DESPINA Robin Saker Computer Animation Arts, Year 1 University for the Creative Arts, Rochester Blogger: www.sakerandco.blogspot.co.uk
DESPINA (Harbour City)
When the camel driver sees, at the horizon of the tableland, the pinnacles of the skyscrapers come into view, the radar antennae, the white and red wind-socks flapping, the chimneys belching smoke, he thinks of a ship; he knows it is a city, but he thinks of it as a vessel that will take him away from the desert, a windjammer about to cat off, with the breeze already swelling the sails, not yet unfurled, or a steamboat with its boiler vibrating in the iron keel; and he thinks of all the ports, the foreign merchandise the cranes unload on the docks, the taverns where crews of different flags break bottles over one anothers heads, the lighted, ground-floor windows, each with a woman combing her hair.
For my Invisible Cities project I had to
develop three fully-resolved concept paintings based on one of Italo Calvinos Invisible Cities [1972], as if working in preproduction for a new CG-animated adaptation of his work. Calvinos novel contains descriptions of cities which are all more-or-less reimagined visions of Venice, Italy. In these concept paintings, I had to convey my ideas and theme for my city and visually develop my concept for Diomira.