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Key Terms
walking bass harmonic rhythm basic orchestra festive orchestra sequence ornamentation ritornellos continuo figured bass affects
control
thorough, methodical expression extracting maximum effect from material uniting many elements to depict a single emotion
Rhythm
highly regular, determined motion distinctive rhythms against a steady beat
freer rhythms in upper voices walking bass
Dynamics
rarely indicated; usually steady dramatic contrast preferred
either loud or soft (f or p) change at end of entire section, if at all
Tone Color
new interest in sonority
distinctive Baroque sounds and instruments idiomatic writingtaking advantage of unique color of each instrument
flexibility
works for violin or oboe or flute rewriting earlier works for different performing forces
Melody
tends toward complexity and difficulty
extended range variety of rhythmic note values intricate, unpredictable twists and turns irregular phrase lengths
Ornamentation
addition of fast notes, motives, or effects to a melody
cadenzas; chording continuo instruments
Texture
standard Baroque texture is polyphonic
sometimes homophonic texture, for contrast only
dense orchestral works use many moving contrapuntal lines simple works for solo and continuo still feel contrapuntal (active bass)
The Continuo
provides framework and support for melody and polyphony
bass line played by cello or bass viol chords played by keyboard or plucked strings
Emotional Expression
powerful yet impersonal Baroque composers thought music should
mirror a wide range of emotions (affects). depict those emotions consistently. take on a theatrical quality.
Affects
Scientists studied and classified emotions. Composers catalogued musical elements for each affect.
keys: D minor = serious; E minor = pathos, etc. melodic and rhythmic figures instrumental and vocal types and genres