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ontemporary
Prepared by: Janelli Rose A. Valdezco Andrew Abrigo MMA 1-1
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Art:
ontemporary
Contemporary:
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ontemporary
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WATCHEY 3D WATCHEY
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now
-Joseph Kosuth
Never before in history have artists experimented so freely with many media, such different styles, such a wealth and content.
IMAGES
The is a
of
&
away
WW2
Marcel Duchamp Fernand Leger Josef Albers Hans Hoffman and others
Arshile Gorky
Jack Tworkov
Willem de Kooming
James Brooks
Stuart Davis
Philip Guston
painting
Contemporary
T F G
HE IRST
ENERATION
A E
BSTRACT
EXPRESSIONISM
BSTRACT
EXPRESSIONISM
is a style of painting and sculpture of the 1950s and 1960s in which artists expressionistically distorted abstract images with loose, gestural brushwork.
BSTRACT
EXPRESSIONISM
is characterized by: Spontaneous execution Large gestural brushstrokes Abstract imagery and fields of intense color
98 inches
72 inches
72 1/2 inches
60 inches
WATCHEY
Painting no. 5
$140 million
17 55/8 inches
8 10 inches
CTION
AINTING
A contemporary method of painting characterized by implied motion in the brushstroke and splattered and dripped paint on the canvas.
60 1/8 inches
48 1/4 inches
24 inches
18 7/8 inches
Two Women(1953)
by Willem de Kooning
81 inches
90 3/4 inches
OLOR-FIELD
AINTING
Painting that uses visual elements and principles of design to suggest that areas of color stretch beyond the canvas to infinity. Figure and ground receive equal emphasis.
RiVia
Figureground organization is probably best known by the facesvase drawing that Edgar Rubin described.
157 inches
94 inches
14 1/4 inches
11 1/4 inches
T S G
HE ECOND
ENERATION
ARD-EDGE
AINTING
A contemporary style in which geometric forms are rendered with precision but with no distinction between foreground and background.
Helen Frankenthaler
She used combination of a vibrant palette, staining technique, and above all, strong abstract image in a structurally sound composition.
She was a bridge between Pollock and what was possible. Kenneth Noland.
87 inches
70 3/4 inches
Lorelei (1957)
by Helen Frankenthaler
INIMAL
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Contemporary art that adheres to Minimalist philosophy. Minimalism is a twentieh-century style of nonobjective art in which a minimal number of visual elements are arranged in a simple fashion.
12 inches
12 inches
Untitled (1989)
Acrylic and graphite on canvas
by Agnes Martin
IGURATIVE
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60 inches
40 inches
48 inches
50 7/8 inches
P A
OP
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An art style originating in the 1960s that uses commercial and popular images and themes as its subject matter.
9 3/4 inches
10 1/4 inches
OMBINE
AINTING
A contemporary style of painting that attaches other media, such as found objects, to the canvas.
Robert Rauschenberg
He is best known for introducing a construction referred to as the combine painting, in which stuffed animals, bottles, articles of clothing and furniture, and scraps of photographs are attached to the canvas.
7 1/4 x 31 1/2 x 6 1/2 inches Combine painting: Oil and pencil on pillow, quilt, and sheet on wood supports.
82 1/4 inches
57 inches
YPERREALISM
It is the rendering of subjects with sharp, photographic precision, is firmly rooted in the long, realistic tradition in the arts.
96 inches
96 inches
O A
PT
RT OR
PTICAL
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A style of art dating from the 1960s that creates the illusion of vibrations through afterimages, disorienting perspective, and the juxtaposition of contrasting colors. Also called optical art or optical painting.
6 10 1/2 inches
6 6 3/4 inches
Orion (1956)
by Victor Vasarely
192 inches
108 inches
60 inches
40 inches
Diagonal (1975)
by Susan Rothenberg
ATTERN
AINTING
A decorative contemporary style that uses evocative signs, symbols, and patterns.
86 1/2 inches
87 1/2 inches
Le Tour (1979)
by Kim Macconnel
126 inches
135 inches
N E
EO-
EXPRESSIONISM
The 1st generation Abstract Expressionists developed a style that was viewed worldwide as highly original and influential. German and Italian artists, who came to be called Neo Expressionists, detested painting about nothing.
18 3/4 inches
14 inches
84 x 84 inches
86 x 86 inches
CLUPTURE
30 inches
16 inches
CLUPTURE
37 x 36 x 29 inches
72 x 82 x 16 inches
Tourists (1970)
by Duane Hanson
76 x 108 x 41 inches Composed of: Steel, sheet aluminum, wire and tar
Horse # 6-82(1982)
by Deborah Butterfield
The Mobiles of Smith are some of the most popular examples of kinetic art in the 20th Century.
Untitled(1972)
by Alexander Calder East building mobile
Tarot (1984)
Bronze with polychrome patina and enamel
by Nancy Graves
EMINIST
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is a movement that refers to the efforts and accomplishments of feminists internationally to make art that reflects women's lives and experiences, as well as to change the foundation for the production and reception of contemporary art.
S S
ITE
PECIFIC
ORK
V A
IDEO
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Works that use a video screen or an assemblage of screens or monitors; images shown on video monitors.
Getaway #2 (1994)
by Tony Oursler
S S
ITE
PECIFIC
ORK
Untitled (1983)
by Keith Haring
Winchester (2002)
by Jeremy Blake
ODERN
OR
A M
RCHITECTURE
ODERNISM
A style of architecture that rejects classical model, deemphasizes ornamentation, and frequently uses strong, recently developed materials.
Cape Cod-Style Houses Built By Levitt & Sons, Levittown, NY by Shigeko Kubota
OSTMODERNISM
A contemporary style that arose as a reaction to Modernism and that returns to ornamentation drawn from Classical and historical sources.
ECONSTRUCTIVIST
RCHITECTURE
A Postmodern approach to the design of buildings that disassembles and reassembles the basic elements of architecture. The focus is on the creation of forms that may appear abstract, disharmonious, and disconnected from the functions of the building. Deconstructivism challenges the view that there is one correct way to approach architecture.
RAIRIE
TYLE
A style of architecture innovated by Frank Lloyd Wright early in the twentieth century and characterized by houses with low, horizontal lines that blended with their flat prairie sites, a central chimney, an open plan that allowed living space to flow together, and use of windows, doors, and decking to encourage the integration of interior space with surrounding terrain.
Cremaster 2 (1999)
by Matthew Barney
VB43 (2000)
by Vanessa Beecroft
If / Then (2001)
by Ken Feingold
Angel (2000)
by David Salle
Mortuary (2003-2004)
by Damien Thirst
Self-Pieta (2001)
by Sam Taylor-Wood
Insurrection! (2000)
(Our tools Were Rudimentary. Yet We Pressed On)
by Kara Walker