Professional Documents
Culture Documents
UNIVERSITY PRESS
FICTION
DYSTOPIAN LITERATURE
Praise for Martha Moodys previous novels Best Friends First novels that track a pair of friends from college days through their subsequent lives arent exactly uncommon, but Moodys is so freshly observed and gifted with a palpable sense of the ravages of time that it feels utterly new.
Publishers Weekly (starred review)
Harrowing events and widespread deprivation have become the new reality in a dystopian future America in this new novel from best-selling author Martha Moody
Recent titles ......................... 12 Invisible Agents .................... 13 Peacebuilding, Power, and Politics in Africa ............... 14 Hollywoods Africa after 1994 ........................ 15 Religious Imaginaries............ 16 A Room of His Own ............. 17
SERIES IN CONTINENTAL THOUGHT
Steve Biko ...............................4 Epidemics .............................. 4 Spear of the Nation................ 5 A Brief History of Rights in South Africa ......... 5
MODERN AFRICAN WRITING Series
Paper Sons and Daughters .......................... 6 The Conscript ........................ 7 Illinoiss War ........................... 8 A Historical Guidebook to Old Columbus ................ 9 The Engraving Trade in Early Cincinnati ................ 10 The Collected Letters of Henry Northrup Castle...... 11
Recent titles ......................... 18 The Madness of Vision ......... 19 Face to Face ......................... 20 NEW IN PAPERBACK .......... 21 RECENT RELEASES ............. 22 SALES INFORMATION ........ 23 SALES REPRESENTATIVES .. 24 TITLE/AUTHOR INDEX ....... 25
She captures the feel of things, the complexity of human lives, and the ability of time to expose and heal.
Josephine Humphreys, author of Nowhere Else on Earth and Rich in Love
More praise for Martha Moody The Office of Desire A provocative, intensely moving novel of ideas and opposing philosophies presented by deeply flawed, deeply human characters.
Kirkus Reviews (starred review), and one of Kirkus Reviews Best Books of 2007
The Office of Desire Moodys second outing perfectly captures the nuances of a small group of people working closely together in an insular environment.
Booklist
W HO WE AR E
Ohio University Press was incorporated in 1947 and formally organized in 1964 by President John C. Baker. As the largest university press in Ohio, we are dedicated to publishing quality scholarship, books of regional interest and value, and trade titles with wide appeal. The press attracts the work of scholars of national reputation and benefits from partnerships with institutions throughout Ohio and the world. Along with its Swallow Press imprint, Ohio University Press publishes more than forty books a year and maintains over one thousand titles in print, a growing number of which are also available as electronic editions. Each book carries with it the banner of Ohio University, reaffirming the universitys commitment to the fruits of research and creative endeavor.
Cover: Eastleigh Miler from Hero of the Angry Sky: The World War I Diary and Letters of David S. Ingalls, Americas First Naval Ace
Member of the Association of American University Presses
Sometimes Mine Moody probes new layers of emotion and personal connection as Genie the heart doctor comes to understand the intangible aspects of the human heart. Instead of applying the clichs of traditional romance to a midlife heroine, Moody introduces readers to a woman who never stops learning about work, family, people, and possibilities.
Publishers Weekly
Sometimes Mine Sometimes Mine reveals a writer in the process of taking her craft to the next level.
Vick Mickunas, Dayton Daily News
Martha Moody is a novelist and physician from Dayton, Ohio, whose three previous books of fiction have sold close to 1 million copies. She is the author of Best Friends, The Office of Desire, and Sometimes Mine.
OCTOBER
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400 pages 5 1/8 x 8 hc $26.95t 978-0-8040-1141-9 Ebook 978-0-8040-4051-8 ______________________
A SWALLOW BOOK
ohio university press | 1
U. S. AVIATION HISTORY
The compelling experiences of the U.S. Navys only World War I Flying Ace
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6x9 hc $28.95t illus. 978-0-8214-2018-8 Ebook 978-0-8214-4438-2 _________________________
ohio university press | 3
o h i o s w a l l o w. c o m
BIOGRAPHY
OH
SOUTH AFRICA
OHIO SHOR T HISTORIES
OHIO SHORT HISTORIES OF AFRICA
HISTORY
IES OF AF
RICA
Clear accessible language; a strong narrative [and] chronological structure; a balanced assessment in the portrayal of Biko. Laura J. Mitchell, University of California, Irvine
A concise history of South Africas freedom fighters from the 1960s to the 1980s
OF AFRICA
Steve Biko
EPIDEMICS
Lindy Wilson
Steve Biko inspired a generation of black South Africans to claim their true identity and refuse to be a part of their own oppression. Through his example, he demonstrated fearlessness and self-esteem, and he led a black student movement countrywide that challenged and thwarted the culture of fear perpetuated by the apartheid regime. He paid the highest price with his life. The brutal circumstances of his death shocked the world and helped isolate his oppressors. This short biography of Biko shows how fundamental he was to the reawakening and transformation of South Africa in the second half of the twentieth century and just how relevant he remains. Bikos understanding of black consciousness as a weapon of change could not be more relevant today to restore people to their full humanity. As an important historical study, this books main sources were unique interviews done in 1989before the end of apartheidby the author with Bikos acquaintances, many of whom have since died. Lindy Wilson is an independent South African documentary filmmaker and writer. Her films include Crossroads, Last Supper in Hortsley Street, and Robben Island Our University.
HOWARD PHILLIPS
AUGUST _________________________
AUGUST
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156 pages 4 1/2 x 7 pb $14.95t 978-0-8214-2026-3 Ebook 978-0-8214-4443-6
Rights: World except South Africa
SAUL DUBOW
160 pages
4 /2 x 7
1
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Epidemics
The Story of South Africas Five Most Lethal Human Diseases Howard Phillips
This is the first history of epidemics in South Africa, lethal episodes that significantly shaped this society over three centuries. Focusing on five devastating diseases between 1713 and todaysmallpox, bubonic plague, Spanish influenza, polio, and HIV/AIDSthe book probes their origins, their catastrophic courses, and their consequences in both the short and long terms. The impacts of these epidemics ranged from the demographicthe Spanish flu, for instance, claimed the lives of 6 percent of the countrys population in six weeksto the political, the social, the economic, the spiritual, the psychological, and the cultural. Moreover, as each of these epidemics occurred at crucial moments in the countrys history such as during the South African War and World War Ithe book also examines how these processes affected and were affected by the five epidemics. To those who read this book, history will not look the same again. Howard Phillips is a professor in the Department of Historical Studies at the University of Cape Town, where he pioneered research in and the teaching of the social history of medicine and disease. He is the author or coauthor of numerous works, including Black October: The Impact of the Spanish Influenza Epidemic of 1918 on South Africa.
This brilliant short book provides the first clear overview of rights discourse in South Africa over a period of two centuries
SEPTEMBER _________________________
SEPTEMBER
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160 pages 4 1/2 x 7 pb $14.95t 978-0-8214-2027-0 Ebook 978-0-8214-4440-5
Rights: World except South Africa
156 pages
4 1/2 x 7
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ohio university press | 5
MEMOIR
CHINA/SOUTH AFRICA
AFRICAN LITERATURE
A rare glimpse into the worlds of Chinese illegal immigrants and the new lives they made in South Africa
The first English translation of a powerful and pathbreaking novel that spoke out against colonialism thirty years before Achebes Things Fall Apart
The Conscript
A Novel of Libyas Anticolonial War
Gebreyesus Hailu
Translated by Ghirmai Negash, with an introduction by Laura Chrisman
Eloquent and thought-provoking, this classic novel by the Eritrean novelist Gebreyesus Hailu, written in Tigrinya in 1927 and published in 1950, is one of the earliest novels written in an African language and will have a major impact on the reception and critical appraisal of African literature. Told from the perspective of its central character, Tuquabo, The Conscript depicts, with irony and controlled anger, the staggering experiences of the Eritrean ascari, soldiers conscripted to fight in Libya by the Italian colonial army against the nationalist Libyan forces fighting for their freedom from Italys colonial rule. Anticipating midcentury thinkers Frantz Fanon and Aim Csaire, Hailu paints a devastating portrait of Italian colonialism. Some of the most poignant passages of the novel include the awakening of the novels hero to his ironic predicament of being both under colonial rule and the instrument of suppressing the colonized Libyans. The novels remarkable descriptions of the battlefield awe the reader with mesmerizing images, both disturbing and tender, of the Libyan landscape with its vast desert sands, oases, horsemen, foot soldiers, and the brutalities of waruncannily recalled in the satellite images that were brought to the homes of millions of viewers around the globe in 2011, during the countrys uprising against its former leader, Colonel Gaddafi. Gebreyesus Hailu (1909 ?) was a prominent and influential figure in the cultural and intellectual life of Eritrea during the Italian colonial period and in the post-Italian era in Africa. He was vicar general of the Catholic Church in Eritrea and played several important roles in the Ethiopian government, including that of cultural attach at the Ethiopian Embassy in Rome, member of the national academy of language, and advisor to the Ministry of Information of the Ethiopian government. Hailus novel, The Conscript, is based on a true story of Eritrean conscripts deployed to Libya by the Italians, whom Hailu met on his way to study in Italy. Ghirmai Negash is a professor of English & African literature at Ohio University. He is the author of A History of Tigrinya Literature in Eritrea and Who Needs a Story. His recent publications include articles and essays on Eritrean and South African literatures. Laura Chrisman is a professor of English at the University of Washington, where she holds the Nancy K. Ketcham Endowed Chair.
Ufrieda Ho is a Chinese woman first and a journalist second. Combining her heritage and a love of words, she has written a powerful and lyrical memoir of her familys experience in South Africa, which makes her first book a fascinating read.
The [Natal] Witness
Gebreyesus Hailu does Africa great service in recounting an all but forgotten and therefore all the more reprehensible chapter in African colonial history. In the same spirit, Ghirmai Negashs superb translation brings back to world literature an Eritrean literary jewel of global and timeless relevance.
Alemseged Tesfai, author of Two Weeks in the Trenches (2002)
Of related interest ______________________________ The Decolonization of Africa by David Birmingham
248 pages
6 x 9 1/8
Ufrieda Ho is an award-winning journalist and one of the daughters of Ho Sing Kee. In this wonderfully textured memoir she explores her familys history and arrival in South Africa. Ufrieda describes growing up with her siblings in a world in which she is too white for some and too black for others, and the question of who belongs haunts this evocative account.
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64 pages 5 1/2 x 8 1/2 pb $14.95t 978-0-8214-2023-2 Ebook 978-0-8214-4445-0 ______________________
ohio university press | 7
CIVIL WAR
U.S. HISTORY
OHIO HISTORY
REGIONAL
Hubbard has an eye for rich and readable documents and shows impressive command of a wide variety of sources. Mark Neely, Penn State University
A fun, informative, and timely guide to Ohios capital city, highlighting 200 years of historical moments in stories, photographs, and maps
Illinoiss War
The Civil War in Documents
Edited by Mark Hubbard
On the eve of the Civil War and after, Illinois was one of the most significant states in the Union. Its history is, in many respects, the history of the Union writ large: its political leaders figured centrally in the wars origins, progress, and legacies; and its diverse residents made sacrifices and contributionsboth on the battlefield and on the home frontthat proved essential to Union victory. The documents in Illinoiss War reveal how the state and its people came to assume such a prominent role in this nations greatest conflict. In these crucial decades Illinois experienced its astonishing rise from rural frontier to economic and political powerhouse. But also in these years Illinois was, like the nation itself, a house divided over the expansion of slavery, the place of blacks in society, and the policies of the federal government both during and after the Civil War. Illinoiss War illuminates these conflicts in sharp relief, as well as the ways in which Illinoisans united in both saving the Union and transforming their state. Through the firsthand accounts of men and women who experienced these tumultuous decades, Illinoiss War presents the dramatic story of the Prairie States pivotal role in the sectional crisis, as well as the many ways in which the Civil War era altered the destiny of Illinois and its citizens. Illinoiss War is the first book-length history of the state during the Civil War years since Victor Hickens Illinois in the Civil War, first published in 1966. Mark Hubbard has compiled a rich collection of letters, editorials, speeches, organizational records, diaries, and memoirs from farmers and workers, men and women, free blacks and runaway slaves, native-born and foreign-born, common soldiers and decorated generals, state and nationally recognized political leaders. The book presents fresh details of Illinoiss history during the Civil War era, and reflects the latest interpretations and evidence on the states social and political development.
The Civil War in the Great Interior series now with five established titleshas been called remarkable by the Missouri Historical Review. Individual books in the series have been lauded for the chorus of diverse voices (Ohio Valley History).
Ever look at a modern skyscraper or a vacant lot and wonder what was there before? Or maybe you have passed an old house and been curious about who lived there long ago. This richly illustrated new book celebrates Columbus, Ohios, two-hundred-year history and supplies intriguing stories about the citys buildings and celebrated citizens, stopping at individual addresses, street corners, parks, and riverbanks where history was made. As Columbus celebrates its bicentennial in 2012, a guide to local history is very relevant. Like Columbus itself, the citys history is underrated. Some events are of national importance; no one would deny that Abraham Lincolns funeral procession down High Street was a historical highlight. But the authors have also included a wealth of social and entertainment history from Columbuss colorful history as state capital and destination for musicians, artists, and sports teams. The book is divided into seventeen chapters, each representing a section of the city, including Statehouse Square, German Village, and Franklinton, the citys original settlement in 1797. Each chapter opens with an entertaining story that precedes the site listings. Sites are clearly numbered on maps in each section to make it easy for readers to visit the places that pique their interest. Many rare and historic photos are reproduced along with stunning contemporary images that offer insight into the ways Columbus has changed over the years. A Historical Guidebook to Old Columbus invites Columbuss families to rediscover their city with a treasure trove of stories from its past and suggests to visitors and new residents many interesting places that they might not otherwise find. This new book is certain to amuse and inform for years to come. Bob Hunter is a sports columnist for the Columbus Dispatch. He is the author of Saint Woody: The History and Fanaticism of Ohio State Football and seven other books. He is an Ohio University graduate and a member of the board of trustees of the Columbus Historical Society. Lucy S. Wolfe is a lifelong resident of Columbus, a realtor, and a member of the board of trustees of the Columbus Historical Society.
Wyandotte
The writing is a delight and the stories are pitch perfect in getting across a feel of the time and place to which they transport the reader.
Doug Motz, president of the Columbus Historical Society
Of related interest ______________________________ The AIA Guide to Columbus by Jeffrey T. Darbee and Nancy A. Recchie
JANUARY ______________________
260 pages
5 1/2 x 8 1/4
Mark Hubbard is a professor of history at Eastern Illinois University. His reviews and essays have appeared in numerous scholarly journals, and his book Beyond Party: Cultures of Antipartisanship in Northern Politics before the Civil War was published in 2002.
OCTOBER ______________________
396 pages
7 x 10
CINCINNATI HISTORY
U. S. HISTORY
INTELLECTUAL HISTORY
Over one hundred images in color and black-and-white illustrate this first-ever history of engraving in Cincinnati
Valuable collection of letters that record an intellectual history of progressive thinkers at the close of the nineteenth century
Donald C. OBrien is a member of the American Antiquarian Society and a past president of the American Historical Print Collectors Society. His previous book, Amos Doolittle: Engraver of the New Republic, was published in 2008, and he has written extensively for the journal of the American Historical Print Collectors Society, as well as for numerours other publications.
Published with the support of the Samuel N. and Mary Castle Foundation.
DECEMBER
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200 pages
1
DECEMBER
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832 pages 5 1/2 x 9 pb $49.95s 978-0-8214-2011-9 Ebook 978-0-8214-4431-3 ______________________
ohio university press | 11
8 /2 x 11
AFRICAN HISTORY
AFRICAN HISTORY
With its focus on the spiritual basis of much political action, this new work bridges the misleading divide between religious and political historiography
Invisible Agents
Spirits in a Central African History
David M. Gordon
Invisible Agents shows how personal and deeply felt spiritual beliefs can inspire social movements and influence historical change. Conventional historiography concentrates on the secular, materialist, or moral sources of political agency. Instead, David M. Gordon argues, when people perceive spirits as exerting power in the visible world, these beliefs form the basis for individual and collective actions. Focusing on the history of the south-central African country of Zambia during the nineteenth and twentieth centuries, his analysis invites reflection on political and religious realms of action in other parts of the world, and complicates the post-Enlightenment divide of sacred and profane. The book combines theoretical insights with attention to local detail and remarkable historical sweep, from oral narratives communicated across slave-trading routes during the nineteenth century, through the violent conflicts inspired by Christian and nationalist prophets during colonial times, and ending with the spirits of Pentecostal rebirth during the neoliberal order of the late twentieth century. To gain access to the details of historical change and personal spiritual beliefs across this long historical period, Gordon employs all the tools of the African historian. His own interviews and extensive fieldwork experience in Zambia provide texture and understanding to the narrative. He also critically interprets a diverse range of other sources, including oral traditions, fieldnotes of anthropologists, missionary writings and correspondence, unpublished state records, vernacular publications, and Zambian newspapers. Invisible Agents will challenge scholars and students alike to think in new ways about the political imagination and the invisible sources of human action and historical change. David M. Gordon is an associate professor of history at Bowdoin College. He is the author of Nachitutis Gift: Economy, Society, and Environment in Central Africa, finalist for the Herskovits Prize, and numerous articles on African social, cultural, and environmental history; and, with Shepard Krech III, he edited Indigenous Knowledge and the Environment in Africa and North America (Ohio University Press, 2012).
Despite the enormous richness of the literature on the history of religion in Africa, I can think of no other book which brings the insights of that literature to bear so directly and convincingly to the interpretation of modern political history. . . . This is a great book.
Meghan Vaughan. University of Cambridge
Taifa
Making Nation and Race in Urban Tanzania James R. Brennan
264 pages 978-0-8214-2001-0 pb $32.95 Ebook 978-0-8214-4417-7
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384 pages 6x9 pb $32.95s 978-0-8214-2024-9 Ebook 978-0-8214-4439-9 ___________________
ohio university press | 13
12
o h i o s w a l l o w. c o m
PEACE STUDIES
AFRICA
INTERNATIONAL STUDIES
AFRICA
FILM
A new paperback collection by international scholars that focuses on the tensions between local and global ideas and initiatives of the peacebuilding industry
New approaches to contemporary films about Africawhat has changed and what remains the same
Contributors Christopher Clapham, Devon Curtis, Gwinyayi A. Dzinesa, Comfort Ero, Graham Harrison, Eboe Hutchful, Gilbert M. Khadiagala, David Keen, Chris Landsberg, Ren Lemarchand, Sarah Nouwen, Funmi Olonisakin and Eka Ikpe, Paul Omach, Aderoju Oyefusi, Sharath Srinivasan, Dominik Zaum
A joint project between the Centre for Conflict Resolution in Cape Town, South Africa and the Centre of African Studies at the University of Cambridge.
Contributors Harry Garuba and Natasha Himmelman Margaret R. Higonnet, with Ethel R. Higgonet Joyce B. Ashuntantang Kenneth W. Harrow Christopher Odhiambo Ricardo Guthrie Clifford T. Manlove Earl Conteh-Morgan Bennetta Jules-Rosette, J. R. Osborn, and Lea Marie Ruiz-Ade Christopher Garland Kimberly Nichele Brown Jane Bryce Iyunolu Osagie Dayna Oscherwitz
Of related interest
Gwinyayi A. Dzinesa was a senior researcher at the Centre for Conflict Resolution in Cape Town, South Africa. Previously, he was a lecturer in the Department of International Relations at the University of the Witwatersrand, a visiting scholar at the International Peace Research Institute, Oslo, and a research officer at the Centre for Defense Studies at the University of Zimbabwe. He is the coeditor of Region Building in Southern Africa (2012).
MaryEllen Higgins is an associate professor of English at the Greater Allegheny Campus of Pennsylvania State University. She is the coauthor of The Historical Dictionary of French Cinema. Her publications include articles and book chapters in Research in African Literatures, Tulsa Studies in Womens Literature, African Literature Today, Journal of Commonwealth Literature, Perspectives on African Literatures at the Millennium, and Broadening the Horizon: Critical Introductions to Amma Darko.
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Black + White in Colour by Vivian Bickford-Smith and Richard Mendelsohn
NOVEMBER
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288 pages 6x9 pb $28.95s 978-0-8214-2015-7 Ebook 978-0-8214-4433-7 ______________________
ohio university press | 15
VICTORIAN STUDIES
LITERARY CRITICISM
VICTORIAN STUDIES
BRITISH HISTORY
A nuanced study of how three women poets shaped their religious poetics in relation to their church practices
A fascinating exploration of that most British of establishments: Victorian gentlemens private clubs
Religious Imaginaries
The Liturgical and Poetic Practices of Elizabeth Barrett Browning, Christina Rossetti, and Adelaide Procter
Karen Dieleman
Religious Imaginaries explores liturgical practice as formative for how three Victorian women poets imagined the world and their place in it and, consequently, for how they developed their creative and critical religious poetics. In doing so, this new study rethinks several assumptions in the field: that Victorian womens faith commitments tend to limit creativity; that the contours of church experiences matter little for understanding religious poetry; and that gender is more significant than liturgy in shaping womens religious poetry. Exploring the import of bodily experience for spiritual, emotional, and cognitive forms of knowing, Karen Dieleman explains and clarifies the deep orientations of different strands of nineteenth-century Christianity, such as Congregationalisms high regard for verbal proclamation, Anglicanism and Anglo-Catholicisms valuation of manifestation, and revivalist Roman Catholicisms recuperation of an affective aesthetic. Looking specifically at Elizabeth Barrett Browning, Christina Rossetti, and Adelaide Procter as astute participants in their chosen strands of Christianity, Dieleman reveals the subtle textures of these womens religious poetry: the different voices, genres, and aesthetics they create in response to their worship experiences. Part recuperation, part reinterpretation, Dielemans readings highlight each poets innovative religious poetics. Dieleman devotes two chapters to each of the three poets: the first chapter in each pair delineates the poets denominational practices and commitments; the second reads the corresponding poetry. Religious Imaginaries has appeal for scholars of Victorian literary criticism and scholars of Victorian religion, supporting its theoretical paradigm by digging deeply into primary sources associated with the actual churches in which the poets worshipped, detailing not only the liturgical practices but also the architectural environments that influenced the worshippers formation. By going far beyond descriptions of various doctrinal positions, this research significantly deepens our critical understanding of Victorian Christianity and the culture it influenced.
In nineteenth-century London, a clubbable man was a fortunate man, indeed. The Reform, the Athenaeum, the Travellers, the Carlton, the United Service are just a few of the gentlemens clubs that formed the exclusive preserve known as clubland in Victorian Londonthe City of Clubs that arose during the Golden Age of Clubs. Why were these associations for men only such a powerful emergent institution in nineteenth-century London? Distinctly British, how did these single-sex clubs help fashion men, foster a culture of manliness, and assist in the project of nation-building? What can elite male affiliative culture tell us about nineteenth-century Britishness? A Room of His Own sheds light on the mysterious ways of male associational culture as it examines such topics as fraternity, sophistication, nostalgia, social capital, celebrity, gossip, and male professionalism. The story of clubland (and the literature it generated) begins with Britains military heroes home from the Napoleonic campaign and quickly turns to Dickenss and Thackerays acrimonious Garrick Club Affair. It takes us to Richard Burtons curious Cannibal Club and Winston Churchills The Other Club; it goes underground to consider Uranian desire and Oscar Wildes clubbing and resurfaces to examine the problematics of belonging in Trollopes novels. The trespass of French socialist Flora Tristan, who cross-dressed her way into the clubs of Pall Mall, provides a brief interlude. Londons clublandthis all-important room of his own comes to life as Barbara Black explores the literary representations of clubland and the important social and cultural work that this urban site enacts. Our present-day culture of connectivity owes much to nineteenthcentury sociability and Victorian networks; clubland reveals to us our own enduring desire to belong, to construct imagined communities, and to affiliate with like-minded comrades.
Of related interest ______________________________ Making a Man: Gentlemanly Appetites in the Nineteenth-Century British Novel by Gwen Hyman
Of related interest ______________________________ Imperial Bibles, Domestic Bodies: Women, Sexuality, and Religion in the Victorian Market by Mary Wilson Carpenter
SEPTEMBER ______________________
320 pages
6x9
Karen Dieleman is an assistant professor of English at Trinity Christian College, Palos Heights, Illinois. She has published in the Journal of Pre-Raphaelite Studies, Victorian Poetry, Victorians Institute Journal, and Christianity and Literature.
Barbara Black is an associate professor of English at Skidmore College in Saratoga Springs, New York. She is the author of On Exhibit: Victorians and Their Museums (2000). Her work has appeared in such journals as Nineteenth-Century Contexts, Victorian Poetry, and Salmagundi. She is a contributor to the volume Dickens, Sexuality and Gender, edited by Lillian Nayder (forthcoming July 2012).
The Cut of His Coat: Men, Dress, and Consumer Culture in Britain, 18601914 by Brent Shannon
NOVEMBER
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328 pages 6x9 hc $59.95s illus. 978-0-8214-2016-4 Ebook 978-0-8214-4435-1 ______________________
ohio university press | 17
CONTINENTAL PHILOSOPHY
CONTINENTAL PHILOSOPHY
The first English translation of a seminal book on phenomenology by a leading contemporary French philosopher of aesthetics
Now in its fourth decade, the Series in Continental Thought publishes philosophy and scholarship inspired by twentieth- and twenty-first-century European thought, especially phenomenology and poststructuralism. Featuring original works that extend the insights of continental theory in novel directions, the series encourages dialogue with other philosophical traditions and fields of research, including architecture, cognitive science, environmental studies, literary criticism, and psychoanalysis. The series also provides a forum for innovative interpretations of eminent thinkers within the tradition, such as Buber, Husserl, Heidegger, MerleauPonty, Levinas, and Derrida, as well as translations of seminal texts. Published in collaboration with the Center for Advanced Research in Phenomenology, Inc., the series is committed to the development of continental philosophy and the work of emerging scholars.
Christine Buci-Glucksmanns The Madness of Vision is one of the most influential studies in phenomenological aesthetics of the baroque. Integrating the work of Merleau-Ponty with Lacanian psychoanalysis, Renaissance studies in optics, and twentieth-century mathematics, the author asserts the materiality of the body and world in her aesthetic theory. All vision is embodied vision, with the body and the emotions continually at play on the visual field. Thus vision, once considered a clear, uniform, and totalizing way of understanding the material world, actually dazzles and distorts the perception of reality. In each of the nine essays that form The Madness of Vision BuciGlucksmann develops her theoretical argument via a study of a major painting, sculpture, or influential visual imageArabic script, Bettinis The Eye of Cardinal Colonna, Berninis Saint Teresa and his 1661 fireworks display to celebrate the birth of the French dauphin, Caravaggios Judith Beheading Holofernes, the Paris arcades, and Arnulf Rainers selfportrait, among othersand deftly crosses historical, national, and artistic boundaries to address Gracins El Criticn; Monteverdis opera Orfeo; the poetry of Hafiz, John Donne, and Baudelaire; as well as baroque architecture and Anselm Kiefers Holocaust paintings. In doing so, BuciGlucksmann makes the case for the pervasive influence of the baroque throughout history and the continuing importance of the baroque in contemporary arts. This edition features a new preface by the author and scholarly annotations by the translator that explicate key terms of phenomenological thought and comment on the ways in which Buci-Glucksmann integrates and extends the language and ideas of other theoreticians within her study. Christine Buci-Glucksmann is a philosopher, professor emerita of the University of Paris VIII, and the author of many books in the fields of political philosophy, aesthetics, contemporary art, the baroque, ornament, Asian art, and virtual art. Her most recent works include Esthtique de lphmre (2003), Au-del de la mlancholie (2005), Philosophie de lornement: DOrient en Occident (2008), and Une femme philosophe (2008), and two of her books have previously been translated into English: Gramsci and the State (1980) and Baroque Reason: The Aesthetics of Modernity (1994). Dorothy Z. Baker is a professor of English at the University of Houston, where she teaches translation studies and American literature. She has translated the poetry of Pierre Reverdy and Armand Robin. In addition, she is the author of Mythic Masks in Self-Reflexive Poetry and Americas Gothic Fiction and the editor of Poetics in the Poem and The Silent and Soft Communion.
Dylan Trigg
Dimitri Ginev
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184 pages 6x9 hc $49.95s illus. 978-0-8214-2019-5 e-book 978-0-8214-4437-5 ______________________
ohio university press | 19
M. C. Dillon
Lawrence Hass
APPALACHIA
PHOTOGRAPHY
N E W I N PA P E R B A C K
Distributed by Ohio University Press Cinematic Hamlet
The Films of Olivier, Zeffirelli, Branagh, and Almereyda Patrick J. Cook
Face to Face
The Photography of Lloyd E. Moore
Edited by Rajko Grli
Face to Face: The Photography of Lloyd E. Moore is a remarkable collection of photographs by an ex-Marine who worked as a lawyer in Lawrence County, Ohio, for around thirty-six years. As Moore himself tells us, An attorney who practices family, jury, and criminal law meets a lot of interesting people. Not all of them are clients or even people directly involved in various cases. Even though they might be connected to the job, thats not necessarily why you remember them. . . . My experience led me to the conclusion that everybody matters. In stark black-and-white photographs, or spread across two pages in full color, the images of the people of Ironton and Lawrence County, Ohio, seem to have captured their photographer, and will haunt the viewer as well. Whether in glimpses of stern young boys posing against the backdrop of dire poverty or in the living room of a cheerful member of the Ironton Womens Music Club, Moores uncanny ability to seize a moment in his subjects day brings a timeless quality to his work. Lloyd E. Moore was born in Columbus, Ohio, in 1931 and attended Ohio State University, earning BA and JD degrees. In 1959 he began to practice law in Lawrence County, Ohio, and continued for the next thirty-six years. With a particular dedication, Moore focused on photography from 1971 until 1990, and his most important subjects were people who lived in and around Lawrence County. His photographs have been exhibited in Ohio, New York, London, and Tokyo, among other places, and he was a fellow of the Royal Photographic Society. Lloyd E. Moore died in 2010. Rajko Grli was born in 1947 in Zagreb, Croatia, and graduated from the FAMU Film Academy in Prague. As the director and scriptwriter or cowriter, he has worked on eleven theatrical feature films, which have been distributed around the world and have won more than fifty international awards. He has also worked on some twenty Left, Rajko Grli; right, Lloyd E. Moore short films and more than fifteen television documentaries. Grli is currently Ohio Eminent Scholar in Film at Ohio University, and lives in Athens, Ohio.
Photo by Lloyd E. Moore
A ramble through the notes [of Cinematic Hamlet] leaves one with the impression that Cook has read everything of relevance and can be trusted when correcting the wayward critic. His approach is generally thorough, fluent, and smart. Summing Up: Highly recommended.Choice Applying recent developments in neuroscience and psychology, Patrick J. Cook argues that film is a medium deploying an abundance of devices whose task it is to direct attention away from the films viewing processes and toward the object represented. Through careful analysis of each films devices, he explores the ways in which four brilliant directors rework the play into a radically different medium, engaging the viewer through powerful instinctive drives and creating audiovisual vehicles that support and complement Shakespeares words and story.
Patrick J. Cook is an associate professor of English at George Washington University. He is the author of Milton, Spenser, and the Epic Tradition.
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An elegiac bookexplicitly so in the poems honoring relatives and friends who have died, and implicitly so in many other poems that recreate the daily textures of a farm-centered life. As a whole this book delivers a rich sense of a past deeply examined.Mark Halliday
978-0-8214-1989-2 pb 16.95t Ebook 978-0-8214-4408-5
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INDEX
The Americans Are Coming! Asylum On the Hill Gordon, David M. 13 The Gospel According to James and Other Plays 22 Grlic, Rajko, ed. 20 Gravel and Hawk 22 Groves, Donna Sue 22 Hailu, Gebreyesus 7 Hero of the Angry Sky 3 Higgins, MaryEllen 15 Higgs, Catherine 22 A Historical Guidebook to Old Columbus 9 Ho, Ufrieda 6 Hollywoods Africa after 1994 15 Hubbard, Mark, ed. 8 Hunter, Bob 9 Illinoiss War 8 Invisible Agents 13 Lawrance, Benjamin N., ed. 12 Locklear, Erica Abrams 21 The Madness of Vision 19 Mead, George Herbert, ed. 11 Mead, Helen Castle, ed. 11 Ministers of Fire 22 Moody, Martha 1 Moore, Lloyd E. 20 Negash, Ghirmai, trans. Negotiating a Perilous Empowerment Norwood, Nick 22 7 21 OBrien, Donald C. 10 Osborn, Emily Lynn 12 Our New Husbands Are Here 12 Paper Sons and Daughters 6 Parron, Suzi 22 Peacebuilding, Power, and Politics in Africa 14 Phillips, Howard 4 Prosperity Far Distant 22 Religious Imaginaries 16 A Room of His Own 17 Roberts, Richard L., ed. 12 Rossano, Geoffrey L., ed. 3 Saunders, Mark Harril 22 Sharp and Dangerous Virtues 1 Smith, Charles R. 22 Spear of the Nation 5 Standing Our Ground 22 Steve Biko 4 Taifa 12 Trafficking in Slaverys Wake 12 Vinson, Robert Trent Wilson, Lindy 4 Wiltse, Charles M. Wolfe, Lucy S. 9 Ziff, Katherine 22 12
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Baker, Dorothy Z., trans. 19 Barn Quilts and the American Quilt Trail Movement 22 Barry, Joyce M. 22 Birkner, Michael J., ed. 22 Black, Barbara J. 17 Brennan, James R. 12 A Brief History of Rights in South Africa 5 Buci-Glucksmann, Christine 19 Cherry, Janet 5 Chocolate Islands 22 Christianity and Public Culture 21 Cinematic Hamlet 21 The Collected Letters of Henry Northrup Castle 11 The Conscript 7 Cook, Patrick J. 21 Curtis, Devon 14 Dieleman, Karen 16 Dubow, Saul 5 Dzinesa, Gwinyayi A.
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Englund, Harri, ed. 21 The Engraving Trade in Early Cincinnati 10 Epidemics 4 Face to Face 20
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