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Biography
born July 23, 1931, Oita, Kyushu, Japan Japanese avant-garde architect. He studied at the University of Tokyo and opened his own studio in 1963.
His first notable building is the Oita Prefectural Library (1966), which shows the influence of the Metabolist school.
In his later works, which often synthesize Eastern and Western elements, he used bold geometric forms and frequently made historical allusions. Among his innovative structures are the Los Angeles Museum of Contemporary Art (1986) and Art Tower (1990) in Mito, Japan.
Biography
Japanese architect, teacher and theorist. One of the leading architects of his generation, he became an influential proponent of the avant-garde conceptual approach to architecture that characterized the New Wave in Japan in the 1970s and after . He studied at the University of Tokyo under Kenzo Tange and after graduating (1954) he worked for Kenzo Tange & Urtec until 1963. From 1960 Isozaki began to develop his own practice Medical Center (1960) and Oita Prefectural Library (1966) as an architectural designer , and then as a theorist, loosely associated with Japanese Metabolism and creating projects as his 'Ruin Future City' and 'Clusters in the Air' (both 1962). His first large public commission was the Oita branch of the Fukuoka Mutual Bank, completed in 1967. Other important public works followed , buildings as the Gunma Prefectural Museum of Modern Art (1971-4), Takasaki; the Kitakyushu City Museum of Art (1972-4); the Kitakyushu Municipal Central Library (1972-5); and the West Japan General Exhibition Center (1977), Kitakyushu.
Other works
1986/92 - The New Brooklyn Museum, New York, U.S.A. 1987/89 - Bond University: Administration/Library/Humanities, Gold Coast, Queensland, Australia 1987/90 - Team Disney building, Florida, U.S.A. 1987/90 - Kita-kyushu Unternational Conference Center, Fukuoka, Japan 1990/94 - The Center of Japanese Art and Technology in Krakw, Poland 1991/95 - Toyonokuni Libralies for Cultural Resources, Oita, Japan 1991/95 - Kyoto Concert Hall, Kyoto, Japan 1991/95 - B-con Plaza, Oita, Japan 1993/95 - DOMUS: La Casa del Hombre (Interactive Museum about Humans), La Corua, Spain 1993/96 - Okayama West Police Station, Okayama, Japan 1992/98 - Nara Centennial Hall, Nara, Japan 1993/98 - Higashi Shizuoka Cultural Complex Project, Shizuoka, Japan 1995/98 - Akiyoshidai International Arts Village, Yamaguchi, Japan 1996/02 - Ceramics Park MINO, Gifu, Japan 1997/03 - Ymaguchi Center for Arts and Media, Yamaguchi, Japan 1998 - Shenzen Cultural Center, China
PHILOSOPHY
His style was combining Japanese sensibility with Western post-modernism.
He has employed complex asymmetrical forms, innovatively juxtaposed materials and used sophisticated technologies.
Key Metabolists:
Kiyonori Kikutake, Fumihiko Maki, Masato Otaka, Kisho Kurokawa and Kiyoshi Awazu
A plug-in city
The laws of space and functional transformation hold the future for society and culture
Kikutake city
courtyard
Under the courtyard, galleries lead into each other from left to right.
The whole building is constructed in concrete with regular glass fenestrations TEAM DISNEY BUILDING, FLORIDA, ARATA ISOZAKI, 1989-90
Architect responds to context - amusement park by using warm colors both inside and outside the building
Isozaki designed this playful entrance that lives up to the clients requirement of entertainment architecture.
To capture the essence of the sunshine state, Isozaki designed a large , colourful sundial to rise out dramatically from the centre of the building.
Isozaki wanted the architecture to make a statement about time since the offices were to be used by timeconscious executives.
The courtyard also acts as a central atrium and houses a Japanese rock garden.
He coupled two office wings with a long gray big carnival color tower in the center as a large funnel pointing to the sky.
Conclusions..
Born and educated in Japan, Arata Isozaki often integrates Eastern ideas into his designs.For example, Isozaki wanted to express a yinyang theory of positive and negative space when he designed the Team Disney Building in Orlando, Florida Isozaki's "style" has in fact been a series of modes that have come as a response to these influences. As a young architect he was identified with Metabolism, a movement founded in Japan in 1960. However, Isozaki minimized his connections to this group, seeing the Metabolist style as overly utilitarian in tone. In the 1970s Isozaki's architecture became more historical in its orientation, suggesting a connection with the burgeoning postmodern movement of Europe and the United States. His sources included classical Western architects, especially Andrea Palladio, tienne-Louis Boulle, and Claude-Nicolas Ledoux.
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