Prints & Photography - Skinner Auction 2598B

SKINNER
American & European Works of Art

Fine Prints & Photography
Sale 2598B May 18, 2012 Boston
73
American & European Works of Art Fine Prints & Photography

specialists in charge
Robin S. R. Starr Department Director 508.970.3259
Kathy Wong 508.970.3297
Elizabeth C. Haff 508.970.3258
American & European Paintings & Prints Department - 508.970.3206 General Inquiries: prints@skinnerinc.com
auction 2598B Friday, May 18, 2012 at 12 noon Lots 1-174, followed by Fine Paintings & Sculpture at 4 p.m. 63 Park Plaza Boston, Massachusetts preview
Wednesday, May 16, 2012 Thursday, May 17, 2012 Friday, May 18, 2012 12 to 5 p.m. 12 to 8 p.m. 9 to 10:30 a.m.
absentee bidding
Tel: 617.874.4318 Fax: 617.350.5429 Online: www.skinnerinc.com
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View all lots online at www.skinnerinc.com
617.350.5400
cover : 79 ( detail ) ; frontispiece : 73 ; inside back cover : 171 ; back cover : 79 ( detail )
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table of contents
1 2 4-5 7 102 104 106 107 108 109 110 111
Auction & Specialist Information Web Site & Online Bidding Event Announcements Lots 1-174 Artist Index Glossary of Terms Conditions of Sale Absentee Bid Form Company Directors & Specialty Departments Administrative Staff & Client Services Map & Driving Directions Catalogue Subscription Form
Please Note: All lots sold subject to our Conditions of Sale. Please refer to page 106 of this catalogue for the full terms and conditions governing your purchase.
Copyright Skinner, Inc. 2012 All rights reserved
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SKINNER presents a
Fine Art Gallery Walk
Presented by Robin Starr, Director of Skinners American & European Works of Art Department
Thursday, May 17, 2012

5:30 p.m. Reception/6:00 p.m. Gallery Walk
63 Park Plaza Boston, MA R.S.V.P. 617.350.5400 Reservations are Limited
Gallery Walk held in conjunction with a preview of Skinners May 18th auction of American & European Works of Art
Upcoming Auction
Fine Prints & Photography
September 7th, 2012 Boston, MA
Henri Cartier-Bresson (French, 1908-2004), Abruzzo, Aquila, 1951
Consignment Deadline: June 22nd, 2012

For more information please contact our American & European Works of Art department at 508.970.3206 or email prints@skinnerinc.com
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1. Max Ackermann (German, 1887-1975) Zwei Frauenkpfe, 1928, proof outside of the edition of 200. Signed and dated Max Ackermann 1928 in pencil l.r., inscribed Probe in pencil l.l., dry stamp ATELIER SAMMET l.r. Etching on wove paper, plate size 12 1/4 x 8 1/4 in. (31.0 x 20.7 cm), matted, unframed. Condition: Margins 3 1/2 inches or more with deckled edges, minor soiling near edges. $300-500
2. Josef Albers (German/American, 1888-1976) Two Images: DR-a and DR-b, 1968, editions of 100 plus proofs, published by Galerie Denise Ren, Paris (Danilowitz, 180 & 181). Both monogrammed and dated JA68 in pencil l.r., numbered and titled in pencil l.r., publishers dry stamp l.l., and identified on a label from Graphics 1 and Graphics 2, Boston, on the backing. Color screenprints on paper, image sizes 23 1/2 x 23 5/8 in. (59.5 x 65.0 cm), shrink-wrapped. Condition: Not examined out of wrap. $1,000-1,500
online bidding at www.skinnerinc.com
3. Josef Albers (German/American, 1888-1976) Four Images: I-S Va 1, I-S Va 2, I-S Va 4, and I-S Va 5, from the I-S/ SIX VARIANTS Portfolio, 1969, edition of 150, published by IvesSillman, Inc., New Haven (Danilowitz, 192.1, 2, 4 & 5). Each signed and dated Albers69 in pencil l.r., and titled and numbered ...141/150 in pencil l.r., two with the publishers dry stamp l.r., two identified on a label from Graphics 1 and Graphics 2, Boston, on the backing. Color screenprints on paper, image sizes approximately 21 1/4 x 27 in. (53.9 x 70.1 cm), three framed, one shrink-wrapped. Condition: Va 4 with unpressed crease to image, not examined out of frames or wrap. $2,000-3,000
additional information and photos at www.skinnerinc.com
4. Peggy Bacon (American, 1895-1987) The Untilled Field, 1936, edition of 250, published by Associated American Artists in 1937 (Flint, 132). Signed Peggy Bacon. in pencil l.r., titled in pencil l.l. Drypoint on paper, plate size 6 x 7 1/2 in. (15.1 x 19.0 cm), framed. Condition: Not examined out of frame. $250-300 5. Jo Baer (American, b. 1929) Six Plates from the CARDINATIONS Suite, 1974, edition of 75. Each signed and dated J. Baer 74 in pencil l.r., numbered 10/75 in pencil l.l., and identified on a label from the Obelisk Gallery, Boston, affixed to the backing. Color screenprints on paper, image sizes 24 1/2 x 18 1/2 in. (62.3 x 47.1 cm), framed. Condition: Not examined out of frames. $600-800 6. Luigi Bartolini (Italian, 1892-1963) Pianta Grassa..., 1936, edition of 10. Signed LuigiBartolini in pencil l.r., numbered, titled, and inscribed 3/10... in pencil l.l. Etching on chine coll, plate size 8 x 4 3/8 in. (20.3 x 11.1 cm), in a clip frame. Condition: Several fox marks to supporting sheet, not examined out of frame. $400-600
7. Leonard Baskin (American, 1922-2000) Three Portraits: Bertolt Brecht, 1952, artists proof, woodcut (Fern & OSullivan, 145); Eakins: 1895, 1960, edition of 50, etching (Fern & OSullivan, 397); and Odilon Redon, 1969, edition of 175, etching (Fern & OSullivan, 547). Two signed Baskin in pencil l.r. and inscribed or numbered in pencil l.l. Image sizes to 20 5/8 x 18 1/4 in. (52.3 x 46.3 cm), matted, unframed. Condition: Most edges deckled, Brecht possibly trimmed at edges and with toning. $500-700
8. Leonard Baskin (American, 1922-2000) Tobias and the Angel, 1958 (Fern & OSullivan, 367). Signed Leonard Baskin in pencil l.r., monogrammed within the block, titled and inscribed ...artists proof in pencil l.l. Woodcut on paper, image size 14 7/8 x 15 in. (37.5 x 38.0 cm), framed. Condition: Toning, not examined out of frame. $300-350
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9. Leonard Baskin (American, 1922-2000) Donatello, Italian, d. 1466, 1963, from the PORTRAITS OF TEN ARTISTS Portfolio, published 1964, edition of 50 (Fern & OSullivan, 471). Signed Baskin in pencil l.r., titled in pencil l.l., numbered 29/50 in pencil l.c. Etching on paper, plate size 17 5/8 x 14 1/2 in. (44.6 x 36.7 cm), framed. Condition: Subtle toning, not examined out of frame. $300-350
10. Leonard Baskin (American, 1922-2000) Three Native American Portraits: Chief Wets It - Assinnboine [sic], 1972, edition of 160 (Fern & OSullivan, 609); Spies on his Enemies - Crow, 1972, edition of 160 (Fern & OSullivan, 614); and White Horse, 1972, edition of 160 (Fern & OSullivan, 616). Each signed Baskin in pencil l.r., signed, titled, and dated within the matrix, and numbered in pencil l.l. Lithographs on paper, sheet sizes 35 x 25 in. (88.8 x 63.4 cm), unmatted, unframed. Condition: Minor handling marks to each, handling creases (especially near lower corners). $1,000-1,500
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11. Hans Bellmer (German, 1902-1975) La Cphalopode Double, 1965, proof with color outside of the edition of 100 (Denol, 61). Signed Bellmer in ink l.r., dated 1965 in ink l.l., identified on a label from Gimple & Weitzenhoffer Ltd., New York, affixed to the backing. Engraving with aquatint in blue on paper, plate size 16 1/8 x 17 in. (40.7 x 43.0 cm), framed. Condition: Margins over 2 inches with deckled edges, subtle toning, not examined out of frame. $300-500
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12. Frank Weston Benson (American, 1862-1951) Frontispiece for Volume Two of the Catalogue (Two Geese), 1919, edition of 275 (Paff, 158). Signed FrankWBenson. in pencil l.l. Etching on laid paper, plate size 3 7/8 x 5 7/8 in. (9.7 x 14.8 cm), unmatted, unframed. Condition: Margins 1 1/4 inches or more. $500-700
13. Frank Weston Benson (American, 1862-1951) Frontispiece for Volume Three of the Catalogue (On Set Wings), 1923, edition of 535 (Paff, 223). Signed FrankWBenson. in pencil l.l. Etching on laid paper, plate size 4 3/8 x 5 3/4 in. (11.0 x 14.5 cm), unmatted, unframed. Condition: Margins 1 inch or more. $500-700
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14. Thomas Hart Benton (American, 1889-1975) Sunday Morning, 1939, edition of 250, published by Associated American Artists (Fath, 26). Signed Benton in pencil l.r. and within the matrix, identified on a fragmentary label from AAA affixed to the backing. Lithograph on Rives paper with watermark, image size 9 5/8 x 12 5/8 in. (24.4 x 32.1 cm), framed. Condition: Margins over 3/4 inches with deckled edges, gently light-struck, hinged near upper corners. $1,000-1,500
15. Roger Bissire (French, 1886-1964) Untitled, edition of 75. Signed R. Bissire in pencil l.r., numbered 27/75 in pencil l.l. Color aquatint on paper, plate size 20 7/8 x 13 1/2 in. (53.0 x 34.3 cm), framed. Condition: Pale mat burn, gentle rippling, not examined out of frame. $500-700
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16. Edmund Blampied (British, 1886-1966) A Jersey Milkmaid, 1920, trial proof before the edition of 100 (Appleby, 60; Dodgson, 52; Allhusen, 33). Signed E. Blampied in pencil l.r. Drypoint on paper, plate size 10 x 7 in. (25.4 x 17.8 cm), framed. Condition: Subtle toning, not examined out of frame. N.B. The impression presented here is before the signature was added to the plate, and prior to the darkening of her bonnet and shading on and near her waist. $300-350
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17. Norbertine Bresslern-Roth (Austrian, 1891-1978) Tigers Roar. Signed Bresslern-Roth in pencil l.r., inscribed handdruck in pencil l.l. Color linocut on laid tissue, image size 7 5/8 x 6 1/2 in. (19.3 x 16.6 cm), unmatted, unframed. Condition: Margins approximately 1/2 inch. N.B. Sold for the benefit of the collections of the Smith College Museum of Art. $300-500
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18. Bernard Buffet (French, 1928-1999) Paris, LIle Saint-Louis, 1962, edition of 150 plus 30 proofs (Mourlot, 33). Signed Bernard Buffet in pencil l.r., inscribed E.A. in pencil l.l. Color lithograph on paper, image size 20 1/2 x 26 1/4 in. (52.1 x 66.4 cm), framed. Condition: Unobtrusive mat burn, not examined out of frame. $1,200-1,800
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19. Pol Bury (Belgian, 1922-2005) Three Compositions: New York, edition of 75, photo-lithograph; Composition, edition of 50, color aquatint; and 3D, edition of 75, lithograph in red and blue. Each signed Pol Bury in pencil l.r. and numbered in pencil l.l. Image sizes to 30 x 24 in. (76.2 x 60.8 cm), framed. Condition: Not examined out of frames. Provenance: Estate of an arts benefactor, New York. $1,500-2,000
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20. Alexander Calder (American, 1898-1976) Untitled (Yin-Yang), edition of 175. Signed Calder in pencil l.r., numbered 145/175 in pencil l.l. Color lithograph on paper, image size 19 1/8 x 24 7/8 in. (48.5 x 63.2 cm), framed. Condition: Deckled left and upper edges, not examined out of frame. $700-900
21. Steven Campbell (Scottish, 1953-2007) Man (Frontispiece), from the SCOTTISH BESTIARY Portfolio, 1986, edition of 50, published by The Paragon Press, London, printed by Peacock Printmakers, Aberdeen. Signed Steven Campbell in pencil l.r., numbered 8/50 in pencil l.l., printers dry stamp l.r., identified on a label on the backing. Woodcut on paper, image size 22 1/4 x 15 1/8 in. (56.4 x 38.3 cm), framed. Condition: Margins over 3 1/2 inches with deckled edges, not examined out of frame. N.B. The portfolio was a group of twenty illustrations made by seven different Scottish artists for the writings of George Mackay Brown, and was printed in both portfolio and book editions. $500-700
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22. Vija Celmins (Latvian/American, b. 1939) Ocean with Cross #1, 2005, edition of 108 plus proofs, published by the Lincoln Center/List Poster and Print Program, New York. Signed V. Celmins in pencil l.r., numbered 12/108 in pencil l.l., publishers dry stamp l.r. Screenprint on paper, image size 17 1/2 x 22 1/2 in. (44.5 x 57.2 cm), framed. Condition: Not examined out of frame. $5,000-7,000
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23. Marc Chagall (French/Russian, 1887-1985) Two Images from FABLES, written by Jean de La Fontaine: Le mort et le malheureux, plate 7; and Lours et lamateur de jardin, plate 83, both published 1952, total edition of 200 (Cramer, 22). The former signed Marc Chagall in pencil l.r. and numbered 7 in pencil l.l.; the latter unsigned. Etchings on paper, plate sizes 11 5/8 x 9 1/4 in. (29.3 x 23.3 cm), the former matted, both unframed. Condition: Subtle toning. $600-800
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24. Marc Chagall (French/Russian, 1887-1985) The Sacrifice of Abraham, plate 10 from BIBLE, published 1956, total edition of 295 (Cramer, 29). Unsigned. Etching on paper, plate size 12 x 9 3/8 in. (30.4 x 23.7 cm), unmatted, unframed. Condition: Subtle toning. $300-500
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25. Marc Chagall (French/Russian, 1887-1985) Four Plates from BIBLE, published in 1958: Crossing of the Jordan, plate 44; David on the Mount of Olives, plate 71; Solomon Receiving the Queen of Sheba, plate 80; and The Prophecy of Jerusalem, plate 90, each from the edition of 100 (Cramer, 30). Each initialed M. Ch. in pencil l.r. and numbered 50/100 in pencil l.l., three with labels from Kanegis Gallery, Boston, on the backing. Etchings with hand-coloring on paper, plate sizes to 12 3/4 x 9 3/4 in. (32.3 x 24.5 cm), framed. Condition: Visible margins 1/2 inch or more, gentle toning, not examined out of frames. $1,500-2,000
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26. Marc Chagall (French/Russian, 1887-1985) Le Visage dIsral, from BIBLE, 1960, edition of 50, printed by Mourlot, Paris, published by Verve, Paris (Mourlot, 231). Signed Marc Chagall in pencil l.r., numbered 48/50 in pencil l.l., identified on a label from Kanegis Gallery, Boston, on the backing. Color lithograph on paper, image size 14 1/8 x 10 5/8 in. (35.7 x 26.8 cm), framed. Condition: Visible margins 1/2 inch or more, pale staining to upper margin, subtle toning, not examined out of frame. $3,000-5,000
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27. Marc Chagall (French/Russian, 1887-1985) Cration, from BIBLE, 1960, edition of 50, printed by Mourlot, Paris, published by Verve, Paris (Mourlot, 234). Signed Marc Chagall in pencil l.r., numbered 48/50 in pencil l.l., identified on a label from Kanegis Gallery, Boston, on the backing. Color lithograph on paper, image size 14 1/4 x 10 1/2 in. (36.1 x 26.5 cm), framed. Condition: Visible margins 5/8 inches or more, subtle toning, not examined out of frame. $2,500-3,500
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28. Marc Chagall (French/Russian, 1887-1985) The Meeting of Ruth and Boaz, from BIBLE, 1960, edition of 50, printed by Mourlot, Paris, published by Verve, Paris (Mourlot, 247). Signed Marc Chagall in pencil l.r., numbered 48/50 in pencil l.l., identified on a label from Kanegis Gallery, Boston, on the backing. Color lithograph on paper, image size 14 1/4 x 10 1/2 in. (36.1 x 26.5 cm), framed. Condition: Visible margins 5/8 inches or more, gentle toning, not examined out of frame. $3,000-5,000
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29. Marc Chagall (Russian/French, 1887-1985) La nymphe bleue, 1962, edition of 50 (Mourlot, 379). Signed Marc Chagall in pencil l.r., numbered 7/50 in pencil l.l. Color lithograph on Arches paper with watermark, image size 23 3/4 x 20 in. (60.3 x 50.8 cm), framed. Condition: Deckled edges, subtle toning, unobtrusive mat burn, residue to verso, thinned area to edge u.l. on verso. $8,000-12,000
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30. After Marc Chagall (Russian/French, 1887-1985) Paris lOpera - Romo et Juliette, 1964, published by Mourlot, Paris. Identified within the matrix. Color lithographic poster on paper, sight size 24 1/4 x 35 1/4 in. (61.5 x 89.4 cm), framed. Condition: Crease to image c.r., not examined out of frame. $500-700
31. Seven Plates from TWENTY MASTERPIECES IN ETCHING: LIFE OF GEORGE WASHINGTON: Samuel Chamberlain (American, 1895-1975), Fraunces Tavern, New York City, 1783; Kerr Eby (American, 1889-1946), Stemming the Retreat at Monmouth; Earl Horter (American, 1881-1940), Braddocks Defeat; Robert Lawson (American, 1892-1957), New York Welcomes a National Hero, 1789; Francis Luis Mora (American, 1874-1940), The Surrender; Robert Buchan Nisbet (British, 1857-1942), Conquering the Wilderness; and Louis Conrad Rosenberg (American, 1890-1983), Farming at Mount Vernon; published 1931. Each signed in pencil l.r., several titled in pencil l.l. Etchings on laid paper with shield and GW watermarks, sheet sizes 14 1/2 x 19 5/8 in. (36.7 x 49.8 cm), unmatted, unframed. Condition: Minor soiling. $700-900
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32. Sandro Chia (Italian, b. 1946) Crying Woman, edition of 75. Signed S Chia in pencil l.r., numbered 40/75 in pencil l.l., dry stamps l.l. Color lithograph on paper, image size 35 3/4 x 42 1/2 in. (90.7 x 107.7 cm), unmatted, unframed. Condition: Soiling to margins, tear to lower margin. $500-700
33. Minna Wright Citron (American, 1896-1991) Men Seldom Make Passes, 1946, edition of 50. Signed and dated Minna Citron S.A.E. 46. in pencil l.r., inscribed etch + engr. ed 50 in pencil l.l., titled and dedicated ...For Peggy Boomer with appreciation - 1952 in pencil l.c. Etching and engraving with stencil coloring on paper, image size 15 x 9 1/4 in. (38.0 x 23.3 cm), framed. Condition: Margins over 1/2 inch, not examined out of frame. $500-700
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34. John Steuart Curry (American, 1897-1946) Sanctuary, alternatively titled Flood Relief, 1944, edition of 250, published by Associated American Artists (Czestochowski, 41). Signed John Steuart Curry in pencil l.r., initialed and dated within the matrix. Lithograph on paper, image size 11 3/4 x 15 3/4 in. (29.8 x 39.9 cm), framed. Condition: Not examined out of frame. $800-1,200
35. Karl Fred Dahmen (German, 1917-1981) Blaues Sgeblatt, 1976, edition of 75. Numbered, dated, titled, and signed 74/75...Dahmen in pencil beneath the image. Color etching with aquatint and embossing on paper, plate size 23 1/8 x 19 in. (58.8 x 42.3 cm), framed. Condition: Not examined out of frame. $200-250
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36. Salvador Dal (Spanish, 1904-1989) LES AMOUREUX/A Portfolio of Three Images, 1978-79, total edition of 1,070 (Lpsinger & Michler, 1563, 1565 & 1568; Field, 79-7). Each signed Dali in pencil l.r. and numbered 195/350 in pencil l.l. Color offset lithographs on paper, image sizes 22 x 17 3/8 in. (55.8 x 44.2 cm), each print plus an accompanying certificate framed, the original portfolio cover and colophon accompany the lot. Condition: Wear to cover, not examined out of frames. N.B. According to Lpsinger & Michler, Les Amoureux was released as two portfolios of three prints each. This set includes Garden of Eden, Les Amoureux (Lancelot and Guinevere), and Anthony and Cleopatra. $1,200-1,800
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37. Gene Davis (American, 1920-1985) Untitled, 1980, edition of 74. Signed and dated Gene Davis 1980 in pencil l.r., numbered 23/74 in pencil l.l. Color lithograph on paper, image size 38 3/4 x 30 3/4 in. (98.3 x 78.0 cm), framed. Condition: Rippling to sheet, not examined out of frame. $2,000-3,000
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38. Morgan Dennis (American, 1892-1960) Sitting Pretty. Signed MORGAN DENNIS in pencil l.r. and within the plate. Etching on paper, plate size 5 3/8 x 4 in. (13.5 x 10.0 cm), framed. Condition: Not examined out of frame. $200-250
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39. Jim Dine (American, b. 1935) Multicolored Robe for the Seoul Olympics, 1988, edition of 300 plus proofs. Numbered, signed, and dated 126/300 Dine 88 in pencil l.c., dry stamp l.l. Color lithograph on paper, sheet size 35 x 26 3/4 in. (88.8 x 65.0 cm), framed. Condition: Deckled edges, not examined out of frame. Provenance: Sothebys New York, Contemporary Prints, May 14, 1994, Lot 1042. $2,000-3,000
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40. Friedel Dzubas (German/American, 1915-1994) Untitled, edition of 45. Signed and numbered F. Dzubas 3/45 in pencil l.r. Color lithograph on paper, image size 6 1/2 x 17 in. (16.5 x 43.2 cm), framed. Condition: Margins 4 inches or more with deckled edges, not examined out of frame. $200-250
41. Romain de Tirtoff, called Ert (Russian/French, 18921990) THE ZODIAC/A Suite of Twelve Prints, 1982, from the edition of 90, published by Tristar Publishing, Ltd., New York. Each signed Ert in pencil l.r., numbered LXXVI/XC in pencil l.l., and with three-star and Chromacomp dry stamps l.r. Color screenprints on Arches paper with watermark, sheet sizes 25 1/2 x 20 in. (64.7 x 50.6 cm), presented in a folio (not original to the suite). Condition: Subtle toning, some sheets with subtle soiling and/or foxing. $2,000-3,000
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42. M.C. Escher (Dutch, 1898-1972) Three Bookplates: Bookplate Dr. P.H.M. Travaglino, 1940 (Bool et al., 321); Bookplate D.H. Roodhuyzen de Vries-Van Dishoeck, 1942 (Bool et al., 325); and After Bookplate A.M.E. van Dishoeck, May 1943 (Bool et al., 329). The first two monogrammed in the block. Relief prints on paper, image sizes 3 1/8 x 2 1/2 in. (8.0 x 6.0 cm), framed. Condition: Not examined out of frames, the last a later printing taken out of a book. $2,000-3,000
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43. M.C. Escher (Dutch, 1898-1972) New Years Greeting Card 1949, L & K Asselbergs, 1948 (Bool et al., 360). Monogrammed and identified within the block. Woodcut on paper, image size 5 7/8 x 5 3/8 in. (15.0 x 13.7 cm), framed. Condition: Water staining to edges of margins, not examined out of frame. $800-1,200
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44. M.C. Escher (Dutch, 1898-1972) Two Alphabet Images: E is een Ezel, 1953 (Bool et al., 392), and M is een Muis, 1953 (Bool et al., 393). The first signed M.C.Escher in pencil l.l., inscribed E for Escher, as well as Ezel (= donkey in Dutch) in ink l.c., and monogrammed within the block. Woodcuts on paper, image sizes 3 7/8 x 2 1/2 in. (9.8 x 6.4 cm), framed. Condition: Minor handling creases to upper edge of M, rub to sheet above image in E, not examined out of frames. $4,000-6,000
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45. M.C. Escher (Dutch, 1898-1972) Two Vignettes: Fish Vignette, 1954 (Bool et al., 398), and Fish Vignette, 1955 (Bool et al., 406). Both monogrammed within the block. Woodcuts on paper, image sizes approximately 3 x 3 1/2 in. (7.7 x 8.5 cm), framed. Condition: Not examined out of frames. $4,000-6,000
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46. M.C. Escher (Dutch, 1898-1972) Fish, 1963 (Bool et al., 442). Signed M.C.Escher in pencil l.l., numbered 13 in pencil l.l., monogrammed within the block. Woodcut on paper, image size 4 1/4 x 4 1/4 in. (10.9 x 10.9 cm), framed. Condition: Minor wear to top edges, not examined out of frame. $3,000-5,000
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47. Richard Estes (American, b. 1932) Salzburg, edition of 250 plus proofs (Arthur, p. 126). Signed Richard Estes in pencil l.r., numbered 230/250 in pencil l.l. Color screenprint on paper, image size 19 7/8 x 14 5/8 in. (50.4 x 37.0 cm), framed. Condition: Not examined out of frame. $1,000-1,500
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48. Ernest Fiene (American, 1894-1965) Fifth Avenue Evening, 1965, proof outside of the edition of 50. Signed and dated Ernest Fiene 65 in pencil l.r., inscribed and titled Trial proof... in pencil l.l. Color lithograph with possible areas of hand-coloring on paper, image size 23 3/8 x 18 1/4 in. (59.3 x 46.3 cm), framed. Condition: Not examined out of frame. $500-700
49. Aaron Fink (American, b. 1955) Cup, 1986, edition of 50. Signed and dated Aaron F 86 l.r., numbered 21/50 l.l., identified on a label from Obelisk Gallery, Boston, on the backing. Color etching on cream paper, sheet size 29 x 22 in. (73.5 x 55.8 cm), framed. Condition: Wide margins with deckled edges, not examined out of frame. $200-300
50. Lonard Tsuguharu Foujita (French/Japanese, 1886-1968)

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Le rve, 1947, edition of 50 (Buisson, 47-19). Signed Foujita in pencil l.r., numbered 9/50 in pencil l.l. Lithograph on paper, image size 20 x 26 in. (50.6 x 66.0 cm), framed. Condition: Not examined out of frame. $1,000-1,500
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51. Helen Frankenthaler (American, 1928-2011) Solar Imp, 2001, edition of 126 plus proofs, published by Lincoln Center/List Poster and Print Program, New York. Signed and numbered Frankenthaler 61/126 in pencil (within the image) l.l., signed within the matrix. Color screenprint on paper, image/sheet size 39 x 29 1/2 in. (99.0 x 74.7 cm), framed. Condition: Not examined out of frame. $4,000-6,000
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52. Isaac Friedlnder (American, 1890-1968) Two Images of Lovers. Both signed I. Friedlnder in pencil l.r. Wood engravings on tissue, image sizes 7 1/4 x 5 3/8 in. (18.3 x 13.5 cm), matted, unframed. Condition: Staining and water damage to upper third of both sheets, rippling and unpressed creases. $500-700
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53. Ren Gaillard (French, 19th/20th Century) Cocaine, c. 1925. Signed and identified within the matrix. Color lithographic poster, image size 59 x 43 1/2 in. (149.8 x 110.5 cm), unmatted, unframed. Condition: Mounted onto linen. Provenance: Purchased from Guernseys, New York, in the late 1980s. $3,000-4,000
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54. Sam Gilliam (American, b. 1933) Tre, 1994, edition of 40. Signed S. Gilliam in pencil (within the image) l.r., titled, dated, and numbered ...94 24/40 in pencil within the image l.c. Monotype with relief printing, screenprint, collage, acrylic, and stitching on handmade lavender paper, image/sheet size 33 x 25 1/2 in. (83.8 x 64.8 cm), unmatted, unframed. Condition: Deckled edges, areas along upper edge (verso) where paper pulp is disadhering. $2,500-3,500
54
55. Francisco de Goya (Spanish, 1746-1828) Two Plates from LOS CAPRICHOS: plate 8, Que se la llevaron! (Harris, 43 iii/iii); and plate 63, Miran que grabes! (Harris, 98 iii/iii), both from the tenth edition, printed 1918-28. Both identified within the plate. Etchings with aquatint on laid paper with ...VARRO and male profile watermarks, plate sizes 8 1/2 x 6 3/8 in. (21.5 x 16.2 cm), unmatted, unframed. Condition: Margins over 1 3/4 inches with deckled edges, minor soiling, Llevaron with creasing (pressed creases to margins only). N.B. Sold for the benefit of the collections of the Smith College Museum of Art. $600-800
55
37
56. Francisco de Goya (Spanish, 1746-1828) A caza de dientes, plate 12 from LOS CAPRICHOS, from the first edition, 1799 (Harris, 47 iii/iii). Identified within the plate. Etching with aquatint on laid paper, plate size 8 1/2 x 6 in. (21.5 x 15.2 cm), unmatted, unframed. Condition: Margins over 1 1/4 inches with deckled edges, foxing, minor soiling, gentle rippling to sheet, pinholes to left margin along the edge, creases to right margin. N.B. Sold for the benefit of the collections of the Smith College Museum of Art. $600-800
56
57. Francisco de Goya (Spanish, 1746-1828) Ya tienen asiento, plate 26 from LOS CAPRICHOS, from the first edition, 1799 (Harris, 61 iii/iii). Identified within the plate. Etching with aquatint on laid paper, plate size 8 1/2 x 6 in. (21.5 x 15.2 cm), matted, unframed. Condition: Margins over 1/2 inch, gentle soiling, slice to left margin, brown paper affixed to edge of the left margin, annotations to lower margin and verso. N.B. Sold for the benefit of the collections of the Smith College Museum of Art. $600-800
57
38
58
58. Francisco de Goya (Spanish, 1746-1828) La rinde el Sueo, plate 34 from LOS CAPRICHOS, from the first edition, 1799 (Harris, 69 iii/iii). Identified within the plate. Etching with aquatint on laid paper, plate size 8 1/2 x 6 in. (21.5 x 15.2 cm), matted, unframed. Condition: Margins 1/2 inch or more, foxing and water staining, subtle surface rubs near upper edge on image, annotations to lower margin and verso. N.B. Sold for the benefit of the collections of the Smith College Museum of Art. $600-800
39
59. Eugne Grasset (French, 1841-1917) Encre L. Marquet, 1892. Signed, dated, and identified within the matrix. Chromolithographic poster on paper, sheet size 47 1/2 x 31 7/8 in. (120.5 x 80.8 cm), in a period-style frame. Condition: Linen-backed, stabilized tears and creases, minute losses, including several within the image, unobtrusive toning to image along upper 2 inches. $1,500-2,000
59
60. Peter Halley (American, b. 1953) Two Works: Contamination I and Contamination II, 2002, editions of 100, published by Alberico Cetti Serbelloni Editore. Both signed and dated PeterHalley 2002 in pencil l.r. and numbered in pencil l.l. Color lithographs with screenprint on paper, image sizes 27 7/8 x 27 1/2 in. (70.7 x 69.9 cm), unmatted, unframed. Condition: Deckled edges, minor nicks to edges and creases at very corners. $1,500-2,000
60
40
61
62
61. Yozo Hamaguchi (Japanese, 1909-2000) Spiral Shell, 1979, edition of 99 (Hamaguchi, 152). Signed hamaguchi in pencil l.r., dedicated pour lailier in pencil l.l., Maurice Lailier collectors stamp to verso. Mezzotint on paper, plate size 1 1/2 x 2 3/8 in. (4.6 x 5.8 cm), matted, unframed. Condition: Margins 1 3/4 inches or more with deckled edges, subtle soiling to upper margin, annotation to verso. $300-500
62. Franois Houtin (French, b. 1950) Two Garden Views: Terrasse des Fontaines, 1985, edition of 45, and Enfilade, 1985, edition of 80. Both signed and dated Houtin 85 in pencil l.r., monogrammed FH in the plate, and numbered and titled in pencil l.l. Etchings on wove paper, plate sizes to 6 1/4 x 4 5/8 in. (15.8 x 11.8 cm), unmatted, unframed. Condition: Terrasse with handling creases and discoloration to sheet along right edge. $250-300
63. Alfred Heber Hutty (American, 1877-1954) At the Edge of the Cliff, edition of 75. Signed Alfred Hutty... in pencil l.r. Etching and drypoint on laid paper, plate size 11 7/8 x 11 3/8 in. (30.0 x 28.7 cm), matted. Condition: Toning, margins 1 3/8 inches or more with deckled left and lower edges, annotations along the lower edge. $700-900
63
41
64
64. Louis Icart (French, 1888-1950) Vitese, 1927 (Holland et al., 311). Signed Louis Icart in pencil l.r., dated and publisher within the plate, artists dry stamp l.l., inscribed Ep. dA in pencil l.l. Etching with hand-coloring on paper, plate size 15 1/2 x 26 in. (39.3 x 65.8 cm), in a Deco-style frame. Condition: Repaired tear to left margin and into image, not examined out of frame. $800-1,200
65. Louis Icart (French, 1888-1950) LElan, 1928 (Holland et al., 346). Signed Louis Icart in pencil l.r., dated and publisher within the plate, artists dry stamp l.l. Etching with hand-coloring on paper, plate size 19 7/8 x 14 7/8 in. (50.3 x 37.6 cm), in a Deco-style frame. Condition: Toning, not examined out of frame. $800-1,200
65
42
66
66. Louis Icart (French, 1888-1950) Coursing III, 1930, a later impression published by the New York Graphics Society (Holland et al., 402). Signed Louis Icart in pencil l.r., dated and publisher within the plate, artists and publishers dry stamps l.l. Etching with hand-coloring on paper, plate size 15 3/4 x 25 5/8 in. (40.0 x 65.0 cm), in a Deco-style frame. Condition: Several pale fox marks, not examined out of frame. $800-1,200
67. Louis Icart (French, 1888-1950) La Glycine, 1940 (Holland et al., 489). Signed Louis Icart in pencil l.r., dated and publisher within the plate. Etching with aquatint and hand-coloring on paper, plate size 18 x 21 1/2 in. (45.7 x 54.4 cm), in a Deco-style frame. Condition: Not examined out of frame. $800-1,200
67
43
68
70
68. Robert Kasimir (Austrian, 1914-2002) Two Views: New York, Broad Street (Kasimir, R75), and Washington, Capitol (Kasimir, R77). Both signed Robert Kasimir in pencil l.c. Color etchings with aquatints on paper, plate sizes approximately 17 5/8 x 12 in. (44.8 x 30.5 cm), framed. Condition: Mat burn, unobtrusive toning, not examined out of frames. $300-500 69. Tanna Kasimir-Hoernes (Austrian/American, 1887-1972) Two New York City Views: New York, Trinity Church (Kasimir, 552), and New York, Sub-Treasury Building (Kasimir, 555). Both signed T.K. Hoernes in pencil l.r. Color etchings with aquatint on paper, plate sizes approximately 17 1/2 x 11 1/2 in. (44.4 x 29.2 cm), framed. Condition: Mat burn, unobtrusive toning, not examined out of frames. $300-500 70. Robert Kipniss (American, b. 1931) Still Life with Dark Window, 2001, edition of 60 plus proofs, published by Weinstein Gallery, San Francisco (Grace, G116). Signed Kipniss in pencil l.r., numbered 20/60 in pencil l.l. Mezzotint on paper, plate size 13 3/4 x 9 1/2 in. (34.9 x 24.2 cm), framed. Condition: Not examined out of frame. $300-500
69
44
71. Marguerite Kirmse (American, 1885-1954) Two Images of Scotties: A Christmas Carol and Fuzzy Wuzzy. Both signed Marguerite Kirmse in pencil l.r., titled in pencil l.l., and identified on label affixed to backing. Etchings on paper, plate sizes to 7 1/8 x 5 in. (18.2 x 12.8 cm), framed. Condition: Scattered foxing to Christmas, not examined out of frames. $300-500
72. Marguerite Kirmse (American, 1885-1954) Carolina Days. Signed Marguerite Kirmse in pencil l.r., titled in pencil l.l., identified on a label from Robert C. Vose, Boston, affixed to the backing. Etching on paper, plate size 9 x 13 3/8 in. (22.7 x 33.9 cm), framed. Condition: Subtle toning and mat burn, not examined out of frame. $200-250
71
72
45
73
73. Paul Klee (Swiss, 1879-1940) Hhe!, 1928. Signed Klee in pencil l.r. and within the plate, dated and titled 1928 J9... in pencil l.l., numbered and inscribed 8/10... in pencil l.c. Etching on paper, plate size 9 1/8 x 9 in. (23.0 x 22.8 cm), framed. Condition: Margins approximately 1 3/8 inches, toning, light-struck, subtle handling and other creases (most visible primarily from the reverse), masking tape to edges on the reverse. $50,000-70,000
46
74
74. Oskar Kokoschka (Austrian, 1886-1980) Berlin, Blick ber die Mauer, 1966, edition of 75 plus proofs (Wingler & Welz, 363). Signed O Kokoschka in pencil l.r., dated and inscribed within the matrix. Lithograph on paper, image size 26 1/4 x 39 1/4 in. (66.7 x 99.7 cm), framed. Condition: Unobtrusive mat burn, not examined out of frame. $400-600
75. Vaino Kola (Finnish/American, b. 1937) Norton Woods, edition of 60. Signed Vaino Kola in pencil l.r., titled in pencil l.c., numbered 9/60 in pencil l.l., dry stamp l.l. Etching and aquatint on paper, plate size 35 1/2 x 47 3/4 in. (90.0 x 121.2 cm), framed. Condition: Margins over 2 inches, deckled edges, not examined out of frame. N.B. Kola taught at Wheaton College in Norton, Massachusetts, for more than 25 years. $800-1,000
75
47
76
76. Jacob Armstead Lawrence (American, 1917-2000) Lawyers and Clients, 1994, from the printers proof edition of 10, edition of 100 plus various proofs, printed by Lou Stovall, Workshop, Inc., Washington D.C. (Nesbett, L94-2). Signed and dated Jacob Lawrence 1994 in pencil l.r., numbered PP 8/10 in pencil l.l., printers dry stamp l.l. Color screenprint on paper, image size 29 3/4 x 22 in. (75.5 x 55.7 cm), framed. Condition: Not examined out of frame. N.B. This work is based on the 1993 painting by the same name in the collection of Baruch College, New York, and was published to raise funds for the National Bar Institute, Washington, D.C. $4,000-6,000
48
77. Sol LeWitt (American, 1928-2007) Vertical Not Straight Lines Not Touching on Color, 1991, edition of 30, published by Riverhouse Editions, Steamboat Springs, Colorado. Signed S. LeWitt in pencil (within the image) l.r., numbered 11/30 in pencil (within the image) l.l., publishers dry stamp l.l. Etching with aquatint in blue and black on paper, image/sheet size 47 x 33 in. (119.4 x 83.8 cm), framed. Condition: Not examined out of frame. $3,000-5,000
78. Roy Lichtenstein (American, 1923-1997) As I Opened Fire.../A Triptych, 1966 (Corlett, app. 5). Unsigned, identified in the matrix, each sheet stamped in the lower corners on the reverse. Offset color lithographs on paper, each sheet 25 1/8 x 20 7/8 in. (63.7 x 52.9 cm), unmatted, unframed. Condition: Subtle toning, very minor handling marks and creases. $600-800
77
78
49
79
79. Roy Lichtenstein (American, 1923-1997) Imperfect Diptych, 1988, edition of 45, published by Gemini G.E.L., Los Angeles (Corlett, 219). Numbered, signed, and dated 24/45 Rf Lichtenstein 88 in pencil l.r., copyright and publishers dry stamps l.r. Woodcut, screenprint, and collage on museum board, image size 38 3/8 x 81 3/8 in. (97.4 x 203.8 cm), framed. Condition: Soft crease to lower edge at left corner, grouping of small surface nicks to sheet plus two soft creases to margin in the lower right corner. N.B. From 1986 to 1988 Lichtenstein created a series of works known collectively as the Imperfect Series. Each work in the series features tanogram-like geometric shapes in which at least one element projects outside of the regular frame of the composition. To create the saturated color that the artist desired, the colors were overprinted, and even the Mylar collage elements have a clear coat overprint to maintain the reflective qualities of these portions. Provenance: The Golden Gallery, Boston. $20,000-30,000
50
80
80. Robert Longo (American, b. 1953) The Wave, 2003, edition of 108. Signed and dated RLongo. 2003 in pencil (within the image) l.r., numbered 10/108 in pencil (within the image) l.l. Screenprint on paper, image/sheet size 15 1/4 x 39 1/2 in. (38.5 x 100.3 cm), framed. Condition: Not examined out of frame. $1,500-2,000
81. Huc-Mazelet Luquiens (American, 1881-1961) Two Views of Hawaii: Sunset, Kualoa Point, 1923, and Lauhala, 1932. Both signed H.M.Luquiens in pencil l.r., both monogrammed or signed and dated within the plate, the latter titled in pencil l.r. Etchings (the former with aquatint) on paper, plate sizes to 8 3/4 x 12 7/8 in. (22.2 x 32.5 cm), framed. Condition: Toning (primarily to former), not examined out of frames. N.B. Although Luquiens was born in Massachusetts, he traveled to Hawaii for the first time in 1917. Transfixed by the landscape, he spent much of the rest of his career there. $500-700
81
51
82
82. Aristide Maillol (French, 1861-1944) Forty-three Pastoral Scenes from LES GLOGUES, by Virgile, published in 1926 (Guerin, 15-58). One monogrammed in pencil, one initialed within the block. Relief prints on laid yellow paper, sheet sizes 12 3/4 x 9 1/2 in. (32.4 x 24.0 cm), unmatted, unframed. Condition: Deckled edges, some with very minor soiling and/or wear to edges. N.B. This lot includes all of the illustrations; only the lettrines are lacking. $4,000-6,000
52
83
84
83. Maruja Mallo (Spanish, 1902-1995) The Mannequin, edition of 170. Signed Maruja Mallo in pencil l.r., numbered 107/170 in pencil l.l., identified on a label from The N Gallery, Philadelphia, on the mat. Lithograph on paper, image size 17 5/8 x 12 5/8 in. (44.8 x 32.1 cm), matted, unframed. Condition: Mat burn, gently light-struck. $400-600 84. Reginald Marsh (American, 1898-1954) Coney Island Beach, 1934, from the Whitney Museum edition of 100, printed in 1971 (Sasowsky, 153). Signed and dated within the plate, Whitney Museum dry stamp l.r., numbered 43/100 in pencil l.l., identified on a label from Associated American Artists affixed to the backing. Etching on paper, plate size 9 3/4 x 9 3/4 in. (24.5 x 24.7 cm), framed. Condition: Gentle rippling, not examined out of frame. $500-700 85. Andr Masson (French, 1896-1987) Image from ESTAMPES ORIGINALES. ALBUM B. FEUILLES EPARSES, 1965, edition of 50 (Saphire & Cramer, 68). Signed Andr Masson in pencil l.r., inscribed Ep. dartiste in pencil l.l. Color etching with aquatint on paper, plate size 8 1/8 x 6 7/8 in. (20.5 x 17.4 cm), framed. Condition: Margins 1 1/2 inches or more with deckled edges to two sides, subtle toning, creases to margins. $500-700
85
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86
86. Michael Burton Mazur (American, 1935-2009) Island in a Storm, 1985, edition of 100 (Hansen, 247). Signed Mazur in pencil l.r., titled in pencil l.l., numbered 71/100 in pencil l.c. Color screenprint on paper, image size 16 7/8 x 26 1/8 in. (42.7 x 66.2 cm), framed. Condition: Margins 1 inch or more, not examined out of frame. $300-500
87. Charles Meryon (French, 1821-1868) Ocanie: Ilots a Uvea (Wallis) pche aux palmes 1845, 1863, final state of six (Schneiderman, 88.vi). Identified within the plate. Etching on laid paper with HUDELIST watermark, plate size 6 1/4 x 13 1/4 in. (15.9 x 33.7 cm), matted, unframed. Condition: Margins 2 3/4 inches or more, collectors stamp l.r., annotations to lower margin and verso. N.B. Sold for the benefit of the collections of the Smith College Museum of Art. $250-350
87
54
88. Joan Mir (Spanish, 1893-1983) Femme en colre, 1958, edition of 75, published by Maeght diteur, Paris (Dupin, 148). Signed Mir in pencil l.r., numbered 63/75 in pencil l.l. Color etching and aquatint on paper, plate size 5 x 3 3/4 in. (12.6 x 8.2 cm), framed. Condition: Not examined out of frame. $1,000-1,500
89. Joan Mir (Spanish, 1893-1983) Femme et oiseau dans la tormente, from DERRIRE LE MIROIR, published 1967 (Mourlot, 442). Signed Mir in pencil l.r., inscribed H.C. in pencil l.l. Color lithograph on paper, image size 17 x 21 in. (43.2 x 53.3 cm), framed. Condition: Wide margins with deckled edges, subtle toning, handling creases near edges, not examined out of frame. $1,000-1,500
88
89
55
90
90. Joan Mir (Spanish, 1893-1983) Untitled, from the series BARCELONA 1972-1973, 1973, edition of 50, published by Sala Gaspar, Barcelona, printed by J.J. Torralba, Barcelona (Dupin, 602). Signed Mir in pencil l.r., numbered 21/50 in pencil l.l. Color etching, aquatint, and carborundum on paper, sight size 26 1/2 x 40 1/2 in. (67.3 x 102.9 cm), framed. Condition: Deckled edges, gentle rippling, not examined out of frame. $3,500-5,500
91. Joan Mir (Spanish, 1893-1983) Cramiques, 1974 (Mourlot, 928). Signed within the matrix. Color lithograph on paper, image size 18 1/2 x 24 3/8 in. (47.0 x 62.0 cm), framed. Condition: Not examined out of frame. $800-1,200
91
56
92
92. Joan Mir (Spanish, 1893-1983) Grans Rupestres V, 1979, edition of 30, published by Maeght, Barcelona, printed by Joan Barbar, Barcelona (Dupin, 1057). Signed Mir in pencil l.r., numbered 26/30 in pencil l.l. Color etching and aquatint on paper, plate/sheet size 35 x 26 7/8 in. (88.9 x 68.3 cm), framed. Condition: Deckled edges, gentle rippling, not examined out of frame. $4,000-6,000
57
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93. Thomas Moran (American, 1837-1926) The Resounding Sea, 1880 (Morand & Friese, 29). Signed and dated within the plate. Etching on paper, plate size 6 3/8 x 12 1/4 in. (16.0 x 31.0 cm), framed. Condition: Not examined out of frame. $500-700
94. Attributed to Giorgio Morandi (Italian, 1890-1964) Still Life with Seven Vessels and a Pinecone. Monogrammed M. in pencil l.r. Etching on paper, plate size 6 3/4 x 8 in. (17.0 x 20.4 cm), matted, unframed. Condition: Margins just over 1/2 inch, several pale pinpoint fox marks. $1,200-1,800
94
58
95. Forrest Moses (American, b. 1934) Untitled. Signed MOSES in pencil l.r., dry stamp l.r. Color monotype on paper, image size 34 1/8 x 16 1/2 in. (86.7 x 41.9 cm), framed. Condition: Deckled edges, loose from hinges, not examined out of frame. $500-700 96. Louis Novak (American, 1903-1983) Four New England Views: At Copley Square; Covered Bridge in Autumn, Peter Faneuils Dam, and The Old State House, Boston. Two signed and titled in pencil beneath the image. Color relief prints on paper, image sizes approximately 10 3/8 x 8 1/4 in. (26.4 x 21.0 cm), framed. Condition: Subtle toning and/or staining, not examined out of frames. $300-500 97. Jos Clemente Orozco (Mexican, 1883-1949) The Unemployed - Paris (Desocupado), 1932, edition of 100, published by Delphic Studios (Hopkins, 22). Signed J.C. Orozco in pencil l.r. Lithograph on paper, image size 14 1/2 x 10 1/2 in. (36.7 x 26.5 cm), framed. Condition: Margins over 1 inch with all but the left edge deckled, unobtrusive toning and mat burn, brown paper tape to upper edge with minute losses to same, masking and cellophane tape to verso. $200-300
95
96
97
59
98
99
98. Joseph Pennell (American, 1860-1926) Ponte San Trinita (Florence), 1883 (Wuerth, 53). Signed Joseph Pennell in pencil l.r., signed and dated within the plate. Etching on paper, plate size 8 x 11 7/8 in. (20.3 x 30.2 cm), framed. Condition: Margins 1 inch or more, several pale fox marks, gentle rippling, not examined out of frame. $200-250
99. Joseph Pennell (American, 1860-1926) New York, From Hamilton Ferry, 1915, edition probably of 50 (Wuerth, 669). Signed Jos Pennell in pencil l.c. Etching on laid paper, plate size 8 3/8 x 10 7/8 in. (21.2 x 27.5 cm), matted, unframed. Condition: Margins over 1 inch with deckled edges, tears to upper margin, including one repair, soiling to all margins, glue and residue to lower edge. $250-300
60
100
100. Pablo Picasso (Spanish, 1881-1973) Dans lAtelier, 1965, edition of 50 (Bloch, 1227). Signed Picasso in pencil l.r., numbered 21/50 in pencil l.l., dated within the plate. Aquatint on paper, plate size 9 5/8 x 15 1/8 in. (24.5 x 38.9 cm), framed. Condition: Visible margins over 1 1/4 inches, not examined out of frame. $4,000-6,000
61
101
101. Pablo Picasso (Spanish, 1881-1973) Peintre et modle, 1966, edition of 50 (Bloch, 1375). Signed Picasso in pencil l.r., numbered 25/50 in pencil l.l. Etching and aquatint on BFK Rives paper with watermark, plate size 10 3/4 x 15 1/4 in. (27.3 x 38.5 cm), unmatted, unframed. Condition: Margins over 2 inches with deckled edges, annotations to verso. $4,000-6,000
62
102
102. Pablo Picasso (Spanish, 1881-1973) Modle au fume-cigarette, 1966, edition of 50 (Bloch, 1382). Signed Picasso in pencil l.r., numbered 21/50 in pencil l.l. Etching and aquatint on BFK Rives paper with watermark, plate size 10 5/8 x 14 3/4 in. (26.8 x 37.4 cm), unmatted, unframed. Condition: Margins over 2 inches with deckled edges, annotations to verso. $4,000-6,000
103. After Pablo Picasso (Spanish, 1881-1973) Owl with Turned Head/A Pair of Vases. Both with applied stamps DAPRES PICASSO to underside. White earthenware turned vases with white, brown, and black glazes, height 11 in. (27.8 cm). Condition: Crackle to glazes, soiling (almost exclusively to the interiors). $1,000-1,500
103
63
104
104. Christian Zervos, author (Greek/French, 1889-1970) Pablo Picasso, volume 2 in two parts, Oeuvres 1906 a 1912 and Oeuvres 1912 a 1917, published by Editions Cahiers DArt, Paris, 1942. 13 x 10 in. (33.0 x 25.4 cm), in paper bindings. Condition: Wear to covers, overall unobtrusive toning, part 2 with compromised binding, part 2 with text pages uncut at the tops. $300-500
105. John Piper (British, 1903-1992) Sunflowers at Marignac, 1956, edition of 75, printed by Mourlot Frres, Paris, published by Curt Valentin Gallery, New York, (Levinson, 103). Signed John Piper in pencil l.r., numbered 42/75 in pencil l.l. Color lithograph on paper, image size 16 7/8 x 22 in. (42.8 x 55.8 cm), framed. Condition: Toning, pinpoint foxing, not examined out of frame. $500-700
105
64
106
106. Giovanni Battista Piranesi (Italian, 1720-1778) Two Plates from VEDUTE DI ROMA: Veduta degli Avanzi del Foro di Nerva and Avanzi deglAquedotti Neroniani..., probably 19th century impressions (Ficacci, 966 & 989). Both identified within the plates. Engravings with etching on paper, plate sizes approximately 19 x 28 in. (48.3 x 71.2 cm), framed. Condition: Vertical creases, toning (more so to Aquedotti), rippling, not examined out of frames. $500-700
107. Larry Poons (American, b. 1937) A Lot Worse Than That, 1979, edition of 175, published by Larry B. Wright, New York. Signed L. Poons in pencil l.r., numbered 73/175 in pencil l.l., publishers dry stamp l.l., printers dry stamp l.r. Color screenprint on paper, image size 28 x 20 in. (71.1 x 50.8 cm), unmatted, unframed. Condition: Deckled edges. $400-600
107
65
108. Odilon Redon (French, 1840-1916) Jai quelquefois aperu dans la ciel comme des formes desprits, plate XXI from LA TENTATION DE SAINTANTOINE (Troisime srie), 1896, edition of 50 (Mellerio, 154). Unsigned, identified on a label affixed to the backing. Lithograph on chine coll, image size 10 3/8 x 7 1/8 in. (26.2 x 18.0 cm), framed. Condition: Gentle rippling, visible margin of 3/4 inches, not examined out of frame. $400-600
109. Doel Reed (American, 1895-1985) Figure in Landscape, 1953, edition of 100, published by the Society of the Print Connoisseurs of America. Signed Doel Reed, N.A. in pencil l.r., publishers dry stamp l.l. Etching with aquatint on paper, plate size 10 x 15 in. (25.4 x 38.0 cm), unmatted, unframed. Condition: Tape hinges to upper margin, pale mat burn. $300-500
108
109
66
110. Rembrandt van Rijn (Dutch, 1606-1669) Nude Man Seated Before a Curtain, 1646, an 18th century impression (Hind, 220; Bartsch & Hollstein, 193, ii/ii). Unsigned. Etching on cream laid paper, plate size 7 5/8 x 4 15/16 in. (19.3 x 12.5 cm), unmatted, unframed. Condition: Trimmed to plate mark along the upper edge, thread margins to other three sides, several fox marks and minor stains, subtle toning or soiling. N.B. Sold for the benefit of the collections of the Smith College Museum of Art. $300-500
110
111. Gerhard Richter (German, b. 1932) Kerze, 1988 (see Butin/Gronert, 64). Signed Richter in pencil or crayon (within the image) l.r. Color offset-lithograph on paper, image/ sheet size 29 1/2 x 21 1/4 in. (74.8 x 53.8 cm), framed. Condition: Not examined out of frame. $1,500-2,000
111
67
112
112. Aiden Lassell Ripley (American, 1896-1969) Grouse Shooting, 1937. Signed and dated A. Lassell Ripley 1937 in pencil l.r., titled in pencil l.l., label from the Guild of Boston Artists on the backing. Etching on paper, plate size 9 x 11 7/8 in. (22.7 x 30.0 cm), framed. Condition: Unobtrusive toning, not examined out of frame. $300-500
113. Baron Rudolph Charles von Ripper (Austrian, 1904-1960) Two World War II Images: ...We Landed in Salerno Bay on D+10 Day, 1946, and ...In the Apennine Mountains Below Bologna, Along Highway 65, 1946. Both signed and dated RCvonRipper 1946 in pencil l.r. and titled in pencil l.l. Etchings with aquatint on laid paper, plate sizes 9 7/8 x 7 3/4 in. (25.0 x 19.6 cm), unmatted, unframed. Condition: Toning, minute nicks to edges, minor handling creases, staining to Salerno. $300-500
113
68
114
114. Manuel Robbe (French, 1872-1936) Combing the Shore. Signed Manuel Robbe in pencil (within the image) l.l. Color aquatint on paper, plate size 16 1/8 x 21 in. (41.0 x 53.2 cm), framed. Condition: Minor rippling/creasing along upper edge, not examined out of frame. $500-700
115. Auguste Rodin (French, 1840-1917) Etudes des figures, 1881, an impression from the cancelled plate 1884 or later (Thorson, ii). Signed ARodin in ink l.r., identified on an exhibition label (see below) affixed to the backing. Drypoint on paper, plate size 8 3/4 x 5 7/8 in. (22.0 x 14.8 cm), framed. Condition: Unobtrusive toning, not examined out of frame. Exhibitions: Rodin: Graphics, The Fine Arts Museums of San Francisco, JuneAugust, 1975. $300-500
115
69
116
116. Gatja H. Rothe (American/German, b. 1935) Rain and Sunshine over Seastone, edition of 150. Signed G.H. Rothe in pencil l.r., titled in pencil l.c., numbered 52/150 in pencil l.l. Color mezzotint on paper, plate size 17 3/4 x 23 3/4 in. (45.0 x 60.2 cm), framed. Condition: Not examined out of frame. $300-500
117. Gatja H. Rothe (American/German, b. 1935) Blue Girl, edition of 150. Signed G.H. Rothe in pencil l.r., titled in pencil l.c., numbered 2/150 in pencil l.l. Color mezzotint on paper, plate size 13 1/2 x 11 3/4 in. (34.2 x 29.8 cm), framed. Condition: Not examined out of frame. $500-700
117
70
118
119
118. Georges Rouault (French, 1871-1958) Autoportrait, 1926, edition of 100 (Wofsy, 17). Numbered and signed 14/100 G. Rouault in pencil l.r., initialed and dated within the plate. Lithograph on paper, image size 9 x 6 3/4 in. (22.7 x 17.0 cm), matted, unframed. Condition: Margins 1/2 inch or more, subtle toning. N.B. Sold for the benefit of the collections of the Smith College Museum of Art. $400-600 119. Fritz Scholder (American, 1937-2005) Red Indian, edition of 100. Signed Scholder in pencil within the image l.r., numbered 59.100 in pencil within the image l.l. Color lithograph on paper, image/sheet size 34 x 22 1/4 in. (86.2 x 56.5 cm), unmatted, unframed (shrink-wrapped). Condition: Not examined out of wrap. $300-500 120. Anton Schutz (German/American, 1894-1977) Bank of Manhattan Trust Company Building. Signed A. Schutz in pencil l.r., dedicated ...for Robert F. Herrick...1930 in pencil l.l., identified on a label from Kennedy & Co., New York, affixed to the backing. Etching on paper, plate size 13 7/8 x 9 7/8 in. (35.1 x 25.0 cm), framed. Condition: Unobtrusive toning and rippling, not examined out of frame. $200-250
120
71
121
122
121. Simkha Simkhovitch (Russian/American, 1893-1949) Two Genre Scenes: At the Beach, 1933, edition of 50, and Circus Performers. The former signed, dated, and numbered in pencil beneath the image. Lithographs on paper, image sizes approximately 11 x 8 1/4 in. (27.8 x 20.9 cm), framed. Condition: Subtle toning to Beach, not examined out of frames. Provenance: Through the collection of Sonya Simkhovitch, daughter of the artist. $500-700
122. Jack Sonenberg (American, b. 1925) Soundings IV, c. 1959, edition of 200. Titled, numbered, and signed ...91/200 J. Sonenberg in pencil l.r. Color woodcut on paper, image size 23 5/8 x 15 1/2 in. (60.0 x 39.3 cm), framed. Condition: Mat burn, not examined out of frame. $300-500
72
123
123. Jacob Steinhardt (German, 1887-1968) Bedouin Praying, 1953, edition of 30 (Kolb, 340). Signed and dated Jacob Steinhardt 1950 in pencil l.r., numbered 16/30 in pencil l.l. Color woodcut with additional coloring on paper, image size 11 1/4 x 16 3/8 in. (28.4 x 41.5 cm), framed. Condition: Gentle rippling, not examined out of frame. $600-800
124. Jacob Steinhardt (German, 1887-1968) Flowers Struggling, 1957, edition of 25 (Kolb, 429). Signed and dated Jacob Steinhardt 1957 in pencil l.r., inscribed in pencil l.l. Color woodcut on paper, image size 10 x 13 1/2 in. (25.4 x 34.3 cm), framed. Condition: Not examined out of frame. $700-900
124
73
125
125. Pat Steir (American, b. 1938) When I Think of Venice/A Diptych, 1980, edition of 35 plus proofs, published by Crown Point Press, Oakland (Willi et al., 13). Signed, numbered, and dated Pat Steir 8/35 1981 in pencil l.r., two dry stamps (including publishers) l.r. Color etching and aquatint on paper, plate size 35 3/4 x 49 1/4 in. (90.8 x 125.1 cm), framed. Condition: Not examined out of frame. $2,500-3,500
126. Franz von Stuck (German, 1863-1928) Forellenweiher, 1890. Signed Franz v Stuck in pencil l.r., signed and titled within the plate. Etching on heavy laid paper, plate size 10 1/2 x 8 7/8 in. (26.5 x 22.5 cm), matted, unframed. Condition: Pale toning and mat burn, margins over 1 3/4 inches. $600-800
126
74
127. Donald Sultan (American, b. 1951) Plate from the POMEGRANATES Suite, 1990, edition of 60, published by Waddington Graphics, London. Titled, dated, and initialed May, 1991 D.S. in pencil along the left margin, and numbered 53/60 in pencil l.r. Etching with aquatint on paper, plate size 39 3/4 x 29 1/2 in. (100.7 x 74.9 cm), unmatted, unframed. Condition: Deckled edges, minor handling creases. $1,800-2,200
127
128. Donald Sultan (American, b. 1951) Plate from the POMEGRANATES Suite, 1990, edition of 60, published by Waddington Graphics, London. Titled, dated, and initialed May, 1991 D.S. in pencil along the left margin, and numbered 53/60 in pencil l.r. Etching with aquatint on paper, plate size 39 3/4 x 29 1/2 in. (100.7 x 74.9 cm), unmatted, unframed. Condition: Deckled edges, minor handling creases. $1,800-2,200
128
75
129. Donald Sultan (American, b. 1951) Plate from the MORNING GLORIES Suite, 1991, edition of 60, published by Waddington Graphics, London. Titled, dated, and initialed Feb 3, 1991 D.S. in pencil (within the image) along the left edge, and numbered 26/60 in pencil (within the image) l.r. Etching with aquatint on paper, plate size 59 x 47 in. (149.8 x 119.4 cm), unmatted, unframed. Condition: Unobtrusive handling creases. $2,500-3,500
129
130. Donald Sultan (American, b. 1951) Plate from the MORNING GLORIES Suite, 1991, edition of 60, published by Waddington Graphics, London. Titled, dated, and initialed Feb 3, 1991 D.S. in pencil (within the image) along the left edge, and numbered 26/60 in pencil (within the image) l.r. Etching with aquatint on paper, plate size 59 x 47 in. (149.8 x 119.4 cm), unmatted, unframed. Condition: Unobtrusive handling creases. $2,500-3,500
130
76
131
131. Rufino Tamayo (Mexican, 1899-1991) Medio Pescado, 1969, edition of 150 (Pereda, 117). Signed R Tamayo in pencil l.r., numbered 38/150 in pencil l.l. Color lithograph on paper, image size 21 x 27 3/4 in. (53.2 x 70.3 cm), framed. Condition: Not examined out of frame. $700-900
132. Rufino Tamayo (Mexican, 1899-1991) Hombre con Coraje, 1982, edition of 100 plus proofs, published by Cartn y Papel de Mxico and printed by Taller Graficas Mexicana, Mexico City (Pereda, 303). Signed R. Tamayo in pencil (within the image) l.r., numbered 32/100 in pencil (within the image) l.l. Mixograph in colors on heavy paper, image size 32 x 24 1/8 in. (81.1 x 61.2 cm), framed. Condition: Margins 1 1/2 inches or more with deckled edges, not examined out of frame. $2,000-2,500
132
77
134
134. Julian Trevelyan (British, 1910-1988)

133
133. Joe Tilson (British, b. 1928) Clip-o-matic Eye, 1969, edition of 70. Numbered, signed, and dated 39/70 Joe Tilson . 1969 in pencil u.l., identified on a label from the Marlborough Graphics Gallery, New York, on the backing. Color screenprint with acetate film and collage, image size 26 1/2 x 19 in. (67.2 x 48.1 cm), framed. Condition: Toning, not examined out of frame. $300-500
Florence At Night, 1964, edition of 100. Signed Julian Trevelyan in pencil l.r., titled in pencil l.c., numbered 64/100 in pencil l.l. Etching and aquatint in blue on paper, plate size 13 3/4 x 18 5/8 in. (34.9 x 47.3 cm), framed. Condition: Gentle rippling, not examined out of frame. $300-500 135. Lesser Ury (German, 1861-1931) Im Tiergarten (Lesender), 1922, edition of 30 (Rosenbach, 43). Numbered and signed 24/30 L. Ury in pencil l.l. Lithograph on paper, image size 6 3/8 x 9 1/8 in. (16.3 x 23.2 cm), framed. Condition: Toning, not examined out of frame. $200-400
135
78
136
136. Victor Vasarely (French/Hungarian, 1906-1997) Eleven Images from ALBUM NO III CINTIQUE, 1959, edition of 150 plus proofs. Each signed Vasarely in pencil l.r., numbered 42/150 in pencil l.l., and signed and identified on the colophon page. Color screenprints on paper, image/sheet sizes 25 3/4 x 19 3/4 in. (65.3 x 50.0 cm), presented in the original portfolio folder. Condition: Minor wear/creasing to some edges. $2,500-3,500
79
137. Victor Vasarely (French/Hungarian, 1906-1997) Two Compositions in Gold from the PERMUTATIONS Series, 1968, edition of 150, published by Denise Ren, editeur, Paris. Both signed Vasarely- in pencil l.r., numbered 13/150 in pencil l.l., publishers dry stamp l.l., and identified on a label from the Kanegis Gallery, Boston, affixed to the backing. Color screenprints on paper, image size 23 5/8 x 23 5/8 in. (59.8 x 59.8 cm), framed. Condition: Gentle rippling to sheets, both with water staining to one margin, not examined out of frames. $600-800
137
138. Victor Vasarely (French/Hungarian, 1906-1997) Composition in Fuchsia and Lavender from the PERMUTATIONS Series, 1968, edition of 150, published by Denise Ren, editeur, Paris. Signed Vasarely- in pencil l.r., numbered 13/150 in pencil l.l., publishers dry stamp l.l., identified on a label from the Kanegis Gallery, Boston, affixed to the backing. Color screenprint on paper, image size 23 5/8 x 23 5/8 in. (59.8 x 59.8 cm), framed. Condition: Minute loss of ink within the dry stamp, not examined out of frame. $300-500
138
80
139. Victor Vasarely (French/Hungarian, 1906-1997) Composition in Blue and Green from the PERMUTATIONS Series, 1968, edition of 150, published by Denise Ren, editeur, Paris. Signed Vasarely- in pencil l.r., numbered 13/150 in pencil l.l., publishers dry stamp l.l., identified on a label from the Kanegis Gallery, Boston, affixed to the backing. Color screenprint on paper, image size 23 5/8 x 23 5/8 in. (59.8 x 59.8 cm), framed. Condition: Gentle rippling to sheet, water staining to upper margin, not examined out of frame. $300-500
139
140. Victor Vasarely (French/Hungarian, 1906-1997) Composition in Blue, Green, and Purple from the PERMUTATIONS Series, 1968, edition of 150, published by Denise Ren, editeur, Paris. Signed Vasarely- in pencil l.r., numbered 13/150 in pencil l.l., publishers dry stamp l.l., identified on a label from the Kanegis Gallery, Boston, affixed to the backing. Color screenprint on paper, image size 23 5/8 x 23 5/8 in. (59.8 x 59.8 cm), framed. Condition: Gentle rippling to sheet, water staining to lower margin, not examined out of frame. $300-500
140
81
141. Victor Vasarely (French/Hungarian, 1906-1997) Untitled (Green and Red on Blue), edition of 250. Signed Vasarely- in pencil l.r., numbered 146/250 in pencil l.l. Color screenprint on paper, image size 28 1/4 x 21 1/4 in. (71.8 x 54.0 cm), framed. Condition: Not examined out of frame. $400-600
141
142. Victor Vasarely (French/Hungarian, 1906-1997) Image from HOMMAGE A JEAN-SEBASTIEN BACH, published 1973, edition of 200 plus proofs. Signed Vasarely in pencil l.r., inscribed E.A. in pencil l.l. Color screenprint on paper, image size 19 x 19 in. (48.2 x 48.2 cm), framed Condition: Not examined out of frame. Provenance: Estate of Jonas Aarons, New York. $350-550
142
82
143. Three Volumes of Verve: Revue Artistique et Littraire Volume V, numbers 17 & 18, Couleur de Bonnard, 1947, featuring Pierre Bonnard (French, 1867-1947) and including an original color lithograph by him; Volume V, numbers 19 & 20, 1948, featuring Pablo Picasso (Spanish, 1881-1973); and Volume VI, number 24, Contes de Boccace, 1950, featuring Marc Chagall (French/Russian, 1887-1985). 14 1/4 x 10 1/2 in. (36.0 x 26.5 cm), in board bindings with slip covers. Condition: Wear to covers and breaks to bindings, subtle toning to pages near edges. $500-700
143
144. Verve: Revue Artistique et Littraire Volume VII, numbers 27 & 28, 1952, including lithographs by Georges Braque (French, 1882-1963), Marc Chagall (French/Russian, 18871985), Alberto Giacometti (Swiss, 1901-1966), Fernand Lger (French, 1881-1955), Henri Matisse (French, 1869-1954), and Joan Mir (Spanish, 1893-1983). Some signed within the matrix, all identified in the table of contents. 14 1/4 x 10 1/2 in. (36.0 x 26.5 cm), in a board binding. Condition: Wear to cover and breaks to binding, subtle toning to pages near edges. $500-700
144
83
145
145. Jacques Villon (French, 1875-1963), After Paul Signac (French, 1863-1935) Le Port de la Rochelle, 1928, from the edition published by the Chalcographie du Louvre (Ginestet & Pouillon, E644). Identified within the plate. Color aquatint on paper, plate size 18 x 23 1/2 in. (45.7 x 59.7 cm), framed. Condition: Visible margins of 1/2 inch, subtle toning, rippling, not examined out of frame. $1,500-2,000
84
146. Neil Welliver (American, 1929-2005) Briggs Meadow, from the LANDSCAPES Portfolio, 1973, edition of 144 (Welliver, p. 27). Signed Welliver in pencil l.r., numbered 116/144 in pencil l.l., identified on a label from the Obelisk Gallery, Boston, affixed to the backing. Color screenprint on paper, image size 36 x 36 in. (91.4 x 91.4 cm), framed. Condition: Not examined out of frame. $1,800-2,200
146
147. Neil Welliver (American, 1929-2005) Duck Trap, from the LANDSCAPES Portfolio, 1973, edition of 144 (Welliver, p. 31). Signed Welliver in pencil l.r., numbered 116/144 in pencil l.l., identified on a label from the Obelisk Gallery, Boston, affixed to the backing. Color screenprint on paper, image size 36 x 36 in. (91.4 x 91.4 cm), framed. Condition: Not examined out of frame. $1,800-2,200
147
85
148. Neil Welliver (American, 1929-2005) Loon, 1988, edition of 175, published by The Institute of Contemporary Art, University of Pennsylvania (Welliver, pp. 82-83). Signed Welliver in pencil l.r., numbered 87/175 in pencil l.l. Color etching and aquatint on paper, plate size 23 1/2 x 23 3/4 in. (59.7 x 60.4 cm), matted, unframed. Condition: Deckled edges, minor handling creases to lower margin. $700-900
149. James Lesesne Wells (American, 1902-1993) Still Life with Violin, 1987, edition of 99. Signed and dated James L. Wells 1987 in pencil l.r., numbered 70/99 in pencil l.l., dry stamp l.l. Color woodcut on paper, image size 27 3/4 x 31 7/8 in. (70.4 x 80.9 cm), framed. Condition: Not examined out of frame. N.B. James Wells was a leading Harlem Renaissance printmaker and was also a mentor to Jacob Lawrence. $2,500-3,000
148
149
86
151
151. Stow Wengenroth (American, 1906-1978)

150
150. Stow Wengenroth (American, 1906-1978) Canal in June (New Hope, Pennsylvania), 1944, edition of 30 (Stuckey, 133). Signed Stow Wengenroth in pencil l.r., inscribed Ed/30 in pencil l.l. Lithograph on paper, image size 11 3/8 x 9 3/4 in. (28.7 x 24.6 cm), framed. Condition: Subtle toning, not examined out of frame. $500-700
Lobster (Port Clyde, Maine), 1944, edition of 50 (Stuckey, 142). Signed Stow Wengenroth in pencil l.r., inscribed Ed/50 in pencil l.l. Lithograph on paper, image size 10 1/2 x 14 7/8 in. (26.5 x 37.7 cm), framed. Condition: Very subtle toning and rippling, not examined out of frame. $300-500 152. Stow Wengenroth (American, 1906-1978) Two Greenport Views: Cottage Window (Greenport, New York), 1972, edition of 50 (Stuckey, 334); and Little Friends (Greenport, New York), 1972, edition of 75 (Stuckey, 342). Both signed Stow Wengenroth in pencil l.r., and inscribed proof in pencil l.l. Lithographs on paper, image sizes to 15 1/8 x 11 3/8 in. (38.2 x 28.7 cm), framed. Condition: Gentle rippling, subtle toning to Friends, not examined out of frames. $700-900
152
87
153
153. Levon West (American, 1900-1968) Two Transcontinental Flight Views: Newfoundland, 1927, and Ireland. Both signed Levon West... in pencil l.r. and identified on a label from Kennedy & Co., New York, affixed to the backing. Etchings on paper, plate sizes approximately 9 x 11 in. (22.8 x 27.9 cm), framed. Condition: Not examined out of frames. $250-300
154. Karl Wirsum (American, b. 1939) Single Signal, edition of 50. Signed Karl WIRsum in pencil (within the image) l.r., titled in pencil (within the image) l.c., numbered 3/50 in pencil (within the image) l.l., dry stamp l.r. Color lithograph on paper, image/sheet size 20 1/2 x 15 in. (52.0 x 38.0 cm), framed. Condition: Deckled edges, not examined out of frame. $300-500
154
88
155. Anders Zorn (Swedish, 1860-1920) Theodore Roosevelt, 1905 (Asplund, 189). Signed Zorn in pencil l.r., signed and dated within the plate, identified on a label from The Casson Galleries, Boston, affixed to the backing. Etching on paper, plate size 5 x 3 1/2 in. (12.5 x 8.8 cm), framed. Condition: Toning, not examined out of frame. $800-1,200
156. Francisco Ziga (Mexican, 1912-1998) Hombres con Barca I, 1984, second state of two, edition of 50 plus proofs, published by Brewster Editions, New York (Brewster, 99). Signed and dated Zga 84 in pencil l.r., numbered 8/50 in pencil l.l., dry stamp l.l. Lithograph in blacks on gray paper, image size 17 5/8 x 30 1/2 in. (44.7 x 77.4 cm), framed. Condition: Deckled edges, not examined out of frame. $600-800
155
156
89
157
Photography
157. Berenice Abbott (American, 1898-1991) James Joyce, 1929. Artist stamp and reproduction rights stamp on the reverse. Gelatin silver print, image/sheet size 9 1/2 x 7 3/4 in. (24.0 x 19.5 cm), matted, unframed. Condition: Unmounted, silvering-out along edges, areas of touch-up or similar to background, minute wear to corners, brown paper tape to upper edge on the reverse. $2,000-3,000
90
158
158. Ansel Adams (American, 1902-1984) The Tetons and the Snake River, Grand Teton National Park, Wyoming, 1942. Signed Ansel Adams in pencil on the mount l.r. Gelatin silver print, sheet/image size 15 1/2 x 19 1/2 in. (39.4 x 49.5 cm), framed. Condition: Mount adhered to a backing mat. Provenance: A. Harry Cinamon, Boston, Massachusetts, then by descent. N.B. Cinamon met Ansel Adams through the New York Graphics Society. $35,000-45,000
91
159
159. James Balog (American, b. 1952) Giraffe Neck, 1979, printed 1992, edition of 30. Signed, dated, and numbered James Balog 92/1979 4/30 in felt-tip pen (fading) l.r. Chromogenic print, image size 14 x 14 in. (35.5 x 35.5 cm), framed. Condition: Not examined out of frame. Provenance: Purchased from the Robert Klein Gallery, Boston. The original receipt accompanies the lot. $700-1,200
160. Andrew Bush (American, b. 1956) Kilroy, 1996, from the SNORTER Series, 1993-98, edition of 20. Signed, numbered, and dated Bush 2/20 1996 in felt-tip pen on the reverse, identified in an inscription on the backing. Chromogenic print, image/sheet size 16 x 20 in. (40.5 x 50.6 cm), framed. Condition: Old hinges/residue near corners on the reverse, subtle handling creases. $300-500
160
92
161
161. Harry Callahan (American, 1912-1999) Eleanor (Chicago), 1948, a later printing. Signed Harry Callahan, probably in pencil, l.r. Gelatin silver print, image/sheet size 8 x 9 7/8 in. (20.3 x 25.0 cm), framed. Condition: Unmounted, annotations to verso, wear to corners, especially u.l. Provenance: A private Massachusetts collection. $12,000-18,000
93
162
163
162. Lois Conner (American, b. 1951) Bound Angel, New York, 1989. Titled, signed, and annotated ...Lois Conner... in pencil beneath the image. Platinum print, image size 8 x 18 3/4 in. (20.3 x 47.5 cm), framed. Condition: Not examined out of frame. $500-700
163. Lois Conner (American, b. 1951) St. Georges Hotel, Brooklyn, NY, 1991, edition of 25. Titled, annotated, signed, and numbered ...Lois Conner 12/25 in pencil beneath the image. Platinum print, image size 8 x 18 3/4 in. (20.3 x 47.5 cm), framed. Condition: Not examined out of frame. $500-700
94
164
164. Harold Eugene Edgerton (American, 1903-1990) Bullet Through Banana, 1964, probably a later printing. Signed HAROLD EDGERTON in pencil on the reverse. Dye transfer print, image size 14 1/8 x 16 1/4 in. (35.9 x 41.2 cm), framed. Condition: Unmounted. $1,000-1,500
165. Philippe Halsman (American, 1906-1979) Martha Graham, 1946, from an edition of 500 printed in 1978. Signed with embossed stamp on the reverse, artist copyright stamp with printing date and numbering 8.500 on the reverse, titled and dated in pencil on the reverse. Gelatin silver print, image size 13 1/2 x 10 3/8 in. (34.2 x 26.2 cm), framed. Condition: Unmounted, creases to image beneath signature l.r., tear to margin l.r. $300-500
165
95
166
166. William Henry Jackson (American, 1843-1942) Two Views of the American West: Gateway of the Garden of the Gods, Colorado, Pikes Peak, and Before the Falls. The former titled within the image and identified on the mount, the later identified in an inscription on the reverse of the mount. Albumen prints, image sizes to 9 1/8 x 13 in. (23.0 x 33.0 cm), the former matted, both unframed. Condition: Both with toning, the former with rubs/losses at very edges. Provenance: Estate of an arts benefactor, New York. $1,000-1,500
167. William Henry Jackson (American, 1843-1942) The Spanish Peaks. Identified within the image. Albumen print, sight size 16 3/8 x 20 7/8 in. (41.6 x 53.0 cm), framed. Condition: Toning, not examined out of frame. $500-700
167
96
168. Annette Lemieux (American, b. 1957) I Am, 1989, edition of 100. Titled, dated, numbered, and signed 1989 100/100 Lemieux in ballpoint pen l.l. Gelatin silver print, image size 13 3/8 x 7 5/8 in. (34.0 x 19.2 cm), framed. Condition: Unmounted, minor wear to corners. $400-600
169. Laura Pryde McPhee (American, b. 1958) and Virginia Beahan (American, b. 1946) Sluices at a Reservoir near Badulla, Srilanka [sic], 1993. Signed Laura McPhee Virginia Beahan in felt-tip pen l.r., titled and dated in felt-tip pen l.l. Chromogenic print, image size 15 7/8 x 20 1/8 in. (40.3 x 51.0 cm), framed. Condition: Unmounted, on Kodak Professional paper. $2,000-3,000
168
169
97
170
170. Yasumasa Morimura (Japanese, b. 1951) Untitled Diptych, edition of 60. Both signed Y Morimura in gold ink l.l. and numbered 2/60 in gold ink l.r. C-prints, images sizes 10 1/8 x 5 3/4 in. (25.8 x 14.6 cm), framed. Condition: Not examined out of frame. $3,000-5,000
98
171
171. Eliot Porter (American, 1901-1990) CERTAIN PASSAGES/A Portfolio of Eight Landscapes, published 1989, edition of 300, published by Daniel Wolf Press, Inc., New York. Each signed Eliot Porter in pencil (on the mount) l.r., identified and numbered 139 on the colophon page. Dye transfer prints, mount sizes 24 x 20 in. (60.9 x 50.8 cm), presented in the original clamshell box. Condition: Good. Provenance: Through the family of the artist. N.B. Porter has a unique place in the history of photography. At twelve years old his father gave him his first camera, a Kodak Brownie. Porter grew up to study medicine and became a research biologist, but constantly returned to photography and nature walks. An accidental meeting with Ansel Adams spurred his interest in a more serious direction, and when his brother, painter Fairfield Porter, introduced him to Alfred Stieglitz, Porter shifted careers. While he was successful with his black and white work in the 1930s, it was his dye transfer works that were both unique in the 1940s, and pioneering. $3,500-4,000
99
172
172. Naomi Savage (American, b. 1927) Man as Woman (Man Ray), 1966. Signed and dated N. Savage 1966 in ink on the mount l.r., titled Man Ray in ink on the mount l.l., identified on labels affixed to the backing. Four gelatin silver prints mounted together, total image size 9 1/2 x 7 3/8 in. (24.0 x 18.5 cm), framed. Condition: Minor disadhesion to some corners, not examined out of frame. $400-600
100
173
173. Aaron Siskind (American, 1903-1991) Jalapa 63 (Homage to Franz Kline), 1974. Signed Aaron Siskind in pen l.r., titled, dated, and inscribed ...(Homage to F.K.) in pen l.l. Gelatin silver print, sheet size 13 7/8 x 10 7/8 in. (35.2 x 27.6 cm), in a Nielsen frame. Condition: Margins over 1/4 inch, subtle rippling. $1,500-2,000
174. Soichi Sunami (Japanese/American, 1885-1971) Two Brancusi Exhibition Installation Images. Both with artists stamp on the reverse. Gelatin silver prints, image sizes approximately 9 3/8 x 7 3/8 in. (23.7 x 18.5 cm), unmatted, unframed. Condition: Unmounted. N.B. Sold for the benefit of the collections of the Smith College Museum of Art. $200-250
End of Session I
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101
Artist Index
Abbott, Berenice .......................................................................157 Ackermann, Max ...........................................................................1 Adams, Ansel .............................................................................158 Albers, Josef ...............................................................................2, 3 Bacon, Peggy ................................................................................4 Baer, Jo .........................................................................................5 Balog, James ..............................................................................159 Bartolini, Luigi ..............................................................................6 Baskin, Leonard .........................................................................7-10 Beahan, Virginia ........................................................................169 Bellmer, Hans ...............................................................................11 Benson, Frank Weston ...........................................................12, 13 Benton, Thomas Hart ...................................................................14 Bissire, Roger ..............................................................................15 Blampied, Edmund ......................................................................16 Bonnard, Pierre ..........................................................................143 Braque, Georges .........................................................................144 Bresslern-Roth, Norbertine ..........................................................17 Buffet, Bernard .............................................................................18 Bury, Pol ......................................................................................19 Bush, Andrew ............................................................................160 Calder, Alexander .........................................................................20 Callahan, Harry ..........................................................................161 Campbell, Steven .........................................................................21 Celmins, Vija ................................................................................22 Chagall, Marc ......................................................... 23-29, 143, 144 Chagall, Marc (After) ...................................................................30 Chamberlain, Samuel ....................................................................31 Chia, Sandro ...............................................................................32 Citron, Minna Wright .................................................................33 Conner, Lois .....................................................................162, 163 Curry, John Steuart ......................................................................34 Dahmen, Karl Fred .......................................................................35 Dal, Salvador ..............................................................................36 Davis, Gene ..................................................................................37 Dennis, Morgan ..........................................................................38 Dine, Jim .....................................................................................39 Dzubas, Friedel ............................................................................40 Eby, Kerr ......................................................................................31 Edgerton, Harold Eugene ..........................................................164 Ert .............................................................................................41 Escher, M.C. ..........................................................................42-46 Estes, Richard ..............................................................................47 Fiene, Ernest ................................................................................48 Fink, Aaron ..................................................................................49 Foujita, Lonard Tsuguharu ........................................................50 Frankenthaler, Helen ...................................................................51 Friedlnder, Isaac ........................................................................52 Gaillard, Ren .............................................................................53 Giacometti, Alberto ....................................................................144 Gilliam, Sam ................................................................................54 de Goya, Francisco .................................................................55-58 Grasset, Eugne ............................................................................59 Halley, Peter .................................................................................60 Halsman, Philippe ......................................................................165 Hamaguchi, Yozo .........................................................................61 Horter, Earl .................................................................................31 Houtin, Franois .........................................................................62 Hutty, Alfred Heber .....................................................................63 Icart, Louis .............................................................................64-67 Jackson, William Henry .....................................................166, 167 Kasimir, Robert ............................................................................68 Kasimir-Hoernes, Tanna ..............................................................69 Kipniss, Robert .............................................................................70 Kirmse, Marguerite ................................................................71, 72 Klee, Paul ....................................................................................73 Kokoschka, Oskar ........................................................................74 Kola, Vaino ..................................................................................75 Lawrence, Jacob Armstead ...........................................................76 Lawson, Robert ...........................................................................31 Lemieux, Annette ......................................................................168 LeWitt, Sol ...................................................................................77 Lichtenstein, Roy ...................................................................78, 79 Longo, Robert .............................................................................80 Luquiens, Huc-Mazelet ................................................................81 Lger, Fernand ..........................................................................144 Maillol, Aristide ............................................................................82 Mallo, Maruja ...............................................................................83 Marsh, Reginald ...........................................................................84 Masson, Andr .............................................................................85 Matisse, Henri ...........................................................................144 Mazur, Michael Burton ................................................................86 McPhee, Laura Pryde .................................................................169 Meryon, Charles ...........................................................................87 Mir, Joan ..................................................................... 88-92, 144 Mora, Francis Luis .......................................................................31 Moran, Thomas ............................................................................93 Morandi, Giorgio (Attributed to) ................................................94 Morimura, Yasumasa .................................................................170 Moses, Forrest .............................................................................95 Nisbet, Robert Buchan .................................................................31 Novak, Louis ...............................................................................96 Orozco, Jos Clemente .................................................................97 Pennell, Joseph .......................................................................98, 99 Picasso, Pablo ............................................................ 100-102, 143 Picasso, Pablo (After) ................................................................103 Piper, John .................................................................................105 Piranesi, Giovanni Battista ..........................................................106 Poons, Larry ..............................................................................107 Porter, Eliot ...............................................................................171 Redon, Odilon ...........................................................................108 Reed, Doel ................................................................................109 Richter, Gerhard ........................................................................111 van Rijn, Rembrandt ..................................................................110 Ripley, Aiden Lassell ...................................................................112 von Ripper, Baron Rudolph Charle ...........................................113 Robbe, Manuel ...........................................................................114 Rodin, Auguste .........................................................................115 Rosenberg, Louis Conrad .............................................................31 Rothe, Gatja H. ..................................................................116, 117 Rouault, Georges ......................................................................118 Savage, Naomi ............................................................................172 Scholder, Fritz ............................................................................119 Schutz, Anton ............................................................................120 Signac, Paul (After) ...................................................................145 Simkhovitch, Simka ...................................................................121
102
Siskind, Aaron ...........................................................................173 Sonenberg, Jack ..........................................................................122 Steinhardt, Jacob ................................................................123, 124 Steir, Pat ...................................................................................125 von Stuck, Franz .......................................................................126 Sultan, Donald ...................................................................127-130 Sunami, Soichi ...........................................................................174 Tamayo, Rufino .................................................................131, 132 Tilson, Joe ..................................................................................133 de Tirtoff, Romain .......................................................................41 Trevelyan, Julian .........................................................................134 Ury, Lesser .................................................................................135 Vasarely, Victor ..................................................................136-142 Verve: Revue Artistique et Litt .........................................143, 144 Villon, Jacques ............................................................................145 Welliver, Neil .....................................................................146-148 Wells, James Lesesne .................................................................149 Wengenroth, Stow ..............................................................150-152 West, Levon ...............................................................................153 Wirsum, Karl .............................................................................154 Zervos, Christian ........................................................................104 Zorn, Anders .............................................................................155 Ziga, Francisco .......................................................................156
103
Glossary of Terms
All items in this catalogue are described according to the following table of terminology. Please note that all statements in this catalogue as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale.
Authorship will be described in the following ways: John Joseph Enneking. - In our judgment, the work is by the artist. Attributed to John Joseph Enneking. - In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship. School of John Joseph Enneking. - In our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period. Manner of John Joseph Enneking. - In our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period. After John Joseph Enneking. - In our judgment, an intended copy of the work of the artist. American School, 19th Century. - In our judgment, the work of an unknown hand that can only be identified as to period and culture.
Other terms: Bears Signature. - In our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as attributed to, school of, manner of, or after the artist.
104
Upcoming Auction
Fine Paintings & Sculpture
September 7th, 2012 Boston, MA
Sir Anthony Caro (British, b. 1924), Paper Sculpture No. 22-Speckle, 1993
Consignment Deadline: June 22nd, 2012

For more information please contact our American & European Works of Art department at 508.970.3206 or email paintings@skinnerinc.com
www.skinnerinc.com
105
Skinner, Inc. - Conditions of Sale

1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot. 2. All property is sold as is, and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability. 3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate. 4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale. Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser. 5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases. 6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchasers breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale. 7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item. 8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots. 9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston. 10. Except for property purchased via On-line Auctions, a premium equal to 18.5% of the final bid price up to and including $200,000, plus 10% of the final bid over $200,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyers premium on property purchased via On-line Auctions will be in an amount up to 22.5% of the final bid price up to and including $200,000, plus 15% of the final bid over $200,000. 11. Bidding on any item indicates your acceptance of these terms and all other terms announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid. 12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalogue. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent. 13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.
106
Revised April 17, 2012
Absentee Bid Form

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Chairman of the Board - Nancy R. Skinner Richard Albright John Deighton Barnet Fain Stephen L. Fletcher Karen M. Keane Andrew Payne President/Chief Executive Officer - Karen M. Keane Chief Financial Officer - Don Kelly Executive Vice President - Stephen L. Fletcher Vice Presidents - Eric Jones, Marie Keep, Gloria Lieberman, Carol McCaffrey, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr
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SKINNER, INC. Auctioneers and Appraisers of Antiques and Fine Art 63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429 274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100 www.skinnerinc.com
20th Century Design - Jane D. Prentiss American & European Paintings & Prints - Robin S.R. Starr Assistants: Kathy Wong, Elizabeth C. Haff American Furniture & Decorative Arts - Stephen L. Fletcher Deputy Director: Chris Barber; Assistant: Karen Langberg American Indian & Ethnographic Art - Douglas Deihl Asian Works of Art - Judith Dowling Assistants: Biying Zhang, Carol Tran Books & Manuscripts - Devon Gray Bottles, Flasks & Early Glass - Stephen L. Fletcher Ceramics - Stuart G. Slavid Classic Automobiles & Motorcycles - Jane D. Prentiss Couture - Cara Elmslie Discovery Auctions - Cara Elmslie Assistants: Garrett J. Sheahan, Melissa Riebe European Furniture & Decorative Arts - Stuart G. Slavid Assistants: Leah Kingman, Stephanie Opolski Fine Wines - Marie Keep Assistant: Michael J. Moser Jewelry - Victoria Bratberg Assistants: John Colasacco, Julie Khouri Judaica - Kerry Shrives Musical Instruments - David Bonsey Oriental Rugs & Carpets - Gary Richards Science, Technology & Clocks - Robert C. Cheney Assistant: Jonathan Dowling Silver - Stuart G. Slavid Toys & Dolls - Kerry Shrives Auctioneers - LaGina Austin, Chris Barber, Robert C. Cheney, John Colasacco, Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney
108
Exhibitions & Property Distribution
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Accounts Receivable - Denise Johnson, 508.970.3269 Accounts Payable, Consignment - Kathleen Hayes, 508.970.3268 Accounts Payable, Trade - Kevin Rota, 508.970.3283 Credit Supervisor - Joe Monteyro, 508.970.3266
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109
Directions to Skinners Boston Gallery/63 Park Plaza, Boston, MA Telephone: 617-350-5400

Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley. The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right. Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right. Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right. Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza. 110
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Quarterly Brochure Included with catalogue subscription American Furniture & Decorative Arts European Furniture & Decorative Arts American & European Paintings & Prints Fine Jewelry 20th Century Furniture & Decorative Arts Asian Works of Art Fine Oriental Rugs & Carpets American Indian & Ethnographic Art Fine Books & Manuscripts Fine Ceramics Fine Musical Instruments Science, Technology & Clocks Fine Wines All Above Departments
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Prints & Photography - Skinner Auction 2598B

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American & European Works of Art

American & European Works of Art Fine Prints & Photography

Robin S. R. Starr Department Director 508.970.3259

Kathy Wong 508.970.3297

Elizabeth C. Haff 508.970.3258

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Copyright Skinner, Inc. 2012 All rights reserved

5 Almeida Avenue, East Providence, R.I., USA Toll Free: 866-229-7752

Thursday, May 17, 2012

63 Park Plaza Boston, MA R.S.V.P. 617.350.5400 Reservations are Limited

Henri Cartier-Bresson (French, 1908-2004), Abruzzo, Aquila, 1951

Consignment Deadline: June 22nd, 2012

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50. Lonard Tsuguharu Foujita (French/Japanese, 1886-1968)

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