Project

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 1-Color & color mea
2-texture
3-Model Construct
4-Motive
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5-Style
6-Illustration
7-Schools of
Fashion
8-Confusion
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 1-Color &
color
Wheel
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Red, Yellow Blue,
color circle or color
wheel presents a
logically arranged
sequence of pure
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hues has merit. 5
Primary
colors

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SECONDARY COLORS
Green, Orange and
Purple(violet)
these are the colors
formed by mixing the
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primary colors 7
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 COLOR HARMONY
1-Harmony can be
defined as a pleasing
arrangement of color

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2-When something is
not harmonious, it's
either boring,
or
complete confusion
or
disorder
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 3-At one extreme is
a visual experience
that is not attract
attention ,so the
viewer is
Not engaged. 17

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4-The human
brain will reject
understimulating
information
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 5-The human brain
rejects
•what it can not
organize,
•and
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understand 19
6-The visual task
requires
a logical
structure
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 Complementary
colors
are any two colors
which are directly
opposite each other,
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red and green
and red-purple
and yellow-
green.
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 Complementary colors

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 Triadic color
harmony,

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Color triads are created by
placing
an Equilateral triangle on
the color wheel.
The points of the triangle
will point to three colors
that can be very powerful
together.
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You can start by using the
primary colors as a reference
point.
Red, Yellow and Blue
“absolute prime” color triad.

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Creating a color
triad is a simple way
to start when you’re
trying to define a
basic color palette
for your design
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 Color behavior
How color behaves
in relation to other
colors and shapes
It is a complex
area of color
theory.
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1-Red appears more brilliant against a
black background and
2-duller against the white
background.
3-In contrast with orange, the red
appears lifeless; Notice that the red
square appears larger on black than
on other background colors.
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Different readings of
the same color
Feeling of red purple
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 This demonstrates
how three colors
can be perceived as
four colors.
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It’s important to understand that
the appearance of a color
can vary depending on its context.
For example, have you ever had
an item that you simply couldn’t
tell what color it was until
you put it against a white background?
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 Texture
Physical meaning
Philosophical meaning

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Physical meaning
the way a surface,
substance or fabric
feels when you touch it,
rough, smooth,
hard or soft?.
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 Texture
Philosophical
meaning

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the way a surface,
substance or fabric
feels when you
see it

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 Color
your
life

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 Style
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 Creating
Figures

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‫وتسليط األضواء على‬
‫جوانب هامة يريد الفنان‬
‫إيصالها للجمهور بأسلوب‬
‫يسجل الواقع بدقائقه‬
‫دون غرابة أو نفور‪.‬‬
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 ‫المدرسه الرومانسية أن‬
‫يصور الواقع نفسه من‬
‫خالل رؤيته الذاتية في نقل‬
‫‪-‬مشاعره لآلخرين‬
‫مدرسه كريستان ديور‬
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Volume has steadily
been polished and
refined. Now volume
has taken on a shapelier
look as its moved closer
to the body
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 ‫لم يميز قطعة ملبسية عن اخري فظهر‬
‫المعطف و الفستان و التوب مع البنطلون و‬
‫كذلك التايير ذو الجيب الواسع او الضيق‬
‫نوعا‪.‬‬
‫استخدم الحذاء كجزء من المعطف ليس‬
‫كاكسسوار وايضا الحذاء المرتفع البسيط‬
‫التصميم و البوت القصير مع المعطف الطويل‪.‬‬

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‫هذه المدرسة اشتهرت بها باريس‬
‫ايضا من الذوق الرفيع والموضة‬
‫العالمية وكل ما هو جديد و من‬
‫لوحات الفنانين المنتمين الى هذه‬
‫المدرسة‬
‫‪.‬الفنان بولدينى‬
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 .

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 School 6
‫المدرسة التكعيبية‬
CUBIC
SCHOOL
4/26/2011 381
 ‫هي اتجاه فني ظهر في فرنسا في‬
‫بدايات القرن العشرين الذي يتخذ‬
‫من األشكال الهندسية أساسا لبناء‬
‫العمل الفني إذا قامت هذه المدرسة‬
‫على األعتقاد بنظرية التبلور‬
‫التعدينية التي تعتبر الهندسة‬
‫أصوال لألجسام‬
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 ‫لوحة تكعيبية‬
‫شخصية‬
‫تصور بيكاسو‬
‫للفنان جوان‬
‫غريس‪1912,‬‬
‫م‬

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‫و األشكال‬
‫فيها اما‬
‫أسطوانية‬
‫أو كروية‬

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 ‫وكذلك ظهر المربع واألشكال‬
‫الهندسية المسطحة في‬
‫المساحات التي تحيط‬
‫بالموضوع ‪ ،‬وتنوعت‬
‫المساحات الهندسية في‬
‫األشكال تبعا لتنوع الخطوط‬
‫واألشكال واتجاهاتها‬
‫المختلفةالمرئية‪.‬‬
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 ‫‪ .‬و لهذا فإن التكعيبية ركزت على‬
‫فكرة النظر إلى األشياء من خالل‬
‫األجسام الهندسية وخاصة المكعب‬
‫‪ ،‬فهي تقول بفكرة الحقيقة التامة‬
‫التي تأخذ كمالها وأبعادها الكلية ‪،‬‬
‫عندما تمتلك ستة وجوه ‪،‬كالمكعب‬
‫تماما‪,‬‬
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 ‫فالتوصل‬
‫إلى هذا‬
‫الهدف ال‬
‫يتحقق إال‬
‫عن طريق‬
‫تحطيم‬
‫الشكل‬
‫الخارجي‬
‫والصورة‬

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‫‪Boxy‬‬
‫‪Jacket‬‬
‫الجاكت‬
‫الصندوق‬

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 ‫‪Boxy‬‬
‫‪Jacket‬‬
‫الجاكت‬
‫الصندوق‬

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 School 6
‫المدرسه التعبيريه‬
Expressionism
School
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 the tendency of an
artist to distort
reality for an
emotional effect;
‫انخفاض الحقيقه وإعالء المشاعر‬
it is a subjective art
form.
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‫هي نقيض االنطباعية ‪ ،‬فهي‬
‫انفعال باطني يطغى على‬
‫الوجدان فينعكس على اللوحة‬
‫‪ ،‬دون التقيد بالطبيعة‬
‫اوالمنظورات الواقعية‬
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 ‫وايضا من هذه المدرسة "بول كليه"‬
‫السويسري ‪ ،‬الذي تميزت اعماله بشرود‬
‫الخيال والتغلغل في عالم االشباح‬
‫والشياطين ‪ ،‬فكانت لوحاته اشبه‬
‫باللوحات السيريالية ‪ -‬قبل ان تظهر‬
‫‪.‬السيريالية‬
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 School 7
Abstract
in Fashion
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In fashion ِextreme abstract
illustration your figure
should be drawn long and
slim with squared off
shoulders and very
unrealistically elongated
legs.
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 It will look
extremely out
of proportion,
as the legs
tend to be
exaggeratedly
long. The
waist must be
drawn very
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slender.. 438
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In drawing your
figure, remember that
the waist is one third
down from the top of
the figure.
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 The waist falls in
between the pelvic
box and the upper
torso shape, and
should have a nice
curve inward over
these two
structures of the
body.
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The Figures
aremeasured
inhead
widths,in
order.to ensure
you’re.getting
the.proportions
right
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 ‫عند رسم الموديل يجب ان تتاكد ان‬
‫الشكل ال يكون مائل او يبدوانه سوف‬
‫يقع علي األرض‬
‫ويجب ان تفهم خصائص خط األتزان‬
‫‪-‬لذلك عند أألخذ في األعتبار خط الرسم‬
‫اين مكانه بالضبط عند اذن فان التوازن‬
‫سوف يكون صحيحا حتي لو كان هناك‬
‫تضخيم في الموديل‬
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 ‫الحظ‬
‫خط‬
‫اتجاه‬
‫مركز‬
‫الثقل‬
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 Always bear in
mind that the
balance shifts
between the feet as
the figure moves.
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The balance line
will move if the
weight is placed
from one foot to
the other.
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Find the correct
placement of the
figures head in
relation to the legs
and feet.
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 Confusion
Chaos
Fashion!!
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‫فوضي‬ 451
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 Africa

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 ‫أعتمدت المـصـمـمـة اللـــون األحمر في أغـــلب تــصاميمها‬
‫‪.....‬‬

‫لما لهــذا اللـــون مــن هيبه وقـــوة حـين ترتديه المــرأة‬

‫ويساهم في كسر الخوف لديها ‪ ...‬وينمي الجرأة فيجعلها‬

‫قـــويه ويفـرض شـخـصـيـتـهـا‬

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 ‫‪....‬فساتين العرايس‬

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 ‫? ‪What does it mean‬‬
‫ماذا يعني موديل‬
‫فوضي‬

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 Any thing
conflicted with
Principal design

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 ‫أي شيئ يتعارض‬
‫مع أسس‬
‫التصميم‬
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Balance
(5 types) ‫أإلتزان‬
Contrast ‫التضاد‬
Space ‫المساحه‬
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Proportion ‫النسب‬
Unity ‫الوحده‬
Rhythm (5types) ‫التناغم‬
Emphasis ‫التاكيد‬

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 Accepted
Confusion
Fashion
‫موديل فوضي مقبوله‬
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 Four Basic Principles of Fashion Design
Although all designs incorporate the
components or elements of fashion design,
the principles of fashion design and its
guiding rules or fundamentals where
govern whether or not a particular design
is successful and aesthetically pleasing.
Emphasis
There are a number of techniques that a
fashion designer may use to place
emphasis on a feature of a garment or a
fashion accessory. Such techniques may
include the addition of embellishment, cut-
outs, ruffles, peplums, and so on. Use of
color and its placement is another way to
create emphasis, making some areas stand
out more than others. Knowing about
emphasis, which can be part of the design
itself or emphasis on the body because of
the way a garment is designed,

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 Proportion
Proportion in fashion design is the principle that holds
that the size of various components of a garment or
fashion accessory must look good together. Proportion
is one of the most important principles of fashion
design for the petite woman because when she selects
garments, their proportion (or size/scale of the
garment or various components of a garment or
fashion accessory) should be relative to her small
stature. For example, a tea-length, full skirt would
have so much volume that it would be overwhelming
on a petite woman.
Unity
When the principle of unity in fashion design is
applied well, a garment or fashion accessory should
look good overall. It should look as though it goes
together, and all the design elements are contributing
to make a harmonious whole. In an effective
application of the principle of unity, each element
enhances the others, rather than distracting from the
design.

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 Balance
Balance in fashion design can be achieved
with the use of features, such as seams,
hemlines, and necklines. Symmetrical
applications of balance are the norm, but
asymmetrical balance can be effective too.
Asymmetrical balance is more complex
and trickier to achieve than symmetrical
balance. For example, a one-shoulder
gown might look interesting with its
asymmetrical neckline, but a jacket with
one lapel larger than the other would just
look bad.

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 Elements of Fashion Design
Four basic elements are important in the
design of any garment or fashion
accessory[ ]. Recognizing what the various
elements mean can help women choose the
right clothing or accessories.
Colour
Colour is very important in fashion design,
and there are many different colour
schemes that work well. In fashion, neutral
colours play a big role because they can be
worn with anything, making them good
wardrobe-building colours. Dark colours
can make a woman look thinner and taller,
a desirable effect for petite women as fig(1)

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 Silhouette
Shape and form are considered elements;
in fashion design, shape and form amount
to the silhouette of a garment or fashion
accessory. fig(2)
Line
There are many instances of lines in
fashion design. The creation of a garment
means that there will be seam lines to hold
fabric sections together, the outline of a
garment's silhouette is another line, and
lines in the fabric, which make up various
patterns, must also be considered. Lines in
any of these cases can be straight or
curved. fig(3

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 Texture
Texture is another element of fashion
design. Fabric or other materials, such as
trims and findings for clothing and
accessories, can have a variety of textures,
all of which can affect the look of a
garment or fashion accessory. The weave
and texture of a fabric have an impact on
the way it drapes, which, in turn, affects
the way a garment looks when it is
wornfig(4).

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 To make the most of it,
wear 2 pieces (either
earrings and bangles or
bangles and rings or rings
and necklace etc.) making
your look positively
fabulous!
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 Pheoroers
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Gipsy
The word 'Gypsy' derives from
'Egyptian,
. It emerged in Europe, in the
15th century, after their
migration into the land of the
(or Roma) in that continent.[ :
2]

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 They received this name from
the local people either because
they spread in Europe from an
area named Little Egypt,
in the Southern Balkans or
because they fit the European
image of dark-skinned
Egyptians skilled in witchcraft
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When they first arrived at
numerous
places in Europe they claimed to
be from Egypt,
and required to travel for seven
years as penance for apostacy.
During the sixteenth and
seventeenth centuries
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