The document discusses how 19th century Filipino intellectuals known as Ilustrados viewed the climate in the Philippines compared to Europe. While correspondents in the Philippines listed natural disasters, the Ilustrados in Europe saw the tropical climate differently and argued it could foster creativity. Figures like Rizal acknowledged climate effects on people but believed Spanish rule was a worse disaster. They strategically idealized the tropical climate to counter European claims of native inferiority.
The document discusses how 19th century Filipino intellectuals known as Ilustrados viewed the climate in the Philippines compared to Europe. While correspondents in the Philippines listed natural disasters, the Ilustrados in Europe saw the tropical climate differently and argued it could foster creativity. Figures like Rizal acknowledged climate effects on people but believed Spanish rule was a worse disaster. They strategically idealized the tropical climate to counter European claims of native inferiority.
The document discusses how 19th century Filipino intellectuals known as Ilustrados viewed the climate in the Philippines compared to Europe. While correspondents in the Philippines listed natural disasters, the Ilustrados in Europe saw the tropical climate differently and argued it could foster creativity. Figures like Rizal acknowledged climate effects on people but believed Spanish rule was a worse disaster. They strategically idealized the tropical climate to counter European claims of native inferiority.
Pedro Serrano Laktaw (D.A. Murgas), a Manila- based correspondent of La Solidaridad, listed down the disasters that inflicted our country.
-cholera epidemic (an infection of the small
intestine by some strains of the bacterium Vibrio cholerae) -horrific fires (heat waves-39 degrees temperature) -earthquake (geophysical condition) -suffocating heat -commercial paralysis (economic woes) No single cause is identified, and there is no suggestion that one calamity is related to another.
The letter was meant to inform the
compatriots in Europe of conditions in the Philippines. In Europe, however, the Ilustrados (Jose Rizal, Marcelo H. del Pilar, Graceano Lopez Jaena, Antonio Luna) wrote about the tropical climate and the hazards of nature from a different vantage point of view. According to Benedict Anderson (1998), Jose Rizal characterized the comparative approach of his Noli, involving a phantom: the specter of comparisons.
( Something apparently seen, heard, or sensed,
but having no physical reality. An image that appears only in the mind) In the late 1880s, Rizal would change his vision by acknowledging the tropical climates ill effect on humans-the moment of inverted telescope.
Both Rizal and his confreres in the Philippines
shared the same conviction, that although the tropical climate could be calamitous, there was a far worse disaster: Spanish colonial governance. Rizal at 23 y.o., delivered a much-applauded speech in a banquet in Madrid in honor of the two painters (Juan Luna and Felix Hidalgo) This a response to the Spaniards racist taunts about native inferiority. If this supposed inferiority had been due to the tropical climate of the Philippines, then Luna and Hidalgo served as resounding evidence against the denigration of the native, and that the tropics were a cradle of artistic genius and creativity. The patriarchal era of Filipinas is passing. The illustrious achievements of her children are no longer consummated within the home. The Oriental chrysalis is leaving the cocoon. The tomorrow of a long day is announced for those regions in brilliant tints and rosy dawns, and that race - lethargic during the historical night while the sun lit up other continents - awakens again, powerfully moved by the electric shock produced in it by contact with the Western peoples, and it clamors for light, life, the civilization that time once gave as its legacy, confirming in this way the eternal laws of continual evolution, of transformation, of periodicity, of progress. While in Spain, Rizal and the other Ilustrados missed the tropical climate and environment they had known since their tender years.
Antonio Luna arrived in Spain in 1886- wrote
in La Solidaridad in Oct. 31, 1889 issue (Taga- Ilog), What a miserable season! I am tired already of white snow. Rizal in Berlin told Blumentritt (Jan.26,1887)- This climate is not healthy for me. (chest pains and suspected tuberculosis)
Del Pilar, who left Manila on Oct. 28, 1888,
wrote to Deodato Arellano that everything in Barcelona is rickety and miserable. The sun has no warmth. According to Head and Gibson (2012), Ilustrados romanticization of the tropical climate made them forget the human suffering brought about by the calamities. Despite their grand project of modernity, they did not participate in the modernist aspiration of mitigation(reducing pain/intensity). They did not see disaster the way they do now. Del Pilar and Lopez Jaena lived in Spain until they died, both from tuberculosis.
Rizal traveled back home after the
publication of Noli. In Sobre la indolencia de los Filpinos, Rizal admitted the existence of indolence in the Philippines but blamed Spaniards for this situation. Hot climate means rest and inactivity while a cold climate propels work and action- based on pseudoscientific assertion about the relationship between blood and climate. Given the European notions about the tropics, the Ilustrados idealization of the climate was a discursive political strategy.