The Sun Dance of the Blackfoot Indians
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The Sun Dance of the Blackfoot Indians - Clark Wissler
Clark Wissler
The Sun Dance of the Blackfoot Indians
EAN 8596547361930
DigiCat, 2022
Contact: DigiCat@okpublishing.info
Table of Contents
Preface.
ILLUSTRATIONS.
The Sun Dance.
Preparation Period.
Program by Days.
First Day.
Second Day.
Third Day.
Fourth Day.
Fifth Day.
Sixth Day.
Seventh Day.
Eighth Day.
The Vow.
Ceremony of the Tongues.
The Medicine Woman.
The Procession to the Dancing Lodge.
The Offerings of Cloth.
The Hundred-Willow Sweathouse.
The Dancing Lodge.
Cutting the Thongs.
Raising the Sun Pole.
The Weather Dancers.
Dancing.
Society Dances.
The Torture Ceremony.
Sun Dance Songs.
The Sun Dance Camp.
Mythological Notes.
The Blood and North Blackfoot.
Preface.
Table of Contents
The Blackfoot tribes, particularly the Piegan, have been more extensively studied than most other Plains Indians. The writer began a systematic investigation of their culture in 1903. At that time, the only works treating them seriously were those of the younger Henry, Maximilian, and Grinnell. There were some good fragmentary articles by McLean and Hale. Yet, since we began work on this problem, a number of excellent books have appeared. First, the long-forgotten journals of Mathew Cocking and Anthony Hendry who went to the Blackfoot country in 1754 were printed. Then followed McClintock's delightful book, The Old North Trail
and later, Curtis's highly illustrated account of the Piegan. Linguistic studies had been undertaken by Tims, but later, Michelson, Uhlenbeck, and Josselin de Jong brought out studies of the language and some aspects of social organization. Of more popular books, the only one to be considered here is Schultz's, My Life as an Indian,
which, though in the form of fiction, is full of true pictures of Blackfoot life and thought. One unfortunate thing about all this subsequent activity is that it centered on the Piegan and as the writer's work was largely with that division before these publications appeared, there was no chance to rectify this asymmetry.
The publication of this study of the sun dance has been long delayed in the hope that circumstances would permit a more intensive study of the ceremony among the Canadian divisions. But the time for making such a study has really passed, since those natives who had the knowledge essential to an accurate exposition of the sun dance are now dead. It seems advisable, therefore, to publish the data as they stand.
The writer saw the Piegan ceremony twice, so that this study is based both upon objective observation and discussion with the native authorities on the subject. Later, Mr. Duvall checked over the data and conclusions with these and other informants. A large series of photographs was taken, but the important phases of the ceremony are so well shown in the published works of McClintock and Curtis that a repetition here is unnecessary.
Clark Wissler.
May, 1918.
ILLUSTRATIONS.
Table of Contents
Text Figures.
1. The Offering of Human Flesh. Drawn from a native sketch266
The Sun Dance.
Table of Contents
In our earlier paper upon the bundles of the Blackfoot, we have concerned ourselves with ceremonial functions in which the ownership and chief responsibility, in theory, rested in a single individual. We come now to an affair initiated, it is true, by the owner of the natoas bundle, but yet a composite of other rituals and functions, each of which has a definite place in a program carried out by the whole tribal organization. The only trace of a similar tribal participation is in the now almost extinct tobacco-planting ceremonies conducted by the beaver owners; but here there was no complex of other unrelated ceremonies and functions. In short, the sun dance was for the Blackfoot a true tribal festival, or demonstration of ceremonial functions, in which practically every important ritual owner and organization had a place. Nevertheless, there were certain rituals peculiar to it which gave it its character.
Since the plan of this section is to give an ethnological presentation of the Blackfoot sun dance, rather than a logically unfolding description of the ceremony as seen at a specified time, we shall present the general program now and take up later a somewhat analytical detailed discussion of the various phases of the ceremony. By this method, we shall be able to concentrate our attention upon a single ceremonial concept without the distraction arising from contemporaneous and intrusive procedures based upon other concepts, for as we shall see, this sun dance is a true composite. The following schedule is not given as the one observed by the writer, but as the one regarded as proper and believed to have been followed before the various divisions of the Blackfoot were under the complete domination of the Canadian and United States governments.
Preparation Period.
Table of Contents
After making a vow to purchase a sun dance bundle, the woman and her husband make the necessary arrangements and perform the prescribed rites. This is an indefinite period. At the approach of summer, the invitation tobacco is sent to all the bands and the camp circle is formed.
Program by Days.
Table of Contents
First Day.
Table of Contents
The program opens with moving camp to a site previously selected. On the morning of this day, the medicine woman begins to fast, which may be taken as the real beginning of the ceremony. If the ceremony of cutting the tongues
has not been previously performed or completed, it is now in order. In any event, the father and any male assistants he may choose to invite, spend a part of the day in praying and singing over the tongues.
A society brings in willows and a hundred-willow sweathouse is built.
Second Day.
Table of Contents
In the morning, the camp moves again to a site still nearer that proposed for the sun dance. A few green boughs of cottonwood are kept around the base of the medicine woman's tipi as a sign of its sanctity. A sweathouse is made, as on the previous day. Praying and singing over the tongues
continues during the day and evening.
Third Day.
Table of Contents
The same as the second day.
Fourth Day.
Table of Contents
The camp moves again; this time to the site of the sun dance. In the afternoon, the fourth and last hundred-willow sweathouse is built and used. The singing continues during the evening in the medicine woman's tipi.
Fifth Day.
Table of Contents
This is an active day.[1] The various bands cut and drag in the poles and green cottonwood boughs to be used in constructing the dancing lodge. The center, or sun pole, is selected and brought in with the ceremonies pertaining thereto. During the day, the holes for the posts are dug