Game Dynamics:

PER GROUP SHOULD HAVE:

A WRITER
A WATCHER
WHISPERERS
1. A music video will be shown
2. Each group will name the title of the song and the singer by
whispering the answers to the writer, the rest of the group are
the whisperers, the writer will be the one to decide what answer
to choose coming from the whisperers.
3. The Watchers representing the three groups will watch over the
opponent group , to make sure that their whispers wont be
heard by anybody.
4. A careless whisper can eliminate the group from that round.
5. Any unnecessary sounds from the group would also eliminate
the group from that round.
Photo by Luz Adriana Villa A.
Photo by J. Tewell
Photo by martinak15
Photo by Glyn Lowe Photoworks.
  Lucio San Pedrowas born on February
11, 1913 in Angono, Rizal.
 He later pursued his music degree at
the University of the Philippines and
the Juilliard School in New York, USA.
 San Pedro is known as a “romantic
nationalist.” He incorporated
Philippine folk elements in his
compositions with Western forms and
harmony.
 Sa Ugoy ng Duyan, a lullaby melody
sung by his mother
 Suite Pastorale (1956), a poetic
LUCIO SAN PEDRO  aural description of his hometown
(1913 – 2002)
National Artist for Music Angono.
 Lahing Kayumanggi (1962).
 his nationalistic symphonic poem
 He was a renowned composer,
conductor, and teacher.
His father Lucio was the chief musician
of the Spanish artillery band in
Intramuros and founder of Banda
Buenaventura.
He was actively involved with the
various military bands which ultimately
earned him his military rank of Colonel.
He was a music instructor and band
conductor of the Philippine Military
Academy (PMA).
Buenaventura was a faculty member of
the UP Conservatory of Music. Later, he
COL. ANTONINO
became the music director of the
BUENAVENTURA
(1904 – 1996)
Conservatory of Music, University of
National Artist for Music Santo Tomas (UST) in
1961.
Pandanggo sa Ilaw, one of his most
popular compositions, remains a favorite
performance repertoire of many folk dance
companies.

He was declared National Artist for Music

in 1988 and passed away in 1996.
  The first National Artist for Music, is
considered one of the “Triumvirate
of Filipino Composers” which
includes Nicanor Abelardo and
Francisco Santiago.
 Malikmata (Transfiguration).
 Spanish-style opera form known as
the zarzuela.
 Works by Molina include Hatinggabi,
orchestral music -Misa Antoniana
Grand Festival Mass, Ang Batingaw,
Kundiman-Kundangan; chamber
ANTONIO J. MOLINA music - String Quartet, Kung sa Iyong
(1894 – 1980) Gunita, Pandangguhan; and vocal
National Artist for music - Amihan, Awit ni Maria Clara,
Music and Larawan Nitong Pilipinas.

FRANCISCO B. BUENCAMINO SR.
(1883 – 1952)
Francisco Beltran
Buencamino Sr.
was born on November 5, 1883 in
Bulacan.
He created the Buencamino Music
Academy in 1930 where
Nicanor Abelardo was one of his
students.
His Compositions:
Harana, Pandanggo ni Neneng,
Collar de Sampaguita, Dulces las
Horas, Mayon (Fantasia de
Concierto), My Soul’s Lament,
Larawan, Mazurka, Boholana, Mi
Bandera, Princesa ng Kumintang,
Maligayang Bati, Ang Bukang
Liwayway, Ang Bagong Balitaw,
 At the age of 14, 26 of Cornejo’s
compositions were already listed by the
United Publishing Company Inc.
He was conferred a Doctor of Music
degree honoris causa in 1954.
Conservatory of Music and became
the researcher and official composer of
the Philippine government-in-exile. He
was appointed by then President
Manuel L. Quezon. He was
commissioned to write a symphony
and an opera and compose the music
RODOLFO S. CORNEJO for the documentary film on President
(1909 – 1991)
Quezon’s funeral.
His first composition at age 10 was a
piano piece entitled Glissando Waltz
1.ANTONIO J. MOLINA Pandanggo sa Ilaw
2.FRANCISCO B. Pandanggo ni Neneng
BUENCAMINO SR. Hating Gabi
3.COL. ANTONINO Glissando Waltz
BUENAVENTURA Sa Ugoy ng Duyan
4. LUCIO SAN PEDRO
5.RODOLFO S. CORNEJO
  October 21, 1902 in Bacoor,
Cavite.
 A composer, music teacher,
conductor, choirmaster
clarinetist
 Conductor for opera, ballet,
dance recitals, and movie
music.
 Vice President of the PASAMBAP
(Pambansang Samahan ng mga
Banda sa Pilipinas)
 First President of the Philippine
Bandmaster’s Association
HILARION RUBIO Y
FRANCISCO  First composition Unang Katas
(1902 – 1985)
  October 14, 1929 in Sta.
Maria, Bulacan in Sta. Maria,
Bulacan.
 Many of his compositions are based
on Filipino heroes, legends, and
epics.
 A number of his compositions are
accompanied
 by Filipino indigenous instruments.
 first composition, Danza
 Some of his major works include the
ALFREDO operas Maria Makiling (1961), Diego
BUENAVENTURA Silang (1966), Prinsesa Urduha (1969),
1929- cantatas Ang Ating Watawat (1965),
Pasko ng Barangay
  Francisco Santiago is known as
the “Father of the Kundiman”
 and belongs to the “Triumvirate
of Filipino Composers.”
 Ano Kaya ang
Kapalaran, and
Kundiman (Anak
Dalita).
– This piece was sung before the
Royal Court of Spain upon the
request of King Alfonso II.
 Among his famous works are
Pakiusap, Madaling Araw, Sakali
Man, Hibik ng Pilipinas,
FRANCISCO SANTIAGO  Ano Kaya ang Kapalaran, and
(1889 – 1947) Kundiman (Anak Dalita).
PILIPINAS KONG MAHAL
Francisco Santiago
  was born on September 3,
1922 inCavite City.
 As a UNESCO scholar, Santos
was awarded the “Philippine
Composer of the Century” and
“Composer of the Year Award”
 He composed the background
music for J. Arthur Rank Films
at Pinewood Studios in London,
England
 He has more than 1,000
ROSENDO E. musical compositions in the
SANTOS JR. library of the University of the
(1922 – 1994) Philippines. Santos’
 last musical work and only
ballet composition, Melinda’s
Masquerade