Teacher : Jose Luis Monteyanos Level : Advanced 1

PABLO RUIZ PICASSO

IN THE DECADE OF 1950 IT REALIZED NUMEROUS SERIES ON BIG CLASSIC WORKS OF THE PAINTING, WHICH IT REINTERPRETED LIKE HONORING. IN 1961 PAUL PICASSO CONTRACTED THE SECOND NUPTIALS WITH JACQUELINE ROQUE; IT WOULD BE HIS LAST SENTIMENTAL RELATION OF IMPORTANCE. TURNED ALREADY INTO A LEGEND IN LIFE AND IN THE EPITOME OF THE FOREFRONT, THE ARTIST AND JACQUELINE MOVED BACK TO VOUVENARGUES'S CASTLE, WHERE THE CREATOR CONTINUED WORKING TIRELESSLY UNTIL THE DAY OF HIS DEATH.

JENNIE. C JONES

AMERICAN, CINCINNATI, OHIO, 1968; LIVES AND WORKS IN BROOKLYN, NEW YORK) EXPLORES THE CONFLUENCES BETWEEN ABSTRACT VISUAL ART AND AFRICAN AMERICAN AVANT-GARDE MUSIC IN AN EXHIBITION OF NEW WORK AT THE HIRSHHORN MUSEUM AND SCULPTURE GARDEN. ON VIEW FROM MAY 16 THROUGH OCT. 27, THE SITE-SPECIFIC INSTALLATION MELDS PAINTINGS AND SCULPTURES WITH A SOUND PIECE THAT MANIPULATES ELEMENTS OF WORKS BY EXPERIMENTAL COMPOSERS AND PERFORMERS.

MUSIC & PAINTING: WHAT'S THEIR RELATIONSHIP?

The self-evident, that music is a temporal art, that it unfolds in time, means, in the dual sense, that time is not self-evident for it, that it has time as its problem. it must create temporal relationships among its constituent parts, justify their temporal relationship, synthesize them through time. conversely, it itself must act upon time, not lose itself to it; must stem itself against the empty flood. the old aim of secular music, that of the divertissement that distracts from boredom, testifies to this, a fact that lives on in the relationship to time of autonomous music, which binds itself to time at the same time as it sets itself against it, antithetically.

From: http://zinelibrary.info/files/Adorno,%20Theodor%20W.%20%20on%20some%20relationships%20between%20music%20and%2 0painting.pdf

WHAT'S SMITHSONIAN HAS BEEN TALKED?

Jennie c. joness art reflects on the cultures of
sound and music in a visual context. in recent years, she has presented cerebral and imaginative responses to what she calls the physical residue of music, using strips of audiotape, bits of wire, instrument cables, cassette casings, or handfuls of ear buds. these devices, turned into sculptures, with an ephemerality of material as well as form, have been framed or hung from the gallery walls with both elegance and restraint.

A LITTLE BIT INFLUENCED PART I

To describe what was his career and artistic life, we should analyze the information for months if you want to get to the little details Picasso was involved in various streams but the most influential were cubism and surrealism, which was co - founder and / or one of the pioneers in working with the implementation of the artistic ideology of each. Here is an outline summary of what was art in your life: Period of Barcelona (1895-1901) Blue Period (1901-1904) Rose Period (1905-1906) Cubist Period (Green) (1908-1916) Analytic Cubism Synthetic Cubism Classic Period (Turquoise) (1917-1927) Surrealist Period (1928-1932) Expressionist Period (1933-1953) Vallauris Period (1953-1973)

A LITTLE BIT INFLUENCED PART II

TECNIQUES

Picassos cubism, classicism and surrealism put on women, objects and more.

Jennies vibration sounds put on acoustic panels and more.

Abstract paintings

Abstract sounds

TRANSMITTED FEELINGS
Sombre

darkness

Sadness

freeze

death

Pablo Picasso

Interest

Curiosity

Surprised

Hapiness

Jennie C. Jones

OUR PERSONAL OPINION

VISUAL ARTS INCLUDE ART DIFFERENT PARTIES WHOSE PRODUCTS ARE PRIMARILY VISUAL IN
NATURE, SUCH AS DRAWING, PAINTING AND PRINTMAKING, AND MODERN ARTS SUCH AS PHOTOGRAPHY, FILM, VIDEO AND COMPUTER GRAPHICS. ALSO INCLUDED IN THIS CONCEPT CALLS AS APPLIED ARTS AND CRAFTS ART CRAFTS (CERAMICS, POTTERY, ETC..).

THANKS, I HOPE YOU ENJOY IT!!!