Professional Documents
Culture Documents
INTRODUCTION
GOVERNMENT AGENCY:
Appointed commission of organization in
the government system
Responsible for monitoring and
administrating a specific purpose
Executive
Improve efficiency to public service
Protects the rights of the people
Vision
Mission
PROBLEM STATEMENT
A government agency
Visua
l
Arts
Performing
Arts
Literature
NCCA
Tradition &
Heritage
Culture
Improve facility
Office needs
Artistic requirements
Help achieve the
NCCA objectives
through Architecture
PROBLEM STATEMENT
PROJECT GOAL
Provide and adapt to a facility that an arts
commission office can cater and function properly
with proper spaces needed and dedicated for such
agency
STRATEGIES
Research background about the agency
Study existing structure and find problematic issues
architecturally
Learn the needed spaces by their own office preferences
Study the required spaces
Conduct case studies in the current office
Conduct surveys and interviews regarding their agency
With the survey given to the employees, the researcher found out the more than 52% of the
surveyed employees were working at the National Commission for Culture and the Arts greater
than 5 years.
Many of them are satisfied with the agency although the facilities that help accommodate
their services are not given by the office.
The building space in the office is adequate yet it lacks storage areas for the documents coming
in of the office.
The traffic going to the office may be heavy but at the vicinity of the site is not. Their problem from
outside environment that affects them is the noise. They have informal settlers in front of
their office and they can not do anything about it.
Although many of them said that they are comfortable with the office, they would still want to
have their office redevelop and changed due to the lacking facilities and storages.
National Commission for Culture and the Arts World Heritage Sites Manager
Mr. Molanida was the one who answers the researchers email regarding the study.
National Commission for Culture and the Arts as the sole policy makers of artists, protectors of cultural arts and preservers of the Philippine
heritage in the whole country.
Proposal of a NCCA Complex Building for the agency to accommodate the lacking facilities present to their office. Facilities lacking due to the
inadequate office space given to them.
They conduct workshops, exhibits, performances and meetings from artists, and committees from all over the Philippines, inviting them over to
have a talk but doesnt have enough
The researcher discussed his plan of Adaptive Reuse of the Metropolitan Theater since the Theater reflects what the agency is about and
fortunately they too had plans of it.
He then explained that their idea for the future plan is to be relocated at the Metropolitan Theater during the Atienza Administration and apply
adaptive reuse to the historic building as to preserve its heritage values. All they have yet is the idea but without formal actions.
They believe they have the funds needed and they are willing to do all necessary actions to pursue the relocation of their office.
The existing National Commission for Culture and the Arts Office building is to be swapped to another government agency when they start to
relocate because the building they are using today is only donated.
She then explained the use of their agency, the departments and population of each.
She gave us a tour to every part of the office. At the ground floor is where the exhibits are held. They help provide local artists
with no funds to showcase their art as long as they comply with the requirements of the National Commission for Culture and
the Arts.
She showed us how insufficient it is due to the many requests and they only approve on what can only fit to their exhibit area.
Beside the exhibit area is the only thing that keeps everything in control, the reception area. People go through them first
before entering the office proper.
Future plans: to the Metropolitan Theater. She said that the Metropolitan might be too big to become just their office. They are
planning on making the other parts for rent and she even suggested to have a lodging area to accommodate the
commissioners and guests from other parts of the country. This idea came to them when the office conducted a feasibility
study when committees from Visayas and Mindanao area had a hard time looking for a hotel and they thought that providing
such facility can provide the commissioners less expenses.
Provide their services at the highest quality and adequate needs that the office can offer. She has been telling us how hard it is
to have an insufficient facility because they are having a problem with providing the people the things that they
should be able to provide yet they look for other places that can.
Having such improvement would make themselves more reliable and more trusted in the field of Arts on policy
making and such due to the best services they can deliver to people, an image that artists can look up to.
Strengths
Weaknesses
The staffs will be deprived of having a personal space because some spaces are messy in terms of lacking storage areas
Not enough walkway for pedestrians from the outside. Vehicles carriageway is also the path walk.
Not enough daylight and ventilation
Lacks waiting area for the public and doesnt have a lobby in the office
The offices does not have pantry.
Noise traffic is very susceptible.
Lounge is insufficient.
Working areas is also lacking in terms of space. The staffs things are all over the place.
Opportunities
Due to the increasing number of enrolees for dental medicine, the school would benefit from enhancing the development
of higher education in the Philippines.
Its vicinity is suitable for developing functional spaces that would cater students needs
Threats
NEED ANALYSIS
CONCLUSIONS AND
RECOMMENDATION
The National Commission for Culture and the Arts
existing office building is working properly as a
government agency. But the NCCA is not just an
ordinary government agency but a Cultural Arts
Government Agency.
The existing building is intended for
office environment but not for
workshops, performances, exhibits
and symposiums. Instead, they rent
and conduct these acts out of their
own office.
PROJECT JUSTIFICATION
NCCA works perfectly as an
organized
government
office but the agency is not
just an ordinary office but a
cultural and artistic center
that conducts and promotes
artistic and filipino culture
arts and heritage. They lack
spaces that would support
their mandates, thus the
building they are using as
their
office
was
only
donated and not really
intended for their use.
Site contours
The connectivity to the main road and other sub roads
The distances from the major landmarks such as:
Shopping centres
Railway Station
Airport
Bus stand
Schools
Church
SITE JUSTIFICATION
Even with the given structure, the Metropolitan Theater, it still meets the criteria of the site
selection process.
Also, the historic value of this site suits well for the new office of the National Commission for
Culture and the Arts since one of their advocacy is to preserve heritage site and protect them
from decay. Using it again, not too far from its original purpose, to serve another purpose is
better than leaving it abandoned.
Making the Metropolitan Theater become fully functional, alive, and working not just an old
abandoned structure but an office that aims preservation and protection for heritage sites.
There are many features met by applying adaptive reuse to a historical site more over using
it as an office of cultural agency where preservation of heritage is one of their main goals.
Such structure would be in good hands if it will house an agency that tends to protect is
cultural value.
MACRO SETTING
MICRO SETTING
SITE ANALYSIS
SITE JUSTIFICATION
The Metropolitan Theater is a national landmark, a
heritage site, great historical value, full of culture and
tradition and a work of many National Artists from the
structure itself to the interior decorations.
The Metropolitan Theaters character , architecturally,
suits on what the National Commission for Culture and the
Arts agency advocates for. There is no other agency in the
Philippines that would deserve to house the national
historical site thus it will sure be maintained and
protected by the right people.
Met reflects culture and so the objective of NCCA.
PROGRAMMING
DE GUZMAN, Jonah Neill Bryan D. |
2010122707
BEHAVIORAL ANALYSIS
ADMIN
ADMIN
ARRIVE
ARRIVE
TIME
TIME IN
IN
PAPER
PAPER
WORKS
WORKS
MEETING
MEETING
LUNCH
LUNCH
WORK
WORK
TIME
TIME OUT
OUT
GO
GO
HOME
HOME
STAFF
STAFF
ARRIVE
ARRIVE
TIME
TIME IN
IN
PAPER
PAPER
WORKS
WORKS
REPORT
REPORT
TO
TO BOSS
BOSS
LUNCH
LUNCH
WORK
WORK
TIME
TIME OUT
OUT
GO
GO
HOME
HOME
COMMIS
COMMIS
SIONERS
SIONERS
ARRIVE
ARRIVE
TIME
TIME IN
IN
MEETING
MEETING
OBSERVE
OBSERVE
LUNCH
LUNCH
PAPER
PAPER
WORKS
WORKS
TIME
TIME OUT
OUT
GO
GO
HOME
HOME
VISITOR
VISITOR
S
S
ARRIVE
ARRIVE
INQUIRE
INQUIRE
LOUNGE
LOUNGE
RECEIVE
RECEIVE
AREA
AREA
DO
DO
PURPOSE
PURPOSE
EAT
EAT
GO
GO
HOME
HOME
ARTISTS
ARTISTS
ARRIVE
ARRIVE
INQUIRE
INQUIRE
LOUNGE
LOUNGE
RECEIVE
RECEIVE
AREA
AREA
DO
DO
PURPOSE
PURPOSE
EAT
EAT
GO
GO
HOME
HOME
LIBRARIAN
LIBRARIAN
ARRIVE
ARRIVE
TIME
TIME IN
IN
PAPER
PAPER
WORKS
WORKS
REPORT
REPORT
TO
TO BOSS
BOSS
LUNCH
LUNCH
WORK
WORK
TIME
TIME OUT
OUT
GO
GO
HOME
HOME
BEHAVIORAL ANALYSIS
CHAIRMAN
CHAIRMAN
DIRECTOR
DIRECTOR
MUSEUM
MUSEUM
STAFF
STAFF
SECRETARIA
SECRETARIA
T
T
ARRIVE
ARRIVE
ARRIVE
ARRIVE
ARRIVE
ARRIVE
ARRIVE
ARRIVE
TIME
TIME IN
IN
TIME
TIME IN
IN
TIME
TIME IN
IN
TIME
TIME IN
IN
PAPER
PAPER
WORKS
WORKS
PAPER
PAPER
WORKS
WORKS
CHECK
CHECK
MUSEUM
MUSEUM
PAPER
PAPER
WORKS
WORKS
MEETING
MEETING
REPORT
REPORT
TO
TO BOSS
BOSS
PAPER
PAPER
WORKS
WORKS
MEETING
MEETING
LUNCH
LUNCH
LUNCH
LUNCH
LUNCH
LUNCH
LUNCH
LUNCH
WORK
WORK
WORK
WORK
REPORT
REPORT
REPORT
REPORT
TIME
TIME OUT
OUT
TIME
TIME OUT
OUT
TIME
TIME OUT
OUT
TIME
TIME OUT
OUT
GO
GO
HOME
HOME
GO
GO
HOME
HOME
GO
GO
HOME
HOME
GO
GO
HOME
HOME
SECURIT
SECURIT
Y
Y
ARRIVE
ARRIVE
TIME
TIME IN
IN
MAKE
MAKE
ROUNDS
ROUNDS
OBSERVE
OBSERVE
INMATES
INMATES
LUNCH
LUNCH
WORK
WORK
TIME
TIME OUT
OUT
GO
GO
HOME
HOME
MAINTEMAINTENANCE
NANCE
ARRIVE
ARRIVE
TIME
TIME IN
IN
REPORT
REPORT
CLEAN
CLEAN
LUNCH
LUNCH
SERVE
SERVE
TIME
TIME OUT
OUT
GO
GO
HOME
HOME
USER ANALYSIS
USER
ADMIN
STAFF
COMMISSIONERS
VISITORS
ARTISTS
DESCRIPTION
a person responsible for the performance or management of administrative business operations
People in employment within any organization
Apersonauthorizedbyacommissiontoperformcertainduties.
a person visiting a person or place, especially socially
a person engaged in one or more of any of a broad spectrum of activities related to creating art, practicing the arts,
and/or demonstrating an art.
a person who works professionally in a library
is the highest officer of an organized group such as a board, a committee, or a deliberative assembly.
LIBRARIAN
CHAIRMAN
DIRECTOR
a person who is in charge of an activity, department, or organization.
MUSEUM STAFF Onewhomanagesoroversees,astheadministrativedirectorofamuseumcollection
SECRETARIAT
SECURITY
MAINTENANCE
anofficeresponsibleforthesecretarial,clerical,andadministrativeaffairsofalegislativebody,executivecouncil,orinte
rnationalorganization
people responsible of the state of being free from danger and security
the people responsible for the work of keeping the office in proper condition
ORGANIZATIONAL STRUCTURE
ADMINISTRATIVE DIVISION
Lobby
Administrative Office
Human Resource Management
General Appropriations Act Section
Supplies Management Section
Records Section
General Services Section
Conference Room
Receiving Area
Pantry
Toilet
COMMISSIONERS
Office of the Chairman
Staffs Office
Board of Commissioners
Conference Room
Receiving Area
Pantry
Toilet
EXECUTIVES
Office of the Executive Director
Description
# of Users
ENTRANCE OF A
15
BUILDING
ADMINISTRATION
6
OF THE AGENCY
OFFICE FOR THE
WORKFORCE OF
5
THE AGENCY
OFFICE FOR THE
AGENCY FUND
5
MANAGEMENT
OFFICE FOR THE
SUPPLIES OF THE
6
AGENCY
OFFICE FOR THE
RECORDS AND
6
DATA COLLECTION
OFFICE FOR THE
GENERAL NEEDS
15
OF THE AGENCY
AREA FOR
MEETINGS AND
20
GATHERINGS OF
THE OFFICE
AREA FOR PUBLIC
5
RECEIVING
AREA FOR FOOD
AND DINING
8
SIMILAR TO
KITCHEN
AREA FOR
HYGEINIC
2
PURPOSES
Classification
PUBLIC
SEMI PUBLIC
Area
Circulation (30%)
Estimated Area
75.3
22.59
97.89
5.02
30.12
9.036
39.156
5.02
25.1
7.53
32.63
SEMI PUBLIC
5.02
25.1
7.53
32.63
PRIVATE
5.02
30.12
9.036
39.156
PRIVATE
5.02
30.12
9.036
39.156
PRIVATE
5.02
75.3
22.59
97.89
SEMI PUBLIC
DESK, CHAIR,
PLATFORM
LIGHTING, POWER
5.02
100.4
30.12
130.52
PUBLIC
5.02
25.1
7.53
32.63
PRIVATE
1.67
13.36
4.008
17.368
PRIVATE
LAVATORY, WC
LIGHTING, POWER,
PLUMBING
0.6
1.2
0.36
1.56
PRIVATE
5.02
5.02
1.506
6.526
5.02
20.08
6.024
26.104
5.02
20.08
6.024
26.104
PRIVATE
SEMI PUBLIC
DESK, CHAIR,
PLATFORM
LIGHTING, POWER
5.02
200.8
60.24
261.04
PUBLIC
4.65
23.25
6.975
30.225
PRIVATE
1.67
13.36
4.008
17.368
PRIVATE
LAVATORY, WC
LIGHTING, POWER,
PLUMBING
0.6
1.2
0.36
1.56
PRIVATE
5.02
5.02
1.506
6.526
PRIVATE
5.02
5.02
1.506
6.526
PRIVATE
Space Factor
5.02
40
5
Utilities
PRIVATE
1
4
Furnitures
Staff
Conference Room
Receiving Area
Pantry
Toilet
SPECIAL OFFICE
International Affairs Office
Legal Service Office
GAMABA
Conference Room
Receiving Area
Pantry
Toilet
SENTRO RIZAL
Library
Librarian's Office
Photocopying Office
Toilet
OFFICE FOR
INTERNATIONAL
AFFAIRS ISSUES
OFFICE FOR LEGAL
MATTERS OF THE
AGENCY
OFFICE FOR
HERITAGE
COMMITTEE
AREA FOR
MEETINGS AND
GATHERINGS OF
THE OFFICE
AREA FOR PUBLIC
RECEIVING
AREA FOR FOOD
AND DINING
SIMILAR TO
KITCHEN
AREA FOR
HYGEINIC
PURPOSES
PRIVATE
5.02
5.02
1.506
6.526
PRIVATE
5.02
40.16
12.048
52.208
SEMI PUBLIC
DESK, CHAIR,
PLATFORM
LIGHTING, POWER
5.02
100.4
30.12
130.52
PUBLIC
4.65
23.25
6.975
30.225
PRIVATE
1.67
13.36
4.008
17.368
PRIVATE
LAVATORY, WC
LIGHTING, POWER,
PLUMBING
0.6
1.2
0.36
1.56
PRIVATE
5.02
25.1
7.53
32.63
PUBLIC
5.02
25.1
7.53
32.63
PRIVATE
5.02
25.1
7.53
32.63
SEMI PUBLIC
DESK, CHAIR,
PLATFORM
LIGHTING, POWER
5.02
100.4
30.12
130.52
PUBLIC
4.65
23.25
6.975
30.225
PRIVATE
1.67
13.36
4.008
17.368
PRIVATE
LAVATORY, WC
LIGHTING, POWER,
PLUMBING
0.6
1.2
0.36
1.56
SHELVES, TABLES,
CHAIRS
DESK, CHAIR, FILE
CABINET
DESK, CHAIR, FILE
CABINET
20
5
8
5
5
5
20
5
8
40
3
4
PUBLIC
PRIVATE
PUBLIC
8
3
LIGHTING, POWER
0.65
26
7.8
33.8
LIGHTING, POWER
5.02
15.06
4.518
19.578
LIGHTING, POWER
5.02
20.08
6.024
26.104
0.6
1.2
0.36
1.56
PRIVATE
LAVATORY, WC
LIGHTING, POWER,
PLUMBING
PRIVATE
5.02
40.16
12.048
52.208
Heritage Office
Plan Policy Formulation and Programming Section
Program Monitoring and Evaluation Section
Conference Room
Receiving Area
Pantry
Toilet
Conference Room
Receiving Area
Pantry
Toilet
Conference Room
Receiving Area
Pantry
Toilet
OFFICE FOR
DISSEMINATION ISSUES OF
THE PHILIPPINES
DISSEMINATION DIVISION
FOR POLICY FORMULATION
DISSEMINATION DIVISION
FOR PROGRAM
MONITORING
AREA FOR MEETINGS AND
GATHERINGS OF THE
OFFICE
AREA FOR PUBLIC
RECEIVING
AREA FOR FOOD AND
DINING SIMILAR TO
KITCHEN
AREA FOR HYGEINIC
PURPOSES
PRIVATE
LIGHTING, POWER
5.02
20.08
6.024
26.104
LIGHTING, POWER
5.02
10.04
3.012
13.052
LIGHTING, POWER
5.02
15.06
4.518
19.578
LIGHTING, POWER
5.02
15.06
4.518
19.578
PRIVATE
SEMI PUBLIC
LIGHTING, POWER
1.67
25.05
7.515
32.565
PUBLIC
COUCH, COUNTER
LIGHTING, POWER
4.65
23.25
6.975
30.225
PRIVATE
1.67
13.36
4.008
17.368
PRIVATE
LAVATORY, WC
LIGHTING, POWER,
PLUMBING
LIGHTING, POWER,
PLUMBING
0.6
1.2
0.36
1.56
PRIVATE
3
PRIVATE
15
5
8
2
4
3
PRIVATE
PRIVATE
LIGHTING, POWER
5.02
15.06
4.518
19.578
SEMI PUBLIC
LIGHTING, POWER
1.67
25.05
7.515
32.565
PUBLIC
COUCH, COUNTER
LIGHTING, POWER
4.65
23.25
6.975
30.225
1.67
13.36
4.008
17.368
0.6
1.2
0.36
1.56
PRIVATE
LIGHTING, POWER
5.02
20.08
6.024
26.104
LIGHTING, POWER
5.02
15.06
4.518
19.578
15
5
8
2
PRIVATE
PRIVATE
LAVATORY, WC
LIGHTING, POWER,
PLUMBING
LIGHTING, POWER,
PLUMBING
PRIVATE
LIGHTING, POWER
5.02
20.08
6.024
26.104
PRIVATE
LIGHTING, POWER
5.02
15.06
4.518
19.578
PRIVATE
LIGHTING, POWER
5.02
15.06
4.518
19.578
SEMI PUBLIC
LIGHTING, POWER
1.67
25.05
7.515
32.565
PUBLIC
COUCH, COUNTER
LIGHTING, POWER
4.65
23.25
6.975
30.225
PRIVATE
1.67
13.36
4.008
17.368
PRIVATE
LAVATORY, WC
0.6
1.2
0.36
1.56
15
5
8
2
PRIVATE
LIGHTING, POWER
5.02
30.12
9.036
39.156
LIGHTING, POWER
5.02
30.12
9.036
39.156
LIGHTING, POWER
5.02
30.12
9.036
39.156
LIGHTING, POWER
5.02
20.08
6.024
26.104
PRIVATE
SEMI PUBLIC
LIGHTING, POWER
1.67
50.1
15.03
65.13
PUBLIC
COUCH, COUNTER
LIGHTING, POWER
4.65
23.25
6.975
30.225
PRIVATE
1.67
13.36
4.008
17.368
PRIVATE
LAVATORY, WC
0.6
1.2
0.36
1.56
PRIVATE
6
LIGHTING, POWER,
PLUMBING
LIGHTING, POWER,
PLUMBING
PRIVATE
30
5
8
2
LIGHTING, POWER,
PLUMBING
LIGHTING, POWER,
PLUMBING
AUDITORIUM CENTER
Auditorium
AVR
Control Room
Utility Room
Storage
Toilet
GALLERIES
Exhibit Hall
Function Hall
Museum
Office
Storage
WORKSHOP
Studio for Arts and Crafts
Studio for Performing Arts
Music Room
Storage
Toilet
CAFETERIA
Kitchen
Service
Counter
Dining Area
Toilet
OTHER SPACES
Security Office
Maintenance
Storage
Parking
1
5
PRIVATE
PRIVATE
12
LIGHTING, POWER
5.02
5.02
1.506
LIGHTING, POWER
5.02
25.1
7.53
6.526
32.63
LIGHTING, POWER
5.02
60.24
18.072
78.312
LIGHTING, POWER
13.052
5.02
10.04
3.012
PRIVATE
LIGHTING, POWER
5.02
25.1
7.53
32.63
PRIVATE
LIGHTING, POWER
5.02
15.06
4.518
19.578
SEMI PUBLIC
LIGHTING, POWER
1.67
66.8
20.04
86.84
PUBLIC
COUCH, COUNTER
LIGHTING, POWER
4.65
23.25
6.975
30.225
PRIVATE
13.36
4.008
17.368
LAVATORY, WC
LIGHTING, POWER,
PLUMBING
LIGHTING, POWER,
PLUMBING
1.67
PRIVATE
0.6
1.2
0.36
1.56
PUBLIC
LIGHTING, POWER
1.67
1002
300.6
LIGHTING, POWER
1.67
33.4
10.02
43.42
LIGHTING, POWER
4.65
13.95
4.185
18.135
PUBLIC
PRIVATE
PLATFORM, CHAIRS
CHAIRS, SHELVES,
PLATFORM
DESK, CHAIR, FILE
CABINET
DESK, CHAIR, FILE
CABINET
SHELVES, LOCKERS
15.06
4.65
4.518
1.395
19.578
6.045
LAVATORY, WC
LIGHTING, POWER
LIGHTING, POWER
LIGHTING, POWER,
PLUMBING
5.02
4.65
PRIVATE
0.6
1.2
0.36
1.56
PUBLIC
SHELVES
LIGHTING, POWER
0.65
26
7.8
33.8
PUBLIC
PUBLIC
TABLES, CHAIRS
SHELVES
DESK, CHAIR, FILE
CABINET
SHELVES, LOCKERS
LIGHTING, POWER
LIGHTING, POWER
1.67
0.65
167
26
50.1
7.8
217.1
33.8
LIGHTING, POWER
LIGHTING, POWER
5.02
4.65
30.12
4.65
9.036
1.395
39.156
6.045
PRIVATE
PRIVATE
CHAIRS, TABLES,
PLATFORM
CHAIRS, TABLES,
PLATFORM
CHAIRS, TABLES,
PLATFORM
SHELVES, LOCKERS
PRIVATE
LAVATORY, WC
PRIVATE
2
PRIVATE
40
5
8
2
600
20
3
3
1
2
40
100
40
6
PUBLIC
PRIVATE
PRIVATE
PRIVATE
40
40
40
1
10
6
4
3
40
2
10
PRIVATE
PRIVATE
1302.6
LIGHTING, POWER
0.65
26
7.8
LIGHTING, POWER
0.65
26
7.8
33.8
LIGHTING, POWER
LIGHTING, POWER
LIGHTING, POWER,
PLUMBING
1.67
4.65
66.8
4.65
20.04
1.395
86.84
6.045
0.6
1.8
7.8
PRIVATE
COUNTER, SHELVES
LIGHTING, POWER
4.65
18.6
5.58
24.18
PRIVATE
PUBLIC
SHELVES
CHAIRS, TABLES
5.02
5.02
15.06
200.8
4.518
60.24
19.578
261.04
PRIVATE
LAVATORY, WC
LIGHTING, POWER
LIGHTING, POWER
LIGHTING, POWER,
PLUMBING
0.6
1.2
0.36
1.56
PRIVATE
LIGHTING, POWER
1.67
16.7
5.01
21.71
PRIVATE
LIGHTING, POWER,
PLUMBING
1.67
8.35
2.505
10.855
PRIVATE
SHELVES, LOCKERS
LIGHTING, POWER,
PLUMBING
PUBLIC
NONE
LIGHTING, POWER
4.65
27.9
4.65
36.27
1.395
8.37
4.65
15
33.8
LIGHTING, POWER,
LAVATORY, RANGE, TABLES PLUMBING
1
0
PRIVATE
1697
6.045
0
5,363,332
ZONING CLASSIFICATION
Zone 1: Administrative Division
Lobby
Administrative Office
Records Section
Conference Room
Receiving Area
Zone 3: Executives
Staffs Office
Conference Room
Receiving Area
Zone 2: Commissioners
Staffs Office
Board of Commissioners
Conference Room
Receiving Area
Head Office
Staff
Conference Room
Receiving Area
ZONING CLASSIFICATION
Zone 5: Special Offices
GAMABA
Conference Room
Receiving Area
Library
Librarians Office
Photocopying Office
Toilet
Arts Office
Conference Room
Receiving Area
Heritage Office
Conference Room
Receiving Area
ZONING CLASSIFICATION
Zone 9: Dissemination Section Office
Conference Room
Receiving Area
Conference Room
Receiving Area
Conference Room
Receiving Area
Budgeting Section
Accounting Section
Cashiering Section
Audit Section
Finance Section
Conference Room
Receiving Area
ZONING CLASSIFICATION
Zone 13: Auditorium Center
Auditorium
AVR
Control Room
Utility Room
Storage
Toilet
Zone 15: Workshop Center
Music Room
Storage
Toilet
Zone 17: Other Spaces
Security Office
Maintenance
Storage
Parking
Exhibit Hall
Function Hall
Museum
Office
Storage
Kitchen
Service
Counter
Dining Area
Toilet
FUNCTIONAL ZONING
PRIVATE
SEMI PUBLIC
PUBLIC
ADMINISTRATIVE DIVISION
SENTRO RIZAL
COMMISSIONERS
SPECIAL OFFICE
GALLERIES
EXECUTIVES
AUDITORIUM CENTER
WORKSHOP AREA
OTHERS
CAFETERIA
DISSEMINATION OFFICE
NATIONAL ENDOWMENT
FUND
FOR CULTURE AND ARTS
ADJACENCY MATRIX
Administrative Division
Commissioners
Executives
Public Affairs and
Information
Special Offices
Sentro Rizal
Arts Section Office
Heritage Section Office
Dissemination Section
Office
Traditional Arts Section
Office
Plan and Policy Office
NEFCA
Auditorium Center
Galleries
Workshop Center
Cafeteria
Toilet
Security
Maintenance
Parking
PROXIMITY
PROXIMITY
PROXIMITY
NECESSARY
ESSENTIAL
NOT NECESSARY
COMMISSIO
NERS
PUBLIC
AFFAIRS
AND
INFORMATI
ON OFFICE
PLAN &
POLICY
FORMULA
TION
DIVISION
ARTS
SECTIO
N
OFFICE
CAFETERI
A
HERITAGE
SECTION
OFFICE
NATIONAL
ENDOWME
NT FUND
FOR
CULTURE
AND ARTS
DIVISION
SENTRO
RIZAL
DISSEMINA
TION
SECTION
OFFICE
SPECIAL
OFFICES
TRADITIO
NAL ARTS
SECTION
AUDITORIUM
CENTER
ADMINISTR
ATIVE
DIVISION
LEGEND:
MAJOR ADJACENCY
MINOR ADJACENCY
NOT RELATED
WORKSH
OP
FACILITY
GALLERIE
S
OTHER
SPACES
CONCEPT DEVELOPMENT
DE GUZMAN, Jonah Neill Bryan D. |
2010122707
ARCHITECTURAL CONCEPT
PALIMPSE
written surface that
ST Any
has been erased and used
ARCHITECTURAL CONCEPT
Interior: Views
The existing plan of theater is a
combination of edges and curves, and this
enables the future users to transform a
simple view into a different perspective
STRUCTURAL CONCEPT
Shoring
Permanent support
Structural alterations.
Like adaptation work, no two
shoring operations are the
same. Each one must be
considered on its own merits in
terms of duration of use,
loading condition, risk of
structural failure, and need for
protection of people and the
environment
UTILITY CONCEPT
Landscaping
Ecological
Soak ways
Roof plantings
Rehabilitate Vegetations
Rainwater Harvesting
Irrigation
Help avoid, reduce
and delay surface
water run off which
causes immediate
flooding