10/08/2010

Copying,QuotingandAbstracting: TheChicagostyleandessaywriting

http://www.youtube.com/watch?v=E7eOVpBCtPo&feature=related

Copying
AcademicConduct

Quoting
U i Chi UsingChicago15AStyle 15A S l

Abstracting
Whatisanabstractandwhyaretheyimportant?

Why?
UWAscommitmenttoethicalscholarship Academiccommunity
Referencingallowssomeonetofollowandbuild onyourwork on your work

Distinguishbetweenyourideasandthoseof others Locateyourworkwithinafielddofstudy

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Referencing
http://writing.wisc.edu/Handbook/DocChiNotes.html

http://www.lib.monash.edu.au/tutorials/citing/chicago .html
http://www.chicagomanualofstyle.org/tools_citationguide.html

http://www.studentservices.uwa.edu.au/ss/learning/online_services/academic_w riting/alva/referencing

ChicagoStyleManuelofStyle15A
OrChicago15A
NOTE:therearedifferentChicagostyles humanities(footnotes/endnotes)andauthor datesystem.Weuse humanities y Footnoteplusbibliography

Referencing
WhyChicago?
Usage
ThestyleusedbyJournaloftheSocietyofArchitectural Historians(US)andJournaloftheSocietyof ArchitecturalHistoriansAustraliaandNewZealand Architectural Historians Australia and New Zealand

Efficient,clearandinclusivesystem
Nopagenumbernotation(ie pporp) NoLatinabbreviations(ie noibids or opcits) 15A isabletoaccommodatearangeofesoteric material
Interviews,theses,conferencepapers,emails

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Whatarethefeaturesof15A
Footnote/Endnote
(I'dgofootnote,youwanttomakethe readers/markerslifeaseasyaspossible)
Bibliographicentriesinthefootnoteareintwoforms
Full Usedinthefirstcitationofawork Shortened Usedinanysubsequentcitationsofthatspecificwork

Bibliography

Referencing
books bookchapters journalarticles newspaperarticles p p conferencepapers governmentpublications statisticsfromABS encyclopaediaanddictionaries theses websites websitedocuments

Whentoreference?
Whenquotinganauthorsexactwords Whenparaphrasinganauthorstext Whensummarisinginformationfromatext WhilesomeChicagoguidessuggestthat youcanreferenceattheendofa paraphrasedparagraphthebestpractice istoreferenceeachsentence.

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Book(singleauthor)
The topology metaphor is no coincidence, nonetheless. The detour via the exact sciences in this case mathematics served first of all to ascribe to architecture an allegedly objective and contemporary foundation. To this end a single aspect was isolated from its complex reality and subjected to independent investigation, in a way analogous to scientific testing.16 First reference 16. Adrian Forty, Words and Buildings: A Vocabulary of Modern Architecture y g y (London: Thames and Hudson, 2000), 62. Subsequent reference 17. Forty, Words and Buildings, 67. Bibliography Forty, Adrian. Words and Buildings: A Vocabulary of Modern Architecture, London: Thames and Hudson, 2000.

Content
Firstreference
Author(Name Surname) Title (& Subtitle)

16. Adrian Forty, Words and Buildings: A Vocabulary of Modern Architecture (London: Thames and Hudson, 2000) 62 Hudson 2000), 62.

Place

Publisher

Year

Page Number

Content
Subsequentreference
Author (Surname only) Title (shortened)

17. Forty, Words and Buildings, 62.

Page Number

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Content
Bibliography
Author (Surname, Name) Title (& Subtitle)

Forty, Adrian. Words and Buildings: A Vocabulary of Modern Architecture, London: Thames and Hudson, 2000. ,

Place

Publisher

Year

No Page Number

Format
Normal size (Not
Superscript)

Italics

16. Adrian Forty, Words and Buildings: A Vocabulary of Modern Architecture (London: Thames and Hudson, 2000), 62.

Full Stop Comma, Space

Format
Colon (between title and subtitle), Space

16. Adrian Forty, Words and Buildings: A Vocabulary of Modern Architecture (London: Thames and Hudson, 2000), 62.

Open bracket

Comma, Space

Full stop

Colon, Space

Close bracket, Comma, space

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JournalArticle
My initial engagement with this complex of buildings was in the form of a review published in this Journal in early 2004. That review marked the first instalment in The Journal of Architectures programme to publish long-form reviews of built works regularly,2 and I chose to review Federation Square largely because I had been struck by how it engaged in an active way with Melbournes central city grid. Footnote 2. Charles Rice, At Federation Square, The Journal of Architecture 9, no. 1 (2004): 105. Subsequent reference 5. Rice, At Federation Square, 115. Bibliography Rice, Charles. At Federation Square. The Journal of Architecture 9, no. 1 (2004): 105120.

JournalArticle
Firstreference
Author (Name Surname) Article Title (& Subtitle) Journal Title Volume

2. Charles Rice, At Federation Square, The Journal of Architecture 9, no. no 1 (2004): 105 105.

Issue

Year

Page number

JournalArticle
Subsequentreference
Author (Surname only) Article Title (Shortened if necessary)
5. Rice, At Federation Square, 115.

Page number

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JournalArticle
Bibliography
Author (Surname, Name) Article Title (& Subtitle) Journal Title Volume

Bibliography Rice, Charles. At Federation Square. The Journal of Architecture 9, no. 1 (2004): 105120.

Issue

Year

Page number

Website
The jury citation for the Murcutts Prize award is replete with references to purity, clarity, and the mysticism of place. J. Carter Brown, the jury chairman, commented that Glenn Murcutt occupies a unique place in todays architectural firmament. In an age obsessed with celebrity, the glitz of our starchitects, backed by large staffs and copious public relations support, dominate the headlines. As a total contrast, our laureate works in a one-person office on the other side of the world from one person much of the architectural attention, yet has a waiting list of clients, so intent is he to give each project his personal best. 13 Footnote 13. Pritzker Prize Jury, Glenn Murcutt Jury Citation, The Pritzker Foundation , http://www.pritzkerprize.com/laureates/2002/jury.html, (accessed July 13, 2010) . Bibliography Pritzker Prize Jury. Glenn Murcutt Jury Citation. The Pritzker Foundation. New York. http://www.pritzkerprize.com/laureates/2002/jury.html.

Abstracting
Whatisanabstract?
Briefsummaryofessay,researchpaper,thesis, scientificexperimentprovidedatthestartofthe p publication. Inyourcase,itwillstateyourthesisandanticipate yourinvestigationandconclusions
Theabstractwillchangebetweenwhenyousubmitit fortheTest(Week4)andtheEssaysubmission.Thatis OK.

100 200words

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Abstracting
Whataretheelementsofanabstract?
THESIS
astatementofthepositionyouwillargueforinyour p y g y essay.

METHODODOLGY
Howyouwillproveyourthesisstatementandwhatyou willusetodoso.

FINDINGS
Whatpositionhaveyoureached

TheThesis
isdebatable
itmustbepossibletopresentacaseforand againstthestatement.Inyouressay,youwillbe expectedtoargueforonesidebutalsoshowthat p g youareawareoftheotherside.

limitsthescopeofyouressay canbesupportedbytheliterature.

Example1

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Thinking and Inhabiting the Doubled Interior CHARLES RICE Faculty of the Built Environment University of New South Wales The paper examines the way in which the bourgeois domestic interior emerged within a complex structure of doubleness from the beginning of the nineteenth century. This interior emerged to mean both a spatial condition and a representation of a spatial condition; its inhabitation involved a set of material practices and a sense that one could imagine an elsewhere from its material reality; and it became a figure for articulating the interrelations between the conscious and the unconscious mind. In relation to these layers of doubleness, the paper will focus on the way in which the bourgeois domestic interior becomes conceptualised in writings by Theodor Adorno and Walter Benjamin in interwar Europe, at the time when the experience of domesticity bound up with this interior became, in their eyes, a cultural impossibility. Via the theme of media and mediation, the paper will suggest that the notion of a doubled interior offered a conceptual logic within which an architectural avant-garde project could be understood at this time, and through which avant-garde moments in relation to domesticity can still be understood. (178 words)

Thinking and Inhabiting the Doubled Interior CHARLES RICE Faculty of the Built Environment University of New South Wales

THESIS Debateable position Limits the scope of the essay Evidence by literature

The paper examines the way in which the bourgeois domestic interior emerged within a complex structure of doubleness from the beginning of the nineteenth century. This interior emerged to mean both a spatial condition and a representation of a spatial condition; its inhabitation involved a set of material practices and a sense that one could imagine an elsewhere from its material reality; and it became a figure for articulating the interrelations between the conscious and the unconscious mind. In relation to these layers of doubleness, the paper will focus on the way in which the bourgeois domestic interior becomes conceptualised in writings by Theodor Adorno and Walter Benjamin in interwar Europe, at the time when the experience of domesticity bound up with this interior became, in their eyes, a cultural impossibility. Via the theme of media and mediation, the paper will suggest that the notion of a doubled interior offered a conceptual logic within which an architectural avant-garde project could be understood at this time, and through which avant-garde moments in relation to domesticity can still be understood.

METHODOLOGY Comparing writings of Adorno & Benjamin CHARLES RICE Comparing the notion Faculty of the Built Environment of domesticity with the University of New South Wales interior. The paper examines the way in which the bourgeois domestic interior emerged within a complex structure of doubleness from the beginning of the nineteenth century. This interior emerged to mean both a spatial condition and a representation of a spatial condition; its inhabitation involved a set of material practices and a sense that one could imagine an elsewhere from its material reality; and it became a figure for articulating the interrelations between the conscious and the unconscious mind. In relation to these layers of doubleness, the paper will focus on the way in which the bourgeois domestic interior becomes conceptualised in writings by Theodor Adorno and Walter Benjamin in interwar Europe, at the time when the experience of domesticity bound up with this interior became, in their eyes, a cultural impossibility. Via the theme of media and mediation,the paper will suggest that the notion of a doubled interior offered a conceptual logic within which an architectural avant-garde project could be understood at this time, and through which avant-garde moments in relation to domesticity can still be understood. Thinking and Inhabiting the Doubled Interior

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Thinking and Inhabiting the Doubled Interior CHARLES RICE Faculty of the Built Environment University of New South Wales

FINDINGS New concepts of the interior and avant-garde Relation to contemporary situation.

The paper examines the way in which the bourgeois domestic interior emerged within a complex structure of doubleness from the beginning of the nineteenth century. This interior emerged to mean both a spatial condition and a representation of a spatial condition; its inhabitation involved a set of material practices and a sense that one could imagine an elsewhere from its material reality; and it became a figure for articulating the interrelations between the conscious and the unconscious mind. In relation to these layers of doubleness, the paper will focus on the way in which the bourgeois domestic interior becomes conceptualised in writings by Theodor Adorno and Walter Benjamin in interwar Europe, at the time when the experience of domesticity bound up with this interior became, in their eyes, a cultural impossibility. Via the theme of media and mediation, the paper will suggest that the notion of a doubled interior offered a conceptual logic within which an architectural avant-garde project could be understood at this time, and through which avant-garde moments in relation to domesticity can still be understood.

Example2

Fromsmokefilledroomstosmokefreeenvironments:ahistoryofNewZealand domesticarchitectureandsmoke CHRISTINEMcCARTHY SchoolofDesign VictoriaUniversityofWellington Herpublicisthasjustinformedthechainsmoking[Lynn]Barberthatbeing photographedsmokinginpublicinNewZealandranksrightuptheresociallywith peopledeclaringthemselvesaspaedophiles."Really?"shesays,andwhipsoutapack ofJohnPlayerKingsize withtheairofsomeonesuddenlyproducingahowitzerina crowdedroom. TheintroductionofTheSmokefreeEnvironmentsAct(NZ)in1990marked achangeinthestatusoftheNewZealandpublicinterior,asthelegislation g p , g imaginesavisuallyandalfactorially pureinteriorspace.Smokewasan insectrepellentandessentialtotheinteriorofthecolonialMaoriwhare.Its inclusionenabledthedescriptionofthewhare asa"dismaledificeteemed withsuffocatingvapour,andformedwiththewretchedinmates,acompletepictureof cheerlessbarbarism." ThispaperwillexamineNewZealandinteriorsasdefinedbysmoke.Itwill explorethenatureofarchitecturalboundarypostsmokefreelegislation whichhascreatedanewconsciousnessaboutthresholdconditions,as rowsofcigarettebuttsnowlinethethresholdsofNewZealandworkplaces, andasthesmokerrealisestheboundariesbetweenconditionsofinteriority andtheexterioraredefinedbytheactionoflightinguporextinguishing cigarettes,effectingaperformativeandephemeralboundary.(205words)

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Fromsmokefilledroomstosmokefreeenvironments:ahistoryof NewZealanddomesticarchitectureandsmoke CHRISTINEMcCARTHY Herpublicisthasjustinformedthechainsmoking[Lynn]Barber thatbeingphotographedsmokinginpublicinNewZealandranks rightuptheresociallywithpeopledeclaringthemselvesas paedophiles."Really?"shesays,andwhipsoutapackofJohn PlayerKingsize withtheairofsomeonesuddenlyproducinga howitzerinacrowdedroom. TheintroductionofTheSmokefreeEnvironmentsAct(NZ)in1990 markedachangeinthestatusoftheNewZealandpublicinterior,as thelegislationimaginesavisuallyandalfactorially pureinteriorspace. g g y yp p Smokewasaninsectrepellentandessentialtotheinteriorofthe colonialMaoriwhare.Itsinclusionenabledthedescriptionofthewhare asa"dismaledificeteemedwithsuffocatingvapour,andformedwith thewretchedinmates,acompletepictureofcheerlessbarbarism." ThispaperwillexamineNewZealandinteriorsasdefinedbysmoke.It willexplorethenatureofarchitecturalboundarypostsmokefree legislationwhichhascreatedanewconsciousnessaboutthreshold conditions,asrowsofcigarettebuttsnowlinethethresholdsofNew Zealandworkplaces,andasthesmokerrealisestheboundaries betweenconditionsofinteriorityandtheexterioraredefinedbythe actionoflightinguporextinguishingcigarettes,effectinga performativeandephemeralboundary.(205words) Thesis: Change in status of the interior and new architectural boundary Methodology; examine interiors defined by smoke Id add how and which. Findings: A performative and ephemeral boundary exists

Example3

TranscribingtheContemporaryCity: LeCorbusier,AdelaideandChandigarh AntonyMoulis Withinthespaceofsevenmonthsin195051,LeCorbusier committedtwoseminalcityplanstopaper.Onewashis celebratedplanofChandigarh,themoderncapitalofthe Punjab,madeinFebruary1951.Theother,madeearlierin August1950,wasaredrawingofColonelWilliamLights PlanofAdelaide,SouthAustralia,theresultofachance meetingbetweenLeCorbusierandaProfessorofthe UniversityofAdelaideonsecondmentintheAmericas.This University of Adelaide on secondment in the Americas This paperbringsattentiontotheunusualcircumstances surroundingthemakingofLeCorbusiersAdelaideplanand observesparallelsintheplanningofChandigarhandthe processesofdesignanddrawingattributedtoLeCorbusier throughhisassociationwiththeCIAMgroup.Outofthis discussionthepaperalsoreconsidersthequestionof Chandigarhsoriginsasaworkofdesignandspeculateson thesignificanceoftheAdelaidedrawingtoLeCorbusiers postwarcareer.(149words)

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TranscribingtheContemporaryCity: LeCorbusier,AdelaideandChandigarh AntonyMoulis Withinthespaceofsevenmonthsin195051,LeCorbusier committedtwoseminalcityplanstopaper.Onewashis celebratedplanofChandigarh,themoderncapitalofthe Punjab,madeinFebruary1951.Theother,madeearlierin August1950,wasaredrawingofColonelWilliamLights PlanofAdelaide,SouthAustralia,theresultofachance meetingbetweenLeCorbusierandaProfessorofthe UniversityofAdelaideonsecondmentintheAmericas.This University of Adelaide on secondment in the Americas This paperbringsattentiontotheunusualcircumstances surroundingthemakingofLeCorbusiersAdelaideplanand observesparallelsintheplanningofChandigarhandthe processesofdesignanddrawingattributedtoLeCorbusier throughhisassociationwiththeCIAMgroup.Outofthis discussionthepaperalsoreconsidersthequestionof Chandigarhsoriginsasaworkofdesignandspeculateson thesignificanceoftheAdelaidedrawingtoLeCorbusiers postwarcareer.(149words)
Thesis: (inferred) Chandigarh was influenced by Lights Adelaide Methodology; examine parallels between Adelaide and Chandigarh and Corbs drawing/design process Findings: A speculation the significance of Adelaide to Corb and Chandigarhs origins

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