Professional Documents
Culture Documents
Know your
camera
Tell a story
Capture the
C .E. L. L.
C omposition
E xposure
L ens
L ight
Good Composition
Sharp Focus
Good Lighting
Correct Exposure
The Right Lens
Thought Behind the Picture
Composit
ion
Principle 1
Compositi
on
unless
its a
reflection
Principle 2
The center of the frame is the weakest place -- it's static, dull, and gives
no value to the context. The more you move the subject away from the center,
the more relevance you give to the context
Composition
Principle 3
Use of frames, lines &
diagonals
Compositi
on
Principle 4
Dramatic Perspective
Exposure
Aperture
Shutter speed
ISO
Apertu
Principle
re
Affect depth of field (range of distance in focus)
Principle
Shutter
Speed
Absolutely sharp images are not always the best. They can look static and
dull. At slow shutter speeds the camera blurs the image of moving objects, and can
create a more convincing image of movement.
RULES OF FRAMING
/COMPOSITION
Rule of Thirds
Different Angles Low Angle & Top
Angle
Close Up, Mid Shot, Wide/Landscape
Head Room
Composition/Framing -
Rule of Thirds
Composition/Framing -
Rule of Thirds
Composition/Framing -
Rule of Thirds
Composition/Framing
Low Angle
Top Angle
Different Angles
Composition/Framing
Low Angle
Different Angles
Composition/Framing
Top Angle
Different Angles
Composition/Framing
Different Frames
Close Up
Mid Shot/Frame
Wide Shot or Landscape
Composition/Framing
Close Up
Different Frames
Composition/Framing
Close Up
Different Frames
Composition/Framing
Extreme
Close
Up
Different Frames
Composition/Framing
Extreme
Close
Up
Different Frames
Composition/Framing
Different Frames
Composition/Framing
Different Frames
Composition/Framing
Wide Shot
Different Frames
Composition/Framing
Different Frames
Landscape Shot
Composition/Framing
Different Frames
Landscape Shot
Composition
Composition/Framing
Head Room
Good Composition
Sharp Focus
Good Lighting
Correct Exposure
The Right Lens
Thought Behind the Picture
Good Picture
Good Lighting
Good Picture
Good Lighting
Make Sure
Good Picture
Good Lighting
Silhouette
Good Picture
Silhouette
Good Lighting
Good Picture
Silhouette
Good Lighting
Good Picture
Correct Exposure
Good Picture
Correct Exposure
Aperture
Controls the Amount of Light Entering
the Camera Through the Aperture or
the Iris of the Camera Lens and Falling
on the Camera Sensor.
Good Picture
Correct Exposure
Aperture
The aperture of the camera behaves
exactly in the same way the iris of our
eyes do.
When there is too much light the iris
becomes SMALL or closes up
When there is less light the iris enlarges or
OPENS UP
Good Picture
Correct Exposure
Aperture
Very Sunny - Small iris Higher the
Number
Low Light iris opens up Lower the
Number
Good Picture
Correct Exposure
Shutter Speed
The Speed at which the Shutter of the
Camera Opens and Closes.
It controls the amount of time the light
gets to fall on/read by the sensor.
Good Picture
Correct Exposure
Shutter Speed
A High Shutter Speed is Used for
Fast Moving Subjects/Objects
Good Picture
High
Shutter
Speed
A High
Shutter
Speed is
Used for
Fast Moving
Subjects/Ob
jects
Correct Exposure
Good Picture
High
Shutter
Speed
A High
Shutter
Speed is
Used for
Fast Moving
Subjects/Ob
jects
Correct Exposure
Good Picture
Correct Exposure
Shutter Speed
A Slow Shutter Speed is Used
When the Light is LOW
Or
When a Blurry Effect is Desired
Good Picture
Shutter Speed
A Slow Shutter
Speed is Used
When the
Light is LOW
Or
When a Blurry
Effect is
Desired
Correct Exposure
Good Picture
Shutter Speed
A Slow Shutter
Speed is Used
When the
Light is LOW
Or
When a Blurry
Effect is
Desired
Correct Exposure
Good Picture
Correct Exposure
ISO
ISO helps the camera Sensor to be more
or less sensitive to light.
Usually a Higher ISO is used when the
Light is Low.
Note Higher the ISO, grainier the
picture.
Composition/Framing
Depth of Field
Composition/Framing
Depth of Field
Composition/Framing
Depth of Field
Good Composition
Sharp Focus
Good Lighting
Correct Exposure
The Right Lens
Thought Behind the Picture
Macro
Good Composition
Sharp Focus
Good Lighting
Correct Exposure
The Right Lens
Thought Behind the Picture