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Modernism (1880-1940)
Modernism is the trend in avant-garde art,
design and architecture. The main objective of
this trend was to strive for originality,
innovations, thereby rejecting the tradition and
false rationalism.
Modernism was a revolt against the conservative
values, in exchange was interested in it what is
unusual and unknown. This often led to
experimentation with form, highlight the
processes and materials being used and it
showed tendencies to the abstraction.
Modernism (1880-1940)
Modernism (1880-1940)
Style highlights:
using new materials such as concrete, steel,
glass,
simple forms, devoid of decorative elements,
using simple mass, smooth finishes of walls
and open space plan in architecture,
austere (severe or strict) interiors, it was
desirable to provide order,
modular, simple furniture,
using toned down, natural colours.
Bauhaus (1919-1933)
This Art college, which was founded in Germany, was arising
with specific antithesis (opposite) of the Arts and Crafts
movement. It sought to use technology in mass production, in
the same time threw away single handicraft which in its
workmanship was a luxury good, being too expensive for the
average society class.
The art presented by artists of the Bauhaus expressed the
simplicity in the form, was using repetition of elements and
textures. They were using straight, regular lines.
The importance of materials such as plastic, aluminium,
chrome, concrete, steel was emphasized. Above all they were
putting the functionality, as well as the simplicity which does
not interfere with human life.
Bauhaus (1919-1933)
Bauhaus (1919-1933)
Style highlights:
simplicity of the forms, lines, shapes,
regular, repetitive forms,
projects which give the impression of lightness, using new
materials to achieve this purpose,
using mostly aluminium, steel, chrome, plastic and glass,
simple, beautiful, but at the same time inexpensive
furniture,
functionality of the product a form derived from the
function,
using frequently concrete in constructions, including
interiors,
lack of ornamentation,
regional conditions, climates, landscapes and inhabitants
customs were leading into the architecture form.
Minimalism (1967-1978)
Minimalism emerged in the 50s of the
twentieth century, but it was rapidly growing
in the years 60s, 70s. This trend was a
reaction to the consumerism of society. As
the name itself suggests, designers of this
movement were minimizing the use of art
means, decoration. Artists were using
simplified form, the basic shapes in their
projects such as triangles, circles, squares,
smooth surfaces, limited number of colours,
lines and textures.
Minimalism (1967-1978)
Minimalism (1967-1978)
Style highlights:
simplicity and harmony in interiors and furniture,
open spaces in interiors,
avoiding inner walls,
the illumination had the significant influence on
interiors,
using basic geometric shapes squares,
triangles,
colour white was dominating,
furniture and decorations limited to the
minimum,
elegant.
Deconstruktivism (1988-)
Deconstructivism began to develop in the 80s of the
twentieth century, being a continuation of post-modern
architecture.
Designers disturbed the ordinary space and basic
characteristics of traditional buildings such as e.g. the
body/block/shape of the building and frame construction.
Many walls are curved, some waving, others are simply
broken. As a result, buildings are characterized by a
stimulating unpredictability and controlled chaos.
Architects rejected ornamentations, while interesting
form was for them some kind of decoration.
Deconstruktivism (1988-)
Deconstruktivism (1988-)
Style highlights:
using broken, shredded forms,
multi-layered structures, twisted
geometries,
rejecting the decoration,
multilayered fonts and images
imposing different interpretations.