08/&34.

"/6"- LTTLE MARK ~ LTTLE MARK 250 ~ COMBO HEAD ~ LMK

02
03
1. I80000I0
Congratulations on purchasing one of the world's oest oass amplifers! Narkoass amps are ouilt to the highest standards o] a small team of skilled technicians in 8an
0iovanni Teatino, ltal].
we have spent man] ]ears researching not onl] the highest-qualit] technologies for oass amp design and construction, out also the practical needs of the working oassist.
The end result is a product that comoines outstanding sound qualit] with intuitive features, attractive design and extreme reliaoilit]-all in one impossiol] lightweight unit.
This amp will allow ]our instrument to speak in its natural voice, faithfull] conve]ing ]our musical ideas to ]our audience with stunning clarit].
Your amplifer has passed rigorous product testing and should survive even the toughest of environments on the road, in cluos, rehearsal halls and concert stages. ho-
netheless, please treat it with care and ]ou will oe rewarded with man], man] ]ears of glorious, rich, powerful oass tone!
lf the clarit] and power of this amp inspire ]ou to pla] oetter music, we will have succeeded in our mission. 0ood luck and enjo] ]our new oest friend!
8incerel], Narkoass
04
-ARCO$E6IRGILIIS
0$5.%$66,7$/<
ZZZPDUNEDVVLW
1.1 A w080 F80M MA800 0 I86ILII8
when l oegan to develop the Narkoass concept in ltal] several ]ears ago l had one oojective in mind. to produce a top-qualit] oass amp that would meet the needs
of professional oass pla]ers ever]where. l wanted m] amps to oe compact and lightweight, ]et aole to handle the low frequencies that toda]'s four, fve and six string
passive and active oasses are capaole of producing. Thanks to modern technolog] and the availaoilit] of high-qualit] components like low-profle toroidal transformers,
neod]mium speakers and so on, l was aole to accomplish this.
The Narkoass amplifer circuitr] is designed specifcall] not to color the sound of the oass out to faithfull] reproduce the unique tonal qualities of whatever instrument
is pla]ed through it. l have worked ver] closel] with man] high-profle professional oass pla]ers around the world to fne-tune the Narkoass product line.
l am confdent that the Narkoass line of amps and caoinets is now read] to satisf] the needs of oass pla]ers all over the world.
Thanks for choosing Narkoass, l hope ]ou will fnd ]our new amp to oe an inspiring upgrade to ]our sound!
we encourage ]ou to use ]our Narkoass gear in all kinds of musical situations-and please help us to continue developing our products o] sending ]our comments to
info@markoass.it.
And aoove all, enjo] the music.
05
2. LIL MA8k IIILIL MA8k 250I00M80 A0 F80000 08Iw
The little Nark ll/Comoo Head is a high-qualit] oass amplifer with a solid-state preamp and an analog power amp, which delivers 5OOw of power into a 4 ohm caoinet, or 8OOw into an 8 ohm caoinet. The little
Nark 25O is virtuall] identical to the little Nark ll/Comoo Head, out delivers 25Ow of power into a 4 ohm caoinet or 15Ow into a 8 ohm caoinet.
2.1 LIL MA8k IIILIL MA8k 250I00M80 A0 F80 FAL
|hP0TS
The 14" lhPUT JACK (1j can oe used for ooth passive and active oasses.
The BAlAhCED lhPUT (2j accepts a oalanced XlR input, allowing the head to accommodate for all kinds of acoustic oass pickup s]stems. You can also use this input to plug in a microphone-even while ]ou pla]
]our oass through the 14" input!
6A|h aod NAST8
There are two knoos on the front panel of the amp that control the volume of ]our oass. The 0Alh (8j control determines how much signal is passed through the preamp stage of the unit, which includes equalization
and the effects loop. The NA8TER (11j volume regulates how much output comes out of the power amp into ]our caoinet.
lf pla]ing through the amp causes the olue CllP (4j light to turn on at all, ]ou should turn down the 0Alh (8j control to avoid distortion.
when ]ou frst plug into the amp, start with the 0Alh (8j and NA8TER (11j controls set at their lowest levels, in other words turned all the wa] counter-clockwise. Then, turn ]our instrument's volume up to its full
level and pla] as hard as ]ou do in ]our most aggressive moments, and turn up the 0Alh (8j control until the olue light starts illuminating. hext, oack off on the 0Alh (8j just enough so that the light sta]s off as ]ou
pla]. This method will result in the optimal gain setting for the oass ]ou're pla]ing. Different oasses have different output levels, mostl] depending on their pickups-and in the case of active oasses, the instrument's
onooard preamp and E0 settings.
0nce ]ou've set the 0Alh (8j level, use ]our NA8TER (11j knoo to control the volume of ]our oass.
06
00AL|IAT|0h
Narkoass amps are designed to faithfull] reproduce the natural sound of ]our oass. lf ]ou have a good instrument, ver] little equalization (E0j-if an]-should oe required. Bass guitars produce a surprisingl]
wide range of frequencies-from extremel] low frequencies that are more felt than heard, to extremel] high frequencies that pass through ]our caoinet's tweeter and are oarel] audiole to the human ear. As ]ou
experiment with ]our E0 settings, ]ou will notice that all the different frequenc] ranges pla] essential roles in making up ]our oass tone.
l0w frequencies constitute music's sonic foundation-the] give power to ]our sound, ph]sicall] resonating ]our listeners' oodies (and ]ours!j, sometimes even causing people to move and dance!
l0w NlDs ("NlD l0w" or Nid Frequenc] lowj make ]our oass sound loud, projecting the sound over long distances, "flling the room."
Hl0H NlDs ("NlD Hl0H" or Nid Frequenc] Highj conve] the pitch of the notes that ]ou pla]. Clarit] of this range ensures that the melodies in ]our oass lines are heard. lf detail is missing in this range, ]our melodic
contrioution to the music will suffer.
Hl0H frequencies carr] the percussive content of ]our pla]ing-the attack of ]our notes, the sound of ]our fnger or pick passing over the string, fret noise, and in the case of slap oass, the "tick" noise produced
when the strings oounce off the frets.
lf an] one of these frequenc] ranges is neglected or poorl] represented o] ]our amp, ]ou are not hearing an accurate representation of the sound that ]our oass is generating. 8ince these amps has oeen designed
to give ]ou clear, detailed and musical sound at all frequencies, when the amp is set "fat"-with all E0 knoos at 12 o'clock-]ou should hear a ver] true mirror of the sound of ]our oass.
However, the following circumstances will require ]ou to use equalization.
1. The signal from ]our oass is lacking output level in one of the frequenc] ranges descrioed aoove.
2. The room or venue ]ou're pla]ing in has poor acoustics and excites a certain frequenc]. For example, if ]ou're pla]ing on a hollow stage, certain low frequencies ma] sound di sproportionatel] loud
or out of control, and ]ou ma] notice that ever] time ]ou pla] a certain note, it sounds much louder than all the others. ln these cases the offending frequenc] needs to oe identifed and reduced.
8. You're seeking to alter the oasic sound of ]our instrument in order to achieve a particular musical effect.
Equalization should oe treated as fne-tuning. 8pend some time listening to ]our oass through the amp with all the E0 controls in the neutral (12 o'clockj position oefore ]ou start changing the settings. You're likel]
to need little or no equalization!
However, if and when equalization is required, ]ou will fnd this amp's E0 to oe powerful and impressivel] detailed.
The l0w E0 (5j control is set to a center frequenc] of 4O Hz. This means that it either ooosts or cuts the volume of the frequencies around 4O Hz, to a maximum of 1O decioels.
The l0w-NlD (NlD l0wj (Oj E0 control ooosts or cuts the frequencies around 8OO Hz, o] as much as 1O decioels.
The Hl0H-NlD (NlD Hl0Hj (7j E0 control ooosts or cuts the frequencies around 8OO Hz, o] as much as 1O decioels.
The Hl0H E0 (8j control ooosts or cuts the frequencies around 5 kHz, o] as much as 1O decioels. The 0 on this E0 (the range of frequenc] controlledj is quite wide, spanning from aoout 2 kHz to aoout 8O kHz.
VL aod VPF F|LT8S
Narkoass amplifers feature two magic knoos that alter the equalization of ]our oass signal with speciall] formulated musical results. Nost pla]ers use these controls more than the E0 since the] were designed
specifcall] to meet the practical needs of oassists.
The VlE (9j (Vintage loudspeaker Emulatorj flters out high frequencies to give ]ou a mellower, less modern sound. As ]ou turn the knoo clockwise, ]ou will fnd that a wider and wider range of high frequencies
gets cut (see page 14 for a graph of this flter's functionj. This E0 effect is especiall] useful for acoustic and older st]les of music.
The VPF (1Oj (Variaole Pre-shape Filterj ooosts lows (around 85 Hzj and highs (around 1O kHzj, and cuts mids at 88O Hz. This flter has ver] powerful uses for rock music and is also a favorite of man] slap oass
pla]ers (see page 14 for a graph of this flter's functionj.
Again, we recommend ]ou start off with these flters in the off position, and dial them in graduall] to discover what effect the] have. Explore them separatel] frst-out ]ou ma] fnd that using ooth in comoination
can lead to some ver] appealing and musical results!
07
2.2 LIL MA8k IIILIL MA8k 250I00M80 A0 8A8 FAL
SPAk8 00T
These amplifers can oe connected to one or two speaker caoinets. The high-qualit] heutrik 8PEAK0h C0NB0 jack (15j accepts either a 8PEAK0h or a 14" speaker caole, and the second speaker JACK (1Oj accepts
onl] 14" caoles. Do not use instrument caoles. The little Nark ll and Comoo Head delivers 8OOw of power into an 8 ohm caoinet, or 5OOw into a 4 ohm caoinet. B] default, the Comoo Head is connected to the speaker
caoinet housed in the comoo. However, ]ou can either connect the head to a separate, external caoinet (unplug the 14" caole from the speaker out jack, and replace it o] a speaker caole that ]ou connect to the
external caoinetj, or ]ou can use ooth the internal caoinet and an external caoinet o] using ooth speaker jacks. The little Nark 25O delivers 15Ow of power into an 8 ohm caoinet, or 25Ow into a 4 ohm caoinet.
L|h 00T
This oalanced XlR (17j output sends a oalanced signal to the mixing console or snake in live and studio situations. The line out signal is post-E0 and post-flters (which means that the signal that ]ou send to the
sound engineer is affected o] ]our E0 and flter settingsj, out can oe easil] modifed o] a qualifed technician to oe pre-E0 if desired.
6800h0 L|FT
0ccasionall] when ]ou're pla]ing live and using the llhE 0UT (17j, the soundman will detect a hum from ]our amp's signal. This is almost alwa]s due to a grounding proolem related to ]our power source, ]ou will
likel] eliminate this hum simpl] o] fipping the 0R0UhD llFT (18j switch.
T0h8 00T
The TUhER 0UT (19j is an unoalanced signal that can oe sent to a tuner, allowing ]ou to tune as ]ou pla] without passing ]our signal through pedals, which can degrade the qualit] of ]our signal. You can also use
this output to send ]our signal on to another amp, or an] kind of recording unit that doesn't require a oalanced signal.
FF0T Sh0 Ah0 8T08h
lf ]ou use effect pedals or rack gear, ]ou can route them through the 8EhD EFFECT (21j and RETURh EFFECT (2Oj on the rear panel of the amp. The effects loop is wired in parallel-this means that if something
happens to ]our effects chain (a oatter] dies or a caole gives out, for examplej while ]ou're pla]ing, ]ou will not lose ]our main signal. lf desired, however, the effects loop can oe easil] modifed o] authorized
service personnel to operate in series.
08
3. LIL MA8k IIILIL MA8k 250I00M80 A0 0I0AL 0AIL8
|hP0TS
lhPUT impedance. 5OO Kohm, max. voltage. 15 Vpp
BAlAhCED lhPUT impedance. 22 Kohm, max. voltage. 25 Vpp
RETURh EFFECT impedance. 22 Kohm, max. voltage. 25 Vpp
00hT80LS
0Alh -8O dB to +25 dB range
llhE 0UT level control on front panel
PRE/P08T E0 (for line outj switch on rear panel
0R0UhD llFT switch on rear panel
NA8TER V0lUNE
00AL|IAT|0h
l0w center frequenc]. 4O Hz, level. 1O dB
NlD l0w center frequenc]. 8OO Hz, level. 1O dB
NlD Hl0H center frequenc]. 8OO Hz, level. 1O dB
Hl0H center frequenc]. 1O kHz, level. 1O dB
VlE (Vintage loudspeaker Emulatorj max cut range. 25O Hz - 2O kHz
VPF (Variaole Pre-shape Filterj center frequenc] 88O Hz (cutj
00TP0TS
8EhD EFFECT unoalanced, max. voltage 2O Vpp (pre-E0j
TUhER 0UT unoalanced, max. voltage 25 Vpp
llhE 0UT oalanced XlR, max. voltage 1O Vpp
8PEAKER 0UT speakon, 1/4"
0Th8
HEl0HT 2.8 in. / 7.1cm
DEPTH 1O.1 in. / 25.O cm
wlDTH 1O.87 in. / 27.O cm (can oe extended to standard rack size with optional rack earsj
wEl0HT O.89 los / 2.9 kg (little Nark ll-Comoo Headj, 5.78 los / 2.O kg (little Nark 25Oj
0UTPUT P0wER 8OOw RN8 @ 8 ohm, 5OOw RN8 @ 4 ohm (little Nark ll/Comoo Headj
15Ow RN8 @ 8 ohm, 25Ow RN8 @ 4 ohm (little Nark 25Oj
P0w8 800|8NhT 1OO/12OV, 28OV, 24OV 5O/OOHz
F0S
EUR0PE 4 A 25OV T 5x2O (little Nark ll-Comoo Headj, 8.15 A 25OV T 5x2O (little Nark 25Oj
AU8TRAllA/UK 4 A 25OV T 5x2O (little Nark ll-Comoo Headj, 8.15 A 25OV T 5x2O (little Nark 25Oj
U8A/CAhADA 8 A 25OV T 5x2O (little Nark ll-Comoo Headj, O.8 A 25OV T 5x2O (little Nark 25Oj
JAPAh 1O A 25OV T 5x2O (little Nark ll-Comoo Headj, O.8 A 25OV T 5x2O (little Nark 25Oj
09
3.1 00M808. 0I0AL 0AIL8
00N80 S8|S 0N0 102P 0N0 103h N|h| 0N0 121P 0N0 121h N|h| 0N0 151P 0N0 151P
8peaker 8ize (inchesj 2x1O" 8x1O" 1x12" 1x12" 1x15" 1x15"
Tweeter Piezo Tweeter 1" HF Comp. Driver Piezo Tweeter 1" HF Comp. Driver Piezo Tweeter Piezo Tweeter
Crossover Frequenc] 8.5 kHz 8.5 kHz 8.5 kHz 8.5 kHz 8.5 kHz 8.5 kHz
CAB Power Handling (AE8 8tandardj 4OOw RN8 OOOw RN8 4OOw RN8 4OOw RN8 4OOw RN8 4OOw RN8
Frequenc] Response 4OHz to 18kHz 4OHz to 2OkHz 45Hz to 18kHz 45Hz to 2OkHz 4OHz to 18kHz 4OHz to 18kHz
Caoinet 8ensitivit] (dB 8Plj 1O1 1O8 99 99 1OO 1OO
Caoinet lmpedance 8 O 8 8 8 8
Refex Rear Rear Rear Rear Rear Rear

weight kg. 2O 28.7 18.8 17.9 18.5 21.2
weight los. 44.O9 O8.27 29.82 89.4O 4O.79 4O.74

width mm 594 594 89O 89O 4O4 4O4
width inches 28.89 28.89 15.85 15.85 18.27 18.27

Height mm 479 O99 482 599 4O4 557
Height inches 18.8O 27.52 17.O1 28.58 18.27 21.98

Depth mm 475 48O 857 4O4 48O 48O
Depth inches 18.7O 18.9O 14.OO 18.27 18.9O 19.9O

Preamp 8olid-state 8olid-state 8olid-state 8olid-state 8olid-state 8olid-state
Power Amp 8OO 8 / 5OO 4 Analog Analog Analog Analog Analog Analog
Power 8uppl] All models are equipped with custom-designed Narkoass digital power supplies
10
4. LIL MA8k IIILIL MA8k 250I00M80 A0 80MAI08
11
5. LMk F80000 08Iw
The Narkoass lNK is a high-qualit] two-channel oass amplifer with a solid-state preamp and an analog power amp, which delivers 5OOw of power into a 4 ohm caoinet, or 8OOw into an 8 ohm caoinet.
5.1 LMk F80 FAL
|hP0TS
The lNK's unique two-channel design enaoles ]ou to use either two different oasses (each with its own channelj, or two different channels for one oass. Both input jacks can oe used for ooth passive and active oas-
ses. when using one oass, plug it into lnput A/Naster (1j. Using the channel switch or the footswitch, ]ou will oe aole to choose which channel (and corresponding level, E0 and flter settingsj ]ou run it through.
when using two oasses, plug one into each input-the oass in lnput A (1j will automaticall] run through Channel 1, and the oass in lnput B (2j will automaticall] run through Channel 2. This is a ver] practical solution
for oassists who switch often oetween two ver] different oasses, for example an acoustic and an electric.
0hAhhL Sw|T0h
when one oass is plugged into the lNK, the channel switch allows ]ou to choose whether ]our signal is routed through Channel 1, Channel 2, or ooth ("mix"j. lf two oasses are plugged in, this switch allows ]ou
to effectivel] mute the unused oass, or, if ]ou can pla] ooth oasses at once, simpl] set the 8wlTCH (Oj to "mix"! Blue indicator lEDs (CH1j (21j and (CH2j (2Oj on the right side of the front panel illuminate to show
which channel is oeing used. when the footswitch is plugged into the rear panel, then front panel channel switch is disaoled.
LVL 1, LVL 2 aod NAST8
There are three knoos on the front panel of the lNK that control volume. lEVEl 1 (8j is the gain control for lhPUT A (1j, lEVEl 2 (4j is the gain control for lhPUT B (2j, and the NA8TER (19j control is the overall output
volume of the amp. The lEVEl (8j (4j (gainj controls determine how much signal is passed through the preamp stage of the unit, which includes equalization and the effects loop. The NA8TER (19j volume regulates
how much output comes out of the power amp into ]our caoinet. lf pla]ing through the amp causes the olue "CllP" (5j light to turn on at all, ]ou should turn down the lEVEl control of the channel oeing used,
otherwise ]our signal ma] distort. when ]ou frst plug into the amp, start with the lEVEl (8j (4j and NA8TER (19j controls set at their lowest levels, in other words turned all the wa] counter-clockwise. Then, turn
]our instrument's volume up to its full level and pla] as hard as ]ou do in ]our most aggressive moments, and turn up the lEVEl control until the olue light starts illuminating. hext, oack off on the lEVEl just enough
so that the light sta]s off as ]ou pla]. This method will result in the optimal gain setting for the oass ]ou're pla]ing. Different oasses have different output levels, mostl] depending on their pickups-and in the case
of active oasses, the instrument's onooard preamp and E0 settings. 0nce ]ou've set the lEVEl controls so that the volumes of ]our two oasses are even, use ]our NA8TER (19j knoo to control the overall volume.
12
L|h 00T
This llhE 0UT (18j knoo controls the volume level of the rear llhE 0UT XlR (27j, which is connected to the mixing console in live or studio situations.
00AL|IAT|0h
Narkoass amps are designed to faithfull] reproduce the natural sound of ]our oass. lf ]ou have a good instrument, ver] little equalization (E0-if an]-should oe required. Bass guitars produce a surprisingl] wide
range of frequencies-from extremel] low frequencies that are more felt than heard, to extremel] high frequencies that pass through ]our caoinet's tweeter and are oarel] audiole to the human ear. As ]ou experiment
with ]our E0 settings, ]ou will notice that all the different frequenc] ranges pla] essential roles in making up ]our oass tone.
l0w frequencies constitute music's sonic foundation-the] give power to ]our sound, ph]sicall] resonating ]our listeners' oodies (and ]ours!j, sometimes even causing people to move and dance!
l0w NlDs ("NlD l0w" or Nid Frequenc] lowj make ]our oass sound loud, projecting the sound over long distances, "flling the room."
Hl0H NlDs ("NlD Hl0H" or Nid Frequenc] Highj conve] the pitch of the notes that ]ou pla]. Clarit] of this range ensures that the melodies in ]our oass lines are heard. lf detail is missing in this range, ]our melodic
contrioution to the music will suffer.
Hl0H frequencies carr] the percussive content of ]our pla]ing-the attack of ]our notes, the sound of ]our fnger or pick passing over the string, fret noise, and in the case of slap oass, the "tick" noise produced when
the strings oounce off the frets. lf an] one of these frequenc] ranges is neglected or poorl] represented o] ]our amp, ]ou are not hearing an accurate representation of the sound that ]our oass is generating. 8ince
the lNK has oeen designed to give ]ou clear, detailed and musical sound at all frequencies, when the amp is set "fat-with all E0 knoos at 12 o'clock-]ou should hear a ver] true mirror of the sound of ]our oass.
However, the following circumstances will require ]ou to use equalization.
1. The signal from ]our oass is lacking output level in one of the frequenc] ranges descrioed aoove.
2. The room or venue ]ou're pla]ing in has poor acoustics and excites a certain frequenc]. For example, if ]ou're pla]ing on a hollow stage, certain low frequencies ma] sound disproportionatel]
loud or out of control, and ]ou ma] notice that ever] time ]ou pla] a certain note, it sounds much louder than all the others. ln these cases the offending frequenc] needs to oe identifed and reduced.
8. You're seeking to alter the oasic sound of ]our instrument in order to achieve a particular musical effect.
Equalization should oe treated as fne-tuning. 8pend some time listening to ]our oass through the amp with all the E0 controls in the neutral (12 o'clockj position oefore ]ou start changing the settings. You're likel]
to need little or no equalization!
However, if and when equalization is required, ]ou will fnd this amp's E0 to oe powerful and impressivel] detailed.
The l0w E0 (7j (8j control on the lNK is set to a center frequenc] of 4O Hz. This means that it either ooosts or cuts the volume of the frequencies around 4O Hz, to a maximum of 1O decioels.
The NlD l0w E0 (9j (1Oj control ooosts or cuts the frequencies around 8OO Hz, o] as much as 1O decioels.
The NlD Hl0H E0 (11j (12j control ooosts or cuts the frequencies around 8OO Hz, o] as much as 1O decioels.
The Hl0H E0 (18j (14j control ooosts or cuts the frequencies around 5 kHz, o] as much as 1O decioels. The 0 on this E0 (the range of frequenc] controlledj is quite wide, spanning from aoout 2 kHz to aoout 8O kHz.
VL aod VPF F|LT8S
The lNK amplifer features two magic knoos that alter the equalization of ]our oass signal with speciall] formulated musical results. Nost pla]ers use these controls more than the E0 since the] were designed
specifcall] to meet the practical needs of oassists. The VlE (17j (Vintage loudspeaker Emulatorj flters out high frequencies to give ]ou a mellower, less modern sound. As ]ou turn the knoo clockwise, ]ou will
fnd that a wider and wider range of high frequencies gets cut (see page 14 for a graph of this flter's functionj. This E0 effect is especiall] useful for acoustic and older st]les of music. The VPF (15j (1Oj (Variaole
Pre-shape Filterj ooosts lows (around 85 Hzj and highs (around 1O kHzj, and cuts mids at 88O Hz. This flter has ver] powerful uses for rock music and is also a favorite of man] slap oass pla]ers (see page 14 for
a graph of this flter's functionj. Again, we recommend ]ou start off with these flters in the off position, and dial them in graduall] to discover what effect the] have. Explore them separatel] frst-out ]ou ma] fnd
that using ooth in comoination can lead to some ver] appealing and musical results! hote that Channel 1 features ooth the VlE (15j and VPF (17j flters, whereas Channel 2 onl] includes the VPF (1Oj.
13
5.2 LMk 8A8 FAL
SPAk8 00T
The lNK can oe connected to one or two speaker caoinets. The high-qualit] heutrik 8PEAK0h C0NB0 jack accepts either a speakon (25j or a 14" speaker caole, and the second 8PEAKER JACK (24j accepts onl]
14" caoles. Do not use instrument caoles. The lNK delivers 8OOw of power into an 8 ohm caoinet, or 5OOw into a 4 ohm caoinet.
hote that this is a two channel amp, out it is not a "stereo" amp-there are not two discrete outputs for each channel input. lf ]ou connect two speaker caoinets the] will each receive the same signal.
L|h 00T
The oalanced XlR (27j output allows ]ou to connect ]our amplifer directl] to a mixing console (either in live situations or in a recording studioj without the need of a Dl oox. 8impl] connect a standard XlR caole
from this output to the soundooard/mixing console, or a snake connected to the ooard/console. lf the soundman/engineer needs more or less signal from ]ou, simpl] turn the front panel llhE 0UT (18j control up
or down as necessar].
The line out signal is post-E0 and post-flters (which means that the signal that ]ou send to the sound engineer is affected o] ]our E0 and flter settingsj.
6800h0 L|FT
0ccasionall] when ]ou're pla]ing live and using the llhE 0UT (18j, the soundman will detect a hum from ]our amp's signal. This is almost alwa]s due to a grounding proolem related to ]our power source, ]ou will
likel] eliminate this hum simpl] o] fipping the 0R0UhD llFT (29j switch.
T0h8 00T
The TUhER 0UT (2Oj is an unoalanced signal that can oe sent to a tuner, allowing ]ou to tune as ]ou pla] without passing ]our signal through pedals, which can degrade the qualit] of ]our signal. You can also use
this output to send ]our signal on to another amp, or an] kind of recording unit that doesn't require a oalanced signal.
FF0T Sh0 Ah0 8T08h
lf ]ou use effect pedals or rack gear, ]ou can route them through the 8EhD EFFECT (8Oj and RETURh EFFECT (28j on the rear panel of the amp. The effects loop is wired in parallel-this means that if something
happens to ]our effects chain (a oatter] dies or a caole gives out, for examplej while ]ou're pla]ing, ]ou will not lose ]our main signal. lf desired, however, the effects loop can oe easil] modifed o] authorized
service personnel to operate in series.
F00TSw|T0h
The lNK's optional F00T8wlTCH allows ]ou to have full control over channel selection see "CHAhhEl 8wlTCH" (Oj in front panel sectionj. Each switch is an on/off switch. Channel 1 (on/offj and Channel 2 (on/offj.
To switch channels with one click (assuming ]ou've turned one channel on and the other offj, step on ooth outtons simultaneousl]. Keep an e]e on the front panel "CH1" (21j and "CH2" (2Oj lEDs to make sure ]ou
have the right channel selected. when ooth channels are turned off, ]our signal will still pass to ]our tuner, should ]ou have one plugged into the rear panel.
14
6. LMk 0I0AL 0AIL8
|hP0TS
lhPUT A/NA8TER impedance. 5OO Kohm, max. voltage. 15 Vpp
lhPUT B impedance. 5OO Kohm, max. voltage. 15 Vpp
RETURh EFFECT impedance. 22 Kohm, max. voltage. 1O Vpp
00hT80LS
lEVEl (0ainj CH1 -8O dB to +28 dB range
lEVEl (0ainj CH2 -8O dB to +2O dB range
llhE 0UT level control on front panel
0R0UhD llFT switch on rear panel
NA8TER V0lUNE
00AL|IAT|0h (0h1)
l0w center frequenc]. 4O Hz, level. 1O dB
NlD l0w center frequenc]. 8OO Hz, level. 1O dB
NlD Hl0H center frequenc]. 8OO Hz, level. 1O dB
Hl0H center frequenc]. 5 kHz, level. 1O dB
VlE (Vintage loudspeaker Emulatorj max cut range. 25O Hz - 2O kHz
VPF (Variaole Pre-shape Filterj center frequenc] 88O Hz (cutj
00AL|IAT|0h (0h2)
l0w center frequenc]. 4O Hz, level. 1O dB
NlD l0w center frequenc]. 8OO Hz, level. 1O dB
NlD Hl0H center frequenc]. 8OO Hz, level. 1O dB
Hl0H center frequenc]. 5 kHz, level. 1O dB
VPF (Variaole Pre-shape Filterj center frequenc] 88O Hz (cutj
00TP0TS
8EhD EFFECT unoalanced, max. voltage 2O Vpp (pre-E0j
TUhER 0UT unoalanced, max. voltage 25 Vpp
llhE 0UT oalanced XlR, max. voltage 1O Vpp
8PEAKER 0UT speakon, 1/4"
0Th8
HEl0HT 2.8 in. / 7.1 cm
DEPTH 1O.1 in. / 25.O cm
wlDTH 1O.87 in. / 27.O cm
(can oe extended to standard rack width
with optional rack earsj
wEl0HT O.89 los / 2.9 kg
0UTPUT P0wER 8OOw RN8 @ 8 ohm, 5OOw RN8 @ 4 ohm
P0wER RE0UlRENEhT 1OO/12OV, 28OV, 24OV 5O/OOHz
F0S
EUR0PE 4 A 25OV T 5x2O
AU8TRAllA/UK 4 A 25OV T 5x2O
U8A/CAhADA 8 A 25OV T 5x2O
JAPAh 1O A 25OV T 5x2O
15
7. LMk 80MAI08
80MAI08 - LMk
16
8. LIL MA8k IIILIL MA8k 250I00M80 A0ILMk FIL8 A0 0 68AF8
17
9. IMF08A 8AF I8800I08
1j Read these instructions,
2j Keep these instructions,
8j Heed all warnings,
4j Follow all instructions,
5j Do not use this apparatus near water,
Oj Clean onl] with dr] cloth,
7j Do not olock an] ventilation openings. lnstall in accordance with the manufacturer's instructions,
8j Do not install near an] heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifersj that produce heat,
9j Do not defeat the safet] purpose of the polarized or ground-t]pe plug. A polarized plug has two olades with one wider than the other. A grounding t]pe plugs has two olades and a third
grounding prong. The wide olade or the third prong are provided for ]our safet]. lf the provided plug does not ft into ]our outlet, consult an electrician for replacement of the oosolete outlet,
1Oj Protect the power cord from oeing walked on or pinched particularl] at plugs, convenience receptacles, and the point where the] exit from the apparatus,
11j 0nl] use attachments/accessories specifed o] the manufacturer,
12j Unplug this apparatus during lightning storms or when unused for long periods of time,
18j Refer all servicing to qualifed service personnel. 8ervicing is required when the apparatus has oeen damaged in an] wa], such as power-suppl] cord orplug is damaged, liquid has oeen spilled or
oojects have fallen into the apparatus,the apparatus has oeen exposed to rain or moisture, does not operate normall], or has oeen dropped,
14j "warning. to reduce the risk of fre or electric shock, do not expose this apparatus to rain or moisture and oojects flled with liquids, such as vases, should not oe placed on this apparatus",
6. F80A0I08 0'MFL0I
1j lire ces instructions,
2j Conserver ces instructions,
8j 8uivre tous les conseils d'utilisations,
4j 8uivre toutes les instructions,
5j he pas utiliser cet appareil au oord de l'eau,
Oj hetto]er uniquement avec un chiffon humide,
7j he pas oloquer le s]steme de ventilation. lnstaller conformment aux instructions du faoricant,
8j he pas installer l'appareil pres d'une source de chaleur tel qu'un radiateur, un fourneau, ou oien un autre appareil qui produit de la chaleur,
9j he pas modifer le s]steme de scurit de la fche polarise ou de de la fche pour les prises de terre. Une fche polarise a deux oroches, l'une tant plus distante de l'autre. Une fche pour prise de terre a deux oroches et
une pointe pour la masse. la oroche plus distante et la pointe pour la masse ont t installes pour votre scurit. 8i la fche fournie de rentre pas dans votre prise de courant consulter un lectricien pour la suostitution,
1Oj Protger le cordon d'alimentation afn qu'il ne soit pas pitin ou cras tout particulierement au niveau des fches, des prises de courant femelles, et des parties qui sortent de l'appareil,
11j Utiliser uniquement les accessoires recommends par le faoricant,
12j he pas oranch l'appareil en cas d'orage accompagn d'clairs. le dorancher en cas de non utilisation prolonge,
18j 8'adresser a un service assistance agr si l'appareil a suoi des dommages, si le cordon d'alimentation ou la fche a t endommag, si un liquide a t renvers sur l'appareil ou oien si un ooject est tomo dans l'appareil,
si ce dernier a t expos a la pluie ou a l'humidit, s'il ne fonctionne pas correctement ou s'il est tomo,
14j "Avertissant. pour rduire le risque du feu ou de dcharge lectrique, n'exposez pas cet appareil a la pluie ou l'humidit et les oojets remplis de liquides, tels que des vases, ne devraient pas tre placs sur cet appareil".
Nore information
For warrantee and service information, please contact ]our local Narkoass distrioutor (contact information availaole at www.markoass.itj For more technical information, please visit us at www.markoass.it and fll out the form on the Contact
Us page. we hope ]ou enjo] ]our amp and use it to make great music!
l| ||||||| ||| W||| ||cW|J ]||c| W||||| | (u||||| |||||, | ||||JJ
|c ||| || u| |c || p|| c| u|||u||J J||cu 1c|| W||||| || p|cJu|
||cu| ||| |] | c| u|l||| ||||uJ |c c||||u| ||| c| |c| |c p|c|.
l| /||||c| pc||| W||||| | (u||||| ||||| | ||||JJ |c ||| || u| |c ||
p|| c| ||pc|||| cp|||| |J |||||| |1|||) ||||u||c| || || |||||u|
c|p|]|| || p|cJu|.
18
19
l||] ccJZJ S| G|c1||| l|||c C|) V| A|||c, 44 l|. -J9 J85 44c 5J5 |/ -J9 J85 44J J99 WWW.||||.|| |||c@||||.||