, and the emergence of jazz are explored in the color paintings, collage, scratchboard and mixed media pieces featured in the exhibition.
Mobile
Mobile Museum of Art Black is a Color: African American Art at the Corcoran Gallery On view through April 2, 2006
In addition to the overriding aesthetic focus of the exhibition, the featured works will be organized into thematic groups to address ideas that have historically occupied African American artists: racial and cultural heritage and identity, history, religion, and class. The works in the exhibition, both representational and abstract, pose a recurring question that cuts across the thematic groups: how much should such art reflect African American identity?
4850 Museum Drive Langan Park Mobile, Alabama 36608 251/ 208-5200 www.mobilemuseumofart.com
Montclair
Montclair Art Museum African American Artists from the Collection Robert Lehman Court On view through August 6, 2006
This show will be a survey of works by Romare Bearden, Elizabeth Catlett, Lois Mailou Jones, Charles White and other African American artists represented in the collection of the Montclair Art Museum.
3 South Mountain Avenue Montclair, New Jersey 07042-1747 973/ 746-5555 www.montclairartmuseum.org
Montclair Art Museum Anxious Objects: Willie Cole's Favorite Brands Judy and Josh Weston Gallery March 4, 2006-August 6, 2006
In collaboration with the artist, the Museum has made a careful selection of approximately forty of his most significant sculptures,
3 South Mountain Avenue Montclair, New Jersey 07042-1747 973/ 746-5555 www.montclairartmuseum.org
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paintings, drawings, and prints to highlight both his consistency and evolution. Anxious Objects: Willie Cole's Favorite Brands will be the artist's first survey exhibition to reveal the depth and range of Willie Cole's sensibility and abilities as an innovative form maker and imagist from the late 1980's to the present. Cole's works track his distinctive, New Jersey and Newark-based heritage, movingly melding the social, political, and cultural perspectives of urban African-American experience.
Montgomery
Montgomery Museum of Fine Arts Jacob Lawrence: Three Series of Prints- Genesis, Hiroshima, and Toussaint LOuverture On view through March 19, 2006
The exhibition features 44 framed works including: 31 color prints and 13 text pages from the three Series. Also included are text panels with an introductory exhibition essay, a chronology, and photos of the artist. The exhibition is curated by Peter Nesbett, editor of Jacob Lawrence: The Complete Prints (1963-2000) and The Catalogue Raisonn.
Wynton M. Blount Cultural Park One Museum Drive Montgomery, Alabama 36117 334/ 240-4333 www.mmfa.org info@mmfa.org
New York
The Metropolitan Museum of Art North mezzanine gallery, Lila Acheson Wallace Wing, Modern Art Kara Walker at the Met March 21- June 25, 2006
On view is an installation of works by contemporary American artist Kara Walker, who is best known for her explorations of issues of race, gender, and sexuality through the 18th-century medium of cut-paper silhouettes.
1000 Fifth Avenue at 82nd Street New York, New York 10028-0198 212/ 535-7710 www.metmuseum.org
The New-York Historical Society Slavery in New York On view through March 5, 2006
The story of New York's rootedness in the enslavement of Africans is largely unknown to
170 Central Park West New York, New York 10024 212/ 873-3400 www.nyhistory.org
34
the general public. For the last 30 years, scholars here and abroad have recovered many fascinating details of the hidden worlds of New York's enslaved people. Among the richest sources for that new scholarship have been the library and museum collections of the New-York Historical Society. Other important materials reside in the New York State Library in Albany, the Schomburg Center, the Municipal Archives, and the Gilder Lehrman Collection, now on deposit at NYHS.
The Studio Museum in Harlem Frequency On view through March 12, 2006
Frequency will feature art work by thirty of the hottest emerging, black artists of 2005! Living and working in the United States and ranging in age from 25 to 42, their inspirations and influences range from hip hop videos and folktales, to baseball stars and Abstract Expressionism, to tattoo design and non-western aesthetics.
144 West 125th Street New York, New York 10027 212/ 864-4500 www.studiomuseum.org
Oberlin
The Allen Memorial Art Museum Portraits of the Black Experience On view through June 4, 2006
What does it mean for a Black artist to represent him or herself? Portraits of the Black Experience includes twenty works by African-American artists that quietly infuse representations of Black life and consciousness with individualism and passion. This exhibition, which investigates Black artists cultural heritage in powerful images, complements a wide range of subjects addressed by courses being taught this fall in the African American Studies Department.
Oberlin College 87 North Main Street Oberlin, Ohio 44074 440/ 775-8665 www.oberlin.edu/allenart
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Tulsa
Tulsa Community College, Southeast Campus Recovered Views: African American Portraits, 1912-1925 March 25 April 30, 2006
Recovered Views features 40 black-andwhite portraits attributed to John Johnson, an African American photographer who lived and worked in Lincoln, Nebraska in the early part of the 20th century. These portraits are more than just stunning images; they document life in a vibrant black community in a small Midwestern city, a society rarely depicted in any medium.
1451 South Olive Avenue West Palm Beach, Florida 33401 561/ 832-5196 www.norton.org museum@norton.org
April
Atlanta
Clark Atlanta University Art Galleries Trevor Arnett Hall, 2nd floor Freddie Styles: Evolving On view through July 23, 2006 223 James P. Brawley Drive, SW Atlanta, Georgia 30314 404/ 880-6102 www.cau.edu/artgalleries
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Clark Atlanta University Art Galleries Trevor Arnett Hall, 2nd floor Selections from the Permanent Collection On view through December 2006
223 James P. Brawley Drive, SW Atlanta, Georgia 30314 404/ 880-6102 www.cau.edu/artgalleries
Spelman College Museum of Fine Art Amalia Amaki: Boxes, Buttons and the Blues On view through May 13, 2006
Incorporating engaging themes, accessible images, common materials and wise humor, Amalia Amakis art disrupts and challenges conventional ideas about culture, race and American history. For more than three decades, this Atlanta-based artist has garnered acclaim for her mixed media quilts, button-encrusted souvenirs and manipulated photographs.
350 Spelman Lane, SW Atlanta, Georgia 30314 404/ 270-5607 www.spelman.edu/museum museum@spelman.edu
Baltimore
The Baltimore Museum of Art Henry Ossawa Tanner and the Lure of Paris On view through May 28, 2006
The first African-American artist to achieve international acclaim, Henry Ossawa Tanner spent more than half his life in France and was inspired by a broad range of artistic styles. Featuring four major paintings by Tanner on loan from the Des Moines Art Center, this exhibition presents more than 60 paintings, drawings, photographs, and prints by French and European artists who were likely influences, including Eugne Delacroix, Jean-Joseph-Benjamin Constant, and Camille Pissarro. These works, along with recent Tanner acquisitions from the BMA's collection, will also showcase the artist's fascination with religious subjects, landscapes, and Orientalism.
10 Art Museum Drive Art Museum Drive at North Charles and 31st Streets Baltimore, Maryland 21218-3898 410/ 396-7100 www.artbma.org
Detroit
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The Detroit Institute of Arts African American Art from the Walter O. Evans Collection April 9 July 2, 2006
African American Art from the Walter O. Evans Collection features selected works in various media from Evans' private collection of over 500 objects. Broad in scope, the exhibit's more than 80 paintings, sculptures and works on paper dating from 1848 to 1997 show the development of African-American art from the Hudson River School up to and including various modernist approaches. The exhibition presents an opportunity to learn about some of the most accomplished African American artists working in the 19th and 20th centuries.
Dothan
Wiregrass Museum of Art Jacob Lawrence: Three Series of Prints- Genesis, Hiroshima, and Toussaint LOuverture April 1 May 31, 2006
The exhibition features 44 framed works including: 31 color prints and 13 text pages from the three Series. Also included are text panels with an introductory exhibition essay, a chronology, and photos of the artist. The exhibition is curated by Peter Nesbett, editor of Jacob Lawrence: The Complete Prints (1963-2000) and The Catalogue Raisonn.
126 Museum Avenue Post Office Box 1624 Dothan, Alabama 36302 334/ 794-3871 www.wiregrassmuseum.org wmuseum@wiregrassmuseumoart.org
Hampton
Hampton University Museum The Art of Elizabeth Catlett: Selections from the Hampton University Collection On view through July 29, 2006
Pulled from the collection of the Hampton University Museum, this exhibition will feature
38
works on paper and sculpture by world renowned artist Elizabeth Catlett. Artist, educator, social and political activist the works represented in this exhibition show the importance of Catlett as a major contemporary international artist.
Hartford
The Amistad Foundation at the Wadsworth Atheneum Museum of Art Double Exposure On view through June 18, 2006
The exhibition while providing a general overview of the development of photography, will present very fine examples from our collection of daguerreotypes, ambrotypes, tintypes, albumen, and gelatin prints; and the provocative photographs and art forms of contemporary photographers. Varying themes encompassing the photographic processes, the history of races and racism in America, and contemporary explorations in photography of identity and history will also be discussed through related programs.
Wadsworth Atheneum Museum of Art Moved by Music: Herbert Gentry On view through October 29, 2006
Drawn from The Amistad Centers collection, this exhibition showcases never seen prints based on original paintings and drawings by Herbert Gentry (1919-2003). The exhibit will also highlight works from the G. R. NNamdi Gallery and from the personal collection of Gentrys widow, Mary Ann Rose. Gentry is best known for his figurative abstractions that were inspired by the spontaneous rhythmic expressions of jazz. Faces were a recurrent theme found in his works, which the artist said are intended to symbolize the family of man.
600 Main Street Hartford, Connecticut 06103 860/ 278-2670 www.wadsworthatheneum.org info@wadsworthatheneum.org
Houston
Contemporary Arts Museum Houston Glenn Ligon: Some Changes On view through April 2, 2006 5216 Montrose Boulevard Houston, Texas 77006-6598 713/ 284-8250 www.camh.org
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Glenn Ligons works examine how the social and political history of the United States has subtly yet definitively shaped Americans identities. Incorporating text from sources as diverse as James Baldwin and Richard Pryor, Ligon uses existing language to explore the value systems and influence of American culture, as well as how broad generalizations of race, gender, and sexuality pervasively affect personal experience. This survey exhibition includes his landmark text paintings, sculpture, prints, installations, videos, and mixed-media work, as well as new work commissioned for this project.
info@camh.org
Loretto
Southern Alleghenies Museum of Art at Loretto A Symphony of Color: The Lyrical Paintings of Joseph Holston April 4 - July 23, 2006 Saint Francis University Mall 113 Franciscan Way Loretto, PA 15940 814/ 472-3920 www.sama-art.org
Los Angeles
The Museum of Contemporary Art, Los Angeles (MOCA) Lorna Simpson April 16 July 10, 2006
Lorna Simpson first became well known in the mid-1980s, examining racial and gender identity with large-scale photograph and text works that are formally elegant and subtly provocative. The artist often focused on the black female figure, shown either faceless or with her back turned, to comment on the social anonymity of the black female and, at the same time, make her the central subject. By the mid-90s, Simpson began to concentrate on creating large multi-panel photographs printed on felt. More recently, the artist has turned to creating moving images.
250 Grand Avenue Los Angeles, California 90012 213/ 626-6222 www.moca-la.org/museum
Lubbock
Museum of Texas Tech University Picture Stories: A Celebration of Fourth Street and Indiana Avenue Lubbock, Texas 79409-3191
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Mobile
Mobile Museum of Art Black is a Color: African American Art at the Corcoran Gallery On view through April 2, 2006
In addition to the overriding aesthetic focus of the exhibition, the featured works will be organized into thematic groups to address ideas that have historically occupied African American artists: racial and cultural heritage and identity, history, religion, and class. The works in the exhibition, both representational and abstract, pose a recurring question that cuts across the thematic groups: how much should such art reflect African American identity?
4850 Museum Drive Langan Park Mobile, Alabama 36608 251/ 208-5200 www.mobilemuseumofart.com
Montclair
Montclair Art Museum African American Artists from the Collection Robert Lehman Court On view through August 6, 2006
This show will be a survey of works by Romare Bearden, Elizabeth Catlett, Lois Mailou Jones, Charles White and other African American artists represented in the collection of the Montclair Art Museum.
3 South Mountain Avenue Montclair, New Jersey 07042-1747 973/ 746-5555 www.montclairartmuseum.org
41
Anxious Objects: Willie Cole's Favorite Brands Judy and Josh Weston Gallery On view through August 6, 2006
In collaboration with the artist, the Museum has made a careful selection of approximately forty of his most significant sculptures, paintings, drawings, and prints to highlight both his consistency and evolution. Anxious Objects: Willie Cole's Favorite Brands will be the artist's first survey exhibition to reveal the depth and range of Willie Cole's sensibility and abilities as an innovative form maker and imagist from the late 1980's to the present. Cole's works track his distinctive, New Jersey and Newark-based heritage, movingly melding the social, political, and cultural perspectives of urban African-American experience.
New York
The Metropolitan Museum of Art North mezzanine gallery, Lila Acheson Wallace Wing, Modern Art Kara Walker at the Met On view through June 25, 2006
On view is an installation of works by contemporary American artist Kara Walker, who is best known for her explorations of issues of race, gender, and sexuality through the 18th-century medium of cut-paper silhouettes.
1000 Fifth Avenue at 82nd Street New York, New York 10028-0198 212/ 535-7710 www.metmuseum.org
The Studio Museum in Harlem Energy/Experimentation: Black Artists and Abstraction, 19641980 April 5 July 2, 2006
Energy/Experimentation explores the strong voice of abstract art-making that developed during the second half of the 20th century. Working in both painting and sculpture this group of artists committed themselves to innovation in structure and materials. Energy/Experimentation will present the painting and sculpture of 15 artists whose work challenged artistic technical and social boundaries and
144 West 125th Street New York, New York 10027 212/864-4500 www.studiomuseum.org
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Oberlin
The Allen Memorial Art Museum Portraits of the Black Experience On view through June 4, 2006
What does it mean for a Black artist to represent him or herself? Portraits of the Black Experience includes twenty works by African-American artists that quietly infuse representations of Black life and consciousness with individualism and passion. This exhibition, which investigates Black artists cultural heritage in powerful images, complements a wide range of subjects addressed by courses being taught this fall in the African American Studies Department.
Oberlin College 87 North Main Street Oberlin, Ohio 44074 440/ 775-8665 www.oberlin.edu/allenart
Pasadena
Pasadena Museum of California Art Family Legacies: The Art of Betye, Lezley and Alison Saar April 30 - September 24, 2006
The exhibition will feature thirty-six objects, including mixed media sculptures, assemblages, collages and a collaborative installation created by the Saars. Twelve key works by each artist, representing the full chronological range and stylistic evolution of their oeuvre, will be arranged according to overlapping themes that underline the artists' family ties, multi-racial heritage and strong affinities to nature and African cultures. The works demonstrate a desire to reclaim the visual representation of African American women by exploring subjects including slavery, stereotypes of domestic labor and contentious historical images of the female body.
490 East Union Street Pasadena, California 91101 626/ 568-3665 www.pmcaonline.org info@pmcaonline.org
Tulsa
Tulsa Community College, Southeast Campus Recovered Views: African 10300 E. 81st Street Tulsa, Oklahoma 74133 www.tulsacc.edu/page.asp?durki=5
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1451 South Olive Avenue West Palm Beach, Florida 33401 561/ 832-5196 www.norton.org museum@norton.org
Wilmington
Delaware Art Museum Portraits of a People: Picturing African Americans in the Nineteenth Century April 23 - July 16, 2006
Portraits of a People looks critically at images made of and by African Americans and the role those images have played in establishing and fostering racial identity during a period of radical social change. This landmark exhibition, and its accompanying publication, features approximately 75 works ranging from paintings, photographs, and silhouette profiles to book frontispieces and popular prints.
44
May
Atlanta
Clark Atlanta University Art Galleries Trevor Arnett Hall, 2nd floor Freddie Styles: Evolving On view through July 23, 2006 223 James P. Brawley Drive, SW Atlanta, Georgia 30314 404/ 880-6102 www.cau.edu/artgalleries
Clark Atlanta University Art Galleries Trevor Arnett Hall, 2nd floor Selections from the Permanent Collection On view through December 2006
223 James P. Brawley Drive, SW Atlanta, Georgia 30314 404/ 880-6102 www.cau.edu/artgalleries
Spelman College Museum of Fine Art Amalia Amaki: Boxes, Buttons and the Blues On view through May 13, 2006
Incorporating engaging themes, accessible images, common materials and wise humor, Amalia Amakis art disrupts and challenges conventional ideas about culture, race and American history. For more than three decades, this Atlanta-based artist has garnered acclaim for her mixed media quilts, button-encrusted souvenirs and manipulated photographs.
350 Spelman Lane, SW Atlanta, Georgia 30314 404/ 270-5607 www.spelman.edu/museum museum@spelman.edu
Baltimore
The Baltimore Museum of Art Henry Ossawa Tanner and the Lure of Paris On view through May 28, 2006
The first African-American artist to achieve international acclaim, Henry Ossawa Tanner spent more than half his life in France and was inspired by a broad range of artistic styles. Featuring four major paintings by Tanner on loan from the Des Moines Art Center, this exhibition presents more than 60
10 Art Museum Drive Art Museum Drive at North Charles and 31st Streets Baltimore, Maryland 21218-3898 410/ 396-7100 www.artbma.org
45
paintings, drawings, photographs, and prints by French and European artists who were likely influences, including Eugne Delacroix, Jean-Joseph-Benjamin Constant, and Camille Pissarro. These works, along with recent Tanner acquisitions from the BMA's collection, will also showcase the artist's fascination with religious subjects, landscapes, and Orientalism.
Belton
Bell County Museum Recovered Views: African American Portraits, 1912-1925 May 15 August 16, 2006
Recovered Views features 40 black-andwhite portraits attributed to John Johnson, an African American photographer who lived and worked in Lincoln, Nebraska in the early part of the 20th century. These portraits are more than just stunning images; they document life in a vibrant black community in a small Midwestern city, a society rarely depicted in any medium.
Detroit
The Detroit Institute of Arts African American Art from the Walter O. Evans Collection On view through July 2, 2006
African American Art from the Walter O. Evans Collection features selected works in various media from Evans' private collection of over 500 objects. Broad in scope, the exhibit's more than 80 paintings, sculptures and works on paper dating from 1848 to 1997 show the development of African-American art from the Hudson River School up to and including various modernist approaches. The exhibition presents an opportunity to learn about some of the most accomplished African American artists working in the 19th and 20th centuries.
Dothan
Wiregrass Museum of Art Jacob Lawrence: Three Series of 126 Museum Avenue Post Office Box 1624
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Prints- Genesis, Hiroshima, and Toussaint LOuverture On view through May 31, 2006
The exhibition features 44 framed works including: 31 color prints and 13 text pages from the three Series. Also included are text panels with an introductory exhibition essay, a chronology, and photos of the artist. The exhibition is curated by Peter Nesbett, editor of Jacob Lawrence: The Complete Prints (1963-2000) and The Catalogue Raisonn.
Hampton
Hampton University Museum The Art of Elizabeth Catlett: Selections from the Hampton University Collection On view through July 29, 2006
Pulled from the collection of the Hampton University Museum, this exhibition will feature works on paper and sculpture by world renowned artist Elizabeth Catlett. Artist, educator, social and political activist the works represented in this exhibition show the importance of Catlett as a major contemporary international artist.
Hartford
The Amistad Foundation at the Wadsworth Atheneum Museum of Art Double Exposure On view through June 18, 2006
The exhibition while providing a general overview of the development of photography, will present very fine examples from our collection of daguerreotypes, ambrotypes, tintypes, albumen, and gelatin prints; and the provocative photographs and art forms of contemporary photographers. Varying themes encompassing the photographic processes, the history of races and racism in America,
47
and contemporary explorations in photography of identity and history will also be discussed through related programs.
Wadsworth Atheneum Museum of Art Moved by Music: Herbert Gentry On view through October 29, 2006
Drawn from The Amistad Centers collection, this exhibition showcases never seen prints based on original paintings and drawings by Herbert Gentry (1919-2003). The exhibit will also highlight works from the G. R. NNamdi Gallery and from the personal collection of Gentrys widow, Mary Ann Rose. Gentry is best known for his figurative abstractions that were inspired by the spontaneous rhythmic expressions of jazz. Faces were a recurrent theme found in his works, which the artist said are intended to symbolize the family of man.
600 Main Street Hartford, Connecticut 06103 860/ 278-2670 www.wadsworthatheneum.org info@wadsworthatheneum.org
Loretto
Southern Alleghenies Museum of Art at Loretto A Symphony of Color: The Lyrical Paintings of Joseph Holston On view through July 23, 2006 Saint Francis University Mall 113 Franciscan Way Loretto, PA 15940 814/ 472-3920 www.sama-art.org
Los Angeles
The Museum of Contemporary Art, Los Angeles (MOCA) Lorna Simpson On view through July 10, 2006
Lorna Simpson first became well known in the mid-1980s, examining racial and gender identity with large-scale photograph and text works that are formally elegant and subtly provocative. The artist often focused on the black female figure, shown either faceless or with her back turned, to comment on the social anonymity of the black female and, at the same time, make her the central subject. By the mid-90s, Simpson began to concentrate on creating large multi-panel photographs printed on felt. More recently, the artist has turned to creating moving images.
250 Grand Avenue Los Angeles, California 90012 213/ 626-6222 www.moca-la.org/museum
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Montclair
Montclair Art Museum African American Artists from the Collection Robert Lehman Court On view through August 6, 2006
This show will be a survey of works by Romare Bearden, Elizabeth Catlett, Lois Mailou Jones, Charles White and other African American artists represented in the collection of the Montclair Art Museum.
3 South Mountain Avenue Montclair, New Jersey 07042-1747 973/ 746-5555 www.montclairartmuseum.org
Montclair Art Museum Anxious Objects: Willie Cole's Favorite Brands Judy and Josh Weston Gallery On view through August 6, 2006
In collaboration with the artist, the Museum has made a careful selection of approximately forty of his most significant sculptures, paintings, drawings, and prints to highlight both his consistency and evolution. Anxious Objects: Willie Cole's Favorite Brands will be the artist's first survey exhibition to reveal the depth and range of Willie Cole's sensibility and abilities as an innovative form maker and imagist from the late 1980's to the present. Cole's works track his distinctive, New Jersey and Newark-based heritage, movingly melding the social, political, and cultural perspectives of urban African-American experience.
3 South Mountain Avenue Montclair, New Jersey 07042-1747 973/ 746-5555 www.montclairartmuseum.org
Neenah
Bergstrom-Mahler Museum Picture Stories: A Celebration of African American Illustrators May 7 July 2, 2006
Picture Stories celebrates the talents and creativity of African American artists who illustrate childrens picture books. The exhibition features exciting work by twelve
165 N Park Avenue Neenah, Wisconsin 54956-2994 920/ 751-4658 www.paperweightmuseum.com info@paperweightmuseum.com
49
American illustrators of African heritage who capture daily life as well as extraordinary perseverance and talent of Black American heroes. History, folktales, and the emergence of jazz are explored in the color paintings, collage, scratchboard and mixed media pieces featured in the exhibition.
New York
The Metropolitan Museum of Art North mezzanine gallery, Lila Acheson Wallace Wing, Modern Art Kara Walker at the Met On view through June 25, 2006
On view is an installation of works by contemporary American artist Kara Walker, who is best known for her explorations of issues of race, gender, and sexuality through the 18th-century medium of cut-paper silhouettes.
1000 Fifth Avenue at 82nd Street New York, New York 10028-0198 212/ 535-7710 www.metmuseum.org
The Studio Museum in Harlem Energy/Experimentation: Black Artists and Abstraction, 19641980 On view through July 2, 2006
Energy/Experimentation explores the strong voice of abstract art-making that developed during the second half of the 20th century. Working in both painting and sculpture this group of artists committed themselves to innovation in structure and materials. Energy/Experimentation will present the painting and sculpture of 15 artists whose work challenged artistic technical and social boundaries and assumptions during this period.
144 West 125th Street New York, New York 10027 212/864-4500 www.studiomuseum.org
Oberlin
The Allen Memorial Art Museum Portraits of the Black Experience On view through June 4, 2006 Oberlin College 87 North Main Street Oberlin, Ohio 44074 440/ 775-8665 www.oberlin.edu/allenart
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What does it mean for a Black artist to represent him or herself? Portraits of the Black Experience includes twenty works by African-American artists that quietly infuse representations of Black life and consciousness with individualism and passion. This exhibition, which investigates Black artists cultural heritage in powerful images, complements a wide range of subjects addressed by courses being taught this fall in the African American Studies Department.
Pasadena
Pasadena Museum of California Art Family Legacies: The Art of Betye, Lezley and Alison Saar On view through September 24, 2006
The exhibition will feature thirty-six objects, including mixed media sculptures, assemblages, collages and a collaborative installation created by the Saars. Twelve key works by each artist, representing the full chronological range and stylistic evolution of their oeuvre, will be arranged according to overlapping themes that underline the artists' family ties, multi-racial heritage and strong affinities to nature and African cultures. The works demonstrate a desire to reclaim the visual representation of African American women by exploring subjects including slavery, stereotypes of domestic labor and contentious historical images of the female body.
490 East Union Street Pasadena, California 91101 626/ 568-3665 www.pmcaonline.org info@pmcaonline.org
1451 South Olive Avenue West Palm Beach, Florida 33401 561/ 832-5196 www.norton.org museum@norton.org
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awareness of the things that link human beings across cultural lines and across time. This exhibition examines Saars achievement by focusing on her work with photography, specifically, her incorporation of photographic fragments as a metaphor for her view of the African American experience and of lives too often obscured in American visual history.
Wilmington
Delaware Art Museum Portraits of a People: Picturing African Americans in the Nineteenth Century On view through July 16, 2006
Portraits of a People looks critically at images made of and by African Americans and the role those images have played in establishing and fostering racial identity during a period of radical social change. This landmark exhibition, and its accompanying publication, features approximately 75 works ranging from paintings, photographs, and silhouette profiles to book frontispieces and popular prints.
June
Atlanta
Clark Atlanta University Art Galleries Trevor Arnett Hall, 2nd floor Freddie Styles: Evolving On view through July 23, 2006 223 James P. Brawley Drive, SW Atlanta, Georgia 30314 404/ 880-6102 www.cau.edu/artgalleries
Clark Atlanta University Art Galleries Trevor Arnett Hall, 2nd floor Selections from the Permanent Collection On view through December 2006
223 James P. Brawley Drive, SW Atlanta, Georgia 30314 404/ 880-6102 www.cau.edu/artgalleries
52
Detroit
The Detroit Institute of Arts African American Art from the Walter O. Evans Collection On view through July 2, 2006
African American Art from the Walter O. Evans Collection features selected works in various media from Evans' private collection of over 500 objects. Broad in scope, the exhibit's more than 80 paintings, sculptures and works on paper dating from 1848 to 1997 show the development of African-American art from the Hudson River School up to and including various modernist approaches. The exhibition presents an opportunity to learn about some of the most accomplished African American artists working in the 19th and 20th centuries.
Hampton
Hampton University Museum The Art of Elizabeth Catlett: Selections from the Hampton University Collection On view through July 29, 2006
Pulled from the collection of the Hampton University Museum, this exhibition will feature works on paper and sculpture by world renowned artist Elizabeth Catlett. Artist, educator, social and political activist the works represented in this exhibition show the importance of Catlett as a major contemporary international artist.
Hartford
The Amistad Foundation at the Wadsworth Atheneum Museum of Art Double Exposure On view through June 18, 2006
The exhibition while providing a general overview of the development of photography, will present very fine examples from our collection of daguerreotypes, ambrotypes, tintypes, albumen, and gelatin prints; and the provocative photographs and art forms of contemporary photographers. Varying themes
53
encompassing the photographic processes, the history of races and racism in America, and contemporary explorations in photography of identity and history will also be discussed through related programs.
Wadsworth Atheneum Museum of Art Moved by Music: Herbert Gentry On view through October 29, 2006
Drawn from The Amistad Centers collection, this exhibition showcases never seen prints based on original paintings and drawings by Herbert Gentry (1919-2003). The exhibit will also highlight works from the G. R. NNamdi Gallery and from the personal collection of Gentrys widow, Mary Ann Rose. Gentry is best known for his figurative abstractions that were inspired by the spontaneous rhythmic expressions of jazz. Faces were a recurrent theme found in his works, which the artist said are intended to symbolize the family of man.
600 Main Street Hartford, Connecticut 06103 860/ 278-2670 www.wadsworthatheneum.org info@wadsworthatheneum.org
Houston
The Museum of Fine Arts, Houston The Audrey Jones Beck Building The Architecture of Gees Bend Quilts June 4 - September 14, 2006
The Architecture of Gees Bend Quilts features brilliant, bold, and dynamic quilts that are as much reminiscent of abstract paintings as of traditional American quilts. The group of 45 women who created these quilts spans four generations of the isolated, all-black community of Gees Bend, Alabama. The 70 quilts in the exhibition provide a fascinating look at the work of 20th-century artists who lived and worked in solitude.
5601 Main Street Houston, Texas 77005 713/ 639-7300 www.mfah.org visitorservices@mfah.org
Loretto
Southern Alleghenies Museum of Art at Loretto A Symphony of Color: The Lyrical Paintings of Joseph Holston Saint Francis University Mall 113 Franciscan Way Loretto, PA 15940 814/ 472-3920
54
www.sama-art.org
Los Angeles
The Museum of Contemporary Art, Los Angeles (MOCA) Lorna Simpson On view through July 10, 2006
Lorna Simpson first became well known in the mid-1980s, examining racial and gender identity with large-scale photograph and text works that are formally elegant and subtly provocative. The artist often focused on the black female figure, shown either faceless or with her back turned, to comment on the social anonymity of the black female and, at the same time, make her the central subject. By the mid-90s, Simpson began to concentrate on creating large multi-panel photographs printed on felt. More recently, the artist has turned to creating moving images.
250 Grand Avenue Los Angeles, California 90012 213/ 626-6222 www.moca-la.org/museum
Louisville
The Speed Art Museum Sam Gilliam: Retrospective June 6 September 3, 2006
This exhibition surveys the accomplished career of African-American artist Sam Gilliam. He has created many styles and forms of abstract painting, including his bevel-edge and suspended paintings of the late 1960s and early 1970s, black paintings of the late 1970s, hinged wood constructions of the 1990s, and monochromatic Slats of recent years. Acclaimed for his use of saturated color and his highly improvisational, spontaneous technique, Gilliam is regarded as one of the most important and inventive colorists of the last thirty years.
2035 South Third Street Louisville, Kentucky 40208 502/ 634-2700 www.speedmuseum.org
Montclair
Montclair Art Museum African American Artists from the Collection Robert Lehman Court On 3 South Mountain Avenue Montclair, New Jersey 07042-1747 973/ 746-5555 www.montclairartmuseum.org
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Montclair Art Museum Anxious Objects: Willie Cole's Favorite Brands Judy and Josh Weston Gallery On view through August 6, 2006
In collaboration with the artist, the Museum has made a careful selection of approximately forty of his most significant sculptures, paintings, drawings, and prints to highlight both his consistency and evolution. Anxious Objects: Willie Cole's Favorite Brands will be the artist's first survey exhibition to reveal the depth and range of Willie Cole's sensibility and abilities as an innovative form maker and imagist from the late 1980's to the present. Cole's works track his distinctive, New Jersey and Newark-based heritage, movingly melding the social, political, and cultural perspectives of urban African-American experience.
3 South Mountain Avenue Montclair, New Jersey 07042-1747 973/ 746-5555 www.montclairartmuseum.org
Neenah
Bergstrom-Mahler Museum Picture Stories: A Celebration of African American Illustrators On view through July 2, 2006
Picture Stories celebrates the talents and creativity of African American artists who illustrate childrens picture books. The exhibition features exciting work by twelve American illustrators of African heritage who capture daily life as well as extraordinary perseverance and talent of Black American heroes. History, folktales, and the emergence of jazz are explored in the color paintings, collage, scratchboard and mixed media pieces featured in the exhibition.
165 N Park Avenue Neenah, Wisconsin 54956-2994 920/ 751-4658 www.paperweightmuseum.com info@paperweightmuseum.com
Newport News
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Peninsula Fine Arts Center Living with Art: Modern and Contemporary African American Art June 3 - August 27, 2005
This exhibition presents a variety of works by many of the most important African American artists from the modern and contemporary periods. Works are from the Alitash Kebede Collection and include Charles Alston, Romare Bearden, Elizabeth Catlett, Ed Clark, Herbert Gentry, Palmer Hayden, Bill Hutson, Lois Mailou Jones, Jacob Lawrence, Norman Lewis, Al Loving, Betye Saar, Lezley Saar, Alma Thomas, Charles White, and others.
101 Museum Drive Newport News, Virginia 23606 757/ 596-8175 www.pfac-va.org info@pfac-va.org
New York
The Metropolitan Museum of Art North mezzanine gallery, Lila Acheson Wallace Wing, Modern Art Kara Walker at the Met On view through June 25, 2006
On view is an installation of works by contemporary American artist Kara Walker, who is best known for her explorations of issues of race, gender, and sexuality through the 18th-century medium of cut-paper silhouettes.
1000 Fifth Avenue at 82nd Street New York, New York 10028-0198 212/ 535-7710 www.metmuseum.org
The Studio Museum in Harlem Energy/Experimentation: Black Artists and Abstraction, 19641980 On view through July 2, 2006
Energy/Experimentation explores the strong voice of abstract art-making that developed during the second half of the 20th century. Working in both painting and sculpture this group of artists committed themselves to innovation in structure and materials. Energy/Experimentation will present the painting and sculpture of 15 artists whose work challenged artistic technical and social boundaries and assumptions during this period.
144 West 125th Street New York, New York 10027 212/864-4500 www.studiomuseum.org
57
Oberlin
The Allen Memorial Art Museum Portraits of the Black Experience On view through June 4, 2006
What does it mean for a Black artist to represent him or herself? Portraits of the Black Experience includes twenty works by African-American artists that quietly infuse representations of Black life and consciousness with individualism and passion. This exhibition, which investigates Black artists cultural heritage in powerful images, complements a wide range of subjects addressed by courses being taught this fall in the African American Studies Department.
Oberlin College 87 North Main Street Oberlin, Ohio 44074 440/ 775-8665 www.oberlin.edu/allenart
Pasadena
Pasadena Museum of California Art Family Legacies: The Art of Betye, Lezley and Alison Saar On view through September 24, 2006
The exhibition will feature thirty-six objects, including mixed media sculptures, assemblages, collages and a collaborative installation created by the Saars. Twelve key works by each artist, representing the full chronological range and stylistic evolution of their oeuvre, will be arranged according to overlapping themes that underline the artists' family ties, multi-racial heritage and strong affinities to nature and African cultures. The works demonstrate a desire to reclaim the visual representation of African American women by exploring subjects including slavery, stereotypes of domestic labor and contentious historical images of the female body.
490 East Union Street Pasadena, California 91101 626/ 568-3665 www.pmcaonline.org info@pmcaonline.org
Washington, DC
Parish Gallery Georgetown 15th Year Anniversary Show June 16 - July 18, 2006
This exhibition will feature artists such as: Edward Clark, Richard Mayhew, Romare Bearden, John Scott, Herbert Gentry, Norman Parish, Wosene Kosrof, Sylvia Snowden, E. J. Montgomery, William Henry Smith, and Joyce Scott.
1451 South Olive Avenue West Palm Beach, Florida 33401 561/ 832-5196 www.norton.org museum@norton.org
59
Wilmington
Delaware Art Museum Portraits of a People: Picturing African Americans in the Nineteenth Century On view through July 16, 2006
Portraits of a People looks critically at images made of and by African Americans and the role those images have played in establishing and fostering racial identity during a period of radical social change. This landmark exhibition, and its accompanying publication, features approximately 75 works ranging from paintings, photographs, and silhouette profiles to book frontispieces and popular prints.
July
Atlanta
Clark Atlanta University Art Galleries Trevor Arnett Hall, 2nd floor Freddie Styles: Evolving On view through July 23, 2006 223 James P. Brawley Drive, SW Atlanta, Georgia 30314 404/ 880-6102 www.cau.edu/artgalleries
Clark Atlanta University Art Galleries Trevor Arnett Hall, 2nd floor Selections from the Permanent Collection On view through December 2006
223 James P. Brawley Drive, SW Atlanta, Georgia 30314 404/ 880-6102 www.cau.edu/artgalleries
Detroit
The Detroit Institute of Arts African American Art from the Walter O. Evans Collection On view through July 2, 2006
African American Art from the Walter O. Evans Collection features selected works in various media from Evans' private collection of over 500 objects. Broad in scope, the exhibit's more than 80 paintings, sculptures
60
and works on paper dating from 1848 to 1997 show the development of African-American art from the Hudson River School up to and including various modernist approaches. The exhibition presents an opportunity to learn about some of the most accomplished African American artists working in the 19th and 20th centuries.
Hampton
Hampton University Museum The Art of Elizabeth Catlett: Selections from the Hampton University Collection On view through July 29, 2006
Pulled from the collection of the Hampton University Museum, this exhibition will feature works on paper and sculpture by world renowned artist Elizabeth Catlett. Artist, educator, social and political activist the works represented in this exhibition show the importance of Catlett as a major contemporary international artist.
Hartford
Wadsworth Atheneum Museum of Art Moved by Music: Herbert Gentry On view through October 29, 2006
Drawn from The Amistad Centers collection, this exhibition showcases never seen prints based on original paintings and drawings by Herbert Gentry (1919-2003). The exhibit will also highlight works from the G. R. NNamdi Gallery and from the personal collection of Gentrys widow, Mary Ann Rose. Gentry is best known for his figurative abstractions that were inspired by the spontaneous rhythmic expressions of jazz. Faces were a recurrent theme found in his works, which the artist said are intended to symbolize the family of man.
600 Main Street Hartford, Connecticut 06103 860/ 278-2670 www.wadsworthatheneum.org info@wadsworthatheneum.org
Houston
The Museum of Fine Arts, Houston The Audrey Jones Beck Building 5601 Main Street Houston, Texas 77005
61
The Architecture of Gees Bend Quilts On view through September 14, 2006
The Architecture of Gees Bend Quilts features brilliant, bold, and dynamic quilts that are as much reminiscent of abstract paintings as of traditional American quilts. The group of 45 women who created these quilts spans four generations of the isolated, all-black community of Gees Bend, Alabama. The 70 quilts in the exhibition provide a fascinating look at the work of 20th-century artists who lived and worked in solitude.
Loretto
Southern Alleghenies Museum of Art at Loretto A Symphony of Color: The Lyrical Paintings of Joseph Holston On view through July 23, 2006 Saint Francis University Mall 113 Franciscan Way Loretto, PA 15940 814/ 472-3920 www.sama-art.org
Los Angeles
The Museum of Contemporary Art, Los Angeles (MOCA) Lorna Simpson On view through July 10, 2006
Lorna Simpson first became well known in the mid-1980s, examining racial and gender identity with large-scale photograph and text works that are formally elegant and subtly provocative. The artist often focused on the black female figure, shown either faceless or with her back turned, to comment on the social anonymity of the black female and, at the same time, make her the central subject. By the mid-90s, Simpson began to concentrate on creating large multi-panel photographs printed on felt. More recently, the artist has turned to creating moving images.
250 Grand Avenue Los Angeles, California 90012 213/ 626-6222 www.moca-la.org/museum
Louisville
The Speed Art Museum Sam Gilliam: Retrospective On view through September 3, 2006 2035 South Third Street Louisville, Kentucky 40208 502/ 634-2700
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This exhibition surveys the accomplished career of African-American artist Sam Gilliam. He has created many styles and forms of abstract painting, including his bevel-edge and suspended paintings of the late 1960s and early 1970s, black paintings of the late 1970s, hinged wood constructions of the 1990s, and monochromatic Slats of recent years. Acclaimed for his use of saturated color and his highly improvisational, spontaneous technique, Gilliam is regarded as one of the most important and inventive colorists of the last thirty years.
www.speedmuseum.org
Montclair
Montclair Art Museum African American Artists from the Collection Robert Lehman Court On view through August 6, 2006
This show will be a survey of works by Romare Bearden, Elizabeth Catlett, Lois Mailou Jones, Charles White and other African American artists represented in the collection of the Montclair Art Museum.
3 South Mountain Avenue Montclair, New Jersey 07042-1747 973/ 746-5555 www.montclairartmuseum.org
Montclair Art Museum Anxious Objects: Willie Cole's Favorite Brands Judy and Josh Weston Gallery On view through August 6, 2006
In collaboration with the artist, the Museum has made a careful selection of approximately forty of his most significant sculptures, paintings, drawings, and prints to highlight both his consistency and evolution. Anxious Objects: Willie Cole's Favorite Brands will be the artist's first survey exhibition to reveal the depth and range of Willie Cole's sensibility and abilities as an innovative form maker and imagist from the late 1980's to the present. Cole's works track his distinctive, New Jersey and Newark-based heritage, movingly melding the social, political, and cultural perspectives of urban African-American experience.
3 South Mountain Avenue Montclair, New Jersey 07042-1747 973/ 746-5555 www.montclairartmuseum.org
Nashville
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Nashville Public Library Picture Stories: A Celebration of African American Illustrators July 23 - September 17, 2006
Picture Stories celebrates the talents and creativity of African American artists who illustrate childrens picture books. The exhibition features exciting work by twelve American illustrators of African heritage who capture daily life as well as extraordinary perseverance and talent of Black American heroes. History, folktales, and the emergence of jazz are explored in the color paintings, collage, scratchboard and mixed media pieces featured in the exhibition.
Neenah
Bergstrom-Mahler Museum Picture Stories: A Celebration of African American Illustrators On view through July 2, 2006
Picture Stories celebrates the talents and creativity of African American artists who illustrate childrens picture books. The exhibition features exciting work by twelve American illustrators of African heritage who capture daily life as well as extraordinary perseverance and talent of Black American heroes. History, folktales, and the emergence of jazz are explored in the color paintings, collage, scratchboard and mixed media pieces featured in the exhibition.
165 N Park Avenue Neenah, Wisconsin 54956-2994 920/ 751-4658 www.paperweightmuseum.com info@paperweightmuseum.com
Newport News
Peninsula Fine Arts Center Living with Art: Modern and Contemporary African American Art On view through August 27, 2005
This exhibition presents a variety of works by many of the most important African American artists from the modern and contemporary periods. Works are from the Alitash Kebede Collection and include Charles Alston, Romare
101 Museum Drive Newport News, Virginia 23606 757/ 596-8175 www.pfac-va.org info@pfac-va.org
64
Bearden, Elizabeth Catlett, Ed Clark, Herbert Gentry, Palmer Hayden, Bill Hutson, Lois Mailou Jones, Jacob Lawrence, Norman Lewis, Al Loving, Betye Saar, Lezley Saar, Alma Thomas, Charles White, and others.
New York
The Studio Museum in Harlem Energy/Experimentation: Black Artists and Abstraction, 19641980 On view through July 2, 2006
Energy/Experimentation explores the strong voice of abstract art-making that developed during the second half of the 20th century. Working in both painting and sculpture this group of artists committed themselves to innovation in structure and materials. Energy/Experimentation will present the painting and sculpture of 15 artists whose work challenged artistic technical and social boundaries and assumptions during this period.
144 West 125th Street New York, New York 10027 212/864-4500 www.studiomuseum.org
Pasadena
Pasadena Museum of California Art Family Legacies: The Art of Betye, Lezley and Alison Saar On view through September 24, 2006
The exhibition will feature thirty-six objects, including mixed media sculptures, assemblages, collages and a collaborative installation created by the Saars. Twelve key works by each artist, representing the full chronological range and stylistic evolution of their oeuvre, will be arranged according to overlapping themes that underline the artists' family ties, multi-racial heritage and strong affinities to nature and African cultures. The works demonstrate a desire to reclaim the visual representation of African American women by exploring subjects including slavery, stereotypes of domestic labor and contentious historical images of the female body.
490 East Union Street Pasadena, California 91101 626/ 568-3665 www.pmcaonline.org info@pmcaonline.org
Tacoma
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Museum of Glass Kickin' It with Joyce J. Scott On view through October 22, 2006
This 30-year retrospective of 60 works created since 1970 includes sculpture, jewelry, prints, and textiles as well as videos and photographs of Scott's performance and installation work, making for an excellent overview of her varied and potent artistic career. Kickin' It with Joyce J. Scott is a visually dazzling and intellectually challenging retrospective of the work of an important American artist.
1801 East Dock Street Tacoma, Washington 98402-3217 1-866/ 4-MUSEUM www.museumofglass.org info@museumofglass.org
Washington, DC
Parish Gallery Georgetown 15th Year Anniversary Show On view through July 18, 2006
This exhibition will feature artists such as: Edward Clark, Richard Mayhew, Romare Bearden, John Scott, Herbert Gentry, Norman Parish, Wosene Kosrof, Sylvia Snowden, E. J. Montgomery, William Henry Smith, and Joyce Scott.
Wilmington
Delaware Art Museum Portraits of a People: Picturing African Americans in the Nineteenth Century On view through July 16, 2006
Portraits of a People looks critically at images made of and by African Americans and the role those images have played in establishing and fostering racial identity during a period of radical social change. This landmark exhibition, and its accompanying publication, features approximately 75 works ranging from paintings, photographs, and silhouette profiles to book frontispieces and popular prints.
66
August
Atlanta
Clark Atlanta University Art Galleries Trevor Arnett Hall, 2nd floor Selections from the Permanent Collection On view through December 2006 223 James P. Brawley Drive, SW Atlanta, Georgia 30314 404/ 880-6102 www.cau.edu/artgalleries
Hartford
Wadsworth Atheneum Museum of Art Moved by Music: Herbert Gentry On view through October 29, 2006
Drawn from The Amistad Centers collection, this exhibition showcases never seen prints based on original paintings and drawings by Herbert Gentry (1919-2003). The exhibit will also highlight works from the G. R. NNamdi Gallery and from the personal collection of Gentrys widow, Mary Ann Rose. Gentry is best known for his figurative abstractions that were inspired by the spontaneous rhythmic expressions of jazz. Faces were a recurrent theme found in his works, which the artist said are intended to symbolize the family of man.
600 Main Street Hartford, Connecticut 06103 860/ 278-2670 www.wadsworthatheneum.org info@wadsworthatheneum.org
Houston
The Museum of Fine Arts, Houston The Audrey Jones Beck Building The Architecture of Gees Bend Quilts On view through September 14, 2006
The Architecture of Gees Bend Quilts features brilliant, bold, and dynamic quilts that are as much reminiscent of abstract paintings as of traditional American quilts. The group of 45 women who created these quilts spans four generations of the isolated, all-black community of Gees Bend, Alabama. The 70 quilts in the exhibition provide a fascinating look at the work of 20th-century artists who lived and worked in solitude.
5601 Main Street Houston, Texas 77005 713/ 639-7300 www.mfah.org visitorservices@mfah.org
67
Long Beach
Long Beach Museum of Art Portraits of a People: Picturing African Americans in the Nineteenth Century August 25 - November 26, 2006
Portraits of a People looks critically at images made of and by African Americans and the role those images have played in establishing and fostering racial identity during a period of radical social change. This landmark exhibition, and its accompanying publication, features approximately 75 works ranging from paintings, photographs, and silhouette profiles to book frontispieces and popular prints.
2300 East Ocean Boulevard Long Beach, California 90803 562/ 439-2119 www.lbma.org
Louisville
The Speed Art Museum Sam Gilliam: Retrospective On view through September 3, 2006
This exhibition surveys the accomplished career of African-American artist Sam Gilliam. He has created many styles and forms of abstract painting, including his bevel-edge and suspended paintings of the late 1960s and early 1970s, black paintings of the late 1970s, hinged wood constructions of the 1990s, and monochromatic Slats of recent years. Acclaimed for his use of saturated color and his highly improvisational, spontaneous technique, Gilliam is regarded as one of the most important and inventive colorists of the last thirty years.
2035 South Third Street Louisville, Kentucky 40208 502/ 634-2700 www.speedmuseum.org
Montclair
Montclair Art Museum African American Artists from the Collection Robert Lehman Court On view through August 6, 2006
This show will be a survey of works by Romare Bearden, Elizabeth Catlett, Lois Mailou Jones, Charles White and other African American artists represented in the collection of the Montclair Art Museum.
3 South Mountain Avenue Montclair, New Jersey 07042-1747 973/ 746-5555 www.montclairartmuseum.org
68
Montclair Art Museum Anxious Objects: Willie Cole's Favorite Brands Judy and Josh Weston Gallery On view through August 6, 2006
In collaboration with the artist, the Museum has made a careful selection of approximately forty of his most significant sculptures, paintings, drawings, and prints to highlight both his consistency and evolution. Anxious Objects: Willie Cole's Favorite Brands will be the artist's first survey exhibition to reveal the depth and range of Willie Cole's sensibility and abilities as an innovative form maker and imagist from the late 1980's to the present. Cole's works track his distinctive, New Jersey and Newark-based heritage, movingly melding the social, political, and cultural perspectives of urban African-American experience.
3 South Mountain Avenue Montclair, New Jersey 07042-1747 973/ 746-5555 www.montclairartmuseum.org
Nashville
Nashville Public Library Picture Stories: A Celebration of African American Illustrators On view through September 17, 2006
Picture Stories celebrates the talents and creativity of African American artists who illustrate childrens picture books. The exhibition features exciting work by twelve American illustrators of African heritage who capture daily life as well as extraordinary perseverance and talent of Black American heroes. History, folktales, and the emergence of jazz are explored in the color paintings, collage, scratchboard and mixed media pieces featured in the exhibition.
Newport News
Peninsula Fine Arts Center Living with Art: Modern and Contemporary African American Art On view through August 27, 2005
This exhibition presents a variety of works by
101 Museum Drive Newport News, Virginia 23606 757/ 596-8175 www.pfac-va.org info@pfac-va.org
69
many of the most important African American artists from the modern and contemporary periods. Works are from the Alitash Kebede Collection and include Charles Alston, Romare Bearden, Elizabeth Catlett, Ed Clark, Herbert Gentry, Palmer Hayden, Bill Hutson, Lois Mailou Jones, Jacob Lawrence, Norman Lewis, Al Loving, Betye Saar, Lezley Saar, Alma Thomas, Charles White, and others.
Pasadena
Pasadena Museum of California Art Family Legacies: The Art of Betye, Lezley and Alison Saar On view through September 24, 2006
The exhibition will feature thirty-six objects, including mixed media sculptures, assemblages, collages and a collaborative installation created by the Saars. Twelve key works by each artist, representing the full chronological range and stylistic evolution of their oeuvre, will be arranged according to overlapping themes that underline the artists' family ties, multi-racial heritage and strong affinities to nature and African cultures. The works demonstrate a desire to reclaim the visual representation of African American women by exploring subjects including slavery, stereotypes of domestic labor and contentious historical images of the female body.
490 East Union Street Pasadena, California 91101 626/ 568-3665 www.pmcaonline.org info@pmcaonline.org
Tacoma Museum of Glass Kickin' It with Joyce J. Scott On view through October 22, 2006
This 30-year retrospective of 60 works created since 1970 includes sculpture, jewelry, prints, and textiles as well as videos and photographs of Scott's performance and installation work, making for an excellent overview of her varied and potent artistic career. Kickin' It with Joyce J. Scott is a visually dazzling and intellectually challenging retrospective of the work of an important American artist.
1801 East Dock Street Tacoma, Washington 98402-3217 1-866/ 4-MUSEUM www.museumofglass.org info@museumofglass.org
70
September
Atlanta
Clark Atlanta University Art Galleries Trevor Arnett Hall, 2nd floor Selections from the Permanent Collection On view through December 2006 223 James P. Brawley Drive, SW Atlanta, Georgia 30314 404/ 880-6102 www.cau.edu/artgalleries
Spelman College Museum of Fine Art New Work: The 2006 Spelman College Art Faculty Exhibition Fall 2006 (exact dates TBA)
The Spelman College Art Faculty Exhibition features recent work by Torkwase Dyson, Charnelle Holloway, Arturo Lindsay, Frank Toby Martin, M. Akua McDaniel, Lev Mills and Barbara Nesin. A dedicated group of artists and scholars, their art has been exhibited widely throughout Atlanta, the national and the world in numerous group and solo exhibition. Working in a variety of media including painting, sculpture, drawing, graphic design and photography, through their art they examine a host of overlapping themes including spirituality, memory, Diasporic continuity, aesthetic retentions, the pass of time, faith, beauty, knowledge, difference, gender inequities and the betterment of society.
350 Spelman Lane, SW Atlanta, Georgia 30314 404/ 270-5607 www.spelman.edu/museum museum@spelman.edu
Columbus
Columbus Museum of Art Kehinde Wiley: Infinite Mobility September 9, 2006 January 7, 2007
Kehinde Wiley has gained recent acclaim for his heroic portraits which address the image and status of young African-American men in contemporary culture. In this exhibition organized by the Columbus Museum of Art, Wiley will create a new cycle of paintings based on Old Master works from the
480 East Broad Street Columbus, Ohio 43215 614/ 221-6801 www.columbusmuseum.org info@columbusmuseum.org
71
Museum's permanent collection. Models discovered by the artist on the streets of Columbus dress in contemporary urban fashion as they mimic poses from these historic works. The sacred and secular themes of the Renaissance and Baroque references give new meaning to embedded codes of gesture and dress, past and present, while provoking a reconsideration of lingering stereotypes about masculinity, race and class in our society today.
Fall River
Grimshaw-Gudewicz Art Gallery Recovered Views: African American Portraits, 1912-1925 September 1- October 5, 2006
Recovered Views features 40 black-andwhite portraits attributed to John Johnson, an African American photographer who lived and worked in Lincoln, Nebraska in the early part of the 20th century. These portraits are more than just stunning images; they document life in a vibrant black community in a small Midwestern city, a society rarely depicted in any medium.
Bristol Community College Jackson Arts Center 777 Elsbree Street Fall River, Massachusetts 02720 508/ 678-2811 x2631 or x2439 www.bristol.mass.edu/gallery khancock@bristol.mass.edu
Hampton
Hampton University Museum Harlem: The Vision of Morgan and Marvin Smith September 22 December 9, 2006 Organized by The Schomburg Center for
Research in Black Culture, the exhibition, Harlem: The Vision of Morgan and Marvin Smith surveys the lives, art and work of Harlems premiere twin photographers. Featuring photographs taken by Morgan and Marvin Smith, the exhibition serves as a reminder of what these photographers viewed as the best Harlem had to offer from the 1930s through the 1950s. Artwork by Romare Bearden collected by Marvin Smith will also be a part of the exhibition.
72
Hartford
Wadsworth Atheneum Museum of Art Moved by Music: Herbert Gentry On view through October 29, 2006
Drawn from The Amistad Centers collection, this exhibition showcases never seen prints based on original paintings and drawings by Herbert Gentry (1919-2003). The exhibit will also highlight works from the G. R. NNamdi Gallery and from the personal collection of Gentrys widow, Mary Ann Rose. Gentry is best known for his figurative abstractions that were inspired by the spontaneous rhythmic expressions of jazz. Faces were a recurrent theme found in his works, which the artist said are intended to symbolize the family of man.
600 Main Street Hartford, Connecticut 06103 860/ 278-2670 www.wadsworthatheneum.org info@wadsworthatheneum.org
Houston
The Museum of Fine Arts, Houston The Audrey Jones Beck Building The Architecture of Gees Bend Quilts On view through September 14, 2006
The Architecture of Gees Bend Quilts features brilliant, bold, and dynamic quilts that are as much reminiscent of abstract paintings as of traditional American quilts. The group of 45 women who created these quilts spans four generations of the isolated, all-black community of Gees Bend, Alabama. The 70 quilts in the exhibition provide a fascinating look at the work of 20th-century artists who lived and worked in solitude.
5601 Main Street Houston, Texas 77005 713/ 639-7300 www.mfah.org visitorservices@mfah.org
Long Beach
Long Beach Museum of Art Portraits of a People: Picturing African Americans in the Nineteenth Century On view through November 26, 2006
Portraits of a People looks critically at images made of and by African Americans
2300 East Ocean Boulevard Long Beach, California 90803 562/ 439-2119 www.lbma.org
73
and the role those images have played in establishing and fostering racial identity during a period of radical social change. This landmark exhibition, and its accompanying publication, features approximately 75 works ranging from paintings, photographs, and silhouette profiles to book frontispieces and popular prints.
Louisville
The Speed Art Museum Sam Gilliam: Retrospective On view through September 3, 2006
This exhibition surveys the accomplished career of African-American artist Sam Gilliam. He has created many styles and forms of abstract painting, including his bevel-edge and suspended paintings of the late 1960s and early 1970s, black paintings of the late 1970s, hinged wood constructions of the 1990s, and monochromatic Slats of recent years. Acclaimed for his use of saturated color and his highly improvisational, spontaneous technique, Gilliam is regarded as one of the most important and inventive colorists of the last thirty years.
2035 South Third Street Louisville, Kentucky 40208 502/ 634-2700 www.speedmuseum.org
Nashville
Nashville Public Library Picture Stories: A Celebration of African American Illustrators On view through September 17, 2006
Picture Stories celebrates the talents and creativity of African American artists who illustrate childrens picture books. The exhibition features exciting work by twelve American illustrators of African heritage who capture daily life as well as extraordinary perseverance and talent of Black American heroes. History, folktales, and the emergence of jazz are explored in the color paintings, collage, scratchboard and mixed media pieces featured in the exhibition.
Pasadena
Pasadena Museum of California Art Family Legacies: The Art of Betye, 490 East Union Street Pasadena, California 91101
74
Philadelphia
Pennsylvania Academy of the Fine Arts Betye Saar: Extending the Frozen Moment September 8 December 3, 2006
Throughout her career, Betye Saar has made art that challenges us to think about our societal responses to race and to the history of race in the United States. Though politically trenchant, Saars work moves beyond protest to encompass a profound spirituality and an awareness of the things that link human beings across cultural lines and across time. This exhibition examines Saars achievement by focusing on her work with photography, specifically, her incorporation of photographic fragments as a metaphor for her view of the African American experience and of lives too often obscured in American visual history.
118 North Broad Street Philadelphia, Pennsylvania 19102 215/ 972-7600 www.pafa.org/exhibit.jsp
Tacoma Museum of Glass Kickin' It with Joyce J. Scott On view through October 22, 2006
This 30-year retrospective of 60 works created since 1970 includes sculpture, jewelry, prints, and textiles as well as videos
1801 East Dock Street Tacoma, Washington 98402-3217 1-866/ 4-MUSEUM www.museumofglass.org info@museumofglass.org
75
and photographs of Scott's performance and installation work, making for an excellent overview of her varied and potent artistic career. Kickin' It with Joyce J. Scott is a visually dazzling and intellectually challenging retrospective of the work of an important American artist.
October
Atlanta
Clark Atlanta University Art Galleries Trevor Arnett Hall, 2nd floor Selections from the Permanent Collection On view through December 2006 223 James P. Brawley Drive, SW Atlanta, Georgia 30314 404/ 880-6102 www.cau.edu/artgalleries
Spelman College Museum of Fine Art New Work: The 2006 Spelman College Art Faculty Exhibition Fall 2006 (exact dates TBA)
The Spelman College Art Faculty Exhibition features recent work by Torkwase Dyson, Charnelle Holloway, Arturo Lindsay, Frank Toby Martin, M. Akua McDaniel, Lev Mills and Barbara Nesin. A dedicated group of artists and scholars, their art has been exhibited widely throughout Atlanta, the national and the world in numerous group and solo exhibition. Working in a variety of media including painting, sculpture, drawing, graphic design and photography, through their art they examine a host of overlapping themes including spirituality, memory, Diasporic continuity, aesthetic retentions, the pass of time, faith, beauty, knowledge, difference, gender inequities and the betterment of society.
350 Spelman Lane, SW Atlanta, Georgia 30314 404/ 270-5607 www.spelman.edu/museum museum@spelman.edu
Camden
Rutgers Camden Center for the Arts Stedman Gallery Picture Stories: A Celebration of African American Illustrators October 8 - December 3, 2006 Rutgers University Camden 3rd and Pearl Streets Camden, New Jersey 08102
856/ 225-6350 rcca.camden.rutgers.edu
76
Picture Stories celebrates the talents and creativity of African American artists who illustrate childrens picture books. The exhibition features exciting work by twelve American illustrators of African heritage who capture daily life as well as extraordinary perseverance and talent of Black American heroes. History, folktales, and the emergence of jazz are explored in the color paintings, collage, scratchboard and mixed media pieces featured in the exhibition.
Columbus
Columbus Museum of Art Kehinde Wiley: Infinite Mobility On view through January 7, 2007
Kehinde Wiley has gained recent acclaim for his heroic portraits which address the image and status of young African-American men in contemporary culture. In this exhibition organized by the Columbus Museum of Art, Wiley will create a new cycle of paintings based on Old Master works from the Museum's permanent collection. Models discovered by the artist on the streets of Columbus dress in contemporary urban fashion as they mimic poses from these historic works. The sacred and secular themes of the Renaissance and Baroque references give new meaning to embedded codes of gesture and dress, past and present, while provoking a reconsideration of lingering stereotypes about masculinity, race and class in our society today.
480 East Broad Street Columbus, Ohio 43215 614/ 221-6801 www.columbusmuseum.org info@columbusmuseum.org
Fall River
Grimshaw-Gudewicz Art Gallery Recovered Views: African American Portraits, 1912-1925 On view through October 5, 2006
Recovered Views features 40 black-andwhite portraits attributed to John Johnson, an African American photographer who lived and worked in Lincoln, Nebraska in the early part of the 20th century. These portraits are more than just stunning images; they document life in a vibrant black community in a small Midwestern city, a society rarely depicted in
Bristol Community College Jackson Arts Center 777 Elsbree Street Fall River, Massachusetts 02720 508/ 678-2811 x2631 or x2439 www.bristol.mass.edu/gallery khancock@bristol.mass.edu
77
any medium.
Fargo
Plains Art Museum Black is a Color: African American Art at the Corcoran Gallery October 2006-January 2007
In addition to the overriding aesthetic focus of the exhibition, the featured works will be organized into thematic groups to address ideas that have historically occupied African American artists: racial and cultural heritage and identity, history, religion, and class. The works in the exhibition, both representational and abstract, pose a recurring question that cuts across the thematic groups: how much should such art reflect African American identity?
704 1st Avenue North Fargo, North Dakota 58102 701/ 232-3821 www.plainsart.org
Hampton
Hampton University Museum Harlem: The Vision of Morgan and Marvin Smith On view through December 9, 2006 Organized by The Schomburg Center for
Research in Black Culture, the exhibition, Harlem: The Vision of Morgan and Marvin Smith surveys the lives, art and work of Harlems premiere twin photographers. Featuring photographs taken by Morgan and Marvin Smith, the exhibition serves as a reminder of what these photographers viewed as the best Harlem had to offer from the 1930s through the 1950s. Artwork by Romare Bearden collected by Marvin Smith will also be a part of the exhibition.
Hartford
Wadsworth Atheneum Museum of Art Moved by Music: Herbert Gentry On view through October 29, 2006
Drawn from The Amistad Centers collection, this exhibition showcases never seen prints based on original paintings and drawings by
600 Main Street Hartford, Connecticut 06103 860/ 278-2670 www.wadsworthatheneum.org info@wadsworthatheneum.org
78
Herbert Gentry (1919-2003). The exhibit will also highlight works from the G. R. NNamdi Gallery and from the personal collection of Gentrys widow, Mary Ann Rose. Gentry is best known for his figurative abstractions that were inspired by the spontaneous rhythmic expressions of jazz. Faces were a recurrent theme found in his works, which the artist said are intended to symbolize the family of man.
Indianapolis
Indianapolis Museum of Art Allen Whitehall Clowes Special Exhibition Gallery The Architecture of Gees Bend Quilts October 8 - December 31, 2006
This exhibition features approximately 70 quilts made by several generations of African America women from the small farming community of Gees Bend, Alabama. The exhibition focuses on the abstract imagery of these beautiful quilts and their relationship to African American vernacular architecture. Made between the 1930s and the present, the Gees Bend quilts feature bright patterns, inventive color combinations, lively irregularities and unexpected compositional variations that make them outstanding examples of modern art.
400 Michigan Road Indianapolis, Indiana 46208-3326 317/ 920-2660 www.ima-art.org ima@ima-art.org
Long Beach
Long Beach Museum of Art Portraits of a People: Picturing African Americans in the Nineteenth Century On view through November 26, 2006
Portraits of a People looks critically at images made of and by African Americans and the role those images have played in establishing and fostering racial identity during a period of radical social change. This landmark exhibition, and its accompanying publication, features approximately 75 works ranging from paintings, photographs, and silhouette profiles to book frontispieces and popular prints.
2300 East Ocean Boulevard Long Beach, California 90803 562/ 439-2119 www.lbma.org
79
Miami
Miami Art Museum Lorna Simpson October 13 - January 21, 2007
Lorna Simpson first became well known in the mid-1980s, examining racial and gender identity with large-scale photograph and text works that are formally elegant and subtly provocative. The artist often focused on the black female figure, shown either faceless or with her back turned, to comment on the social anonymity of the black female and, at the same time, make her the central subject. By the mid-90s, Simpson began to concentrate on creating large multi-panel photographs printed on felt. More recently, the artist has turned to creating moving images.
101 West Flagler Street Miami, Florida 33130 305/ 375-3000 www.miamiartmuseum.org
Philadelphia
Pennsylvania Academy of the Fine Arts Betye Saar: Extending the Frozen Moment On view through December 3, 2006
Throughout her career, Betye Saar has made art that challenges us to think about our societal responses to race and to the history of race in the United States. Though politically trenchant, Saars work moves beyond protest to encompass a profound spirituality and an awareness of the things that link human beings across cultural lines and across time. This exhibition examines Saars achievement by focusing on her work with photography, specifically, her incorporation of photographic fragments as a metaphor for her view of the African American experience and of lives too often obscured in American visual history.
118 North Broad Street Philadelphia, Pennsylvania 19102 215/ 972-7600 www.pafa.org/exhibit.jsp
San Jose
San Jose Museum of Art Family Legacies: The Art of Betye, Lezley and Alison Saar October 21, 2006 - January 7, 2007 110 South Market Street San Jose, California 95113 408/ 271-6840 www.sjmusart.org
80
The exhibition will feature thirty-six objects, including mixed media sculptures, assemblages, collages and a collaborative installation created by the Saars. Twelve key works by each artist, representing the full chronological range and stylistic evolution of their oeuvre, will be arranged according to overlapping themes that underline the artists' family ties, multi-racial heritage and strong affinities to nature and African cultures. The works demonstrate a desire to reclaim the visual representation of African American women by exploring subjects including slavery, stereotypes of domestic labor and contentious historical images of the female body.
Savannah
Telfair Museum of Art Sam Gilliam: A Retrospective October 11 - December 31, 2006
This exhibition marks the first full-scale retrospective of the art of Sam Gilliam. Featuring approximately 50 of Gilliam's paintings, elaborate mixed-media constructions and installations, A Retrospective is a celebration of a magisterial post-1960s artist, and one of the most important artists to have lived and worked in Washington, DC.
Telfair Academy of Arts and Sciences 121 Barnard Street Savannah, Georgia 31401 912/ 232-1177 telfairacademy@telfair.org
Tacoma Museum of Glass Kickin' It with Joyce J. Scott On view through October 22, 2006
This 30-year retrospective of 60 works created since 1970 includes sculpture, jewelry, prints, and textiles as well as videos and photographs of Scott's performance and installation work, making for an excellent overview of her varied and potent artistic career. Kickin' It with Joyce J. Scott is a
1801 East Dock Street Tacoma, Washington 98402-3217 1-866/ 4-MUSEUM www.museumofglass.org info@museumofglass.org
81
visually dazzling and intellectually challenging retrospective of the work of an important American artist.
November
Atlanta
Clark Atlanta University Art Galleries Trevor Arnett Hall, 2nd floor Selections from the Permanent Collection On view through December 2006 223 James P. Brawley Drive, SW Atlanta, Georgia 30314 404/ 880-6102 www.cau.edu/artgalleries
Spelman College Museum of Fine Art New Work: The 2006 Spelman College Art Faculty Exhibition Fall 2006 (exact dates TBA)
The Spelman College Art Faculty Exhibition features recent work by Torkwase Dyson, Charnelle Holloway, Arturo Lindsay, Frank Toby Martin, M. Akua McDaniel, Lev Mills and Barbara Nesin. A dedicated group of artists and scholars, their art has been exhibited widely throughout Atlanta, the national and the world in numerous group and solo exhibition. Working in a variety of media including painting, sculpture, drawing, graphic design and photography, through their art they examine a host of overlapping themes including spirituality, memory, Diasporic continuity, aesthetic retentions, the pass of time, faith, beauty, knowledge, difference, gender inequities and the betterment of society.
350 Spelman Lane, SW Atlanta, Georgia 30314 404/ 270-5607 www.spelman.edu/museum museum@spelman.edu
Camden
Rutgers Camden Center for the Arts Stedman Gallery Picture Stories: A Celebration of African American Illustrators On view through December 3, 2006
Picture Stories celebrates the talents and creativity of African American artists who illustrate childrens picture books. The
Rutgers University Camden 3rd and Pearl Streets Camden, New Jersey 08102
856/ 225-6350 rcca.camden.rutgers.edu
82
exhibition features exciting work by twelve American illustrators of African heritage who capture daily life as well as extraordinary perseverance and talent of Black American heroes. History, folktales, and the emergence of jazz are explored in the color paintings, collage, scratchboard and mixed media pieces featured in the exhibition.
Columbus
Columbus Museum of Art Kehinde Wiley: Infinite Mobility On view through January 7, 2007
Kehinde Wiley has gained recent acclaim for his heroic portraits which address the image and status of young African-American men in contemporary culture. In this exhibition organized by the Columbus Museum of Art, Wiley will create a new cycle of paintings based on Old Master works from the Museum's permanent collection. Models discovered by the artist on the streets of Columbus dress in contemporary urban fashion as they mimic poses from these historic works. The sacred and secular themes of the Renaissance and Baroque references give new meaning to embedded codes of gesture and dress, past and present, while provoking a reconsideration of lingering stereotypes about masculinity, race and class in our society today.
480 East Broad Street Columbus, Ohio 43215 614/ 221-6801 www.columbusmuseum.org info@columbusmuseum.org
Fargo
Plains Art Museum Black is a Color: African American Art at the Corcoran Gallery On view through January 2007
In addition to the overriding aesthetic focus of the exhibition, the featured works will be organized into thematic groups to address ideas that have historically occupied African American artists: racial and cultural heritage and identity, history, religion, and class. The works in the exhibition, both representational and abstract, pose a recurring question that cuts across the thematic groups: how much should such art reflect African American identity?
704 1st Avenue North Fargo, North Dakota 58102 701/ 232-3821 www.plainsart.org
83
Hampton
Hampton University Museum Harlem: The Vision of Morgan and Marvin Smith On view through December 9, 2006 Organized by The Schomburg Center for
Research in Black Culture, the exhibition, Harlem: The Vision of Morgan and Marvin Smith surveys the lives, art and work of Harlems premiere twin photographers. Featuring photographs taken by Morgan and Marvin Smith, the exhibition serves as a reminder of what these photographers viewed as the best Harlem had to offer from the 1930s through the 1950s. Artwork by Romare Bearden collected by Marvin Smith will also be a part of the exhibition.
Indianapolis
Indianapolis Museum of Art Allen Whitehall Clowes Special Exhibition Gallery The Architecture of Gees Bend Quilts On view through December 31, 2006
This exhibition features approximately 70 quilts made by several generations of African America women from the small farming community of Gees Bend, Alabama. The exhibition focuses on the abstract imagery of these beautiful quilts and their relationship to African American vernacular architecture. Made between the 1930s and the present, the Gees Bend quilts feature bright patterns, inventive color combinations, lively irregularities and unexpected compositional variations that make them outstanding examples of modern art.
400 Michigan Road Indianapolis, Indiana 46208-3326 317/ 920-2660 www.ima-art.org ima@ima-art.org
Long Beach
Long Beach Museum of Art Portraits of a People: Picturing African Americans in the Nineteenth Century On view through November 26, 2006 2300 East Ocean Boulevard Long Beach, California 90803 562/ 439-2119 www.lbma.org
84
Portraits of a People looks critically at images made of and by African Americans and the role those images have played in establishing and fostering racial identity during a period of radical social change. This landmark exhibition, and its accompanying publication, features approximately 75 works ranging from paintings, photographs, and silhouette profiles to book frontispieces and popular prints.
Miami
Miami Art Museum Lorna Simpson On view through January 21, 2007
Lorna Simpson first became well known in the mid-1980s, examining racial and gender identity with large-scale photograph and text works that are formally elegant and subtly provocative. The artist often focused on the black female figure, shown either faceless or with her back turned, to comment on the social anonymity of the black female and, at the same time, make her the central subject. By the mid-90s, Simpson began to concentrate on creating large multi-panel photographs printed on felt. More recently, the artist has turned to creating moving images.
101 West Flagler Street Miami, Florida 33130 305/ 375-3000 www.miamiartmuseum.org
Philadelphia
Pennsylvania Academy of the Fine Arts Betye Saar: Extending the Frozen Moment On view through December 3, 2006
Throughout her career, Betye Saar has made art that challenges us to think about our societal responses to race and to the history of race in the United States. Though politically trenchant, Saars work moves beyond protest to encompass a profound spirituality and an awareness of the things that link human beings across cultural lines and across time. This exhibition examines Saars achievement by focusing on her work with photography, specifically, her incorporation of photographic fragments as a metaphor for her view of the
118 North Broad Street Philadelphia, Pennsylvania 19102 215/ 972-7600 www.pafa.org/exhibit.jsp
85
African American experience and of lives too often obscured in American visual history.
San Jose
San Jose Museum of Art Family Legacies: The Art of Betye, Lezley and Alison Saar On view through January 7, 2007
The exhibition will feature thirty-six objects, including mixed media sculptures, assemblages, collages and a collaborative installation created by the Saars. Twelve key works by each artist, representing the full chronological range and stylistic evolution of their oeuvre, will be arranged according to overlapping themes that underline the artists' family ties, multi-racial heritage and strong affinities to nature and African cultures. The works demonstrate a desire to reclaim the visual representation of African American women by exploring subjects including slavery, stereotypes of domestic labor and contentious historical images of the female body.
110 South Market Street San Jose, California 95113 408/ 271-6840 www.sjmusart.org
Savannah
Telfair Museum of Art Sam Gilliam: A Retrospective On view through December 31, 2006
This exhibition marks the first full-scale retrospective of the art of Sam Gilliam. Featuring approximately 50 of Gilliam's paintings, elaborate mixed-media constructions and installations, A Retrospective is a celebration of a magisterial post-1960s artist, and one of the most important artists to have lived and worked in Washington, DC.
Telfair Academy of Arts and Sciences 121 Barnard Street Savannah, Georgia 31401 912/ 232-1177 telfairacademy@telfair.org
December
Atlanta 86
Clark Atlanta University Art Galleries Trevor Arnett Hall, 2nd floor Selections from the Permanent Collection On view through December 2006
223 James P. Brawley Drive, SW Atlanta, Georgia 30314 404/ 880-6102 www.cau.edu/artgalleries
Camden
Rutgers Camden Center for the Arts Stedman Gallery Picture Stories: A Celebration of African American Illustrators On view through December 3, 2006
Picture Stories celebrates the talents and creativity of African American artists who illustrate childrens picture books. The exhibition features exciting work by twelve American illustrators of African heritage who capture daily life as well as extraordinary perseverance and talent of Black American heroes. History, folktales, and the emergence of jazz are explored in the color paintings, collage, scratchboard and mixed media pieces featured in the exhibition.
Rutgers University Camden 3rd and Pearl Streets Camden, New Jersey 08102
856/ 225-6350 rcca.camden.rutgers.edu
Cedar Falls
James and Meryl Hearst Center for the Arts Dahl-Thomas Gallery Picture Stories: A Celebration of African American Illustrators December 24, 2006 - March 4, 2007
Picture Stories celebrates the talents and creativity of African American artists who illustrate childrens picture books. The exhibition features exciting work by twelve American illustrators of African heritage who capture daily life as well as extraordinary perseverance and talent of Black American heroes. History, folktales, and the emergence of jazz are explored in the color paintings, collage, scratchboard and mixed media pieces featured in the exhibition.
304 West Seerley Boulevard Cedar Falls, Iowa 50613 319/ 273-8641 www.hearstartcenter.com
Columbus 87
Columbus Museum of Art Kehinde Wiley: Infinite Mobility On view through January 7, 2007
Kehinde Wiley has gained recent acclaim for his heroic portraits which address the image and status of young African-American men in contemporary culture. In this exhibition organized by the Columbus Museum of Art, Wiley will create a new cycle of paintings based on Old Master works from the Museum's permanent collection. Models discovered by the artist on the streets of Columbus dress in contemporary urban fashion as they mimic poses from these historic works. The sacred and secular themes of the Renaissance and Baroque references give new meaning to embedded codes of gesture and dress, past and present, while provoking a reconsideration of lingering stereotypes about masculinity, race and class in our society today.
480 East Broad Street Columbus, Ohio 43215 614/ 221-6801 www.columbusmuseum.org info@columbusmuseum.org
Fargo
Plains Art Museum Black is a Color: African American Art at the Corcoran Gallery On view through January 2007
In addition to the overriding aesthetic focus of the exhibition, the featured works will be organized into thematic groups to address ideas that have historically occupied African American artists: racial and cultural heritage and identity, history, religion, and class. The works in the exhibition, both representational and abstract, pose a recurring question that cuts across the thematic groups: how much should such art reflect African American identity?
704 1st Avenue North Fargo, North Dakota 58102 701/ 232-3821 www.plainsart.org
Hampton
Hampton University Museum Harlem: The Vision of Morgan and Marvin Smith On view through December 9, 2006 Organized by The Schomburg Center for
Research in Black Culture, the exhibition, Harlem: The Vision of Morgan and Marvin
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Smith surveys the lives, art and work of Harlems premiere twin photographers. Featuring photographs taken by Morgan and Marvin Smith, the exhibition serves as a reminder of what these photographers viewed as the best Harlem had to offer from the 1930s through the 1950s. Artwork by Romare Bearden collected by Marvin Smith will also be a part of the exhibition.
Indianapolis
Indianapolis Museum of Art Allen Whitehall Clowes Special Exhibition Gallery The Architecture of Gees Bend Quilts On view through December 31, 2006
This exhibition features approximately 70 quilts made by several generations of African America women from the small farming community of Gees Bend, Alabama. The exhibition focuses on the abstract imagery of these beautiful quilts and their relationship to African American vernacular architecture. Made between the 1930s and the present, the Gees Bend quilts feature bright patterns, inventive color combinations, lively irregularities and unexpected compositional variations that make them outstanding examples of modern art.
400 Michigan Road Indianapolis, Indiana 46208-3326 317/ 920-2660 www.ima-art.org ima@ima-art.org
Miami
Miami Art Museum Lorna Simpson On view through January 21, 2007
Lorna Simpson first became well known in the mid-1980s, examining racial and gender identity with large-scale photograph and text works that are formally elegant and subtly provocative. The artist often focused on the black female figure, shown either faceless or with her back turned, to comment on the
101 West Flagler Street Miami, Florida 33130 305/ 375-3000 www.miamiartmuseum.org
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social anonymity of the black female and, at the same time, make her the central subject. By the mid-90s, Simpson began to concentrate on creating large multi-panel photographs printed on felt. More recently, the artist has turned to creating moving images.
Philadelphia
Pennsylvania Academy of the Fine Arts Betye Saar: Extending the Frozen Moment On view through December 3, 2006
Throughout her career, Betye Saar has made art that challenges us to think about our societal responses to race and to the history of race in the United States. Though politically trenchant, Saars work moves beyond protest to encompass a profound spirituality and an awareness of the things that link human beings across cultural lines and across time. This exhibition examines Saars achievement by focusing on her work with photography, specifically, her incorporation of photographic fragments as a metaphor for her view of the African American experience and of lives too often obscured in American visual history.
118 North Broad Street Philadelphia, Pennsylvania 19102 215/ 972-7600 www.pafa.org/exhibit.jsp
San Jose
San Jose Museum of Art Family Legacies: The Art of Betye, Lezley and Alison Saar On view through January 7, 2007
The exhibition will feature thirty-six objects, including mixed media sculptures, assemblages, collages and a collaborative installation created by the Saars. Twelve key works by each artist, representing the full chronological range and stylistic evolution of their oeuvre, will be arranged according to overlapping themes that underline the artists' family ties, multi-racial heritage and strong affinities to nature and African cultures. The works demonstrate a desire to reclaim the visual representation of African American women by exploring subjects including slavery, stereotypes of domestic labor and contentious historical images of the female
110 South Market Street San Jose, California 95113 408/ 271-6840 www.sjmusart.org
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body.
Savannah
Telfair Museum of Art Sam Gilliam: A Retrospective On view through December 31, 2006
This exhibition marks the first full-scale retrospective of the art of Sam Gilliam. Featuring approximately 50 of Gilliam's paintings, elaborate mixed-media constructions and installations, A Retrospective is a celebration of a magisterial post-1960s artist, and one of the most important artists to have lived and worked in Washington, DC.
Telfair Academy of Arts and Sciences 121 Barnard Street Savannah, Georgia 31401 912/ 232-1177 telfairacademy@telfair.org
INDEX
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The Aldrich Contemporary Art Museum The Allen Memorial Art Museum Amaki, Amalia The Amistad Foundation Andover, Massachusetts Ann Arbor, Michigan Asheville, North Carolina Asheville Art Museum Atlanta, Georgia
E
Easton, Pennsylvania
F
Fall River, Massachusetts Fargo, North Dakota
B
Baltimore, Maryland Baltimore Museum of Art Basquait Bearden, James Bearden, Romare Belton, Texas Belton County Museum Bergstrom-Mahler Museum Boston University Art Gallery Bowens, Milton Bristol Community College Bryan, Ashley* Burrowes, Adjoa J.*
Gentry, Herbert George and Joyce Wein Collection Gilliam, Sam Greensboro, North Carolina Griffin, Don
H
Hammond House Galleries Hampton, Virginia Hampton University Museum Hartford, Connecticut Henderson, Nevada Holloway, Charnelle Holston, Joseph Houston, Texas
C
California African American Museum Camden, New Jersey Catlett, Elizabeth Cedar Falls, Iowa Chapel Hill, North Carolina Clark Atlanta University Art Galleries Clark County Heritage Museum Clark, Edward Cole, Willie Collier, Bryan* Columbus, Ohio
I
Indianapolis, Indiana Indianapolis Museum of Art
J
Jackson, Leonard James A. Michener Art Museum James and Meryl Hearst Center for the Arts Jane L. Stern Gallery Jenkins, Leonard* Johnstown, Pennsylvania Jones, Lois Mailou
Contemporary Arts Museum, Houston Cooper, Floyd The Corcoran Gallery of Art
D
Delaney, Beauford Delaware Art Museum Detroit The Detroit Institute of Arts Dillon, Leo and Diane* Dixon, Terry Dothan, Alabama
K
Kosrof, Wosene
L
Lafayette College Lakeland, Florida
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Lawrence, Jacob Lewis, E.B.* Lexington, Kentucky Ligon, Glenn Lindsay, Arturo Loretto, Pennsylvania Long Beach, California Long Beach Museum of Art Los Angeles, California Louisville, Kentucky Lubbock, Texas
M
Macon, Georgia Martin, Frank Toby Mayhew, Richard McDaniel, M. Akua McMillan, James Metropolitan Museum of Art Miami, Florida Miami Art Museum Mills, Lev Minter, Daniel* Mobile, Alabama Mobile Museum of Art Montclair, New Jersey Montclair Art Museum Montgomery, Alabama Montgomery, E. J. Montgomery Museum of Fine Arts Museum of Contemporary Art, Los Angeles Museum of Fine Arts, Houston Museum of Glass Museum of Texas Tech University Muskegon, Michigan Muskegon Museum of Art
Parish Gallery Parish, Norman Parthenon Pasadena, California Pasadena Museum of California Art Peninsula Fine Arts Center Pennsylvania Academic of the Fine Arts Philadelphia Philadelphia Museum of Art Phillips Academy photography Plains Art Museum Polk Museum of Art Princeton, New Jersey Princeton University Art Museum
Q quilts R
Ransome, James* Ridgefield, Connecticut Ringgold, Faith* Rutgers, The State University of New Jersey
S
Saar, Alison Saar, Betye Saar, Lezley San Jose, California San Jose Museum of Art Savannah, Georgia Scott, Joyce J. Scott, John Simpson, Lorna Smith, Morgan and Marvin Smith, William Henry Southern Alleghenies Museum of Art The Speed Art Museum Spelman College Museum of Fine Art Stevenson, Maryland Stout, Renee The Studio Museum of Harlem Styles, Freddie
N
Nashville, Tennessee Nashville Public Library Neenah, Wisconsin Nesin, Barbara Newport News, Virginia New York New-York Historical Society North Carolina A&T State University Northwestern University Norton Museum of Art
T
Tacoma, Washington Tanner, Henry Ossawa Telfair Museum of Art Tubman African American Museum Tulsa, Oklahoma
O
Oberlin, Ohio Oberlin College
93
U
University of Kentucky Art Museum University of Michigan Museum of Art University of North Carolina at Chapel Hill
V
Velasquez, Eric* Villa Julie Art Gallery
W
Wadsworth Atheneum Museum of Art Walker, Kara Walter O. Evans Collection Washington, DC Weems, Carrie Mae West Palm Beach, Florida White, Charles Wiley, Kehinde Wilkinson, Carlton William Center for the Arts Wilmington, Delaware Wilson, Fred Wiregrass Museum of Art Worcester, Massachusetts Worcester Art Museum
94