25 years of ars electronica

A Survey as Memory Theater

Art in the Context of Software and Complex Machines

Electronic Media in Art and Science

... perform _ or else - from discipline to performance (JM)

Original Idea and Archive - Research and Network: Gerhard Dirmoser

Quality Assurance and Additional Observations: Attila Kosa Translation (English version): Aileen Derieg

The project was financed without funds from the Administration of Culture last update 05/2004 first presentation 05/2004 TransPublic Linz Version 1.1 D Comments/notes and requests for the file:

gerhard.dirmoser@energieag.at / G. Dirmoser Waltherstr. 2 4020 Linz

The original PowerPoint file is available for study purposes (revisions). Placement on the Internet, print-outs and distribution in paper form (4x A0 oder A1) are desired. Thanks to: H.W. Franke, Boris Nieslony, Astrit Schmidt-Burkhardt, TransPublic, Stadtwerkstatt, Servus, MEXX, G. Lischka, Udo Wid, Ruth Schnell, Georg Ritter, Rainer Zendron, Christa Schneebauer, Gitti Vasicek, Martin Sturm, Walter Pamminger, Sabine Zimmermann, Walter Ebenhofer, Lioba Reddeker, Kurt Kladler, Lydia Haustein, Bernhard Cella, Gerhard Frhlich, Josef Lehner, Franz Reitbauer, Magarete Jahrmann, Margit Knipp, F.E. Rakuschan, G. Harringer, Manuel Schilcher, Willi Mayrwger, Eva & Attila Kosa, Florian Brody, G. Hattinger, Dieter Mersch, Oliver Schrer, Isabell Muhr, Helmut Stadlmann, Tim Otto Roth, Josef Nemeth, Energie AG

various music projects stereophony (PV) Moviephon opto-acoustic auditive view 1986 (Richard Teitelbaum) transformer (influencing sound) musical Bruckner electronic aids (K&K Experimentalstudio) (1980/K124) (2000/P58) Set of experiment (1979/K25) microphones and loudspeakers installation for ballet. techno-instruments symphonic Bruckner (1979/K09) interaction with light (P. Mhlfriedel, G. MP3, RealAudio see also: view of handicaps (1997/K305) link between code and sound environment (C. Mller) (1995/P132) Markeffsky, L. Schaumann) computer-generated see also: transport view choreographical processes (1979/K25) The virtual cage (1994/P131) (PRIX) dancers (2003/K303) (Scott deLahunta) environment concert see also: view of performativity (SLP) (1982) (Nam June Paik, Dance of the Machines - 2003 problems of definition and (M. Helene Tramus) (1987/K148) Schiffshrner (1990/K-I-95) Open-Source choreography? Charlotte Moorman) (Qrio: walking robots) stagnation The occasion: 25 years of working as a systems analyst in Linz & (Alvin Curran) (2003/K311) (Scott deLahunta) (1989/J115) 25 years of attending "ars electronica" ( ... a journey through time) & 25 years of the Stadtwerkstatt & 25 years of Atelier Wels music in real time audio performance electronic dance projects dance theater "Tobias Zapfel" electronic sound carpet (1970/T) AEG/Teldec/Decca put the Improvisation Technologies. A Tool for (1979/K35) (Thomas Pernes, Tanztheater Wien) (1980/K11) first image record on the market Black and White dance and electronic-architectonic the Analytical Dance Eye (coproduction On the method: The structure of the verb study serves as the starting arrangement. (1984/K265) Gameboyzz Orchestra Platzkonzert (1971/T) U-Matic as the first (2002/K440) set-up (photo-cells) to control with William Forsythe) (2003/K311) Sound Park The first content placement was made with the help of material from "take over" intermedia theater film semiotics sound environment (J. Kujda) (2002/K420) (1987/K166) cassette video system in the world (66b/cell) synthesizer sounds (Chris Janney) (1995) project by M. Saup for Forsythe computer graphics and (this edition of the ars electronica can be read as a kind of preliminary balance). Clouds of Sound (1979/K02) (Stadtwerkstatt) film theory (1980/K103) interactive music dance (SIGGRAPH 85) movement theater video music The language material used was taken from publications on "ars electronica", notes (ML) Nik Haffner tested the electronic dance performance psychoanalysis (Lacan school) Ghostcatching musical-cybernetic clip (Han Hoogerbrugge) (Win Grabill) (1986/K299) Online-Instrument (in a mirror scenary) (AH) interactive partnership of dance and music performances (on the symposium lectures) and relevant literature. (1999/P116) see also: process theories environment (1979/K43) (2003/P64) (1999/P42) Lundgren (1979) (1989/J105) (1982/K86) technology as a dancer (1980/K07) dance & drawing dance performances Cf. methods of "grounded theory". view of the image (P. Vogel) MidiDancer (pioneer: Ed Tannenbaum) (technology becomes interesting when (Saburo Teshigawara) (P. Kaiser u.a.) (1951/T) Ampex starts with recorder development The study "Designing Gestures" on ars electronica 2003 was carried out in parallel. distorters & faders (1995/K386) (Dawn Stoppiello) it opens up new possibilities of Symposium: Electronics in Music / computer-acoustic dance theater The time of the (1958/T) Ampex presents the first color video recorder (Tommy Lehner) Telechoreographie perception for the dancer) Synthesizer Music Computer Digital Techno (Tanztheater 46) (1982/K207) Ancien Rgime (1963/T) fully transistorized recorder notes: video works have been very selectively networked virtual (AH) dynamic instead Members of the staff of ars electonica, AEC or ORF had no influence on the selection and arrangement. (1997/K154) (Stelarc) (1) electronic of the (1980/K65) (1965/T) Portapak first affordable B/W camera dancer with sensors attached included here. The field of video art has long been dancefloor D.A.V.E Performer as part of the video of static office furniture concert performance electroacoustic musicians (1975/T) Betamax home video system (1977/T) VHS electronic to the body (1962) a subject of art-historical analyses (Josephine Anstey, (Douglas Kahn) Projection adapted to the body performance Questions about completeness: is over. Astonish us or (1980/T) Camcorder is presented (AH) dance and controlled D. Pape, D. Neveu) wind instruments (1999/J1987) (1992/K92) electronic (K. Obermaier, C. Haring))(2000/K299) (Istvan Kantor) Due to the limitations of the available surface, it is not possible to provide a complete detailed presentation disappear ! (Jury ! 2000/P196) (1980/K43) (1984/T) first videodisc in the art field real-time videos small economical (Gary Hill) Computer controlled laserdisc Streaming Media (Lee Harrison III) (1992/II-K93) (2001/K301) orchestra VIVISECTOR (2002/K430) (2000/K290/P94) of all the participating artists, scientists and developers (about 3100 persons are listed). All the participants video systems (1980/K94) (1988, 1992, 1994, 1996, 1998) computer organ (1979/K15) MPEG, RealAudio, RealVideo (Rupert Huber) metal junk video lab stage set projection (D. Bruckmayr) game electronics video-film processor (1989/T) Sony Hi8 self-made instruments were compared with the AEC/Ars database. computer dancer (1979/K49) (1999/K345) analog synthesizer (L. Rehberg) electronic (1986/K335) link between video art and for dance performance (Marina Koraiman) Kepler's Dream (1989/K180) performance (Maywa Denki) (Akke Wagenaar, Masahiro Miwa) The choice/placement is thus to be regarded as the author of the study's subjective/content-based selection. video technology (1992/II-K37) see also: history of control computer film (1979/K10) (2001/K116) (1979/K49) First electronic orgel John Sanborn music theater (Georges K. Shortess) (2003/P96) (1993/K415) The study is intended to provide a wide-ranging survey, but it cannot substitute for reading the catalogues. (1996/K410) (E. Redl) "Audio/Video Instruments" (1992/II-K89) computer as (1929) (Laurens Hammond) digital synthesizer (1986/K121) (Giorgio Battistelli) puppet dance interactive choreography system for a (1984/K48) musical instrument Linzer Steel Opera (Studio Azzurro) video effects Video: State of the art (Inge Graf + Zyx) oscillator bank (Dow-Jones-Index) digital video portraits In some cases, key works (or concepts) are cited, which were not shown in Linz, but are described in detail ballet by W. Forsythe (1984/K150) (Giorgio Battistelli) (1990/K-I-43) electronic purgatory live synthesizer fortresses (rockefeller Foundation 1976) (1986/K180) (1984/K55) Electro Clips (Installation for Image Processing and (Michael Saup) (Shelley Lake) (1980/K106) in catalogues. (1982/K11) music theater (Kristi Allik, Robert Mulder) (1980/K11) (1992/II-K63) (Johanna Branson Gill) (Kazuo Uehara) live electronics sound processors ballet) (C. Mller, Stephen Video Synthesis (1975) (1995/P100) ICARUS laser opera for (1992/K205) The Kitchen (1992/II-K83) Video Art ORF Videonale 86 (1971/T) start of the electronic kitchen NY (1984/K157) Galloway) (1994/II-K122) (Stephen Beck) (1992/II-K161) total automatization in music performative theories from multimedia and electronics Switched-On-Bach (1964) The poster can also be used as an index with the page numbers. (1986/K392-1) (1974/T) Projekt 74 (Jean-Baptiste Barrire) manipulating video (1979/K35) (Otto Piene, Paul Earls) (Wendy Carlos) Moog III cultural studies (ML) At a closer look, there is an extremely The search engine at www.aec.at is useful for further research, since many catalogue texts are available as (1980/K94) Proposal from Bognermayr in 1979 for an MIDI shows American video in real time The Video Synthesizer electronic sound VideoOnDemand Dark symphony (2003) Mini-Moog (1970) (1982/K50) interesting relationship of tension between performativity discourse productions extensively pdf files in the AEC database. electronics symposium, an "Electronic (Justin Manor) (Tom DeWitt) (1992/II-K165) storing original The more technology deformation device (1977/T) documenta 6 focuses (2001/K295) (Tim Didymus) (Robert A. Moog) theater as live performance and mediatized for the first time in performance studies (1998/K250) Music & Video Art Symposium" (1989/J12) (2003/F42/P110) sounds the more boring (1979/K43) on film, video ! (1980/K69/K70) (Paul Virilio) (2002/K238) performance from film to television, all the way Image Processing (1986) Europe What does humanoid genetic structure (surpreme particles, speech-act theory video installation (1980/K34) the result opening with a video satellite transmission synthesizer velocity of terror to the computer game. (1997/K310) (J. Harrison) (Experimental Television Center) sound like? (R. Spour, M. Veitl) from scratch) Infermental (1987/K174) language game theory/praxeology (C. Steiger) (1994/K32) (1997/P44) (1979/K09/K39) Kepler's last dream Spectro-Morphology (Sherry Miller Hocking, Richard Brewster) (1999/K337) magazine on video cassettes (1996/P60) radio art (see below) feminist theories (J. Butler) (ML) media performances Literature that was important in structuring this study: see also: view sampler collages (1999/K383) (1989/T) Cologne: exhibition "Video-Skulptur" ...) umbrella as (Frances-Marie Uitti) (1992/II-K169) the dream of flying (jomasounds) (1999/K380) (2000/K315) electronic metadiffer from interactive pragmatism (1996/T) Linz: Ojekt : Video / G. Hattinger, Assmann resonance body (1990/K-I-55) vocoder, digital reverberation, All the catalogues on the "ars electronica" and the "Prix ars electronica" of communication Kunst-Radio Image manipulation soundtrack: Found music Environmental Art (1982/K07) interactive video installation (1998/K273) trumpets ! installations in that they are The Form and Sense of Video (1973) singing bows (Paul de Marinis) symbolic pragmatism (V. Delay) Medien der Vernunft (Medien als Mengen von Ttigkeitstypen) / Matthias Vogel (MV) Footage from CCTV surveillance cameras (1993/K397) (Gideon May) equalizer, harmonizer, delaymulti-monitor multi-channel installaiton multi-track electronic music (1992/K240) (Rupert Huber) (J. Impett) performed before an audience (Robert Arn) (1992/II-K183) (1988/K190) see also: dance view (2001/F04) (2001/F17) pragmatic-hermeneutical turn Traffic Cams, earth observation satellites, staircase as piano Synchronopse (in: look at me Video 25 Jahre Videosthetik) / Petra Wenzel devices, ... (1979/K26/K39) (1986/KII-261) polyphony J. Chowning, J. Fritsch, B. Mason, (1994/P142) (Ron Kuivila, theater view ATM cameras, ... Space-Time Dynamics in role theory (T. Sarbin) keys Der bewegte Betrachter Theorien der interaktiven Medienkunst / Anette Hnnekens (AH) (S. Ferguson) S. Stockhausen, J. Tenney, Radial Arcs) (M. Popp) Flexible simulation space mosaic of mobile machine noises interactive video ring modulator, echo devices, filter art from the screen Video Feedback (1984) (1987/K58) media theory electronic film Digitaler Schein sthetik der elektronischen Medien / Ed. Florian Rtzer Note: this study can also be read videoinfography (PV) (1984/K40) D. Youngerman used on stage Sound-Engine (1980/K11) data sounds (knowbotic research) jazz und electronic long-stringed installation (1980/K10) (James P. Crutchfield) performance-based *OR* Performance (A. Wollscheid, (AH) feed of all-around (literature studies) as a supplement to the performance Maschinen, Medien, Performances / Ed. Martina Leeker (ML) (Istvan Kantor) (2001/F35) (1982/K251) (1987/K110) (1992/II-K191) performativity as mediality (2003/K228) (1997/K360) D. Wiesner) (Ron Hays) (1982/K199) X-topia (E. Sharp, videos into a VR environment (2000/K290) Video game (see also: games) study - in keeping with sound-therapeutic objects media discourse Brain Opera Instruments (S. Penny, J. Schulte) perform or else from discipline to performance / Jon McKenzie (JM) sound dome (P. Panhuysen, J. Goedhart) (Bruce Odland) (1993/K273) (Sybille Krmer) Soldier String Quartet) He is the creator of the first (Jaron Lanier) Jon McKenzie: perform or else (1979/K37) (1996/K422) stereoscopic film media studies (Leo Kpper) (Tod Machover / MIT Media Lab) Kunst als Medientheorie / Hans Ulrich Reck (UR) game animation (ML) In media performance the liveness (1994/II-K116) completely multimedia concerts, "Horizonscan" interactive sound sculptures (Sam Auinger) from discipline to performance interactive videodisc art (1996/K300) space-filling (T. Shannon, J. Hassell) (1984/K16) media anthropology cell phone concert Various articles by: Monika Fleischmann (MF) / Peter Weibel (PW) / Dieter Mersch (DM) / (2001/F16) (1990/K-I-146) Programmed performances? auto-correlative of theater and the interaction of computer dummy head music visualizations, in which lights (Yoshi Wada) (1988/K261) (1989/K240) (David Tafler) Glockenspiel ! (1988/K111) communication theory (2001/K57) (2002/P98) computer sonology (1995/K206) Fred Forest (FF) / Paul Virilio (PV) / Heinrich Klotz (HK) / Frank Popper (FP) / Oliver Grau (OG) technology are related to one another in such (AH) performative works stereophony and laser, wide-screen video and film echo sculptures (G.-W. Raes, Moniek Darge) communication process (Haruo Ishii) (1989/K246) (Peter DAgostino) interactive Sound from the same hands "performative" WebCinema apparitional (Golan Levin) (1984/K48) (2002/K417) (1979/K36) a way that they achieve a synthesis in the PERFORMANCE-ART Kontext (poster study) / G. Dirmoser (DG), B. Nieslony (1979/K14) projections, slide overlays, fireworks, (1988/K274) (2003/F42/P106) video narrative aesthetics (see below) liberation of sound (S. Gibbons, G. Shakar, programs mediatized performance (ML) The videodisc was technically listening perspective(Jaron Lanier) (1994/II-K110) performative, i.e. in the reality-constituting random access to lasar pyrotechnical and other stage effects Verben im Kontext (poster study) / Denken (ein semantisches Netz) / G. Dirmoser, B. Nieslony Lichtorgel (1995/P15) (R. Ascott)!! Well-tempered-Synthesizer Yasmin Sohrawardy) already available in 1970; it was execution of symbolic acts. dummy head / quadrophony videodisc (1989/K225) are combined. etoy interactive narrative concert machine Studie Stadtwerkstatt-TV (on the ars electronica TV-projects and others) / G. Dirmoser (1979/K19) combination of installation, the first interactive wind-driven (1996/K382) Performativer approach 1995! (1980/K71) not used for artistic works, though, (1980/K19) sound lab tyranny of the tuned (Grahame Weinbren) The intersection between media and (1996/P80) (4-fold projection) mathematical Designing Gestures (poster study on ars electronica 2003) / G. Dirmoser performance and website video record (1989/K232) sequenzer Winfried Ritsch until the early 80s at MIT sound animation as real-time process (1986/K332) piano (1980/K52) theater is thus the performative. Video Clip sound digital hijack (Luc Courchesne) musical instrument abrasion of art on the construction site graphical music visible music (Fakeshop) (1999/K321) (Lynn Hershman) (1987/K98) Institutions affiliated with ArchiMedia & ars electronica / G. Dirmoser underwater microphones (K. Obermaier, R. Spour) (AH) the art work does not exist (1999/P66) (W. Giers) (1979/K46) (1979/K19) (Stadtwerkstatt) (1994/II-K108) (1979/K18) (1987/K57) Additional specialized literature is listed radially in the area of the content sectors electronic timbre interactive videos (1993/K260) until the viewer becomes an active Autonomie der Klnge sound synthesis Radio Violins computer animation (Rosa Binaria) (1993) Interactive Cinema electronics and automation for catharsis computer concert timbre dynamics navigation through voices film techniques that participant (1989/K106) (1989/K294) (1979/K17) audio microscope (1987/K59) (1980/K43) (1999/J94) (1989/K225) the analysis and synthesis of Social Club switch the time and space (1994/II-K120) (G. Rabl) (Luc Courchesne) Japanese Animation! (Jon Rose) (AH) The art object is not the (magnifying small sounds) music (1979/K03) suggestion for a PRIX category (Stadtwerkstatt) axes (1998/K197) With Lynn Hershmann, Jeffry Shaw, virtual reality and sound performance A Cybernetic Sculpture Questions of little use: ACA Media Arts Festival music for the glove computer or the display, but the interactive cinema (M. Nyman) (1999/K385) electroacoustics (2000/K283) (MAIZ) (M. Reinhart, Peter Weibel, Bill Seaman ... their interactive the electronic musician (AH) Mandala System (V. John Vincent) (LesLevine) (1979/K10) expanded cinema (2003/F19,K393) (Jane Veeder)(1984/K128) What does all of this have to do with art? (Mark Trayle) interactivity of both interacting (Peter Krieg) (1991/P140) V. Widrich) works can be derived directly from their (historical) anthropology (Scott Fisher) rotor system with interaction with sound & design modules (S. Tomioka, K. Yamamura, U. Tanaka, S. (1994/II-K26) Old /vs/ new (electronic) media with the participant. Cyberspace and society (Erik Hobijn, Lydia experience with performance art (AH) (1990/II-K295) ethnology loudspeakers (1990/II-K307) Performance stage as Hirata, S. Sakamoto, A. Kondoh, M. Shinka) future cinema (2002/T exhibition "Animations" P.S.1 NY Interstitial (1994/K162) algorithmic audio "take over" of electronic media art (take over /vs/ self-disbandment) Why are aesthetic criteria Lunch, ZEV) (1996/K268) sensory environment theology / New Age discourse Sound Experiments (Carole Ann Klonarides) (2003/K228) Siehe auch: Sicht der Sorge many performances use "new" (S. Krmer, R. Ascott) applied to software (1991/K103) white noise digital advertising (Auinger, Just Merrit, et al.) these projects are ultimately nothing other than (2003/K300) ethnography (2001/K94) (H. Deisl) media (see: Performance Study) kulturtheoretische Sicht (2003/K13) ... and not (1982/K184) Live Electronic carnival shows (1997/P53) Pixelspaces DAMPF films stereographic game sounds performance studies ethnography performative criteria? (DG) computer-controlled compare: Performance practice other poster studies: Sensory Environments Immaterial Interfaces (as trailblazers) video production (2001/K209) cultural anthropology Anthroposcope (1993/K398) editing (1984/K122) performance art (1992/II-K48) historical view (2003/F14, K299) (Heimo Ranzenbacher, Horst Hrtner) (Laura Bellof) (1999/K402) comp. generated media actions http://www.servus.at/kontext/ausstellungskunst/art_in_context.htm media anthropology (Laurent Mignonneau, Christa Sommerer) video transmission Film (Rolf Herken) Raindance !! (Fred Forest) structural affinity with mixed reality sociology and performance WebCinema (2001/K106) media performance (1979/T) Walkman is presented Festival for: Art, Technology and media performance Sensory Environments electronic nozzles media art (Nora Barry) performance (MF) sociological discourse (PRIX) 1969 Ronald Michael Baecker: (1985/T) portable CD-Player (1994/P108) VJs of the club scene (1989/K275) Trace of the viewer in the modulate a stream Society (1979/K01) (cf. construction of this study) TRANSIT: I. Bordoni, exoticism discourse stagnation in perfection (David Chesworth) (2001/K87) image ... (MF) Interactive Computer-mediated of water view of signs (2) (AH) "closed-circuit" of the see: process view view of (1997/K354) (H. Zachmann) A.Bosshard, K. Hentschlger, Join-In Concert tribalism debate democraticization of mixed reality applications (2003/K328) real-time animation software Animation (PW) (2001/P98) (D. Bruckmayr) view of agreement interactive video image control syste 3D audio-siphon (Peter Zegveld) H. Hrtner, M. Kreihsl, R. Paci (1980/K05/K55) cartoon (film) culture (tribal culture) Performances transferred to avatars (see below) DAMPF Lab: dance performance mass events (Paul DeMarinis) (2001/K25) vector-based Realtime 3D Visuals real-time animation (1991/K314) Dal, W. Rogojsza, G. Stocker, Cologne, Futurelab, V2_Lab Rotterdam, Linzer Sound Street (1980/K05) structuralism discourse This kind of music has become a surveillance rotation animation technology (Basicray, Crashsite, (F. Fischnaller, M. Monzani) from cybernetics I.Strobl, T. Ungvary, Mia Zabelka Animax Multimedia-Thater Bonn (1980/K61) Online-Performances (2001/K37) formula (2000/P197) (Peter Rehberg) (game rules of art) installations virtual time loudspeaker (2001/K196) "Banja" total simulation feature photorealism Interactive Performance (3 ORF Landesstudios) M. Bruner, K. Taschler, (1999/K349) through the process patchwork (2003/K302) (Michael Jllich) (AH) society of PRIX stochastic matrix film (1984/K124) (1990/P70) can the subjective (John Driscoll) (new art form) developed by ..... Stockers Ruf nach Linz Nappi) (2000/K314) view to performative biographies interactivity Jury (for chord concatenations) experience of time (1980/K132) Scott Fisher, Ann Marion culture for all analysis Interactive VR art works (1979/K36) be programmed? Online communities compare: (AH) the performer controls electronic whirling Community Internet Radio schematizing compositional in real time (2001/K301) (Georg Franck) and reputation capital Literature: stage images through sensors (attached performance focus historical view control system technology Flying large fourinstruments Broadcasting (2002/K196) processes (1979/K34) (T. Margolis) (1990/II-K57) view of acceleration (AH) (2002/K258) (Baudrillard) All our machines are screens, we ourselves Musikgesteuerte to the body) in real time Wie geWOHNT Neue Wohnkezepte auf dem dimensional figures in (1989/K320) (VOSIM Prof. Kaegi) have become screens, and people's relationships with one Laserprojektion integrated media performance Prfstand / Symposium 2003 the sky with an airplane. Performative Interfaces Video-on-demand remote-controlled (Max Eastley) event view I Internet as social space (1997/K386) MUDs, MOOs another have become those of screens. (Paul Earls) (1980/K102) (PoMo CoMo) (1992/K226) socio-cultural orbital acceleration (Steve Poleskie) LifeTool, Computer Aided Communication active score (1995/K175) sensory systems (Monika Fleischmann) concert performance (2) temporalization (AH) Terminal bar (Bruce Damer) animation projects (R. Lozano-Hemmer et al.) automatic musical (1986/K231) (1982/K106) social networking software scene interactive (J. Smetschka) (2001/K358) Die Individualitt der Medien Eine Geschichte life counselling for Kickass-Engine (2001/K57) (David Rokeby) Those who create interactive BBS, Info-DB (1997/P84) composition (P. Barbaud) Telesteuerung (PV) the term "process" was central cybernetic sculptures (1980/K05) culture graphical instrument systems (2004) participants/children interfaces assume social responsibility (2001/K207) der Wissenschaften vom Menschen / An Internet actuated and electronic Recombinant 9.9.99 (Steve Mann) (1997/K218) video performance (1979/K51) for Ascott around 1980 (Wen-Ying Tsai) Face Settings (K. Furukawa, film series "artificial performance uploaded Performance (2003/P23) Stefan Rieger Happening concert performance high-speed surveillance gaming communities (2001/K20) Telecenter (2004) mutual effects between (Kathy Rae Huffman) M. Fujihata, life" (1993/K282) (1997/K154) (Stelarc) Technologies for People With Handicaps conceptual-systemic (1997/F51) (K: Naut Humon) (1999/K380) superhighways (see right) lines of demarcation Elektronic Happening real-time composition for environment and artwork (1997/K364) W. Mnch) Internet cafe In Yokohama, Ito realized a performance of Multi-User-Dungeons MediaMOO: Social Web (Sound Traffic Control, Mixvisual sensor registering movements 1994/K98/2 art (2) (AH) "separating" persons in (1984/K147) (Paik, Moorman) 12 radio receivers MOO Workshop (1999/K347) MUD MOO (G. Stocker) The products of this (media) art "networks" for "samplers", "performance devices", for media (John Coate, Multi-User-Dimensions Electronic Cafe master Mike, Scratch Perverts, real-time in space a space (1989/K317) (Konrad Becker) (AH) the focus is much more on CARETEC exhibition Scenarios for Virtual are shifted from object to process, from information "interface devices" for interaction between these researchers (AH) process instead of Station Rose) (2002/K253) collective weblogs (2004) Powerbook Orchrstra, The functional descriptions of dance movement (Project 1984 Los Angeles) (1998/P100) (Scott Sona Snibbe) Telematic performances (ML) processes than on completed formal languages Communities and presentation to interaction and communication, and computer connections of harbor networks Vision System (1995/K139) User, T. Brinkmann, Richie notation show similarities with those control virtual communities essence Viewers and actors on site can be networked with works (1996/K389) Text collection from Willi Mayrwger: FreeNet initiatives (2004) or as the Japanese researcher-artist Masaki with other networks (optical tracking) (2004) Digital Communities Hawtin, Ikue Mori, Barry of software code (1995/K178) people in other places in an interactive, multimedia (AH) The communication artist electronic musical score (O. Frommel) Fujihata has said, "from document to event". (Toyo Ito) (1995/K59) Computer-Didaktik in der Sonderpdagogik / foundation of cybernetic first approximations to the performative view addresses the wide-ranging Schwartz, Stefan Betke, (2003/K314) (Scott deLahunta) Multimedia for all (H.-J. Hack) process Roy Ascott had his first idea of an (1999/J68) (2001/K322) reading the user's R. Bonfranchi thinking (1986/II-125) social impacts of the Internet Otomo Yoshhide, Scot Jenerik, Mazk, Sam Auinger, (1997/P88) "art of behavior" and the "cybernetic vision" obstinate movement (MF) (PRIX ab 2004) Musical arrangement is score for television projects Behinderte Kinder am Computer / M. Meyer script languages Virtual Appearance "Modules", Christian Marclay, artworks as Social CODE (Symposium) The category "Interactive Art" (1998/II-K64) OODA-Loop: as early as 1966 inherently interactively processual. (Stahl Stenslie) the flowing, art works community networks (Stadtwerkstatt) Encoded Music socio-cultural applications of the Internet Terre Thaemlitz, DJ Olive, Carl Stone, Kit Clayton) Elektronische Kommunikationshilfen fr graphics and music SW complex systems processualness of robo-ecologies (1993) deals with interactive works of observation (Werner Jauk) (1995/P27) (2003/F11) decentral, process-oriented gaming communities ... who set links to other artists On paradigm changes, understanding music as a kind (Alex McLean, Adrian Ward) nichtsprechende SchlerInnen ... / A. Lingen (Golan Levin) all kinds ... from installations orientation media art (2003/K13) character of a large portion in turn (1996/P47) dynamic systems (2004) new role models, working of software (H. Ranzenbacher) Radio FRO conference (2003/F38) cybernetic sculpture (2000/K308) (AH) ... Myron Krueger, Roy Ascott and Computer- und Informationstechnologie community art all the way to performance decision cybernetic art models, and the creative beyond a rigid therapeutic discourse process-oriented of interactive art Towards a Society of Control shift of significance from the (Wenig-Ying Tsai) (1983) (M. Fujihata, K. Furukawa, Code Notation (2003/K341) Fred Forest thus also stress the "concept of action" or the control society Geistigbehinderten-pdagogische Perspektiven (2004) action participative WWW works (DH) CODE (2) (2000/K214) burst(2001/F08) geometry (AH) disability studies languages (2003/F15) (Cindy Cohn, object to the dynamic system W. Mnch) ((2000/K309) "matrix of behavior" as a fundamental precondition for Towards a Society of Control? download, manipulate, upload, Hg. Wolfgang Lamers Art Com Electronic Network shift in time self-organization Christiane Asschenfeld, Juliane (2003/K13) the participants' behavior and aesthetic characteristic Gestalt therapy Code and Music Technique and (O.L. Tremetzberger) (2003/K54) control (robots) The term "behavior" was ACEN (1986) (1989/K130) Augmentative und alternative Communication / (Dan Graham) (AH) technical reaktiv, responsiv Alton, M. Terkessidis, E. Mchel) (knowbotic research) of an "aesthetics of communication". model bedroom with eyecreativity while composing psychodrama / psychotechniques contributions to a lasting change the temporal structure (1992/K136) central for Ascott around 1980 electronic community spatial representations David Beukelmann, Pat Mirenda As artists working with Electroacoustic reproducability process character of action triggern (K. Becker, A. Toner, M. Vojtechovsky, controlled projection (Jonathan Norton) (2003/K294) Modern in the form of a project: of WWW works therapeutic pedagogy digital media, we are constantly (electronic Bulletin Board) pseudo 3D electronics as Visitation Mass instead of original No Mans Land Z. Blace, Eugen Babau-Iladi, H. Harger) primitives see also: political view (Lynn Hershman) (1997/P119) behavior of forms - forms of behavior motion capturing (Eva Grubinger, Antonio Muntadas, system theory correlating body/movement reminded that when we create VRML gentle technology (Diamanda Galas) Robot installationen / temporal structure of see also: power-theoretical view (Roy Ascott) (1995/P20) Douglas Davis, Jenny Holzer, Ed Stastny, (Andrea Juno) learning and knowledge circulation, feedback, BBS Bulletin Board with a telematic dance theory digital artworks, we are really building (1979/K05) (1986/K83)(1989/J59) implanted and emergent animation works (AH) Appropriation and (1997/K285) (Stadtwerkstatt) Joachim Blank, Karl Heinz Jeron) see also: historical view (1990/II-K234) self-controlling, simulation software communities (2004) counterpart virtual machines. Every aid (regardless behavior (the parasites, the undomesticated, Cognitive behavior patterns that are model the term "system" was central simulation instead of the original Was ist eine Virtual Reality self-organization, Cyber society Myth and Reality of the Sermon on the Mount (1984/K187) action bots (Heimo Ranzenbacher) of whether "soft" or "hard") is a mechanistic the inverted scavengers, ...) multiplied and replicated through communication Modelling Language (VRML) kinetic (2004) digital citizens' participation motion tracking for Ascott around 1980 autopoiesis (AH) (Bognermayr, Zuschrader, Prnster) (2003/K334) following filmed immitation of a small area of human Information Society (book) (AH) aesthetics of action (L.-P. Demers, Bill Vorn) were called "topoi", "habits" or "cliches". They were (David Blair) interference objects simulation works neighborhood citizens' conferences (2004) behavior. (1996/K203) (Simon Penny) Multi-User-VRML Logicaland (M. Aschauer, (1996/K262) see below regarded as social constants that were stable, (1995/K220) Simulation ultrasound movement set of operations (P. Barbaud) (1979/K51) passers-by acting remotely (FF) Some Code to Die for tele-actors (PV) J. Deinhofer, Maia Gusberti, There is no world view or art, no expressive automatons (1996/P129) except for marginal changes. This characteristic interactive 3D-cinema world (1997/K390) holograms Wearable System (GPS for (M. Desbazeille, hobby religion in (Leo Findeisen) (2003/K73) virtualization of action with Nik Thnen) (2002/K364) social structure or symbolic order that gets lost in the discussion of "memes". (1988/K276) light-kinetic simulation space mosaic of mobile determining position) Conveying the kinetic complex S. Canto) (2001/P100) (AH) disclosing films like decentered connective regulators To simulate processes of life: Evolution, electronic remote action (PV) (1998) (2002/P34) could do without art (DM) (1996/K34) (H. Hrachovec) objects (H.M. Ihme) belonging to a community (MF) data sounds (Knowbotic Research) Centerbeam (Gyorgy Kepes) Changing the behavior of actions Indian philosophy breeding and selection (OG): Thomas final phantasie actions (ML) Speaker Swinging light machine (AH) Krueger discovered that users Concerns of music are science fiction, socio-fiction, political fiction ... (1980/K98) puppets through changes in (1993/P98) syntax of binary images Social Software Ray, Christa Sommerer, Karl Sims, Behavior is movement, in which an Indranet (Gordon Monahan) (1980/K120) quickly identify with a figure in a tendencies to excessive Thse are role plays, parallel strategies, stockmarket courses (MF) Unlike immersive image strategies kinetic feedback (Woody Vasulka) Artifical Life (2) AEC as "Evangelist" cybernetic (2004) Jane Prophet Is God flat? Is the devil intention can be recognized. The (1988/K277) harmonizing actions A brief introduction to the game, if it reacts to instructions in behaivor (Diamanda Galas) ... scattered images of a future cyberspace (PV) games as simulation Station Rose in the (Erwin Redl) (1996/P152) that draw the viewer into a space of illusion, light sculpture (1989/J22) (1996/P14) play of movement (2001/K353) curved? (1995/P112) (Nam June Paik) his career: combination of simple behavior kinetic sculpture art of flight simulation real time. It is not the realistic (1986/K84) Music for Mechanical Metal (war games with simulated Social Web (1997/K426) (Stahl Stenslie) the mixed reality concept focusing on the (C. Mller, (Roland Kayn) (M. Benayoun) patterns produces "personality" transforming television and new (Chryssa Vardea) (Ron Reisman) (Monika Fleischmann) Mixed Reality: portrayal that determines (1996/P211) behavior of complex systems radar data on missile Techno-religious ecstasies spin-offs body-space experience leads the viewer into an R. Kramm) cyberneticists and physicists Holography and Society (1986/K184) or "predisposition" (2003/K183) video techniques into contemporary (1980/K101) (1990/II-K159) The interfaces as input/output instrument is not a aesthetic pleasure, but rather the (Gordon Monahan) guiding computer systems) (2000/K213) action-oriented situation that leaves room and (1994/P132) H.W. Franke ars co-founder (Vito Orazem) Immersion in war pictures - removing, art (1982/K102) multimedia instrument, but an instrument of action Working up to the rank identification with the controlled behavior. Symposium (PW) Intelligent (PW) Systems theory approach to the imagination for thinking. (1979/K02) Survival by calculations by kinetic water display deleting (Maurice Benayoun, JeanInstinct TV for a synaesthetic transformation of the perception of a god in the MOO Journey through the products, intelligent behavior of complex systems (1994/K09) Kinetic Art Simulation analog computers (1989/K191) Fiction and Simulation Babtiste Barriere) CAVE work Instant TV of media space. (1997/K174) ... the immediacy of experience results from the (AH) What these "systems of media art spiritual essence of the trance ambients, the whole (AH) 3D simulation as a new (Peter Weibel) are a kinetic (Stephen Pevnick) (Friedrich A. Kittler) (MF) the transfer of image data is (1998/P70) (U. Reck) ... For this reason, aesthetic endeavors Reaction-Action TV realistic behavior and not from the realistic have in common is that the virtual world (2002/P100) (United Game Artists) technology evolution show quality of illusion models of behavior and actions (1990/II-K20) "acting out" (1988/K87) thus harmonized with the dynamics of (Alison Cornyn, Sue Johnson) and developed practices are currently progressing 50s-70s / affinity Catastrophe TV graphical representation. changes depending on and with the observer that we are always handicapped (Tetsuya Mizuguchie) (based on Kandinsky) (1998/P30) (knowbotic research) Tokyo 1997 kinetic sculpture electronic physical actions prison life (2001/P50) decidedly from representation to activity, from to media art Fernsehfamilie Gyroscope (tilt and (Edmont Couchot) The extent of as part of the system in real time. Weibel without knowing it (1994/K26) (J. Sauter, D. Lsebrink) (1997/K258) simultaneity (AH) Die Vorstellung von einem idealen Zuschauer, der sich confessional HDTV mimesis to experimental action. (1991/K91) (Stadtwerkstatt) lateral movement), odometer consequently regards them as "cybernetic magical mystery tour the space of possibility that a interactive television (Roy Ascott) (1995/P20) toward an orientation to action Technology and Puttting images into a virtual information code of behavior (AH) entsprechend der Kalkulation des Knstlers verhlt und die ihm real-time processes (speed) real time (terms) Scientology vs. simulation model opens up, depends systems", the events of which are structured "Turn On, Turn In, DropOut ..." architecture following the pan of the camera the irrational (1998/P60) (Wendy Vissar) Installation for computer-controlled zugewiesene Rolle ernst nimmt oder seine ihm angebotene (Martina Leeker) Theater people criticize (1971/T) "Media-Bus" Newsgroup (1996/P100) sound mapping project victims of the information age (1979/K35) on the boundaries of the model. recursively as feedback. Timothy Leary (LSD-Guru) (Mark Pauline) accidence remote-controlled short-wave receivers (1998/K175) TV technology Freiheit mibraucht, sei, (so Popper) eine unausgesprochene cultural anthropology technical interactivity and describe it as Radio International TV art start of TV station operated (1998/P94) Nerve Theory: shades of catatonia (PV) ... It turns out that words (PW) The so-called handicapped (David Sheff) The Jewelry Box Voraussetzung fr das Gelingen des Kunstwerks und die (1990/II-K232) car jumps (Leo Schatzl) (R. Adrian, N. Math) interpassivity. They establish an shortened City (1998/P50) by artists Delphi Digital structuralism (discourse) (Iain Mott, Marc Raszewski, (B. Loibner, T. Sherman) (1998/K244) television as are not models. In my opinion, person is only a special case, who dramaturgy of relationship with erfolgreiche Intergration des Betrachters ... (1990/II-K241) (1991/K215) s.u. concept of action. (Thomax Kaulmann) (Margot Pilz, Roland Scheidl) Horizontal Radio: Jim Sosnin) artistic device the event is the nerve of information myth discourse models are images. makes the general human condition minus points real time (PV) (1998) Free B92 (1984/T) MTV sendet in Europa (1991/K163) telematic radio network (1989/K154) digital intro for TV (E. Couchot) deconstructivism of being handicapped visible. (1997/P136) (Mark Madel) (ML) The emphasis on the performative does system for (PW) We move too slowly, that is why (1999/K395) project (1995/K354) (ML) The transgression lies in the fact that in the (1986/T) television project PONTON (K149) 2h TV (Stadtwerkstatt) broadcasts (1994/K17) tape recorder voices theories of memory process art not establish a new, universal order here, but real-time synthesis we have the car; we can't fly, so we build media performance the interaction is no longer used (1999/P38) (1987/T) Stadtwerkstatt TV 1st attempt (K165) PureDataConnections (G. Stocker) (1999/J397) Realtime-AudioLiterature: (Manfred Riepe) mystical dimensions posing stimuli on the screen (Baudrillard) transformation itself instead becomes the new (1984/K48) alchemy, hermetics airplanes; we can't calculate fast enough ... as a paradigm for action, but as a performative (1989/K148) (1987/T) STWST-TV Kabel-FS im Hotel (1988/K213) Radiotopia (2003/K203) Cinematics (1991/K286) (2003/K188) (Casey Reas) Blick, Stimme und (k)ein Krper / OZOne, Radio Qualia, The virtual human, motionless before principle of cultural order (see below) deformities We are essentially handicapped, we just don't process. Instead of interaction, there is a confrontation SOS Radio TNC (Claire Roudenko-Bertin) esoteric debates / New Age discourse Radio Free Utopia (1989/T) Van Gogh TV Studio (1989/K115) (2002/K427) (M. Pinter, Renate Oblak, digital broadcasting (1999/K380) (Beusch, Cassani) Behavior rules and reactive Radio Lada (1998/K79) his computer, makes love via the screen (Anita Gratzer) Mona Sarkis notice it. (1994/K17) with what is happening. (1992/K159) (Friederike Pezold) (1989/T) Grndung University TV (1990/I-K198) psychology W. Ritsch, M. Pichlmaier) search for elves (1996/K366) structures (2003/K192) and lectures through teleconferencing. He (1999/K324) Free Speech (1999/K405) media as site of transition (DM) sonic graphics seeing sound / Matt Woolman (1989/T) Stadtwerkstatt - slot machine TV, live on 3sat performative theories remixing radio programs (Agnes Meyer-Brandis) interest in myths (Darrin Butts) Looking at ORF Kunstradio, VanGoghTV and Stille elektronische Post (1986) TNC Network becomes both motorically and cerebrally (1990/T) Van Gogh TV Hotel Pompino (1990/I-K159) Speech, music, sound / Theo van Leeuwen "heavy rotation revisor" (2003 OK) Camp FRO Online-Generation/Automation of Data/Sounds (2003/F42/P112) (1993/P68) ethnology Xchange, one notes an interesting development: (R. Kriesche, G. Bechthold) handicapped .... Information is thus the (1996/K412) (Harwood) (2000/F46) (1990/T) STWST-TV Invasion-Okkupation (Buffalo NY) On-line/On-site/On-air sound installation (MEGO) Medien/Stimmen / Hg. Cornelia Epping-Jger, ... cheaper and simpler technology creates analytical philosophy Zusammenschaltung 2er Studios illusionist out of body experiences Radio FRO (2001/K406) exact opposite of myth Rehearsal of Memory (mental patients Ponton Van Gogh TV: (1991/T) STWST-TV Out of Control (1991/K89) first TV ars (Colin Fallows, Heidi Grundmann) greater freedom, individuality and diversity Erika Linz (1986/II-K275) linguistic philosophy Radioqualia (1998/K105) (Kittler) in a high security hospital) radio project (1992/T) Piazza Virtuale documenta 9 performative transformations (A. Krach, J. Sienknecht, S. Grndler, C. Fallows, Dusan Bauk, ritual performance with butchering (1998/K78) Zwische Rauschen und Offenbarung Zur face made of rhetoric / topic (1995/K79) (1989/K110) (1992/T) STWST-TV Im Teilchendschungel der W. ... (92/K198) (P. Eisenman) (cf. 1994/K56) A.Vasiljevic, R. Klajn, G. Paunovic, A. Garton, J. Curtis, and preparation of a chicken. (1986) TV-Sculpture net radio Out of control (4) single drawings Kultur- und Mediengeschichte der Stimme / radio technology linguistics (1995/T) STWST-TV Checkpoint 95 (1995/K323) Eliza dialogues (1966) transformation of the sign M. Smith, Sandra Wintner, G. Gregson, S. Cathey, (Minus Delta T) (1989/J135) (Aldo Tambellini) Kunstradio network avatars exhibition of the Prinzhorn collection (S. Zeyen) Myth of Information Ed. F. Kittler, Th. Macho, Sigrid Weigel Familie Auer (Kunstradio) (2000/T) Televisio Kunst sieht fern / Vienna structuralism (Selim Koder) (1994/K51) Emilia Telese, T.M. Didymus, H. Harger, A. Hyde, (Weizenbaum) (1992/II-K110) Manifesto (1998/K101) (1991/K245) (Ferenc Jdi) (1997/P140) (1995/K) (1995/K117) Transformationen der Techno-sthetik (essay (1997/K411) overall data work see below R. Bastien, S. Chappelle, Joelle Ciona, speech act theory (1992/K194) the virtual vampire New Age cyberculture Beginning 1987 ORF and its partner 3SAT free radios and from NET:ART to NET.RADIO (Heidi Grundmann) world premiere of the television (McKenzie Wark) in: Digitaler Schein) / Peter Weibel (1994/II-K98) color recognition device, whistle P. Courtemanche, anna Friz, Eileen Kage, (Roy Ascott) (1989/K100) (Doro Franck) pragmatics/interactions and (1996/K231) open transmissions for media artists their problems (1998/K75) (Josephine Bosma) (1989/K276) spectacle "Willoughby Sharps interface to telephone, keyboard for the blind, B. Mullan, W. Sergeant, T. Cole, emoticons / Karin Niedermeier (1990/II-K221) connectivity, Morphing see also: filmic view throughout Europe conversation analysis Morphing Software (1996/K352) Downtown NY 1986" (1986/K388) The New Myth see below Speaking Thermometer, ...) Andrea Sodomka, M. Breindl, N. Math the mythical TV space see also: topological view from Van Gogh TV and Stadtwerkstatt transformation and ideological tendencies sociolinguistics (1999/J90) (first TV project at the ars!) (Frank Ogden) of media art W. Ritsch Open Air A Radiotopia "My Neighbourhood" (1996/J98) transcendence see also: body view, education view etc. IBVA system (Interactive Brainware linguistic performance theory (1995/K99) 100th image as morphing basis (New Age cultures) (1998/K290) radio art On line on site on air (1994/K160) Materia Prima the space-maker see also: psychoanalytical view Visual Analyzer) for simple command processes TV Poetry literature studies webcam art net radio has to react (1998/P137) (T. Waliczky) (DM) mathematics and its robot arms moved solely "Piazza Virtuale", the interactive computer (unplugged 2002/F16) the confrontation of art at Minus Delta t (Code) (2003/K12) as magician Mysticifactions: (1989/J51/J52) (Gebhard Sengmller) to its environment literature discourse nimbus of the magical by thought environment for live TV from the Ponton European Radiophone poetry the archetypal level shows technology (Randal Walser) voice, breath and gaze handicapped by a Radiolabor (1992/K202) Bermuda Triangle (Isao Tomita) (1982/K193) technological magic (1998/P21) (1993/K382) (1998/K75) The myth of Radio Subcom linguistic turn (discourse) (Spiegel 03.2004) Media Art Lab, with Picturephone, ISDN, with games new radio play (1995/K223) (I. Burgbacher-Krupka) mystically (1986/K07) (1990/II-K206) wheelchair recognition systems (1989/J118) (1999/J356) (1989/J52) VR als virtual drug (1990) (1989/K163) radio goals (J. Sugr) and activities that can be controlled with via telephone (1980/K07) media mysticism (1986/K148) the artificial (1991) Video Magic Live TV experiments (Jon Berge) (1997/P138) The Mind of Universe (Isao Tomita) (1984) (1989/J122) (1998/II-K290) (AH) Technological progress goes from the (AH) physical (1996/K352) keys, and chat programs using modem, fax, telephone Cyborgsurrealismus (E. Schoener) (E. Kluitenberg, E. Davis, existence in electronic Erdenklang (Erika Gangl, Bognermayr, Zuschrader, ...) "guided hand" (keyboard or mouse) to gesture and voice, 2nd Nature diabolic invisibility RealRadio rehabilitation measures and live entry points art as transmission (1997/K63) s.u. wheelchair as interface cosmological model (1979/K50) Rasa Smite, Raitis Smits, space (1994/K158) Myth of the Computer (1982) (1989/J120) then to the simple gaze and finally from the gaze magical-symbolic elements (Markus Seidl) (MF) (GMD) (1994/K160) (Dieter Daniels) for navigation gambling and spirituality (Haraway) Borut Savski, Rachel Mullicans Aurora Electronica (...) to thought. musical magic (1997/K388) Piazza Virtuale Service Area (1994/K232) Myth of AI manipulation aids (Mintz, Ditmars, Duggan) (1996/K420) (Nancy Paterson) Baker (1998/K90) Closed-circuit-TV Intergalactic "mating" (Jon Hassell, Thomas Shannon) (1990/K-I-20) (S. Leoni) electronic cane for the blind (1996/P146) art is media-mysticism Cyborg as carnivalesque (Adrian X) (1989/K146) see below (1994/K159) (1988) (19989/J151) autonomous wheelchair (GuideCane) (1989/J52) mobility aids Thus, telepresence maps onto three long-term projects in the transitional figure every art form has Ugo Ugo Lhuga mythological-electronic "art radio" was the attempt to experience (1998/II-K275) Live TV with telepresence history of ideas, including their mythical, magical, and utopian rehabilitation techno-mysticism (Bilwet/Adilkno) technologies for people Note: the orality view its origins in magic children interacting with transformations of radio as it could have been, if it had not music theater "collisions" techno-utopianism (S. Hawking) (Stadtwerkstatt) connotations. These are, first, the dream of artificial life and (1996/K35) (1997/K135) electro-acoustical has been relocated (1991/K111) computer-generated figures in technique perception aids with handicaps become a centralized mass medium techno-aesthetics (PW) (Transcenic/Theatre den Face) (1994/K19) techno-paganism (1995/K323) automation; second, the tradition of virtual realities in art; (Z. Karkowski) a television show (Toshio Iwai) visitation mass (1994/II-K98) (1984/K223) (1989/J125) overwriting and transgressing motivating the visually impaired real-time solution not feasible irony and humor night vision devices and third, the occult prehistory of telecommunication, (1994/K252) (1999/J428) CARETEC exhibition classical arts (PW) (Diamanda Galas) to communicate visually via in the multimedia networks the state of the world after which operates permanently within structures of in cyberfeminism from TV work to Ugo Ugo Lhuga Live MARX (O. Augst, M. Daemgen, radio art is not (1986/K83)(1989/J59) electronic aids for Internet (1996/P136) (only TV networks have sufficient (Birgit Richard) ideaes for leaving the body (OG) its techno-transformation (PW) radio projects (it was possible to speak with the figures) C. Korn, T. Desy) (2003/F22) sound art the handicapped (VR) design was (Elisabeth Goldring) bandwidth) Electrolobby as international (1999/J336) (Stadtwerkstatt) techno-sance (1998/K101) inspired by alchemist The techno-world of machines represents a game lab (2001/K195) (P. Weibel) Instead of original - technical reproductions, (1994/K162) voice distortions SLO Scanning COMPUTER as handicap - what computers can't do practices (Silver) radical transformation of being (PW) scientist-comedians Live TV with telepresence Ready-Made-Medium appropriation and simulation, instead of author - collective, Laser Ophtalmoscope Unplugged Methods (Symposiums) (1996/P156) (1992/II-K28) (Stadtwerkstatt) (Lev Manovich) (Joe Davis) video gamel urban (1998/II-K178) as presentation form/TV Vocoder machine, text, instead of truth - verdiction and virtuality, creating realities that can be The techno-transformations of art, from Until the late 80s military (1995/K324) (1995/K343) evaluating the emotional (Thomas Dreher) instead of thing - medium, instead of material experienced emotionally - even entirely communication devices photography to the digital image, are parody of violence simulators - the American emergency services (1995/K55) display of parallel space content of the voice immateriality, instead of reality - fiction, instead of being without data helmet and cybergloves device for memorizing (verbal output devices) machinic art forms (PW) (L. Hart, Julien Alma) SIMNET and applications (Tommy Lehner) and reality only signs, fictions, (2001/K20) (connectionist installation) Voice Boxes knowledge (CBT) (2000/F34) like flight simulators supported communication The history of technology Live transmissions of A carvival of misplaced devotion simulation. (Natalie Jeremijenko) In the worst case, what were considered the prosthetic aids facilitated communication: has always been the history operations from the (paper tiger TV) (S.R.L.) (Seattle 1990)(1990/II-K233) adapted shooter games collection of (1996/K402) RE:MARK transforming sounds into origin of the commercial will be left of the VR touched or supported while Nybble-engine-toolZ of its myths and utopias (OG) public hospital (PW) The transformation of techno-art can (1995/K337) light signals onomatopoeia dynamic forms (Golan Levin) movement will be only an writing means for controlling the Borderland (shooter video game techniques (M. Jahrmann, M. Moswitzer) video game are extremely popular be described as a transformation of the auditive battle game (Agathe Jacquillat, (instead of acoustic output (2002/K410) infantile toy industry TV as domestic Literature: (J. Alma, L. Hart) (2000/P86) (2003/F40/P92) (Melita Zajc) ontological triple (being, work, truth) into the environment (remote control) KlangKanone (Stichting Rainstick) Tomi Vollauschek) (Peter Weibel) telescopy (PV) Blick, Stimme und (k)ein Krper Der Einsatz (1995/K77) semiotic triple (sign, medium, power). voice recognition (1995/K258) (2003/P58) (1990/II-K30) Voice System Glasfieber bowling alley (1998/II-K178) Bio-Mechanical Gameshow commands through face Biocybernetic technology ARSDOOM Happy Doomsday! der elektronischen Medien im Theater und in AAC = augmentative and (Stadtwerkstatt) (1996/K324) (Clin Dan) (1998/K148) DOOM II and the (1997/K362) (Times up) muscles (1994/K198) (1994/K198) (for paraplegics) art adventure speech recognition interaktiven Installationen / Mona Sarkis professional gamers (2001/K192) VR-landscape "PlaceHolder" alternative communication speech recognition auditive poetry military version (T.H.H. Boykett: Theory of Hypercompetition) (C. Helbock) (1995/K262) culture of war (Brenda Laurel, Rachel Strickland) (1989/K167) Maschinen, Medien, Performances Theater an On Jandl digitalized mouths (hearing the presence see also: radio view aids for self-active game (D. Rokeby) Computer game "Marine Doom" speech sound Augmentative forms of communication: (1998/K163) Brucknerhaus (1971/T) Noan Bushnell invents the world's Text Rain (2000/K389) (1994/P124) interactive art on the Net (Eku Wand) of the user) der Schnittstelle zu digitalen Welten / and problem-solving behavior developers are the (1980/K76) hand and foot signals, head movements, (Orhan Kipcak) first commercial video game (Camille Utterback, Romy Achituv) (Eduardo Kac) (1995/K170) (1993/P87) Martina Leeker (Ed.) contemporary masters articulation eye movements, facial expression, gesture, (gerhard rhm) (1972/T) Atari: video game machines "Pong" computer game in of illusion Liveness / Philip Auslander (phonation) vocal synthesis emotional expression, posture, ... (AH) Interactivity creates an intimate relation (1976/T) Fairchild : video game device special input devices games / deconstruction and (N. Suzuki) Speech Recognition concert performance Computers as Theatre / Brenda Laurel (ML) Since the publication of (Leo Kpper) (1984/K29) Acoustic events for one possibilities of the between the artwork and the viewer (J. Shaw) (1980/T) Pac Man (a player only managed to play modifikation (2003/K227) (1996/P150) foot-mouse, headpointer, (1993/K263) macpanic Voice Recognition linguistic notations of Alternative forms of communication: "Computers as Theater" (Brenda Laurel) human voice Spielfiguren in virtuellen Welten / Natascha voice and apparatuses (1970) all 256 levels after 20 years) eyetracker the voice (1989/K272) sign language, images, graphic symbols Feedback Speech Translation interactive games ... are designed and AR / Audio Reality (instead of VR) (Diamanda Galas) (1986) (AH) interactivity is generated in the various sound mikado (Ernst Jandl) (1980/K88) Adamowsky two-way interaction video games see above (Amanda Stewart) (Wolfgang Georgsdorf) playful art judged according to aspects of theater. (1999/P80) avant-garde (Steffen Wernery) user interaces by touch, gesture, movement, (Waltraud Cooper) feedback art (PV) integrating games in Fr eine sthetik des Spiels / Ruth Sonderegger special output devices: (Myron Krueger) electroacoustic singer (1995/K205) acoustics or sight (1987/K100) Messa di Voce visualized Virtual Labyrinth Interactive theater for 4 virtual therapy (1994/K199) Knstliche Spiele / Ed. Georg Hartwagner, Braille display Responsive Environments (1986/K90) speech and song (a performance) (Bill Keays, Ron beings and live audience street theater Stefan Iglhaut, Florian Rtzer (2000/K365) (AH) game structure as model database-based interactive (2003/K311) (Tmema, Jaap Blonk, Joan La Barbara) MacNeil) console kids sound-therapeutic objects (AH) mid-80s as the (1996/K404) (Luc Courchesne) Sissy Fight narration (2001/K108) (1984/K359) Intermedialitt Das System Peter Greenaway for work structure (Machiko Kusahara) circuit systems interactive kaleidoskop console games (1979/K37) beginning of the ludic society (Nora Barry) Urban Sax (K364) (PW) The origin of technology The Ludic Society (Neil Postman) / Yvonne Spielmann dynamic animation through gestures taking the (1979/K47) story telling game on literature passages virtual mask celebration, (Sidney Fels) (1998/K201) online gamehall games and traditional (1998/P62) rhetoric of hypermedia is rooted in this universal homo ludens (Flusser) voice into consideration / visual performance system (1994/K40) (Elfriede Jelinek, remote-controlled puppet theater Art_server: stargate to netculture / Margarete culture in Japan for Ascott the concept of "interaction (2001/K194) escape game (Indesen, Krohn) (AH) In 1962 at MIT condition of lack. (1994/K17) the topic was covered by the O.K Linz with "Toysn Noise" (Golan Levin) (2000/P82) Audiovisual Environment Suite G. Hngsberg, H. Franz) (Ken Feingold) moments of interactivity was central around 1980 Jahrmann & OK (Ed.) (M.G. Wagner, Concept: computers as phenomena of perception in E. Sutherland described digital storytellers GOLEM an (Art_server: stargate to netculture) (1996/P134) theater (Brenda Laurel) (at Ars before 1989) (PW) S. Carroll) Nybble-Engine / M. Jahrmann, M. Moswitzer computer games (2001/K69) consoles (R. Kuwakubo) a "sketchpad system" for (DM) films are determined to a interactive opera ("Huge Harry" = voice synthesis (1989/K87) on dramatic interaction immersive new methods of storytelling (?) Shared Environments Der bewegte Betrachter Theorien der (2002/F044) (T. O. Meissner) see also: view of fashion interactive computer literature game (2000/K397) high degree by rhetoric (Richard Teitelbaum) ATHE-MOO machine) (1997/K110) (1990/II-K259) (mixed reality technology pop-up book) media opera by interaction (2002) der Multi-User-Games interaktiven Medienkunst / Annette Hnnekens graphics (1997/K433) (1990/K-I-84) Virtual Voices (Kenji Iguchi, Tomoki Saso) (2003/K420) (2001/K20) John Sanborn (1986) paradoxes of Pixelspaces (small conference) multi-actor-server sthetik der Inszenierung / Ed. J. Frchtl et al. Voice synthesis From Text to Speech see: entertainment view Critique (Patrice Pavis) (1999) (ML) one of art's tasks is to interactive art interaction (1989) opera cabaret user interaction (2001) space as game Die Zeitgenssische Dramatik und die neuen (1997/K120) (AH) Merging individual art forms into an integral every machine, every technology, see: sports aspects mobile games (2002/P24) expose and deconstruct the rhetorics of (AH) interactive media art as Arleen Schloss game as space Medien (essay) / Patrice Pavis art form ... that conjoins new media with theater, every computer being is a foreign performativity discourse interfaces (David Rokeby) In the Network of Systems "the art form" of the 90s see: interface view (1986/K55) N-cha(n)t (2002/F12) Unexpected Obstacles The work of Perry (Masuyama) opera, performance, ... body in the heart of theater theater theory (PRIX) for an interactive art (David Rokeby) game performance (on "Zulu Time") Hoberman 1982-1997 (HK) Yet we are also confronted with computer theater studies the computer picks up (AH) (Roger Malina) Interactivity was first (AH) Interactive Media cyber-opera (P. Weibel) (ars 1989) a kind of dialogue turbulent operette in producer CAVE was conceived as freaks that basically don't want to do anything Mark von Raden / Energized Gaming Culture theater anthropology utterances and freely develops officially proclaimed a new art form with the Festival (Los Angeles) (1995) "Wagner's Madness" electroacoustic fashion (2002/F12) media opera with the systems "Virtual Reality Theater" but operate pinball machines. (D. Rokeby) the Animax multimedia theater (1997/P102) them (2002/F042/P072)) establishment of the prize (1990)! "Sparky Prize" (1995/K368) dramatic discourse (1984/K329) (Altmller/Bogner) (1979/K03) with scientific content and Perfect Lives (Robert Ashley) key word "interactivity for children (2002/P90) LINZ ... ! multimedia opera (?) performance studies performance and play projection possibilities corresponding An Opera for Television arose in 1988 (Autorenwerkstatt MEET) music game (2002/K418) the world of interactivity playful interaction (2002) "Wild-style Video Operette" performance theory to the criteria of the showcase (SIGGRAPH 92). interactive (Tina Blaine, C. Forlines) computer games (1996/K406) (Masaki Fujihata) E.W. Adams (2002/F12) about ecology, fun, politics, evolution, Europe, energy (the three sacred E's), (1986/KII-218) types of interaction (1999) Theater game theory (Daniel J. Sandin) (1996/J85) multimedia show festival house as electrolobby game design media work the universe, sex, household, nature, technology and sports (on P. Weibel) art of the scene language games approach (Patrice Pavis) high-tech location (ML) (Weibel) net games "The Artificial Will" electronic media opera (AH) interactivity as an one of the cores of mediatization of interactivity (AH) multimedia performance postmodern views digital puzzle multimedia "empty" concept electronic art and (1984/K239)(1989/J24/J124) (P. Weibel) (Susanne Widl, Rene Felden, ZYX) interaction of non-linear theater (H. Lepka) (Hiroshi Matoba) anthropology (of laughter) Robo-Cup s.r. theater as show machinery (1988/K38) "without content" (Huhtamo) sophisticated technology group dynamics (1994) Interactive Computer (Lawine Torrn) (1998/K203) playful interaction as a (robo-games) is interactivity interaction design (2001) Theater of hybrid machines Art Com Electronic Network (2000/K294) telematics and total data work (AH) Theater (1981) central "pattern" of the Ars: (1989/K87) (1996/K274) (Don Ritter) the mechanical Bauhaus stage (Woody Vasulka, David Dunn) (ML) the boundary between theater dialogical interaction (2001) (ML) theatrical-performativeACEN (1986) (1989/K130) (1989/K168) see also: music theater view creative (Bruce Thomas) Wearable AR System modified use of games (1988/K93) (Theater of Sounds) games, music tools, ... (2001/K79) and performance and mediatized (1990/II-K265) mobile phone digital Installation Online-Theater (Stephen Wilson) for the game Quake (2002/F12) (Mathias Fuchs, Sylvia Eckermann, (ML) Emphasizing the performative in interaction (AH) perusing, traversing, performance occurs today at the medium of interaction (2000) (Penelope Wehrli) games M. Jahrmann, Max Moswitzer, Why has this field not been mined media performance simultaneously forms(ML) theatrical digital searching, exploring, ... interactive WWW level of "liveness", the co-presence (2001/K87) tele-interaction (ML) Orhan Kipcak) (ML) the relevance of theater at Ars Electronica? (Technical the nexus to the discourses on media interaction tool (2003) music-construction-game-machine of actors and viewers (in)voluntary experimental arrangement (MF) the communicative works (DH) (Kanae Ushiro, modified use of video games within information technology framework conditions at Brucknerhaus? and theater interactive narration interaction (1996/P55) go-programs (Sybille Hauert, D. Reichmuth) guidelines of theater could works that don't Takashi Morimoto) cf.: Maschinen, Medien, Performances Theater an der Schnittstelle media performance (ML) liveness should also be retained (Stadtwerkstatt) and telecommunications Costs of one-off performances?) (A. Steininger) (2003/F41/P104) be investigated with the help function offline chess programs Polylog for an interactive zu digitalen Welten / Martina Leeker (Ed.) when theater uses audiovisual and (Barbara Bscher) (1990/K-I-152) domino game (2002/K415) (ML) a new art form is developing from of digital technologies art (Weibel, Lischka) (1989/K65) electronic-digital media scenic concerts external interaction /vs/ (Stadtwerkstatt) (1997/K284) (S. Schiel) directly linking theater/performance documentation culture and work (ML) the technical concept of musical play (AH) Motor of transformation: from cyberspace theater networked stage (MF) internal interaction (of modules) Autodrom Crashcourse 3rd computer chess championship and digital media Web scene projects and reproduction "liveness" on the media side: "Le systme du monde" are a unit at the theatrical level the mixed reality performance modernism to postmodernism (1980/K177) (Heiner Goebbels) (2001/K354) (1979/K05) interaction in real time motoric electronics: playing figures in (1998/II-K267) E. Said: The new electronics ... All Play (Cinematrix) audience participation constitutes a continuous feeling of tension between (1982/K25) scenic concert with live demonstrations transmitting live (AH) new forms of (G. Squad, M. Chalcraft, Re-establishment of an equal balance (Grard Pistillo) !! could pose a greater threat to independence than colonialism. (Loren & Rachel Carpenter) (1994/II-K102/P105) virtual worlds the actuality and virtuality of the networked stages MIDI instruments theater performance (1979/K03) events scenic interaction Anette Schfer) Summer Academy Hellerau 1999: experiment of a between the cultural and the commercial (1990/K-I-88) The new media are strong enough to penetrate deeper into (1999/J395) concept of live electronics (1988/K121) (1997/K333) medium of TV (1989/K87) (PW) Theater and New Media InfoWar takes place in the Cultural Ecology field (2002/K52) "receiver" cultures than was possible for any previous manifestation (1980/K52) culture-critical (Isabella Bordoni, simulation of a story (1989/K154) (ML) the media do not touch sphere of new cultural (Andruid Kerne) (MF) exploring theater itself net culture of western technology. perspektive (1998/II-K256) R. P. Dal, G. Pensili) (AH) more complex forms of staging from a Japanese (Stadtwerkstatt) the liveness of theater techniques (1998/K23) (1996/P104) inter-art project Literature: as an apparatus For the cultural programmer the (2000/K19) and dramaturgy (ML) With the emphasis on the performative, (2002/P118) live remix laboratory (Ed Emshwiller, Morton Subotnick) No play Operating system art Kursbuch Medienkultur Die mageblichen net culture Internet poses an even greater (M. Kosugi, Y. Ando) (1995/P124) not only is a new, generally acknowledged order Cultural impact as criterion (1999/K380) use of music computer Presence shifted to spheres performance theater (MF) Are media as desired context Theorien von Brecht bis Baudrillard threat than the channel zapper (2001/K20) established, but transformation itself becomes the new for the PRIX ARS Jury performance software outside the art world (2001/K12) theater media? twofold Mapping (mixed reality) Kursbuch Neue Medien Trends in Wirtschaft principle of cultural order (1988/K129) settling into the inevitable (symposium) Art as public cultural production creates a complex theatrical Politik, Wissenschaft und Kultur / S. Bollmann Brucknerhaus location Computer culture software cultures links Context Kepler-UNI multimedia work (1989/K87) (cf. Ars 2004 What Will the Future Bring in 25 Years) cultural sciences Internet as cultural space (2003/K229) (Christiane Paul) (2003/K136) (ML) The performative as the intersection of reality (MF) Kursbuch Internet Anschlsse an Wirtschaft by the Danube 1996 start of a new era of organization (R. Born) (1989/J20) and RISC (over 15 yrs. too Globe Theater A history play cultural philosophy Culture is a market full of theater and media advances to the key term for with the opening of AEC (1996/K72) (1986/K09) Symposium u. Politik, Wissenschaft und Kultur / Bollmann LIVA/Brucknerhaus (Cloud of Sound ideological stereotypes of Digitales Age little cooperation with ars) for robots (Adrianne Wortzel) contradictions (2002/K230) cultural anthropology a culture of constantly transgressing boundaries and (organization withdrawn from (Gene Youngblood, Larry Cuba, (F. Pichler) the digital revolution Der DatenDandy ber Medien, New Age, as partner for content projects) Not enough events/lectures in the field of Research cooperation at AEC (1997/K350) (R: Wischenbart) Art's claim to an dealing with what is unpredictable and indefinable "Information Society" Black cultural theory LIVA) (1999/J74) Kathy Rae Huffman, Franke, (1996/J51) new media outside Ars Electonica (even Technokultur / Agentur BILWET opening, but then little (until 1995) Continues to stand for a unbounded future (1989/J07) Hans Donner) cultural studies (discourse) hardly any support during the year at AEC only a few projects units of cultural cooperation with the ars Collective Intelligence mankinds emerging music orientation knowledge cultures rhetorical project in everyday life, knowledge society OK (and Gallery of the Province before that) cultural history like Intertwindness (1997/1998): information (30.6.95 Prof. Pomberger member for media art from the initially with Bruckner reference world in cyberspace / Pierre Lvy ORF as media institution (and facilitator as exaggeration, misconception interest in certain forms of installation art Margarete Jahrmann, Christa Schneebauer) (1996/K26) context-aware theories of the AEC Board of Directors) Prerequisites for a The effects of industrial (machine-based) and postindustrial federal government Visuelle Kultur krper rume medien / in the fields of video, TV, radio, satellite Pop culture building on and underestimation humane information (information-based) cultural machinization, mediatization, simulation, neo-situationsims discourse technology (2001/K18) Cyberspace and Globalization creates a (1998/K21) Ed. Peter Mrtenbck, Helge Mooshammer broadcasting) (Christine Schpf, Hannes Leopoldseder) Context Art University society (1997/K210) synthetics, semiosis, artificial reality, withdrawal of being, etc. (PW) Media professorship first in humanities only as postmodernism discourse neo-cultural environment cyberculture Das Medium ist Massage / Marshall McLuhan, Lentos will only start including (P. Fleissner) (1992/K10) No risk capital to finance art (cooperation with other universities (1996/P15) 2003/2004 (Sommerer) "minor" services MediaMOO as multicultural (2002/K81) Since 1996 the Ars is managed Quentin Fiore contemporary media beginning The AEC is intended to be a prototype in conjunction with Ars) light works (W. Cooper) chaos (1995/K139) "single-handedly". see also: identity view re-engineering of in 2004 of this kind of site of a new digital (PW) Psycho-Techne, AEC as carrier of 2004 will be a key year Mechatronikum (Prof. Pichler) cultural systems phase of culture (Leopoldseder) missing gallery obligation to program AEC ended up with too ArchiMedia-Institute (proximity to AEC) ORF withdraws from PRIX protheses civilization cultural competence (DDDr. Schwendter) Ars Electronica Futurlab Media Linz (Hattinger), Scene Center (Feuerstein) Design Centers (1994) context The future of AEC & ARS is to be designed (exhibitions in conjunction with ars) little space (1994/K24) (1996/J46) Defining the position of as further ideas of content for AEC location Media Era (DM) (1984) (1989/J163) (in-house products) in terms of structure and personnel. (including Christian Mller) (compare Paderborn or ZKM) "Electronic Culture" (2003/F38) (1996/J33) due to electronic or digital Magnet (print and web magazine) media, among others

Winners in the film section Computer Animation Visual Effects 1987: John Lasseter, Mario Canali, Rolf Herken 1988: John Lasseter, Peter Weibel, Mario Canali and Honorary Mentions (right) 1989: Joan Staveley, Amkraut & Girard, Simon Wachsmuth, Zdzislaw Pokutycki, Flavia Alman, Mario Canali, John Lasseter, Peter Conn, Eihachiro Nakamae, Edward Zajec, Franc Curk, Jasdan Joerges, Xavier Nicolas, Motohiro Hayasaka, William Latham 1990: Mario Sasso & Nicola Sani, Robert Lurye, Philippe Andrevon, Flavia Alman & Angelica Nascimento, Gerhard Pakesch, Paul Coudsi, William Latham, Alan Norton, Karl Sims, Christiane Geoffroy, Rebecca Allen, Denis Muren, John Lasseter, Jeff Kleiser, Diana Walczak, Eihachiro Nakamae, Steve Goldberg 1991: Karl Sims, James Duesing, Yoichiro Kawaguchi, Rashel B de F, Jean Luc Faubert, Maurice Benayoun, Peter Claridge, Boris S. Dolgovesor, Herve Huitric, Monique Nahas, Nancy Kato, Mike McKenna & Bob Sabiston, Simi Nallaseth, Eduard Oleschak, Michel Tolson, Pascal Vuong, Jason White & Richard Wright 1992: Karl Sims, Charlie Gunn & Delle Maxwell, Ccile Babiole, Briou, Dennis Muren & Mark A. Z. Dipp & Steve Williams, Matthew Brunner, Mario Martin Buendia, Jrme Estienne & Xavier Duval, Fantome, Keith Hunter, Xavier Nicolas & Jerzy Kular, Alan Norton, Marc Raibert & Leg Laboratory 1993: Pascal Roulin, Mark Malmberg, Darrin Butts, Briou, George Barber, Jules Bister, Jos Claesen & Anton Roebben, Philippe Gassie & Bruno Simon, Industrial light & Magic, Eku Wand 1994: Dennis Muren & Mark Dipp, Marc Caro, Maurice Benayoun, Eric Coignoux, Briou, Peter Callas, Cassidy J. Curtis, Eric Darnell & Collery, Yoichiro Kawaguchi, Sabine Mai & Frank Prscholdt, John Tonkin, Hideo Yamashita & Eihachiro Nakamae, Thomas Zancker, Tams Waliczky 1995: Bob Sabiston & David Atherton, Thomas Bayrle, Steve Williams, Gayle Ayers & Dough Sutton, Dough Kingsbury & Jeff Thingvold, Chuck Gamble, George Murphy, Violet Suk & Martin Koch, Francois Launet, Silvio Levy & Tamara Munzner, Franck Magnant, Jon McCormack, Medialab, Ben Stassen, Demetri Terzopoulos, Alexei Tylevich 1996: John Lasseter, Marc Caro & Jean-Pierre Jeunet, Michel Gondry & Pierre Buffin, Philippe Billion, Christian Boustani, John Clyne, James Duesing, ILM, Pierre Lachapelle, Arnauld Lamorlette, Denise Minter & Tim Johnson 1997: Scott Squires, Chris Wedge, Jim Mitchell, Stefen Fangmeier, Larry Lamb, Anna Henckel-Donnersmarck, Michle Cournoyer, Taku Kimura, Raquel Coelho, Carlos Saldanha, Michel Gondry, Stephen Weston, Francois Vogel, Marine Poirson & Lionel Richerand 1998: Robert Legato, Liang-Yuan Wang, Christophe Hery & Habib Zargarpour, Rob Coleman, Tams Waliczky, Kazuma Morino, Joey Lessard, Thierry Prieur & Pascal Roulin, Nobuo Takahashi, Yan Breuleux & Alain Thibault, Laurence Leydier, Steven Stahlberg, Nobuto Ochiai, Constantin Chamski, Julien Dajez, Stefan Smith, Violet Suk & Martin Koch, Yves le Peillet, Nelson Max, Diana Walczak & Jeff Kleiser, Sebastien Larrue, Mark Stetson, Jan Pinkava, Kaori Saito, Tom Bertino, Charles Gibson, Denis Muren, Phil Tippett & Craig Hayes, Ben Stassen & Anthony Huerta, Wayne Gilbert 1999: Chris Wedge, John Lasseter & Andrew Stanton, Bob Sabiston & Tommy Pallotta, Jun Asakawa & Toshifumi Kawahara, Erwin Charrier, Paul Kaiser & Shelley Eshkar & Bill T. Jones, Christopher Landreth, William Le Henanff, Patrice Mugnier, Dietmar Offenhuber, Bruce Pukema, Daniel Robichaud, Christian Sawade-Meyer, Seiji Shiota & Tohru Patrick Awa, Emre Yilmaz & Lev Yilmaz, Vincent Ward & Stephen Simon & Barnet Bain, CFC, Alain Escalle, Manuel Horrillo Fernandez, Peter Miles & Damon Murray & Stephen Sorrell, Ray Giarratana, Geoffrey Guiot & Bruno Lard & Jerome Maillot, Juan Tomicic Muller, Phil Tippett & Craig Hayes 2000: Jakub Pistecky, John Lasseter & Lee Unkrich & Ash Brannon, Yasuo Ohba, Denis Bivour, Jean-Francois Bourrel & Jerome Calvet, Paul Debevec, David Gainey, Ccile Gonard, Jean Hemez & Sbastien Rey, Dariusz Krzeczek, Guy Lampron, Charlotte Manning, Juliette Marchand, Timm Osterhold & Max Zimmermann, Makoto Sugawara, Christian Volckman, Pierre Buffin, Markus Degen, Zach Bell & Chris Gallagher & Steven Schweickart & Scott Smith, N+N Corsino, Ray Giarratana, Stephen Katz & Josselin Mahot, Manfred Laumer, Fred Raimondi, Lisa Slates & Chitra Shriram, Mark Stetson, Alexander Szadeczky & Marcus Salzmann, Cornelia Unger, Francois Vogel 2001: Xavier de lHermuzire & Philippe Grammaticopoulos, Ralph Eggleston, Laetitia Gabrielli & Max Tourret, Mathieu Renoux & Pierre Marteel, Julien Charles & Lionel Catry & Nicolas Launay & Olivier Pautot, Candice Clmencet & Jean-Dominique Fievet, Mike Daly, Sbastien Ebzant & Aurlien Delpoux & Loic Bail & Benjamin Lauwick, Alain Escalle, Stefen M. Fangmeier, One Infinity, Bob Sabiston & Tommy Pallotta, Robert Seidel & Michael Engelhardt, Jeremy Solterbeck, Hans Uhlig & Tony Hurd, Jason Wen & Howard Wen & Andrew Jones & Casey Hess & Don Relyea 2002: Pete Docter & David Silverman & Lee Unkrich & Andrew Stanton, BUF, Peter McDonald, Hiroshi Chida, Erik Nash, Lars Magnus Holmgren, Wojtek Wawszczyk, Jason Watts, Yasuhiro Yoshiura 2003: Romain Segaud & Christel Pougeoise, Carlos Saldanha, Koji Yamamura, Christoph Ammann, Eric Armstrong, Jrome Decock & Olivier Laners & Mlina Milcent & Ccile Detez de la Dreve, Roger Gould & Pete Docter, Thorsten Fleisch, Luc Froehlicher, Ludovic Houplain, Wayne Lytle, Siri Melchior, Jordi Moragues, Tippett Studio, Satoshi Tomioka

Literature: Cyber Society Mythos und Realitt der Informationsgesellschaft / Achim Bhl Tausend Welten Die Auflsung der Gesellschaft im digitalen Zeitalter / Uwe Jean Heuser The Society of Text Hypertext, Hypermedia, and the Social Construction of Information / Edward Barrett Medien-Theologie Das Werk Vilm Flussers / Elizabeth Neswald Kultur ber alle? gegen alle? fr alle? M. Wagner, H. Fabris, I. Mrth u.a. cyber-moderne medienevolution, globale netzwerke und die knste der kommunikation / Manfred Faler

Literature : Maschinen, Medien, Performances Theater an der Schnittstelle zu digitalen Welten / Martina Leeker (Ed.) Perform or else from discipline to performance Jon McKenzie Multimodal Discourse The modes and media of contemporary communication / Gunther Kress & Theo van Leeuwen Alles jetzt! Die Mediatisierung / Gerhard Johann Lischka Cyber_Reader Critical writings for the digital era / Ed. by Neil Spiller

Literature (2) : Kunst als Sendung Von der Telegrafie zum Internet / Dieter Daniels Interferenzen IV (on radio art) TRANSIT #2 (on radio art) Art Telecommunication / Heidi Grundmann Radiokultur von morgen / Ed. Johanna Dorer, Alexander Baratsits Apparitional Aesthetics (1995/P15) / Roy Ascott !! performative installation / Ed. Angelika Nollert

Literature: Future cinema !! / Jeffrey Shaw, Peter Weibel Ed. Kunst und Video / Bettina Gruber, Maria Vedder VideoKunst / Gerda Lampalzer Videokunst in Deutschland 1963 1982 Ulrike Rosenbach / Videkunst, Foto, Aktion / Performance, feministische Kunst Video 20 Jahre spter Eine Zwischenbilanz Kunstforum Bd. 77/78 Objekt : Video / G. Hattinger, P. Assmann Computerkulturtage Linz ORF Videonale topographie II: Untergrund Videoinstallationen in der Wiener U-Bahn Nam June Paik Fluxus Video / Wulf Herzogenrath Deanimated / Martin Arnold catalogue: Walter Pamminger

Literature (2) : Gary Hill / Selected Works Intermedialitt Das System Peter Greenaway Yvonne Spielmann Arquitecturanimacin / F. Massad, A.G. Yeste Look at me VIDEO 25 Jahre Videosthetik (important references to timeline) Simulation und Wirklichkeit Design . Film . Architektur . Naturwissenschaften . kologie . konomie . Psychologie / Angela Schnberger Videokunst / Lydia Haustein Fernseh-Design / Gunther Rambow et al. Christian Mikunda Die Spiele des Realen und des Virtuellen (article) / Edmond Couchot Stuff it the video essay in the digital age / Ed. By Ursula Biemann

Literature: Blick, Stimme und (k)ein Krper Der Einsatz der elektronischen Medien im Theater und in interaktiven Installationen / Mona Sarkis Liveness / Philip Auslander Rasender Stillstand / Paul Virilio Geschwindigkeit und Politik / Paul Virilio Fluchtgeschwindigkeit / Paul Virilio Revolutionen der Geschwindigkeit / Paul Virilio Der negative Horizont Bewegung, Geschwindigkeit, Beschleunigung / Paul Virilio Die Sehmaschine / Paul Virilio Der reine Krieg / Paul Virilio & Sylvre Lotringer Die Beschleunigung der Bilder in der Chronokratie / Peter Weibel Das Tempo-Virus / Peter Borscheid Dauer-Simultaneitt-Echtzeit / Kunstforum 151

dance theory body research dromology time theories theater studies

music theater view performance view (II) 26 dance view speed view
choreography view

music theory / semiotics electroacoustics perception theory of architecture techno-culture discourse structuralism (discourse) system theory / system discourse self-organization theory symbol theories of knowledge formal sciences complexity theory

Literature: Soundcultures ber elektronische und digitale Musik / Ed. Marcus S. Kleiner, A. Szepanski Resonanzen Aspekte der Klangkunst / Ed. Bernd Schulz sound : space / Bernhard Leitner Cybernetics of Cybernetics / Heinz von Foerster Der Anfang von Himmel und Erde hat keinen Namen / Heinz von Foerster Noise Gate / Granular Synthesis Zur Kunst formalen Denkens / R. E. Burkard, Wolfgang Maass, Peter Weibel (Ed.) sonic graphics seeing sound / Matt Woolman Music vs motion FLIPS 5 geometrie der Tne / Guerino Mazzola Geometry of sound / Bernhard Leitner Crossings Musik zum Hren u. Sehen / Cathrin Pichler Klangkunst / Akademie der Knste Berlin der larsen effekt / OK Linz Norbert Wiener

25 acoustic "view" view of music

digital musics

film, video, TV (I) 27 filmic view

view of animation

1979

1970s

1986/87/88/...

1982

28 performativity as view performance view (I)

1987

performative installations
Ars: Performativity as Mediality

29 socio-logical view societal view

cybernetic view

anthropological view / ethnological view theological view ritual view

computer animation / visual effects

26 temporal view view of the score script view

25 systemic view formal view

1979-82

Ars: Performance mixed reality 1984

movement view / dynamic

27 process view view of the act

simulation view

2004

1960/70s

digital communities

30 behavior view

view of action

2003

28 pragmatistic view role view

radio view

1993

ars: on simulation

29 TV view II

mythic view

mythological view

art as physical sensatio

31 view of metamorphosis magical view

art as real-time event

transformation view trash view

30 therapeutic view view of handicaps

1989

art as energy flow art as act

voice view

ars: on handicaps

art as action art as performance art as broadcast

31 orality view theater view II rhetoric view

1994

linguistic view

art as social issue art as transmission

culture of laughter view carnival view

32 playful view gaming view

ars: the world of games

competitive view

art as therapy

view of interactivity

view of staging

interactive art

1989

theater studies view

32 theater view / opera view presentation view liveness view

2001

1988

art as articulation art as transformation

ars: theater at the nexus

ars: The Art of the TechnoFuture

art as scene art as game art as interaction

situation view (Linz) 01 contextual view

01 culture-theoretical view

art as location factor art as culture

Literature: The production of space / Henri Lefebvre Surroundings Essays an Space and Science / Ed. by Peter Weibel Raum / Texte zur Kunst Heft 47 - 2002 CTRL Space Rhetorics of Surveillance from Bentham to Big Brother / Ed. by Th.Y. Levin ... Netzstadt / Franz Oswald, Peter Baccini Meta City Data Town / MVRDV Five Minutes City / Winy Maas The Regionmaker / MVRDV Gehry Digitale / Bruce Lindsey Eisenman digitale / Luca Galofaro Hyper Architecture / Luigi Prestinenza Prglisi Digital Odyssey / Carmelo Baglivo, Luca Galofaro Information Architecture / Gerhard Schmitt Induction Design / Makoto Sei Watanabe Bits and spaces / Ed. by Maia Engeli

Literature (2): Architektur in Bewegung Entwerfen am Computer / ARCH+ 128 InFormation Faltung in der Architektur / ARCH+ 131 Fassaden / ARCH+ 108 Architektur des Ereignisses / ARCH+ 119-120 Medienarchitektur / ARCH+ 149/150 Diagram Diaries / Peter Eisenman Hybrid Space new forms in digital architecture Peter Zellner Vom Verschwinden der Ferne Telekommunikation und Kunst / Edith Decker, Peter Weibel auen rume innen rume Der Wandel des Raumbegriffs im Zeitalter der elektronischen Medien / Ed. Heidemarie Seblatnig

Literature: CODE und andere Gesetze des Cyberspace / Lawrence Lessig Decodierund:Recodierung / Ed. Toni Kleinlechner Exploring the Invisible art, science and the spiritual / Lynn Gamwell Internet-Dateiformate / Tim Kientzle Krise der Linearitt / Vilm Flusser Topic Maps / Richard Widhalm, Thomas Mck Die Unwahrscheinlichkeit des sthetischen und die semiotische Konzeption der Kunst / Max Bense Zeichen und Design Semiotische sthetik / Max Bense

Literature: Der reine Krieg / Paul Virilio & Sylvre Lotringer Die Sehmaschine / Paul Virilio Information.Macht.Krieg / Ed. Stocker, Schpf iconoclash beyond the image wars in science, religion and art / Ed. Bruno Latour, P. Weibel Von der Brokratie zur Telekratie Rumnien im Fernsehen / Ed. Peter Weibel Archimedia Institut for arts and technology Projekte 95/97 / Ed. Mller, Knipp, Lachmayer Tacho 3,4 / Ed. Peter Keicher Lab 95,97,02 Jahrbuch fr Knste und Apparate Zentrum fr Kunst und Medientechnologie Karlsruhe / Ed. Heinrich Klotz 1992 The Kitchen NY turns twenty Mediale Hamburg 1993 Mediamatic Doors of Perception 1

Literature (2): CTRL Space Rhetorics of Surveillance from Bentham to Big Brother / Ed. by Th.Y. Levin ... Information und Apokalypse Die Strategie der Tuschung / Paul Virilio

Literature: alt.culture an a-to-z guide to the 90sunderground, online, and over-the-counter / Steven Daly, Nathaniel Wice Music vs motion FLIPS 5 Tekknologic, Tekknowledge, Tekgnosis / QRT Pop Sounds Klangtexturen in der Pop- und Rockmusik / Ed. Th. Phleps, Ralf von Appen IdN international designers network 2003/10/2 flights of fancy IdN international designers network 2003/9/4 designer toys Alles jetzt! Die Mediatisierung / Gerhard Johann Lischka Kulissen des Glcks Streifzge durch die Eventkultur / Gerhard Schulze

Literatur (2): Die Welt als T-Shirt Zur sthetik und Geschichte der Medien / Beat Wyss Kultur ber alle? gegen alle? fr alle? M. Wagner, H. Fabris, I. Mrth u.a. Rituale der Medienkommunikation Gnge durch den Medienalltag / H. Poss, C.-D. Rath Station Rose cyberspace is our land

Literature: City of Bits - Leben in der Stadt des 21. Jahrhunderts / William J. Mitchell Die Telepolis Urbanitt im digitalen Zeitalter Florian Rtzer Metropolen des Weltmarkts Die neue Rolle der global Cities / Sakia Sassen Klare Sicht am Info-Highway Geschfte via Internet & Co. / H. R. Hansen Das Regime des Image Zwischen mimetischem Display und Corporate Branding / Ed. Gerhard Lischka, Peter Weibel Pictorial Metaphor in Advertising / Charles Forceville Art computer faszination Hersteller und Dienstleister

25 spatial view view of places geographical view

see also: cartographic view
art as form of space from multimedia space to multimedia terminal (1989/J26) hyperbolic space (Dana S. Scott) (1992/P60)

perception theory of architecture phenomenology of perception location research theory of urban locations architectural theory / arch. discourse

24 structural/structuring view topological view

view of layering see also: view of transformation / formal view / system view
A. Shulgin (1997/P100)

tectonic view code view view of mathematics view of informatics

(2002/K16) simulated spaces (VR) free sounds open spaces (2003/K12) (for interior spaces) (DM) With the technicization of the aesthetic and view of signs (1) American military machine (1987) (1989/J28) VR journey in a caravan with situative the increasing spread of technical reproduction data space student crushed power theories (P. Virilio) (2002/K240) feeds (P. dAgostino) (1995/P114) information spaces the view of informatics is media, the history of media flows into a history (R. Ascott) (1993/P08) by tank in triangular navigation the world of protocols power discourse (with Foucault) Bernard Cache (1990/II-K36) the first "totally electronic distributed throughout of mathematicization (cf. Kittler) Tian-An-Men Platz (Ccile Le Prado) Objectile (2003/P93) and formats organizational theory war" (P. Virilio) (1996/P35) data space placemaking cyberspace several sectors (1996/P190) (1997/K347) discourse of institutional criticism Pixelspaces Mixed Reality: overlapping (A. Lamorlette) obsession with structure (1984/K188) acoustic cultural manager debate the data space with the programming languages (Virilio) ... I reject the notion of the (Franke) discovery of (Eric Loyer) (1999/P40) illusionary spaces space simulation systems live stage (MF) word as a model. This is the reason mathematical precision obscuring previously practiced (game rules of art) as art question (2003) see also: view of destruction Online-Location (Ruth Schnell) (1989) for my departure from semantics, in art Liquid Space (1999/K433) uses and impacts of new conversion problems (Olia Lialina) A colossal change of power has see also: energetic view expanded (Joshua Davis) performative concepts of semiotics and semiology. (W. Jauk, H. Ranzenbacher) technologies (1999/K403) been taking place recently see also: historical view digital poetry image spaces (DM) space (Dietmar Offenhuber) (2001/P42) CODE diary (1998/II-K219) the semioticization (AH) (1994/K206) (Howard Rheingold) America as (Waltraut Cooper) (Virilio) we now notice the the code is in the translation media coup d'etat (DM) The approach to the pictorial electronic space public images and empire of technology (1986/K330) Ubiquity(omnipresence) (AH) space artists of the interface (1996/K355) (Jocelyn Robert) does not lead through the cardinal paths CODE (1989/K142) (Robert Adrian X) another source of power is the convergence (Arthur Kroker) images of power (P. Weibel) ubiquitous computer (1999/P60) eGovernment of semiotics or hermeneutics ... report on project from 1981 of all other media into a single digital (1990/II-K264) (T. Munzner, S. Levy) CODE = ART electronic colonialism eDemocracy (2004) basic modalities of space medium (1994/K209) (DM) Computer: its formalism works with The meaning of CODE (symposium) differential topology (1988/K247) simulating the respective from locality to dislocalization (AH) members of the electronic aspects of digital space number strings, not with signs, which is why (1995/P164) (2003/F10) (W. Negbenebor) the battle over the form of concentrations of power through new exhibition situation(spaces) master race non-locality (AH) code breaker (on Kittler) (Woody Vasulka, David Dunn) it would be wrong to call the computer a military as motor/source For the average African, the networks has begun technologies (2002/K25) (Jeffrey Shaw) ascii art (1996/K36) corporate connections negated "semiotic machine" ... (1990/II-K265,K271) of electronic developments globalization is just a transcending (1994/K213) (Saskia Sassen) bar code as interface (1990/II-K320) (2003/K227) (2002/K373/P48) space (A. DUrbano) diagrammatic analysis (DG) Transferred to human brainware ... (?) Bar code hotel synonym for neospace (Perry Hoberman) (Josh On) (1994/II-K46) (AH) from hegemony Carnivore as communication, of power structures sphericalCAVE: the new military information (Perry Hoberman) colonialism. interspatial proximity Bar Code fractal geometry fractals public domain technology, power (A.R. Galloway) domed projection space SPIN the sound of mathematics to plurality complex with its cyberarsenal (1994/II-K54) (2002/K1204) (K. Becker, W. Zinggl) (AH) from totality to Improvisation, Sport & (Mesias Maiguashca) variation of the (Lucien Sfez) view from an networks can only be (1979/K26) the sound of chaos conveying an (1995/K25) (Virilo) (times up) (1993/K205) (1996/K219) particularity Evolution (Jon Rose) (1990/K-I-79) Tamas Walicky developed Transponder (PV) infamous (1995/K398) airship fought with networks (B. Steritberg, K. Balzer) injunction against web site Chaos & Order incredible (2000/K302) (1996/K94) alternative perspective electronic handcuffs FBI-SW DCS1000 (Hiroo Iwata) (1990/K-I-35) CAVE outside (2003/P75) (etoy) the theme of the fractals was "exploited" Object-oriented hypertext systems Ground Truth (1999/J431) RoboCup the structure of the Internet sense of space systems (program to convey (2002/K358) (A.R. Galloway) (2001/F32/P107) USA for the first (E.M. Haas, L.A. Bernhard) by P. Weibel in Graz in 1989, among others (Indesen, Krohn) (Robin Bargar, Insook Choi) (2000/F37) The battle for the control of code CAVE protocol and counter-protocol Universal Product Teleklettergarten (F.O.K) media theory other spatial experiences) (ML) (2002/P030) time (1996/J15) (in collaboration with the ars electronica Linz) Cracker is a battle for freedom slacker luddites (A. Galloway, Eugene Thacker) digitale coding Code (Barcode) (Mario Purkathofer) (2003/K384) pop theory / pop-theoret. discourse virtual space communicated through media world rogues (2003/K42) (Howard Rheingold) Visualization of (critical art ensemble) (2003/K60) The World of Numbers Every medium is (always) Hacktivism flying High & Low discourse (Mixed-Reality-Architektur) superpower (1999/K217) (AH) due to the inclusion of the body (1995/K142) (1999/J300) architecture projects (Golan Levin) Infowar (1998) already rooted in overestimation of the digital digital art an event chaos of art, technoculture discourse publication of Cyber-Terrorist (PV) cyberclasm practiced by interactive systems, the in the CAVE (2003/P42) information grammar of space use of virtual spaces for power (DM) (with Flusser, Weibel, ...) ... "turning everything into pixels" science, magic (1996/K259) strict separation between sports, games cultural studies discourse secret keys high-tech wars GPS as supplement to (1986/KII-135) (PW) text presentation superiority and art is becoming blurred Power and marginality fashion discourse / retro discourses three-dimensionally localized Global Information 24! Matrix Installation Digital "image"? Art will prove itself a All print media have been Information War (Virilio 1998!) in cyberspace sound in virtual reality hedonism debate Information.Macht.Krieg (1998) Live Cam Dominance (PV) (M. Aschauer, (1998/II-K47) force far beyond the paradigmatic digitally produced for years E-Sport (Saskia Sassen) "pop fears" of the (Blanchard u.a.) (1990/II-K190) genetic New Subjectivism debate N. Pfaffenbichler, Case study 309 Information blockage establishing paths of information in threshold of the digital. (UR) without any essential changes Digital Sport (1995/K186) the power of Suck my code, ars organizers (and The topic now seems to be covered by the Art University due to (1991) Gulf War programs Lotte Schreiber) fun debate in relation to in the (re-) production of Cyber-Athletics (Tammy Knipp) war zones in former Yugoslavia General! Prix jury members) the DOM Institute. suggested cooperation: DOM, ArchitekturForum, media agencies the first "totally electronic war" (2003/K398) (1998/K216) command and (DM) the location of sound ontology of the event images (2001/K215) (Mailbox: Bionic in Zerberus) The cyberspaces of (1996/K189) AEC, ars => arsARCH + (Paul Virilio) (1991/P06) Genetische control has long been (Rena Tangens) of the musical, is the Tangible CODE (symposium) REUTERS (1995/K297) pop culture building on sociology (Bourdieu) (Mauss) finance, for instance, Telezone: An architecture competition-oriented perfect example of simulation Algorithmen a weak point of performative SDS3 Small Dish Satellite technology (2001/K18)(right) (2003/F12) Control Society (1995/K61) New Subjectivism are the spaces where for net architecture computer games overestimation of chance (J. Baudrillard) DJ-Culture (90er) see also: view of playing (1999/K29) centralized, (for receiving data) (1997/K343) Towards a Society of Control? generative approaches (1990/K-I-59) (Iannis Xenakis) music box for profit is produced and (futurelab) (1999/K362) privatism debate mathematicization of (2001/K215) and entropy (1993/P22) (M. Tolson) MS hate page electrolobby (2) (1997/F43) architecture project realized hierarchical Musicians who use computers are offers for currency traders prize-winners came from the (c. Jerez, J. Iges) (O.L. Tremetzberger) (2003/K54) cover versions (2003/K227) power is founded. (Ken Goldberg) architectonic space (C. J. Mutter) world of games E-Sport: in game software (A. Jalsovec, structures. (2001/K192) generally theoretical cripples, especially (Steve Mann) (1997/K218) non-university area for the first time (linking structure) Firewall correspondences between (1995/K186) (E. Berger, V. Christian, Cyberpunk (1994/K11) film about a formula (1995/P90) Gaming goes P. Reichart, G. Rossbacher) in terms of ideas of mathematics, revealing the tools of the Digital Culture (1999/K371) (MESO) the development of music high-speed surveillance P. Purgathofer) (2000/P36) (Steve Mann) (newest direction of (Thorsten Fleisch) generative art (1998/II-K84) Firewall and Colophony Circuit Pro (2001/F14) physics and acoustics. freestyle secret services (A.R. Galloway) & Lifestyle and mathematics superhighways (1999/J420) (1997/P94) micro-videokamera (PV) virtual tour of planned science fiction literature) (2003/P154) Information Frontier (Electric Indigo, virtual architecture (PW) structures of (AH) virtual worlds and hypertext rock mass by (Tina Cassani, (Iannis Xenakis) (1997/K144/K217) architecture (Elisa Rose, Gary Danner) Mia Zabelka) Generative Tools generativity program (DG) Separations into categories of serious (1994/K08) highlight the labyrinthine character Eela Craig (1978) sound systems (1998/II-K71) an essential tool in the Bruno Beusch) (1990/K-I-74) (1990/II-K251) (1989/K124) (2003/K336) Darwinism and entertainment or high and low culture lead (Involving Systems, public spaces under surveillance of the world and the texts (1979/K02) information war consists of corrupting Can software (2003/K345) (1996/K180,K210) architectonic storytelling parametrimizable art/design (Peter Weibel) to an unproductive dead end // MESO) Screen savers (2003/K227) Symposium (London) information invisible surveillance technique itself be art? Chipkarte im AEC (1994/K147) (Herman Verkerk) Housetool (1997) 386x cyberpunk rock band (1990/II-K13) complexity and quality can be found electronic Emergency Broadcast (1999/F24) (Lynn Hershman) (light dome) (Marie Sester) Code: there are no ambiguities, (2001/K375) (Monotonik) Youth Marketing (2003/K13) (1996/J15) demolition variations (Alexej Shulgin) (2003/K337) in every area Dont panic! Hack it! pop culture surveillance techniques architects losing ground in the Network (Robert Deacon) (2003/F41/P120) multi-user sculpture: smart card dynamic architecture no hidden meanings (2003/K36) Beta Lounge (2000/K348) (2001/K193) It seems that we always include a relation (MEGO) (1998/K49) (1998/II-K157) shadow of image-engineers (1996/K316) surveillance, voyeurism installation (2001/K308) (electronic Intelligent / Ambient Techno Techno and to an even greater or relationship in talking about media or First traces of important developments in Disco Man Intrusion (Julia Scher) (2001/K281) (M. Shamiyeh) crypto-controversies surveillance stage technology (underground resistance, Station Rose, extent Rave parties enable (2002/P165) (Simon Penny) It should not go unmentioned (ESCAPE*spHERE) live music) means (DM) Contracts with HW and SW Information.Macht.Krieg (essays) informatics in conjunction with the ars (1979/K31) Kraftwerk Unplugged? Detection getting around the error that the top-down paradigm with its centralization encryption methods from the installations (2) direct experience. One feels United Frequencies of Trance) sponsors have consequences for (1998/II-Knn) 1-2 years before the software became Disco takes over (1993/K265) correction system of a CD of power is the logical continuation of the cyber pop (Station Rose) walls papered with pop field the rhythm, hears the noise, (1994/II-K126) globalization discourse the independent scene ("the (J. Arqilla & D. Ronfeldt, G.J. Stein, S. Weiguang, available (in Austria). (1979/K32) systems of unlimited surveillance (Yasunao Tone) panoptical model. the structure of the means (as relation) (DM) high-resolution sees the lights ... large institution is already being W. Jincheng, I.N. Panarin, G. Schfbnker, M. Wilson, liberalism discourse "Disk", "Dub","Digital" all the way In Concert open source (Rtzer) In addition, traditional dualisms like instruments and software screens (1999/II-K13) using "Augmented (Melita Zajc) sponsored ...") C.H. Gray, Ute Bernhardt, M. Geyer, B. Richard, (2003/K225) to "Diffusion" jockeys (1999/K380) (DJ Spooky) economy as discourse (Foucault) master/slave, general/soldier, boss/ from the pop field tapeziert sind Reality" (to enhance sensory (1995/K68) M DeLanda, J. doyne Farmer, M. Mller & W. Wagner, office design code art code poetry extreme scratching (2003/F23) (game rules of art) music, video and games culture (PV) mass worker ... are repeated and reinforced. Interface design (cf. below) (1995/K26) (Gates) perception) the soldier becomes P. Virilio, E. Schmiederer, Kunda Dixit, D. Rushkoff, disco culture as Art Deco code art minimal code techno-culture de- and reconstruction of (1996/K194) cyber-capitalism a roaming command center G. Lovink, P. Riemens, RTMARK, R. Adrian, P. Garrin, (1979/32) Typodesign (cf. below) deep antipathy music cuts (Involving Systems) Laurie Anderson (1996/K212) Aural Screenshots T. Druckrey, F. Kittler) post-symbolic (1995/K384) (1998/II-K25) VR systems for towards Exercising power in an installation (D. Rokeby) Cybersquatting (2003/P66) (Fadi Dorninger) discovery of the show as electronics popularization electrotecture online catalogue (Rossbacher) communication simulation and training purposes popular I found out that the user's feeling of being able to (Domain Spekulation) Micro-DJ lectures pop culture building on artificial (1995/K365) CyberWar, NetWar, knowledge war, info-tech, of art (1979/K20) an absolute art form (1999/K403) (1994/K80) (Jaron Lanier) culture (Kodwo Eshun) villains simulated exercise power grew, as soon as I reduced the number electronic technologyr PsyOps, popular information war, robot soldiers, Tele-buyers (PV) (1990/II-K186) communication and entertainment The paranoid rationality of the (2000/ (boombox) (2000/K354) of the dimensions of interaction. (2000/F19) see also: view of as mail traffic remote electronic control battle systems (REC), Telekiosking architecture (1989/K125) Gulf Massacre (Les Levidow) including Ambient, DJ-Culture, Tronic Artcore Event P194) Telebanking und (LAN) designing gestures robotic war, net war techniques (PV) The control music video for Fuckhead (1995/P160) (1994/K139) as medium (Station Rose) (1995/K80) cf. (2003) Drum & Bass, Techno, .... (K. Becker, J. Hennrich, Teleshopping (1998/II-K) cybernetic war, information war (1998/II-K15) electronically society predicted (Violet Suk, Martin Koch) (1994/K61) (Elisa Rose, Gary Danner) Electronic Orientalism Performance software for (1999/K371) M. Retschitzegger, B2B-trade (2002/K49) (1994/K07) (1998/K42) induced blindness and paralysis by Deleuze Architecture as the art of the Point of Sale Digital-Arabesque-Lightshow Leo Schatzl) High-Tech Barbarism see also: view of clothing Festival A/V-Collision (2003/Graz) visualizing any musical AfroElectro-Genres virtual department see also: next millennium? (1998/II-K157) Point of Information Deleuze: smooth & striated (fold & discrete units) / (wars, weapons, media devoted to the relationship of digital money parameters (1995/K388) (2002/K116) view of unboundedness (1994/K35) stores (2) information technology (Lynn Hershman) Teleshopping wave and particle / field and particle / analog and digital visuals and music (MESO) TRON-House: completely (Bernhard Vief) Subtronic 96 Bugrace99 (Stadtwerkstatt) Body scanned architecture Why is virtual reality always view of atmospheres as weapon (1996/J18) HipHop Worldwide webmall track & phase possibilities of achieving (1995/P120) (Fritz Fitzke, Pan Sonic, Sofa 23, Leader function among CyberCash Subbass, Subharmonics, computerized house (1999/K339) sport event (1998/II-K230) (Venedig 1995) imagined in terms of space, light view Art Com Electronic Network (2002/F022) Tina Frank (with Mego)) continuous income as a festival events electronic wallet Subculture, Substance, (1994/K131) 1 Jul. 95: appointment of media ownership in cyberspace when time is the only remaining Interactive Home (Ruth Schnell, Gideon May, view of change ACEN (1986) (1989/K129/K131) Inter-disciplinarity Instead of the disco ball: computer (2003/P12) (1997/K176) Subsonic, Subversive media design group virtual pop star Raymond (Project 1988-1993) artist Gerfried Stocker as managing (Randal Walser) Systems Constanze Ruhm) real commodity? (1994/K190) transformation view virtual shopping street from digital thinking graphics, high-tech Inter-media (1996/K318) (F. Dorninger) Kurzweil TRON hyperintelligent building director of the AEC Betriebsgesellschaft (1990/II-K208) B2B 21,000 works electronic shopping economic takeover to field theory (Itsuo Sakane) animations view of The future of Austria Inter-activity (1994/K134) system architecture (1996/J15) C2B soap performance submitted Design office for digital staging view of hypermedia mall (1997/K370) ars electronica living in the year 2019 (1999/J83) information architecture administration Inter-net B2C (Van Gogh TV) E-commerce The future of cyberspace Dotcom mania 1.75 mill. Euro and interaction (MESO) liquification (portable) container studay Subtronic organization (1984/K281) (1999/K398) the digital city is a form in the cross-hairs of the Hotel Pompino television to play along New economy wild frontier versus prize money (filling the gap between electronic (1998/P102) (R. Strickland) overhead VJ(Jutta Schmiederer) (Jungk, Franke, Schwendter, (RTMark) of public space Online shopping sniper's camera (MF) Neither reductive abstraction nor Direct television democracy view of hyperreal property ownership (2003/Q14) increasing the intelligence of museum of the future AEC design, technology and games) projections et al. architecture Zemanek) Cybermoney (1995/K182) computer kitsch tele shopping (2) system (C. McGrail) (Bruce Sterling) (Paul Garrin) decypherable symbolism "apply to" or (1990/I-K159) the artificial environment (PW) domicile generator state AEC (2001/F36) (D. Rokeby) translate the phenomenon of "interactivity", (1990/II-K228)(1999/J114) (1994/K06) future research Container projects: DMCA Digital Millenium "discrete" art works festival culture administration (Walczak, Wattenberg, penetration of the media into (1997/K97/K258) i.e. a mutual inter-relation of man and (Virilio) I wonder whether there is not an (1986) Container-City implanting artificial intelligence Feinberg) (2001/K288) Copyright Act (2001/K212) through microtechnology urban space (1994/K157) access conditions to technically exhibition institutions micro-electronics for human beings machine in the field of the stage that can imperialism of time. What happened recently in the environment "Ponton" see also: process view producer from Hamburg C3 Center Budapest Copy protection and digital complex media machines GPS, GSM and field book/PDA (1984/K371) be seen and/or tactilly experienced. with the trading program during the Wall control for Symposium Intelligent Building Theories of the public sphere (2001/K299) rights management political view Ulli A. Rtzel (first Ars) endophysics emerged from the house as site of New-style conference for the V2 Lab Rotterdam Street stockmarket crash, reveals an bridge lighting DigiCash game industry (1989/Karlsruhe) (with V. Flusser) (1989/J12) view of action (FF) For artists it has not been easy to chaos theory intermedia activity (PW) art history digital generation (2001/K192) (2001/K299) Worlds Within (K. Dudesek, Van Gogh TV) license piracy (2001/K25) AEC: ... once again, (MESO) (D. Chaum) acceleration of the transactions that no longer as multi-billion buildings were previously inanimate Media Lab Helsinki gain access to modern networks, which (Otto Rssler) (1992/K09,K56) (1994/K16) of the Net (DH) view of art theory Multi-User-Domain a public Napster field concepts something has been created (1995/P86) take place in the time of the stockmarket dollar market machines (1994/K17) (1997/K153) electronic fields are reserved primarily for the military, the (1999/J244) cyberarchitecture traders, but rather in that of the machines. electronic place (1996/K376) (Andrew M. McKenzie) that is unparalleled throughout AEC as digital (2001/K19) Concept for the ZKM Karlsruhe (John Warnock) Thesaurus on media art (Oliver Grau) banks and industrial corporations. Event City, Pandora's .... Disaster of every general interactivity. (1990/K-I-105) the world event view II decided in 1988 media center symposium "Architecture & standard software (post-doctorate with Th. Macho) SIGGRAPH USA (DG) that first changed with the WWW the "digital city" as a Box art history studies Nanotechnology (1986) a discarded 386 as begging (PV) The function of the street and the chainletter Intelligent Ambients (1996/J58) (Franke) (experience view) (Klotz as founding director) (1996/J41) electron. Media" (1994/II-08) (2003/F11) (1989/J203) response to the impending (Hou Hanru) street musician marketplace has now been assumed by education cultural history studies 1968 world expo in London: (1989/J194) "field models" of movement, (Hadid, Irie, Toyo Ito, Klonarides, commercialization of the Net suggesting ideas Gwangju curator (transmediale) (Alexei Shulgin) screens and electronic displays (R. Schmidt) Nano-Technology media history Ars Electronica became established world wide as Cyberspace is not Cybernetic Serendipity for Computer intelligent design (Zec) Koder, Prix, Sakamura, Lainer) occupying space, communication Peer to peer connections (1995/K181) the invention of VisiCalc (2002/K325) feasibility assessment for Ars themes (1997/P80) a third independent forum among the major events Disneyland (Amy Bruckman) and the Arts (Initiative from Max Bense) psychology of the collection and energy (Ursula Damm, Michael (Napster & Gnutella) electronically The World from Inside (1992) (for MAC) created the first crime as SIGGRAPH and Imagina (1994/P10) (1995/K138) in 1976 Cedric Price ART+COM Berlin (1989/J16) Hoch) (1999/K359) (2000/P08) philosophy/theory of collecting reacting Imagina (France) real market for PCs entertainment binary notations Nano-Computer (1999/K414) (Stocker) REUTERS already designed the project (founded 1988) bypass solutions pavilion memory discourse (1994/K210) living map Digital effects (in film), themselves on a digital (1992/K08) 20 years of ars electronica (AH) Interactive media art is difficult to (1995/K298) s.l. Computer/Software trade fairs AEC was set Symposium "Generator", in which the (1989/J195) ISEA Int. Symp on Electronic Art (1989/K218) Information technologies currently memory theories analog: atmospheric, field-oriented up-to-date facts presented artistically (2002/P119) architecture would naturally be a reason assign to the conventional categories SDS3 Small Dish Satellite up with building constantly changes for providing ideas AEC conception Map of the market (Regina Cornwell) still prevail by rather unimaginatively (S. Wilson) "end of history" discourse (see left) (1994/K150) for an archeology of the of art studies (for receiving data) ... the extremely questionable hope funding according to the wishes of (M. Wattenberg, Joon Yu) Authors for Endo/Nano: R. Abraham, following the guidelines of classic (1989/T) founding of the Zentrum fr Kunst und (1998/P106) (M. Plottegg) artistic development Why are there hardly any scholarly a separate classification should be history of philosophy offers for currency traders that art earning money in technology amounting to the users (1994/K30) (1999/P54) (AH) In all considerations, the question H. Atmanspacher, John L. Casti, M. Conrad, capitalism to the detriment of ETH-Zrich Medientechnologie Karlsruhe Ma sense of space ( .... Why not works on computer art in Austria? developed (Heinrich Klotz) matters can soon pay its own way museum studies 180 Mill ATS ATR Advanced Telecomunication arises about assigning interactive media D. Finkelstein, D.D. Hoffman, L. Lfgren, social-state ideas ASL Architectural (1990/T) founding of the Kunsthoschule fr Medien Cologne About the influence of new media the world of the interstice implemented ?) Research Institute (Kyote) (Stocker) (1996/J52) (1996/P16) printing buildings art to the category of "art" or of "game" J. Parisi, Gordon Pask, R. Rosen, (1996/J54) (Stocker) Space Laboratory (1992/T) Multimediale 1 at ZKM CAAD computer aided and information technologies on (Derrick de Kerckhove) see also: view of clothing supported by the Japanese gov't., tearing down boundaries between (Province (Oliver Fritz) CAD CAM CIM / "entertainment". K. Svozil, I. Tsuda, S. Garfinkel, (1994/K145) the problem of the lack of architectural design design (Peter Zec) (1990) style eras of technology see also: view of playing the uncertainty of the separate art institutions and 30%, federal NTT, Sony, Panasonic, et al. (2003/K285) Andreas K.E. Drexler, Jane E. Frommer (03.1992/T) project ideas for AUO (AEC proposal digital design historical distance (DH) (1994/K144) (1979/K31) categories (1979/K03) gov't. 10%) (workplace: Christa Sommerer, see also: theater view and identity view up-to-date (1989/J33) Broeckmann (DG) Why OR and not AND ? from Leopoldseder, ORF director) diagrammatical (Kay Friedrichs) CAVE-cavern recruiting agency Since about 2000, the design of the Laurent Mignonneau) art history as technical the medium as building (art historian, using fields for musical instruments (07.1992/T) AEC project study commissioned to ART+COM Computer art looks back on decades of Computer aided design has already had a architecture (1994/K177) (P. Kogler, (AH) Interactive media art for artists car body has depended significantly Experience-Designer (1996/J121) material (1994/K58) (AH) Interactive media art is "obviously" (?) history, or rather a history of the (09.1996/T) AEC opening (in competition with ZKM) history, first music, then in graphics, in animation media theoretician) significant impact on product design F. Pomassl) economy of as "entertainment pieces ? (Irational) on software. (2001/K20) event culture point of fun Research areas: Human Interface, (AH) In 1952 Ben F. Lapowsky first mentioned still not a recognized part of the art historical (1998/P20) use of technology the possible future of and in other artistic fields. (1989/J16) (1999/K367) attention (1999/K401) Speech Recognition, Voice Recognition, graphical images generated from the interaction canon V2_Organisation Art occupying territory in the domains of technology (1997/T) Opening of the Media Art Museum (see supplementary observations) architecture (M. Fujihata, experimental Entertainment-Architekten Info/Edu-tainment Will all arts be transformed into design in the "Cloud of Sound" since (1996/K230) Speech Translation, Radio Optics, between a cathode ray oscillograph and a and its fields of business (?) (2001/K19) at ZKM KeiIchi Irie) (1994/K121) (PV) With this kind of mutable (2001/K281) (M. Shamiyeh) (2001/K295) entertainment age of information technology? (Zec) the first Ars (1979) Virtual Reality cathode ray tube wall (opaque wall screen), the poetically subverting Google (AH) The question arises for Klotz of whether interactive (cars and built objects as the new sculptures?) Magnet-TV electronic Strategies of Intertainment outside can be turned into the advertising mechanisms submissions and proportion of prize-winners Interactive Media Festival (Los Angeles) Entertainment media art is not appropriating categories of performing art, art for everyone (Nam June Paik) (Steve Mann) (1997/K219) entertainment (Ranzenbacher) (2001/K258) inside and the inside into the (2003/P54)(C. Bruno) social prize money thus becoming an "indigestible mixtum compositum" for in the festival program Biennale artifices (Saint-Denis) What distinguishes the AEC as "Museum of the "Clouds of Sound" comprehensive symposium Abstraction now (2003 Vienna) Questioning the concept of the PlayZone computers (1989/K87) (H. Hrtner) (2001/K294) outside How should works be included that can entertainment the trained art historian ... Future" from an advertising camp of the Media Passage (ICC Tokio) (as celebration culture) (PV) In France 700 000 (Norbert Pfaffenbichler) intelligent environment (from the Millenium Dome the gravity of buildings whereas electricity effects a integrated in clothing (Land Design Studio) no longer be run? (HW, operating system) Sommerer was (2003/P36) computer and IT industry? Biennales of Kwangju, Lyon, Nagoya Even for someone who has been a households can state event culture (2001/K221) Ars = "Art" - was meant in Linz from the (R. Lainer, E. Bannwart, Saskia perspective of surveillance): concentration, electronics leads to Only accompanying/contemporaneous Artist in Residence neo-constructivism Habbo Hotel (DG) 30 years behind in education? (1996/P22) (Stocker) (Stahl Stenslie) apartment as palace of memory member of the jury for the Prix for some their interest in a product instead of "intelligent rooms", instead of Sassen, J. Meister, E. Lopezart of the environment, like a dispersion beginning, but has not retained its art research is practicable and feasible (DG) at ICC for one year (1989/J40) Bodytainment (2001/K289) (Walczak et al.) event design time, the Ars Electronica still holds an from a commercial "intelligent floors", intelligent ceilings", On-air design and set Galiacho, T. Groothuizen) ICC: InterCommunication Center Design Noir sculptural architecture ... (1994/K77) celebration culture character at all (1989/J180) NeoGeo (2000/K216) inherent secret: ... how it invariably (SW: Open TV) intelligent toiletts", "intelligent the secret life of (Otto Piene) (1980/K96) experience engineering (MEGO, Involving Systems) projection (TV Studio) (editor of ART) Media history instead of art history? online (FF) The age of representation is followed, as manages to find and attract the main earth rays electron rays (media highway) lightswitches", H.I concentrates on (MEGO, Involving System) Banff Center for the Arts (Canada) electronic objects Radio art as advertising and Only "OK" as reaction Paul Virilio says, by that of "presentation". from document to event (2001) large-scale projections protagonists year after year, the initiators (1984) (R. Kriesche) the concept of the intelligent human the age of the historical blindness of the (Fiona Raby) NeoGeo (1986-90) self-historicization attempts the brief physical presence Initital AEC team: E. Berger, S. Brandstetter, fine art? user profiling The aesthetics of communication does not aim to as "wallpaper" of what is new, who are always a step (1989/K137) being. (HK) for a media possibilities for ubiquitous (2003/K273) Technical history instead of art history? electronic arts of architecture (1994/K143) V. Cizkovsky, D. Dobesberger, L. Dobusch, MIT image databases (1989/K278) create objects, it does not work on concrete forms, ahead ... (1996/J71) (Roy Ascott) Takeover (Symposion) advertising is affirmative gesamtkunstwerk deriving continuous computer (1994/K132) electrolobby (3) application history (G. Schmitt, F. Wenz, Kurmann) Container City on the Internet M. Falkinger, O. Frommel, D. Haider, (1997/F51) it addresses "space-time". ORF media database It is obvious from art Engineers of Experience Live sound portrait (ML) technical history of and experiments with income as a media If advertising designers apply showroom for digital culture raster microscopes crossing through V2_ Rotterdam C3 Budapest W. Hartmann, H. Hrtner, E. Kapeller, (AH) A history of the "image for constructing (G. Mnich) (M. Schulthess) the development of new AEC ars electronica database Whos go to it right? of a city (1989/K304) mankind in theater desires design group (Roy Ascott) (1995/P20) A change from the art of representation & lifestyle (2001/F13) nuclear landscapes memetic technologies on a large J. Kern, W. Modera, C. Mutter, D. Offenhuber, view of context-driven event worlds" (Weibel) (1997/P98) technologies, from TV Der Boom von Edu- und (Bill Fontana) and performance zu erzielen to a culture of the manifestation holds multiple shifts: E-brand (1992/K80) scale, which possible influence is C@C (Computer Aided Curating) M. Pointner, C. Schneebauer, P. Schber, Harappa Indus-Kultur influence of the advertising that one of the main goals re-presentation Infotainment, Visitor- und reception negotiation (orientation to action), Web entertainment strategies of Spam Soundwalking left to an artist? T. Weber, G. Stocker, u.a. (Eva Grubinger) (1995/K245) (AH) According to Weibel, media art as a whole is closely linked (Omar Khan) industry in the development field disturbances and data turbulences is to intensify experience. Brandexperience representation construction, hermeneutics heuristics, tunnel vision agency (Moccu) Repetition of city as acoustic (1996/K133) seduction (AH) outside conventional institutional with the new telecommunication media: like the analog techniques of (1997/P90) of digital film production (Kirk A. Woolford) (1995/P134) (2001/F09) bird's-eye view, content context, object process, survey immersion, (2001/K197) disco culture (Melita Zajc) environment Toywar campaign art history? reasons for situating media institutions in frameworks photo and film, media art goes through several phases: the material, Material for the birth of a new art theory (1995/K68) Manhattan Timeformations figure/ground pattern, iconicity bionicity(cf. embodiedness), nature the climate for art reflects the climate (1989/K308) (2000/K359) as Art Deco the vicinity of industrial locations or larger acoustic-electronic ceremony physical, machinic phase of overcoming temporal and spatial distance, stage design for largedirection in art: Interactive Art morphology electronic curators (Joshua Davis) (2001/F36) artificial life, certainty contingency, dissolution evolution, of the city (1989/J07) (Hildegard (etoy) (1979/32) (singing pool) (Stadtwerkstatt) followed by the wireless, immaterial, bodiless phase of electronic sounds informatics institutions scale presentations Gallery bitforms (1989/K87) (PW) The analysis of types of activity Takeover II (symposium) computer as tool digital environment, observed reality institutional criticism discourse cf.: view of art studies Westerkamp) and images - of video art and performance, for example - and then the "media stage design" (2003/K218) (Steve Sacks) confirms this central view/direction (DG) (1997/F021) Net.Shop as constructed reality, paranoia telenoia, autonomous brain distributed Digital culture & lifestyle in action: curators debate sound city? role of the ars electronica AEC department: productive intersections of phase of digitalization, which makes the tendency to immaterialization multimedia (Rtzer) (HK): ...Making technology acceptable to a broad (MEGO, Involving Systems) framed software art /vs/ framework for the participation consciousness, behavior of forms forms of behavior featuring electrolobby residents entertainment, design, gaming, material debate (1979/K25) fr die Stadt Linz habitat & even more radical. public. This is best done by imbuing High Tech with the city stage unframed software art of young media artists in the ars Here Ascott summarizes a "performative turn" (see left) (2001/F08) Open Source, E- and M-business (AH) Should the philosophy of difference urban planning aura of art or culture, thus demonstrating the TRANSIMS in the last 3 yrs., (1994/K141) (see the left half of this study) Rhizome (1999/K398) stimulating environment, (2001/K192) concept of art be Icontown permanent self-exhibition compatibility of "two cultures". This is naturally rhizomatics a team around C. Barrett developed (ART+COM) Atlas Linz analysis of the (1997/K12) (2001/P68) Lifestyle (2001/K20) dayclubbing, informal abandoned? (virtual city) (Jennifer Ringley) (see below) linked with economic interests. Interface as landscape (D. Rokeby) an electronic replica of the city of being exhibited with media soundscape (1998/K120) Social Entertainment Where is the new place of art? archive of critical writing media conference, (Malina 1990) (2000/F22) valleys, in which users tend to gather promotional Youth Marketing Albuquerque (investigating WEB-CAM, homepage, TV-container, ... (Bordoni, Marchesin, Paci Dal) Environment (2001/K205) "Is fine art at an end?" on media art networked showroom The fundamental question arises as to (well-worn paths with optimized (AH) "crisis of the picture" in terms of its interactions (MEGO) traffic patterns) Streetscape (Iori Nakai) (1997/P06) (P. Virilo) (Mark Tribe, Alex Galloway) the global (2001/K192) (1999/F08) Symposium ars electronica 79-99 (2002/K265) pushing the The world's first global art gallery for the meaningfulness of an "exhibition design" operations) (1996/K141) center for capability for representation (2003/K417/P114) (1999/P144) village entertainment electronics: (R. Ascott, E. Bannwart, H.W. Franke, W. Haupt, envelope of the fashion show electronic art (Ed Stastny) (1995/P72) for this kind of "electronic centre for visualization projects electronic art Archive former (1997/F09) Use of historical practically no collectors H. Leopoldseder, O. Piene, I. Sakane, Christine games, playing devices, How do you exhibit something within computer media" (R. Verbizh) (Sharif Waked) Virtual Galleries / (1979/K01) (Leopoldseder) propaganda museum A Celebration for Linz: graphical models as basis mediatization of cities Digital City (G. Lovink) of digital art Schpf, G. Stocker, P. Weibel) The Encyclopedia of Clamps the exhibition framework of a festival (1996/J79) wireless devices, ... (G. Legrady) (1994/ (Rachel de Boer, Isabella for a complex film museums as entertainment Electronic Galleries 3D-visualization of (Edouard Bannwart) Digital cities or "Freenets" (2004) (Robin Clark) (2002/F12) (1997/P142) (Barminski, Lewin, Hesketh) that doesn't even need an exhibition P126) Bordoni, M. Brandt, Gordon W., (Alain Escalle) !! collection of Internet films manufacturing plants (1994/K138) (Internet, CD-ROM, TV ...) (1995/K180) (1994 Amsterdam) Multimedia fashion show Designed major exhibitions, incl. at all? (2000/K322) (openX-setting) Huge Harry, R. Lozano-Hemmer, (MEGO, Involving Systems) multimedia city (electronic galleries on the Internet) XS4all Server (Hacktic Group) communication and entertainment navigation aids Playzone in the Milleniumdome a club's collection of music (1997/P24) M. Huutajat, P. ttl, C.M. Silva, (future lab) (visionaries & the dispossessed (CD-ROM)) (1989/K126) digital archiving Art Com Electronic Network Internet exhibitions Renga linked image samples Project group networked city AEC must not ... only see itself A.Wortzel, DJ Riot, DJ Willi, exodus from the city (Before the Sound of the Beep, concept exhibition on (Station Rose) ACEN (1986) (1989/K129) (since 1992: Toshihiro Anzai, TRON computer city ArtBase from Rhizome & (TH Darmstadt) as supplier and gallery M. Janssen, D. Kousbroek International City Digital Archive (1996/J101) the answering machines of 20 galleries in Paris) art historians have only been In the past, art museums were repositories art galleries on the Net (Elisa Rose, Gary Danner) storing documents with electronic exhibition space Rieko Nakamura) (1994/K136) Variable Media Initiative The Happiness (1995/K61) (1996/P22) (Stocker) (Berlin) the ideal (user contributions) emulators (2001/K340) (mailorder catalogue as exhibition - folder, Internet) dealing with artifacts for for artifacts. This cannot make sense of the Guggenheim Machine The use of computer graphics and Digital City Linz city on the Internet (George Legrady) the digital city model 1000 masterpieces comfortably buying art (Kulisch, exhibition conception 30 years when the artwork involves experiences space.art an electronic (2001/K345) (1990/P09) animation in conventional industry films (digital possibilities (1995/K254) (2003/F38/P108) Obereder, Pichler, Rakuschan, Wid, et al.) (walk-in screen bunker) using MiniCave and contexts. It is absurd to exhibit museum virtual interactive from Hollywood and for leisure parks thus Computer City experience (1998/II-K230) of communication: (1994/139) Takeover (Symposium) (television gallery 1000 masterpieces) Video monitoring service code collections (2003) CD-ROMs in a museum - one does not go 3D CAVE installation urban development project (2004) not only popularizes computer animation, at least as symposium (1994/K93) architecture city administration and Digital Alexandria From Document to Event Artanalyser Infoscreen for barcode catalogue to electronic exhibitions most North American broadcasters to an exhibit of books to read books. (A. Benjamin Spaeth) but also provides a maximum demonstration (Ken Sakamura) (2002/K330) citizens) (Janko) a multimedia city center What will remain? selected art works navigate image discs deleted many news broadcasts (R. Malina) (1995/P31) (2003/K431) experimental gallery exhibition design of its possibilities. (PW) (1992/P42) the museum as a (1994/K131) (P. Maresch) (1996/J29) (1994/K141) Museum of the Future AEC (2001/F09) (2001/K266) design of the PRIX exhibitions recorded between 1981-88 (1992/KII-06) The Electronic Gallery Linz as city of technology (1995/P74) (Fareed Armaly) (1994/II-K50) laboratory Terminal Art Electronic Pool virtual city how to exhibit web sites (Frank Ogden) (art laboratory: Max Kossatz, Oskar Obereder, (1996/J29) (Stephanie Cunningham) (1986 opening "La Villette") In this aesthetic of emergence, the Insectinspector tool for electronic museums multiuser media environment deterritorialized (Jrgen Klaus) how to exhibit software (1995/K101) F.E. Rakuschan, Franz Xaver) (1995/K271) (1986/K322) surface image provides nothing more synthetic exhibition conservation of digital art inspection and display (Expo CH 2002) "meta-city" (PV) (1986/K291) (Gerda Lampalzer, Gerwald Rockenschaub, "old" media (material) /vs/ Symposium: what holds the city together porting, migrating, than a site of penetration into deepter (1993/P37) (David Haxton) (Johannes Deutsch) (2001/K346) the first museum of all (2001/K266) (MEGO, Involving Systems) telematic sculputure Gottfried Bechtold, Hans Weigand, Heinz "new" media (transient) surfing on electronic surfaces layers of meaning or being. Too many artists or galleries or museums taking part in converting, reimplementing Tokyo as media landscape genres (ZKM) maintaining HW and architecture in a simulated urban planning workbench (R. Kriesche) (1994/P120) Reisinger, Helmut Mark, Helmut Stadlmann, 15 years of Ars Electronica (CD ROM) (1995/P19) (R. Ascott) the PRIX merely placed their portfolios on the homepage, or (1994/K70) (Mark C. Taylor) city (Toyo Ito) (1994/K84) fashion scene in Afrika operating system at the The Virtual Museum (Underkoffler, Chak, Helmut Weber, Herbert Schager, Hilus, fragrance input (Station Rose) (1994/201) performative approach! video as lowest they uploaded works to the web that normally hang on the Museum as designing the simcity (Oumou Sy) same time (1992/K105) (Jeffrey Shaw) digital signature Pangaro, Alonso, Hubert Matt, H.R. Fricker, Jrg Meister, (1979/K26) Hypermedia Lexicon wall (1996/P38) ... The result of this is no more the perspectives of common denominator entertainment (2002/K92) replica of each current digital watermark Archiv fr den KEO-Satelliten Fielding-Piper, Kit Blake, Konrad Becker, Kurt Hentschlger, urban memories list of electronic tools than an art catalogue. But a catalogue fragrance theater the city (1996/J15) (2001/K366) cyber city flight situation (Landesgalerie) (Jean-Marc Philippe) (1999/P28) Santos) Kurt Kren, Leo Schatzl, Literatur und Medien, (1994/K155) is not art. (department stores) sniffman 32 fragrance channels electronic artists' museums (A. Hirsch) robot ecosystem (L.-P. Demers, B. Vorn) virtual Berlin DB for eternity (2001/ Online exhibition CODeDOC I & II Margarete Jahrmann, Martyn Berger, Mathias mobile system (for Internet Art Com Electronic Network urban investigations the over-exposed city parasites, scavengers, swarms, ... (1996/P126) (ART+COM) from the flipbook to the 4 uncensored pages K259) Art Com Electronic Network (John F. Simon, Annja Krautgasser, Rainer Mandl, Fuchs, Matta Wagnest, Max Moswitzer, presentations, games, wellness, ACEN (1986) (1989/K132) (1998/P28) (knowbotic (1994/K94) (P. Virilio) (1994/II-K95) artificial/electronic noses museum on the air The law of the libraries: per participant ACEN (1986) (1989/K130) epidemiC, Joan Leandre, Jaromil, Ed Burton, Michael Huber, Muki Pakesch, Norbert fragrance cinema) (AH) from the object-oriented Machine stand-alone applications research) Tokyo 1997 (Toshio Iwai) curators and libraries mostly Electronic Library Antoine Schmtt) Pfaffenbichler, Pepi ttl, Peter Fend, Peter (2004 Landesmuseum) image theories Matrix to the context-oriented phase (as work concept) Pool Prozessing the access ritual of teleinformatics The New City (1994/K249) leave out what is most (Electronic Publishing) Kogler, Peter Sandbichler, Rainer Ganahl, The major exhibition Immateriaux junk with (see: context study) (Fortner Anderson, Robert Edgar, morphology The Imaginary Library Criteria: best experimental/ now replaces that of the portal see also air space activities (1994/K181) available. Ruth Schnell, Sabine Bitter, Stoph Sauter, (1985), inspired by Lyotard, developed controlling James Johnson, Judy Malloy, (Heiko Idensen) (Mathias Krohn) experiencable gallery (1995/P46) (1994/K97) computer visualization studies and atmospheric design (1996/K257) The other way International Concept Tassilo Blittersdorf, Tin, Tristan Thnnissen, from the design discussion about Firefly music database // devices (Mark Malmberg) (1993/P64) Stephen Moore, Sonya Rapoport, (1990/K-I-131) (WaxWeb, Digital Art Endeavors) pictorial turn (discourse) around with the Internet? (DG) Ringo music database (1995) Design Competition for between the nodes U Phi, Udo Wid, Van Gogh TV, You Never Know, installation art in the "new materials". (1988/K84) computer performance (AH) connecting (1998/P215) mixing two- and threeJoe Rosen, Henry See, Fred Truck, diagrammatic turn (discourse) Advanced Information and data packets Zelko Wiener PRIX exhibition at the OK single (similarity profiles) (P. Maes, M. Metral) (1995/P64) (Gordon Monahan) dimensional procedures (1997/F45) Reading Room Paul Zelevansky) immaterialization material character City (1986/87) manifesto of tactilism (F. Rtzer) digitalized (Betty Spackman, Anja material effect (virtual) (J.-F. Lyotard) (AH) What distinguishes the virtual cathode ray tube video sculptures (1994/K181) program and (AH) immateriality instead of material (1994/K108) types of dispay (supplement to projection): museum holdings robotic sculptural systems Westerfrlke) aesthetic of the painterly (AH) medium instead of thing museum is that its form and content (Nam June Paik) sculptures work concept display, Cave, HMD (head mounted display), machinery of information furniture the acoustic (Michael Tolson) electronic memories are always changing and are not (1982/K102) (AH) living memory (1989/K196) immateriality (AH) The visible computer wall of building, monitor, projection wall, (Istvan Kantor) secrets of the (1993/P18) game console as basis (1994/157) determined. new work concepts: software as material electronic sculptures expanded museum water wall vibrating crates (2000/K290/P94) the materiality of new media city (1996/K288) of projection (2002/F043) net museum media art work (Alan Rath) (Alfred Jan) And yet we are torn between these effects, installation ! Obeying gravity in use of junk metal (R. Paci Dal) (Chris Dodge) (1997/K272) (Y. Suzuki, N. Morita) Video-Disc (1982/T) first digital audio 5-inch CD because they indicate a new aesthetic, which media works (1998/P200) virtual space; hardware archaeology (cf. Contained) Kinetic visual sculpture boring show of (2002/P106) dematerialization of art (AH) virtual and (1985/T) Standard for CD-ROM no longer operates mimetically or materially, (P. Bosch, Simone Simons) elastic collision artware (1997/K307) (Vasulka) (1992) imitation images Klettergarten (1979/K32) imaginary museums (1987/T) Digital audio tape DAT but instead originates purely from imagination. (program laws) Dematerialization of art multi-colored motion sculpture performative installations (Idensen, Krohn) (Mario Purkathofer) CD-ROM (1993/T) Digital HDTV spatial sculptures (Kinetik) (1996/P35) (Lischka) (Akke Wagenaar, Bob OKane) (Lucy Lippard) pixel impressionis (M. Brandt) cyber-museum (ML) the work concept is (PV) A paradoxical logic of images (1996/T) DVD player on the market electronic (1979/K37) disappearance performative media installations (1992/K173) programming languages as (A. Nemeczek) (1990/P19) (1994/K82) deconstructed with the help of media (1998/P220) begins now with the invention of video, (1997/T) founding of MP3.com installation based (PW) viable architecture: incomprehensible materiality recording media of material material with very special Soa(pOp)era for data processing and holography (2003/K228) stop thinking only in materials manifestations The digitalization of art turns the properties (2003/K180) (AH) reaktive sculptures Standstill of the development machine sculptures Labtop-Computer computer as material (Casey Reas) (1994/K15) (Rus Gant) Centerdisc 54.000 images art work into a transient object and exemplified by image categories: virtuality (see below) technical material battle (PV) In domotics, wall pictures on radio remoteeliminates the fundamental for dematerialized images/projections on an image disc (1982/K45/K84) machine installations imitation, micro- and macro-cosm, are replaced by the wall monitor, Btx, Videotex controlled vehicles dimension of corporeality battle against the slavery Information as new hardware transformation psyche and philosophy, computer first prototype of multimedia SW!! by the screen in the opaque sense. (Hovagimyan, P. Sinclair) fewer "machine builders" and material properties of certain (1996/K205) (DM) As functions they designate something Btx gallery (1986/K310) (2003/K228) of gravity (Joe Davis) "material" (see below) craft ( eye-catcher ) visual computer large installation makers in the displays or camera chips (Simon Penny) immaterial, but a materiality is required for their Potentials of digital (1990/P20) (1982/K42) unitM User Sensitive electronic image (vs) course of training CAVE: virtual reality may be criteria: the most sophisticated device execution, which simultaneously limits them in photography ? JPEG, GIF, TIFF, PNG, SVG, DXF Information Architecture digital image (SH) laser-optic image disc best defined as a wide-screen less perfect art ... (1995/P46) their possibilities. monitor installations Physically-Based (HK) It is just one pixel next to (2001/K325) digital art (1982/K47/K84) depiction of computer-generated, (PW) (1993/P52) Dirt finally another. That has an entirely different as an indication of (also see access conditions) SPIN (Spherical playable (1992/K127) (Michael Bielicky) Modelling floor display multisensory information quality from layers of paint homogeneously reached the computer in 1992 Projection Interface) machines projection design possibilities computer art computer graphics digital copy art following a user in real time. (... fuzzy logic, ambivalence and superimposed. Magnetofluid Sculpture (Matt Heckert) walk-in monitors/scanner - image traces The Art of CODE Levine (a pioneer of video art) (1979/K05) performance (times up)(2000/K302) (F. Nake) (Daniel J. Sandin) (1996/J84) (1999/P70) (J. Blank, K.H. Jeron) fractal geometry ...) ... departure (reaction to noise from the environment) (1997/K311) has always called himself a (Symposium) (1998/K255) (T. Oursler) from the seduction of the surface, (Sachiko Kodama, Minako Takeno) (1997/P200) "media sculptor" (2003/F10) repetition of art history view of photography INFLATABLES (granular & synthesis) Visualizations image databases performative deformation from the clarity that actually (2003/K424) Variable objects as micromodels of CODE Exhibition on Xenakis: Pneus, flying sculptures Netzhaut concept for the facade of of information surfaces corresponds to the consumerism possible architectures (2003/F29) technical drawing (Marius Watz, (1980/K29) Conventional computer art is physical representation and (1984/T) Sony presents a granulated (musical) parts can be the AEC (C. Mller, J. Sauter) (Cornelia Unger) (2000/P188) of commodity aesthetics. (1996/K426) (H. Gsllpointner, (AH) the communicaton artist apparatuses M. Wattenberg, generally the most conservative, manipulation of digital gigantic video screen with material display folded together in a new way (1994/II-K91) C. Mller) (1997/K300) Gerda Palmetshofer, as "sculptor of information" on the grammar of objects the dullest, most non-innovative information (1997/K201) the JumboTRON "Trash Mirror" (Daniel Rozin) Anonymous Muttering typewriter graphics traveling through 3D spaces made of inflatable puppets M. Subotnick, (Fred Forest) art form of the 80's. (Constanze Ruhm) (Graz 1993) (2003/K223) s.r. (knowbotic research) (1997/P132) (1979/K41) video projections (C. M. Silva) Visual Codes Workshop (1989/K337) (Brian Reffin Smith) Shared Physical Objects Eidophor color TV projector image synthesis Justin Manor, "Wooden Mirror" (2000) (1999/P68) (Perry Hoberman) (1989/K336) (1989/K209) (J. Shaw) For the first time, a computer(Matt Gorbet, Magie Orth) Sue Costabile, (Joshua Davis) large project. (H. Ishii) (2001/K255) (1979/K36) (1980/K11) (1989/K106) 3 versions of a furnished space. SW: paint box (1986/K13) animated fur was able to convey (1997/K280) triangular objects can Lia) (Bill Viola) genetic images (2003/F38) Huge & Mobile (no boundary between Each version is monitored by a real/virtual Material-Display synthesis images (AH) a realistic tactile feeling. be combined (each with a separate (Ryoji Ikeda) (1993/K401) input and output) Internet garbage disposal (12 fax machines) (Jim Campbell) Can image and diagram camera and combined into one video image "Trash Mirror" (Daniel Rozin) variability, combinatorics, aleatorics computer-generated images (Karl Sims) ! (Ryoji Ikeda) (2002/P116/P122) (Pete Docter) identity) (Sue Costabile) (1998/P84) stereo-lithographic in paper form junk mail, spam, ... research effect a drive? (2003/K223) tactile interfaces (Otomo Yoshihide) music visualization models (light-hardened drawing machines algorithmic image algorithmic projection techniques (nowhere.com / Nick Philip) (DM) Seeing something as art of projection techniques Computer Aided Design car design as a new field of (2001/F20) panorama images (2003/K228) In tele-rendering, both (2003/K260) (Sommerer) plastic - laser exposure (1999/P48) image has always also (1979/K42) art? sculptural design. (former PRIX category) (Romy Achituv) (2000/K401) components of computer3D CAM/CAD) meant seeing the mediality Picture Processing Methoden Steam Screen object design using CAD Auto-Illustrator shadows in simulation Use of software for car and tactile Videograms: photocopies (2002/P94) (Crispin Jones) gestural shadow plays graphical image generation, (Ayre Wachsmuth) (1993/K292) of the medium too. interactive image (1979/K17) Real-time 3D(1982/K46) (2001/F32) (Ade Ward) (2001/K259) photorealistic representations Ideas, not pixels! architectural objects. The electronic image as transition of the interface directly from video beam model and renderer, are (M. Jahrmann) (2003) 360-degree recording techniques (2001/K246) (2002/P73) data-object computer graphics manipulation technical image from the indexical to the separated. (SH) (Aldo Tambellinie) (1989/K221) Design goes virtual (Zec) (1999/P92) (Sommerer, Mignonneau) and 360-degree projections Shadow Dream (Herbert Schager) (M. Jahrmann) laser image projection (1989/K209) (former PRIX) interaktive video panorama interactive. It becomes a sensitive field, laser-sintering (Timothy Binkley) touching images from a window (M. Belge, R. Harrington) (Franke) possibility of (spatially) (1984,87,88,96,2000) (1982/K113) (1982/K35) (J. Shaw) see also: Tangible Interface (Luc Courchesne) (2002/F45/P92) a hyper-image. (SH) multimedia sculptress Cladnyian (1992/K130) Computer graphics were ultimately (1996/K416) (1986/K75) unlimited (virtual) image spaces (1997/K120) (Catherine IKAM) (FF) The aesthetics of communication does not aim to sound figures "making" painting & music three-dimensional (Scott Sona Snibbe) sensor-controlled panoramas from the characterized by being active without (Gerhard Funk) physically tangible interface circular panorama cinema of the composed diagram-forming produce objects, it does not work on forms, (1979/K36) (1997/P130) painting (1993/P18) (1996/K414) video projection 19th century (2001/K340) the influence of any theoretical multi-projection movement images (Hiroshi Ishii, Christa Sommerer) Science Center (AH) (AH) In 1952 Ben F. Lapowsky (Laposky) color-form interplay considerations (H.W. Franke) (1989/J37) procedures it addresses "space-time". (see above) (Char Davies) (1989/K195) (Carbaret Voltaire) Omnimax-Cinema (70's) (AH) The motto "art and life" is transformed used an analog computer and an visual music (1979/K10) Analog/digital hybrids tactile feedback through (Ruth Schnell) image-defining procedures ... hardly "suitable for art" (AH) EVE Extended Virtual Environment: (1986/K96) (2001/F31) Electron. into the motto "art and technology" today. oscillograph with a cathode tube for the first MIDI-controlled instruments for (1977) active vibration floor robot-aided dome projection QTVR Panorama-Film in various research fields butterflies time in the USA to compose his image generation controlling rebuilt (1992/K91) (2001/P102) (Gerhard Eckl) instant projection / The role of computers in special projection Relationale (Jeffrey Shaw) "hidden panorama" graphical music graphical improvisation abstract (Sanjin Jukic) (1998/K111) (Haruki Nishijima) self-organization Electronic Abstraction. (Michael Saup) (1979/K10/K22) TV sets (1979/K10) (Garry Hill) Transgenic Art immediate replay studying life and other spaces Architecture re-introduction of the picture frame (as (AH) The virtual is currently in image scenes (1979/K10) interactive animal (1992/K246) (AH) artificial worlds video synthesizer (1979/K31) complex systems (1993/K35) (Constanze Ruhm, (R. Lozano-Hemmer) movable window) the "painting phase", not yet the (1979/K11) modelling life evolution homosexualities Artificial Life abstract color-form Dual Colorizer (1973) from plotting to (Artificial Reality) (Nam June Paik, Shuya Abe) swarm behavior Peter Sandbichler) (1997/K337) photography phase. (Boissier) (Karl Sims) (B. Bagemihl) (Christopher G. Langton) (1992/K89) image & sound terrarium hypermates and biology of cognition compositions (1979/K10) interactive graphics (1979/K10) (Eric Siegel) (1992/K84) (1997/K356/P112) (T. Iwai, R. Sakamoto) (1994/K07) (1994/II-K42) (1998/P88) (1997/K313) (CAVE) Bio Art (1992/K132) (1993/K119) (1992/K38) (Maturana, Varela) (2000/K103) (1993/K25) (Vasulka, Siegel) (Stadtwerkstatt) (1984/K134) (H.W. Franke) VIDIUM (Bill Hearn) (1968) (1992/K87) Music Plays Images x Images postbiological life (2002/F003/P073) Fotosafari ins Land des Krieges (Eduardo Kac) growth models for morphogenetic cellular automata, evolution, genetic art (1984/K385) Play Music (Peter Weibel) (M. Benayoun, J-B. Barrire) (2001/K125) LifeScience-Symposium (1999/K14) Processing (2003/K201): Casey Reas, (Valie Export) drawing on the screen studies (Yoichiro Kawaguchi) (1989/J22) genetic algorithms, adaptation, previously no VR programs media terrarium (cricket) (1990/II-K14) (AH) The oscillograms by H. W. Franke (1956) were followed in 1960 by EMS Videosizer artifical life sun painting genetic art biotelematics Ben Fry, Amit Pitaru, Carlos Rocha, Birgit Richard, J. Rifkin, R. Lanza, Z. Chen, (1986,88,92,93,96) (Richard Greene) wetware yet that contain rainbows the first computer graphics (Kurt Alsleben, W. Fetter), which were created Hernado Barragan, Golan Levin, Lia, electronic paint box (1979/K10/49) (Hoenig) (1979/K09) artificial life (1) M. Specter, Lori B. Andrews, D.J. Kevles, sheep music concert (1990/P200) (1992/K13) redesigning since 1965 using a digital computer in Germany (Frieder Nake, Georg (AH) charged relationship between transgenic the future Bio Art (2) (1979/K10) interaktive plant growing Marius Watz, Schoenerwissen, Juha P. Virilio, D. de Kerckhove, D.H. Hamer, (H. Christiansen) (1993/K) (2000/K391) butterfly wings Nees), and the USA (Michael Noll, Kenneth C. Knowlton, B. Julesz). replica and own life, artificial and art (E. Kac) interactive graphics systems of evolution zoosystemic physical ambient Solar Music (Joe Jones) (1988/K259) (Christa Sommerer, Mignonneau) Interactive Poetic Huuskonen (2003/K210) H. Gottweis, B. Latour, R.V. Anuradha, (1988/K256) (Marta de Menezes) natural world (Crista Sommerer, (1999/K296) Symposium "Artificial Life" (1993/K105) (1996/K26) of nature (1982/K65) (1989/K99) (1993/K408) (Shirley Shor) (2003/F31) Eugene Thacker, M. DeLanda, G. cognition theory (2003/K202) LeCielEstBleu, The Demoscene rainbow and water clouds Garden (D. Small, (2000/260) (Kevin Kelly, Ken Karakotsios, T.S. Ray, Laurent Mignonneau) ecological zones of Schfbnker, V. Flusser, G. Gessert, Sky events: Puppet Tool Kuda.org (K. Lukic, Z. Pantetic, Branka Curcic) mice destroying the network (1972) (1986/K299) evolution theory T. White) P. Prusinkiewicz, K. Sims, L. Yeager, electronic fountain art has lost its traditional monopoly Leaves (reacting piles (1996/K294) Genetic Manipulator bio-robots dependency (2002/K349) Dorothy Nelkin, C. Tonderai Mundede, (AH) synergetic interaction (Weibel) environmental art (LeCielEstBleu) (C. Ebener, U. Winters) techno-ecology natural science weather data from F. Dietrich) (1989/K193) (S. Pevnick) in image production (PW) of leaves) (A. Elsenaar) (2000/K393) Life Spacies II E. Kac, G. Von Hagens, K. Stefansson, (works that react to changes in the environment) as event. (2003/K241/P073) (1998/P86) artificial clouds all over the world Symposium "Gene Technology" (1993/K131) art of the environment, like ecological sculpture, (1991/K207) (1994/P100) A-Volve sound meadow (1987/K104) bio-informatics K. Ammann simulated Reaching for the (1980/K26) simulated nature (C. Henrich) Nerve Garden (1998/P40) bio-cybernetic research Christian Brnner, Reinhard Lw, Lothar Mller, Helmut Ruis, art of natural elements and SKY ART ... environmental art (Christina Kubisch) (1999/K25) plants as interface organic surface regulation (Gail Wight) stars becomes a growth (1995/P80) (Bruce Damer) (SymioticA) Horst Seidler, J. Voggenhuber, Ernst Wagner, Erwin F. Wagner) (Otto Piene) (1980/K96) Fluid Sound (1988) (Karpfen-Becken) (touching the leaves) Operated by Art (2) environmental with the morphogenesis model (1999/K315) cf. weather building physical gesture (Oron Catts, Stuart Bunt) flash-triggering sculpture sound climate converter (2002/K382) digital growth the body as pure Sonare Technologien harmony of the spheres (unplugged Symposion) (Yoichiro Kawaguchi) (1986/II-151) (1980/K23) (1982/K58) sky harp (Stadtwerkstatt) (1988) The greatest weakness of the Memesis (2001/K144) (W. Jauk, H. Ranzenbacher) (1995/P118) (P. Grucza) information (1999/K27) (Liz Phillips) (1989/K98) (Joe Davis) (1982/K41) interactive sound installation (1990/K-I-07) (R. Maedel) art as field work of ecological (1989/K260) (1992/P114) (Kristi Allik, R. Mulder) Genetic Images Statement lies in its awkward (1988/K199) (1989/J153) radio souncscape (Sensors for localizing fish) thinking, art at its limits (David Dunn) (Gene Genies Worldwide) (Carl Sims / 1991) biological analogies (1996/K30) Wetware (W. Maass) (2001/K153) Technosphere (1989/K267) (Warren Burt) simulated clouds Telegarden floral kitsch (Liz Philips) CAN: Computer Aided Nature (Reck) (2002/F10) Solar Music (1999/K335) see also: material view landscape simulation (R. Hawkes u.a.) and air currents interaction between a computer-controlled simulated (1991/K195) (Ken Goldberg) (Hou Hanru, Peter Fend, (Joe Jones) aesthetics and fabulous epistemology (dECOi) (2003/P102) earthquake (1997/P76) robot and gerbil (Nicholas water currents and Bugrace99 (Stadtwerkstatt) (1996/K297) Mark Napier, Azza ElHassen) greenhouse of artificial life (Louis Bec) (S. Spiegel) (1995/K305) sky art view of the blue planet (1997/P70) Antarctica idea Negroponte / 1968) wave movements (1999/K339) sport event (1989/J56) (1993/K172) applied zoosemiotics the logic of the snake communication with with the aid of VRML technique (Project Taos) and reality virtual creatures evolution and growth (C. Sommer, (sound installation) small creatures (1996/P94) (M. Pesce) sky art conference (1980/K06/K23) (Louis Bec) water machines (1986/K381) genetic algorithms fractal boxes Is genius migrating to creatures (D. Harada) (1993/K345) (Peter Kogler) L. Mignonneau, L. Bec, K. Sims, aspects of the original (Erik Samakh) (Yasushi & Hiroshi Matoba) permutational art illuminated zones of the earth zoosystematicians sky and sea (Christoph Steffner) (1982/K33/K67) (1992/P48) (Karl Sims) (Jenifer Bacon, Joe Takai) (Otto Piene) the computer? (1993/K346) Berndt Lintermann) landscape in video sculpture (1991/K199) (1999/K339) (1996/P96) (M. Fujihata) Institute of Paranaturalist Research (1992/K165) (1991/K156) (Jrgen Claus) (1982/K75) (1989/K326) (Joan Brassil)

sound-space installation Is there a place in cyberspace? (Bernhard Leitner) (John Perry Barlow) (1982/K159) (1995/K130) video images represented spatially the seeing ear along a GPS track (Masaki Fujihata) Sound space motion system Location(1993/K254) !!! (F. Paschke) (2001/K74) GPS based games (2002/P38) space simulator geographical (itsalive) (1982/K213) issues

structuralism (discourse) semiotics, semiotics criticism symbol theories of knowledge field theories topological psychology formal sciences diagrammatics / mapping chaos theory fractal geometry chromosome studies
technicization and mathematicization belong together (DM)

Form Art (James McCartney)

position recognition

(2003/F11) Composer; author of the object oriented synthesis language "SuperColider"

see: AI view tool view

Who writes the codex of cyberspace ?

23 power-theoretical view battle view

2003

Prize-Winners in the Music Section - Computer Music 1987: Peter Gabriel, Jean-Claude Risset, Marc Andre Dalbavie, Richard Teitelbaum 1988: Denis Smalley, Barbara Zawadzka, Trevor Wishart 1988 Honorary Mention (all sections) : Paul Codsi, John Fekner, Enrique Fontanilles, Rainer Ganahl, Franz W. Kluge, Jerzy Kular & Isabelle Foucher, Larry Malone, Achim Ster, Tamas Walicky, Hiromi Watanabe Jeff Brice, Jeremy Gardiner, Irene Hohenbchler, Stefan Holtel, Johann Jascha, Laszlo Kiss, George Legrady, Massimo Ontani, Norbert Speicher, Roman Tomaschitz, Mark Wilson, Thomas Wittmer Javier Alvarez, Martin Fischer, Mathias Fischer-Diskau, Udo Hanten, Adelhart Roidinger, Alejandro Vinao, Mia Zabelka 1989: Kaija Saariaho, Francois Bayle, Alejandro Vinao, Tisma Vojin, Michael McNabb, Haimo Wisser, Viola Kramer, W. Mitterer, Wolfgang Heiniger, Gerald Trimmel, D. Teruggi 1990: Karlheinz Stockhausen, Jonathan Harvey, Ake Parmerud, Zorah Mari Bauer 1991: no competition 1992: Alejandro Vinao, Francis Dhomont, Wolfgang Mitterer, Kristi Allik, Phillip K. Bimstein, Lszl Dubrovay, David E. Jones, Elsa Justel, Catalina Peralta-Caceres, Michael Rosas Cobian, Stphan Roy, Wayne Siegel, Denis Smalley, Peter M. Vaughan 1993: Bernard Parmegiani, Javier Alvarez, Jonty Harrison, David Chesworth, Francis Dhomont, Roberto Doati, Pscal Gaigne, Jens Hedman & Erik Mikael Karlsson, J. Lejeune, Andrew Lewis, Cort Lippe, Adrian Moore, R. Normandeau, M. Rosas-Cobian, Kaja Saariaho 1994: Ludger Brmmer, Ake Parmerud, Jonathan Impett, Patrick Ascione, Jean-Francois Cavro, Akemi Ishijima, Paul Koonce, Mesias Maiguashca, Juliet Kiri Palmer, Michel Redolfi, Michael Vaughan, Alejandro Vinao, Frances White 1995: Trevor Wishart, Flo Menezes, Gilles Gobeil, Javier Alvarez, Patrick Ascione, Ron Averill, Christian Calon, Agostino Di Scipio, Stephan Dunkelman, Rolf Enstrm, Elizabeth Hoffman, Erik Mikael Karlsson, Cort Lippe, Jack Tamul 1996: Robert Normandeau, James Dashow, R. Renouard Larvire, F. Boschetto, C. Brown, Kui Dong, Jonty Harrison, Matt Heckert, Gordon Monahan, Gordon Monro, S. Montague, M. Redolfi, J. ter Veldhuis, Alejandro Vinao 1997: Matt Heckert, Maryanne Amacher, Jonty Harrison, Patrick Ascione, Christian Calon, Luigi Ceccarelli, Ambrose Field, Annie Gosfield, Joseph Hyde, Charles Kriel, Ake Parmerud, Laetitia Sonami, Mario Verandi, Mark Wingate, John Young, 1998: Peter Bosch & Simone Simons, Aquiles Pantaleao, Hans Tutschku, Natasha Barrett, Bret Battey, David Behrman, Luigi Ceccarelli, Ambrose Field, Joshua Fineberg, Joseph Hyde, Gordon Monahan, Adrian J. Moore, Magie Payne, Joran Rudi, Hildegard Westerkamp, G.H. Hovagimyan & Peter Sinclair 1999: Aphex Twin Richard D. James, Mego: Christian Fennesz & Peter Rehberger, Ikue Mori, Stefan Betke, Paul DeMarinis, Rose Dodd & Stephen Connolly, John Duncan & Francisco Lpez, Bernhard Gnter, Richard Hawtin, Zbigniew Karkowski & Masami Akita, Andi Toma & Jan S. Werner, Terre Thaemlitz,Thomas McIntosh & Emmanuel Madan, Gaetan Collet & Noelle Collet & Claude Pailliot, Ralf L. Wehowsky 2000: Carsten Nicolai, Russell Haswell & Sean Booth & Rob Brown, Chris Watson, Maryanne Amacher, Dat Politics, Kevin Drumm, Mark Fell & Mat Steel, Ryoji Ikeda, Andrew Daniel & M.C. Schmidt, Kaffe Matthews, Martin Brandlmayr & Stefan Nemth & John Norman, Marcus Schmickler, Yasunao Tone, Uli Troyer, Erik Wiegand 2001: bLectum from bLechdom, Ryoji Ikeda, Markus Popp, Ted Apel, Aeron Bergman & Alejandra Salinas, Richard Chartier, Louis Duford, Orm Finnendahl, John Hudak, kid606, J Lesser, Mille Plateaux, Pan sonic, Janek Schaefer, Tigerbeat6 2002: Yasunao Tone, Aeron Bergman & Alejandra Salinas, Curtis Roads, Anticon, Iancu Dumitrescu, Ana-Maria Avram, PXP, Goodiepal, Russell Haswell, Francisco Lopez, Raz Mesinai, Romulo Del Castillo & Joshua Kay, Marina Rosenfeld, Mika Taanila, Carl Michael Von Hausswolff, Stephan Wittwer 2003: Ami Yoshida & Sachiko M & Utah Kawasaki, Florian Hecker, Maja Solveig Kjelstrup Ratkje, Oren Ambarchi, Whitehouse, Kevin Drumm, Rudolf Eb.er, Phill Niblock, Yuko Nexus 6, Gert-Jan Prins, Rechenzentrum, Tujiko Noriko, Toshiya Tsunoda, Aaron Funk & Rachael Kozak, Mark Wastell & Toshimaru Nakamura & Taku Sugimoto & Tetuzi Akiyama

Prize Winners Computer Graphics 1987: Brian Reffin Smith, Jrgen Lit Fischer, Melissa White 1988: David Sherwin, Peter Kogler, Andy Kopra u. Anerkennungen s.l. 1989: Tams Waliczky, Charles Csuri, Kenneth Snelson, Atsushi Satoh, William Latham, Micha Riss, Cliff Pickover, Pierce & Merrill, Richard Voss, Bayele & Mck, Wennberg & Pcheur, A. Pagowski, P. Reinartz, M. North 1990: Manfred Mohr, Charles A. Csuri, Bill Davison, Achim Stsser, Char Davies, Daniel Pirofsky, Andreas Henrich, Don P. Miller, A. Scott Howe, Yoshiyuki Abe, Mike North, Joseph Nechvatal, Sandra Filippucci, Stanislaw Sasak 1991: Bill Woodard, Yoshiyuki Abe, Arthur Schmidt, Victor Acevedo, John Adamczyk, Cornelia Halle & Cimdata-Arbeitsgruppe, John Hersey, Rdiger Hirt, Dick Ibach, Sui Morita, Patrizia Pio, Robert Martin, Tiziana Stanzani, Brian T. Sullan, Mike Zender 1992: Andrew Witkin & Michael Kass, Stewart McSherry, Mark Wilson, Yoshiyuki Abe, Jszef Bulls & Zsolt Krajcsik, Valie Export, William Latham, David Sherwin 1993: Michael Tolson, Char Davies, Thomas Bayrle, Jean-Francois Colonna, Scott Draves, David Haxton, Mogens Jacobsen, Laurens Lapr, Jolanta Makowska, Constanze Ruhm, Miroslav Stuchlik & Radim Vrska, Roman Verostko 1994: M. Joaquin Grey, Keith Cottingham, John Kahrs, Linda Dement, Pascal Dombis, Mogens Jacobsen, Ronaldo Kiel, Don MacKay, Stewart McSherry, Gavin Miller & Ned Greene, Anne Gabriele Wagner & Adelhard Roidinger

Video Art

Videonale 1986: Klaus vom Bruch, Valie Export, Yoichiro Kawaguchi, Bernd Kracke, Ulrike Rosenbach, Jane Veeder, Henry Jesionka, Inge Graf + ZYX, Z. Rybczinski, Bruce Nauman, Douglas Davis, Peter Campus, Shigeko Kubota, Richard Serra, Ant Farm, David Hall, Dara Birnbaum, Vito Acconci, Douglas Davis, General Idea, Ingo Gnter, Hans Weigand, Terry Fox, Douglas Hall, William Wegman, Bob Snyder, Friederike Pezhold, Shigeko Kubota, Marina Abramovic & Ulay, Bob Adrian X, Zelko Wiener, Maly Almy, Dan Reeves, Joan Logue, Marcel Odenbach, Klaus vom Bruch, Joan Jonas, Rupert Putz, Ed Emshwiller (1987) Ilse Gassinger, Gudrun Bielz, Romana Scheffknecht, Karl Kowanz, Manfred Neuwirth, Rainer Ganahl, Chris Althaler, Anna Steiniger, Hans Weigand, Ruth Schnell, Robert Wlfl & Lydia Lindner, Ilse Gassinger, Helmut Stadlmann, Inge Graf + ZYX, Rupert Putz, Karl Kowanz, Egon Bunne, Ingo Gnther, J.-F. Guiton, Dieter Kiessling, Axel Klepsch, Norbert Meissner, Bettina Gruber & Maria Vedder, Vidox, Alexander Hahn, Yello Dieter Meier, Claudio Prati, Lorenzo Bianda, Francesco Mariotti, Franziska Megert, Ren Pulfer, Eric Lanz, Marie Jos Brki, Hanspeter Ammann, Alan McCluskey, Gert de Graaf, Albert Wulffers, Antonio Segade, Jose Ramon Da Cruz, Paul Rodriguez, Javier Vadillo, Xavier Vilaverde, Javier Colis, Antonio Cano & Pedro Garhel, Maurizio Bonora, Giorgio Cattani, Ciancarlo Cauteruccio, Theo Eshetu, Crudelity Stoffe, Sanja Ivekovic & Dalibor Martinis, Simon Robertshaw, Tina Keane, Catherine Elwes, Marion Urch, Mike Stubbs, Graham Young, Jeremy Welsh, Stephen Littman, Clive Gillman, John Goff (1988) Nam June Paik, William Wegman, Peter Campus, Lynda Benglis, Juan Downey, Fitzgerald & Sanborn, Bill Viola, Davidson Gigliotti, Barbara Buckner, Dan Reeves, Woody Vasulka, Robert Ahsley, Joan Jonas, Doug Hall, Steve Fagain, Skip Sweeney, Sherry Millner, Gary Hill, Bruce Nauman (1989) Joan Brasil, Jason Gee & Brad Miller, Jill Scott, Tracey Moffatt, John Gillies, Peter Callas, D. Perry (1994) Bill Viola, Tom Kalin, Shelly Silver, Mica-TV, Leslie Thornton & Ron Vawter, Eder Santos, Jasna Hribernik, Michel Auder, Gary Hill, Therese Svoboda, John Goff, Eric M. Freedman, Diane Nerwen & Les Leveque, Paper Tiger TV, Max Almy & Teri Yarbrow, Steina & Woody Wasulka, Anna Steiniger, Bob Snyder, Van McElwee, Shelly Silver, Herman Verkerk, Sreco Dragan, Betty Spackman & Anja Westerfrlke, Tony Oursler, Branda Miller, Francesc Torres, Nany Buchanan, Edin Velez, Bruce Yonemoto, Stefaan Decostere

1998

22 view of pop culture athletic aspects

ars : architecture software

view of public appearances view of public space

ars: Surveillance Techniques

view of clothing II

ars: techno culture

21 economic view / production view

25 architectonic view container view

24 view of the field

view of the in-between (space) view of magnitude

financing view / costs view / sponsors view design view

view of interior architecture

view of the future

view of exhibition organizers curators' view

23 view of the organizing institution / manager's view

ars: wireless in public space

1994

1992

celebration view

art historical view

experience view

22 entertainment view

ars: who is behind the network

20 historical view

history of technology view

view of fashion / adornment

1994 ars: digital design

ars: a case for art history after 30 years

Literature: Euphorie digital? Aspekte der Wissensvermittlung in Kunst, Kultur und Technologie / Gemmerke Expanded Museum Kulturelle Erinnerung und virtuelle Realitten / Annette Hnnekens Museumsinformatik und Digitale Sammlung / Harald Krmer Kunstgeschichte digital / Ed. Hubertus Kohle Metamorphosen Gedchtnismedien im Computerzeitalter / Ed. Gtz-Lothar Darsow Echtzeit Text Archiv Simulation / Timo Skrandies Archivprozesse Die kommunikation der Aufbewahrung / Ed. H. Pompe, L. Scholz Unternehmen Capricorn Eine Expedition durch Museen / Ed. Christoph Steinbrenner Optische Medien Berliner Vorlesung 1999 / Friedrich Kittler Beitrge zu Kunst und Medientheorie / Ed. Hans Belting, Ulrich Schulze Medien-Welten Wirklichkeiten / Ed. Gianni Vattimo, Wolfgang Welsch Re-play Anfnge internationaler Medienkunst in sterreich / Ed. Sabine Breitwieser Perspektiven der Medienkunst / Neue Medien Neue Kriterien? / Das digitale Museum / Ed. H.P. Schwarz, J. Shaw Suchbilder Visuelle Kultur zw. Algoritmen und Archiven / Ed. Wolfgang Ernst, Ute Holl, et al. Digging th Net Materialien zu einer Gaschichte der Kunst im Netz (Beitrag) / H.D. Huber (DH) Lebendige Eriinerung expanded museum (essay) / Anette nnekens Recording Technology History / Steve Schoenherr Pioniere Interaktiver Kunst von 1970 bis heute Ske Dinkla

view of cities and regions

21 view of the (art) market view of advertising

art as surroundings art as spatial experience

19 view of representation view of the exhibition presentation view

art as field manifestation art as program art as mathematics

archive view

Literature: Visualizing the Semantic Web / Vladimir Geroimenko, Chaomei Chen The Media Pavilion Art and Architecture in the Age of Cyberspace / Austria Biennale di Venezia 1995 / Ed. Peter Weibel Medien Kunst Ausgabe 0 Juni 1991 The Art of the Exhibition (study) / G. Dirmoser

20 view of the collection museum view

art as questioning

view of storage media

ars: electronics in the exhibition context

1994 ars: digital city

art as event art as media event art as celebration

19 material view / olfactory view (smell) archeological view view of gravity

art as location factor art as point of reference art as workplace

18 view of the art work view of the installation product view object view

art as question of conservation

tactile haptic view

similarity and touch

2003

18 view of the picture view of framing

art as question of material

view of projection

electronic images

Literature: performative installation hnlichkeit und Berhrung / Georges Didi-Huberman Ins Universum der technischen Bilder / Vilm Flusser Fr eine Philosophie der Fotografie / Vilm Flusser Bilder Digital Computerknstler in Deutschland 1986 / Ed. Alex & Barbara Kempkens Vom Tafelbild zum globalen Datenraum neue Mglichkeiten der Bildproduktion und bildgebender Verfahren / Ed. Peter Weibel Article by Monika Fleischmann ! iconoclash beyond the image wars in science, religion and art / Ed. Bruno Latour, P. Weibel Ordnungen der Sichtbarkeit Fotografie in Wissenschaft, Kunst und Technologie / Ed. Peter Geimer Sehmaschinen und Bilderwelten / Ed. Bodo von Dewitz, Werner Nekes Zwischenbilder Zwischenrume Kopigraphische u. elektrographische Arbeiten sterreichischer Knstler / O. Landesgalerie Leonardo 2000 Kunst im Zeitalter des Computers / H.W. Franke Vom Readymade zum Cyberspace Kunst/ Medien Interferenzen / Dieter Daniels Intervalle 5 / Mimetische Differenzen. Der Spielraum der Medien zwischen Abbildung und Nachbildung Medienwerke aus sterreich 1992-93 / vorgestellt von Peter Weibel Das Bild als kommunikatives Medium / Klaus Sachs-Hombach (SH) Oliver Grau

Computer Graphics

art as prejudice art as hardware

1979

1993 1999

view of cognition artifical life view

1980/82

Literature: Vampyroteuthis Infernalis / Vilm Flusser, Louis Bec Earth Moves / Bernard Cache (diagrammatics) Der Baum der Erkenntnis / Maturana, Varela The Philosophy of Artificial Life / Margaret A. Boden Artificial Life: An Overview / Chr. Langton (Ed.)

art as natural wonder art as creation

view of nature

17 view of plants

17 view of animals

art as transmission

Because of the enormous speed at which (HK) superficial philosophy of hope cyber-philosophers "Home of the Brain" Literature: philosopher-artists media art has developed and spread in (Agentur Bilwet) mental edifice of the four Philosophien der neuen Technologien / Merve bourgeois concept of art recent years, it is urgently necessary to the blindness of polycontexturality (1990/II-K91) media scholars Flusser, Virilio, Minsky, philosophical and artistic And what is art about it? Cf. (art) historical view (1997/K383) (Ranzenbacher) resume and extend these fundamental Im Netz der Systeme / Merve view of art history (on: Gotthard Gnther) Weizenbaum (Monika Fleischmann) art history studies orientation of the Ars through (Beusch, Cassani) (1999/K417) New art theory discourses about a contemporary view of the philosophy of art Geist, Hirn und Wissenschaft / John R. Searle art theory multivalent logic (Wolfgang Strauss) P. Weibel (1996/J38) (Leopoldseder) media art theory. (Stocker) (2003/K13) Against idiocy in praise for the parasites necessary? In 1995 Hans Belting noted for the areas of The Renaissance Computer Knowledge (DM) Art without media would be as much philosophy (Peter Weibel) media theory as art theory The ARS has unfortunately contributed electronic art (against (F. Rtzer on M. Serres) video and installation: Art history, as the official Why should art and philosophy technology in the first age of print a contradicto in adjecto as a language (1990/II-K23) for a digital renaissance proposal for a analytical philosophy little to this over the years (DG) the imitation of existing (1993/K92) technomorphology (B. Mitterauer) chronical of meaningful activity, has not even intervene in the dynamics of without language. Ed. by Neil Rhodes, Jonathan Sawday of Situationism really "new physics" epistemology media theoreticians idiocies) (Friederike Pezold) computer viruses (1997/K18) architectonics become established here, we could say it has visualization? Because actuation can (1999/K418) It makes use of media, seeking to address, (1999/K236) a history of art media philosophy (1996/K428) Ins Universum der technischen Bilder / (Nick Herbert) (1990/K-I-126) postmodernism discourse not yet started to work through activities that (1990) sometimes lead to realization, because breaking down as a kind of exaggeration of the boundary, involving DNA (G. Gessert) (a transitional manifestation?) Belting's major project of a (H. Ranzenbacher) (1990/II-K39) Bazon Brock Vilm Flusser It is obvious that visual art's appropriation are meanwhile almost three decades old and nomadology discourse heterogenesis can degenerate into boundaries as its paradoxical figuration, a withdrawal, symposium preparation The more "art" we try to pack into "media history of art (1999/J161) (1999/J101) (1999/J376) of media art will no longer hold Medienphilosophie Beitrge zur Klrung eines philosophies of have indisputably taken place in the art scene. (PW) The new image technologies have deconstructivism discourse alienation, because the development of between individual a gap or chronic insufficiency.... postmodern philosophy using net discussion cyberspace, the less probable it (2001/K394) (2001/K20) (Stocker) (1996/K395) Begriffs / Ed. Mnker, Roesler, Sandbothe a significant influence on the area of the new technologies a new velocity can turn into mere art genres philosophical database performance studies (1996/K28) will be that it will show any ... art theories have yet to be written for the same is true for interactive installations acquisition, storage, distribution and Kunst als Medientheorie / Hans Ulrich Reck acceleration, because virtualization often (Mike Hentz, Minus Delta T) performance theory aesthetic qualities. Herbert Hrachovec informations superhighways this. (2001/K20) communication of knowledge. navigation experiences blocks topicality... (P. Levy) (1995/K97) Objekte / Ranulph Glanville (1984/K132) (1999/J358) EARTHSTATION control of the (1995/P16) (R. Ascott) ! cognitive behavior patterns (see above) Collaborative Filtering (1994/K206) Philosophical round table (1988): What is the point of this polarization ?(DG) (1995/K171) Medien-Welten Wirklichkeiten / Ed. Gianni "Gaia" ecosystem (vision) spaces of knowledge The aesthetics of the manifesting ! A philosophical experiment Publication of genom data (1996/K34) Peter Gente, Hannes Bhringer, Vilm Flusser, According to Forian Cramer, the focus on Proj. center for media and search engines that rank The emphasis on the central (G. Mayer-Kress, Gideon May, Brad DeGraf, (Agnes Hegeds) (cf. Mersch & Co) on the way to digital consciousness Vattimo, Wolfgang Welsch (Lincoln Stein) (2000/F23) (DM) separation between aesthetic and datamining Peter Weibel, Jean Baudrillard, Friedrich Kittler, a purely perceptual aesthetics of art is clearly knowledge cultures "paid" contents high in the function of code and the algorithm Gregory Kramer, Jenifer Bacon, Joe Takai, (knowbotic research) (Gerd Dben-Henisch) (1995/K227) Unter Verdacht Eine Phnomenologie der discursive media a continuation of Romantic philosophy and (2001/K398) Heinz von Foerster (1988/K83) (1989/J169) knowledge cultures search results level symbolizes concentration on a knowledge database for Tom Affinto, John Chachere) (1991/K147) Information is alienated knowledge on the net Medien / Boris Groys Riding the Net the privileging of aisthesis (perception) over For Linz the first concrete contact with philosophical "firm core" that is often believed to have (NEXT computer / spatial data organization) multimedia developers experience (Jaron Lanier) Mindmusic (1990) specialized thesauruses (1996/J15) Designing a Database (2003/K225) new orders of knowledge Texte zur Medientheorie / Reclam / poeisis (construction). (2003/K140) proponents of postmodernism and constructivism disappeared in the postmodern world. purely optical, immersive (ultrashock) (2001/P70) Meme Symposium (1995/K130) (Sommerer) Cinema (Marsha Kinder) Ed. Gnter Helmes, Werner Kster MIC Media Integration and (Erkki Huhtamo) (2003/K127) (R. Dawkins, F. Heylighen, image strategies /vs/ the impossibility of seeing oneself astonishing graphical Myth of Information the artist as archivist (Leo Findeisen) (2003/K73) Kursbuch Medienkultur Die mageblichen Communication System Lab (at ATR): NeoStrukturalism, NeoSemiotics (DG) J.S. Lateiner, A. Rosanne Stone, knowledge technologies cyber-flood effect (1979/K40) mixed reality without distortions How to make art integrating art as a new method of Theorien von Brecht bis Baudrillard R. Born, H. Hrachovec, Jon Rose, (2) (1995/K116) search engines arranging the order of knowledge The job of the artists of tomorrow is that of crawlers (P.Weibel, Bob OKane) Focus (T. Walicky) of databases interpersonal communication in the Sadie Plant, D. Rushkoff, Rober Cyber_Reader Critical writings for the digital (AH) A "Center for Art and Knowledge Technologies" (1998/II-K297) an intermediary, a catalyst between different (1992/K110) Datenbanken Semantic Web (1998/P104) (Anne Nigten) research process Adrian X, P. Hoberman, T. Sherman era / Ed. by Neil Spiller could be newly created in this virtual way. ridiculous and terribly fields of knowledge, models of thinking and bot = robot = Metasearch (Marc Canter) (2003/K60) (workplace: Christa Sommerer, (ML) problematizing digital John L. Casti, H. Ranzenbacher, touching with the eyes (In 1999 P. Weibel announced a restructuring of the ZKM funny neo-Jungian Medien der Vernunft / Matthias Vogel society, solution strategies. (2001/K18) KnstlerInnen Bots & agents autonomous search strategies Zerseher spider Index camera pan through Laurent Mignonneau) (1996/J122) technology as a realization of J. Engelberger, D. Back, Karin Spaink, in this sense) ideas of "collective Kunst und Medium / Dieter Mersch (DM) (Joachim Sauter, Datenbanken (2003/K225) all objects an "intellectual world view" VNS Matrix, S. Penny, M. Dery, Information as new intelligence" (T. Druckrey) retina scanner indexes supervised by specialists The Enjoyable Internet (Lioba Reddeker) Dirk Lsebrink) 2002/2003 trained knowledge managers natural science /vs/ humanities (BUF) (2002/P117) (C. Hegemann) K. Becker, G. Lovink, A. Lichtblau, (1992/K25) "material" self-organization of data Telematic Embrace / Roy Ascott Digester (Jaaanis Garancs) information handling are available in Krems, Linz, Vienna, ... (cf. courses offered in Linz) Tjebbe van Tijen (1996/K06)(1999/J158) projecting images directly onto (knowbotik research) (1993/K249) (1995/K265) material mirror camera parameters as basis informationarchitecture Am Nerv der Zeit / G. Johann Lischka (CD) (1997/K393) Multimind decentralized intelligence (1979/K07) (popular theme in the 3rd round?) Internet there is no medium interplay of the retina with laser the scientific claim reaches MARS : Media, Arts, Simulation space "mosaic of mobile data sounds" for virtual shapes (1997/P118) from the poetry of (Oliver Schrer) Search-Engine-Client archives (1979/K14) of sense or art and science mindmapping with networks a high point in 1992 a walk-in database discourse tracks of the (D. Lsebrink, J. Sauter) Research & Science programming to u. 3D-Browser. Fundstellen MAK design database wooden mirror (Daniel Rozin) portals Data Jockey Collective Intelligence meaning (DM) (Christa Sommerer) (2000/P56)(Patrick Lichty) (1999/J73) (Christian Hbler, Alexander Tuchacek, Yvonne poetic appropriation of (GMD Sankt Augustin research as an Ars Electronica organisieren sich (Anziehung cooperating memes: 3D representation (1999/K418) (1995/K95) (2003/K93) (1996/J120) Information Wilhelm, Georg Fleischmann, Detlev Schwabe, electronic program code (2003/K104) (F. Cramer) eye tracking knowledge bodies near Bonn / M. Fleischmann) art form (2003/K250) und Abstoung) on the way to the global (Pierre Lvy) Data transformation / Architecture Michael Hoch, Will Bauer, Toblas Pfeil, mirror (C. Mller) program code as artistic material knowbots (Eugene Thacker) (Mignonneau, Sommerer) (Tom Corby, Gavin Bailey) collective intelligence (CI) brain? (1996/K53) Literature: Data collage (2003/K226) Dataspace (2001/K20) Rajele Jain, Udo Zyber) (1994/II-K75) (1999/K399) code and (2000/P44) tracking set-ups (1) art of technoscience poetics and aesthetics of software code image disc CD ROM A comparison with the "third culture" of the mediated by technology Die Wissenschaft vom Knstlichen / H. A. Simon The WWW as a (1994/K146) Data-Jockey material concept (F.E. Rakuschan) "style of writing" (Christiane Paul) merging/reconciliation of natural sciences and Erkenntnis Maschinen Verstehen / Terry Winograd SuperBrain (Florian Wenz) (2000/K350) CM technology DMS Very Nervous System stereoscopic virtual reality for collective laser disc (2003/K137) humanities would be inadequate (2001/K18) randomly colliding the image disc as medium technoscience is the tragic phenomenon (J. Bollen) Es gibt kein Medium vision without glasses science art (2) Fernando Flores (perception installation) artist as catalyst pleasurable way of dealing cognitive processing of a knowledge that has suddenly become contents (1996/P92) for artists (1986/K318) (1996/K34) des Sinns oder der (Futurelab) poetry of Content Management (David Rokeby) ! with data/information Encyclopedia of artificial intelligence / C. Shapiro (Derrick de Kerckhove) between fields of knowledge cybernetic (Trevor Blackwell) MUDs DVD Bedeutung (DM) (2003/F49) (UR) In Ulm the call for a scientific art programming (2003) (1991/P130) (1990/II-K171) Knstliche Intelligenz Reprsentation von (PV) (1998) hypertext consciousness CDTV CD-I approaches of was en vogue from the late 1950s until research as art form (2003) Media art as background research Memory Theater VR Wissen und natrlichsprachlichen Systemen visual computer art exchanged visual perspectives! (2002/K271) Geschichten vor Ort nachvollziehen. Dyn. search engines & spatial organization knowledge representation (1) far into the 1970s or application research? (Ruth Schnell) memory theater ! (Giulio Camillo) science fiction (1979/K16) (Kazuhiko Hachiya) (1996/P138) Kognitive Psychologie Eine Einfhrung / augmented reality fiction of knowledge (proximity = quality of results) research lab as machine (2002/K00) (Agnes Hegeds) (1997) (Fakeshop) (1999/K321) palaces of contents building/space organization: mnemotechniques (1999/P90) (S. Schemat, M. Joyce, J. R. Anderson (DM) The aisthetic media especially include those (Stefan Huber, R. Ammer, B. Steffan) MOOs (AH) theory of perception televirtual environments VR Panorama Virtual Worlds: The Emperor's (2001/K313) Verbarium: Text-zu-Form Neurale Netzwerke memory theater (Dirmoser, P. Matussek) Note: (ML) What can be grasped B. Carstens, M. Felsmann, AAAI 92: AI Based Arts Exhibition that relate to perception: the systems of optics and Kognitionswissenschaft Kognitionstechnik / (2000/P54) (AH) fiction instead of reality New Bodies (Peter Weibel) in artificial realities Editor: Nutzung der Zeichen(1994/P32) discursively? ... Because of its I. Bordoni, R.P. Dal) (1993/K181) acoustics, the arts, image-forming procedures of all Das universelle Datenwerk Media-spasm, senseless Francisco J. Varela performative explorations agent Infotainment (see left) (1990/II-K09) Ketten als genetischen Code (M. J. Grey) (Olia Lialina) transience and complexity, the shredder function for data kinds, ... etc. They are all grounded in the sensory, (R. Kriesche) (2003/K148) video installation perceiving perspectives (AH) cognitively oriented (PW) Klassische Kunst und Medienkunst teilen distraction and crash KI berblick und Grundlagen / K. Bhling u.a. (1999/P52) (Sommerer, Mignonneau) (1997/K394) performative transgresses the Reputation Points see: view of sensor technology VRML visualization of encryption whereas discursive media refer to structures, orders, (ML) drafting and performatively testing (Steina Vasulka) (Mulder, Lsebrink, sich einen gemeinsamen semantischen Raum installations (2001) modern science has increasingly Knstliche Intelligenz / Patrick Henry Winston representational capacity of valuation proposal (Peter Broadwell, Rob Myers) discrete categorizations and caesura ... a "technical history of humanity" (William Gibson) interactive poetry cyber-novels (1990/K-I-124) G. May) (1994/II-K68) nonlinear KI von den Grenzen der Denkmaschine und languages and signs. become a TECHNO(2001/K203) Takeover III (symposium) (1998/P76) talking to a neuro baby (ML) Institution for Media Performance Research Info-Stories (1990/II-K225) (2000/P96) (Orit Kruglanski) Most information on the tools science fiction in praxis: film, video, science (PV) (1998) content development dem Wert der Intuition / H.L. & S.E. Dreyfus (emotionale Reaktionen) (left) (Rasa Smite, Internet deals with context, teleperception the fate of reason in the global and skin design ... Neural Networks comics, music (1982/K167) a purely static representation (Naoko Tosa) (1993/K353) Probleme der KI / Oswald Wiener interactive story-telling Raitis Smits) fuzzy logic auditive poetry (see left) not with content. network (Timothy Druckrey) (Virilio) (2001/F08) (1993/23) Meme (in AI) is not powerful enough Criteria: Best Netzine: (Hotwired, (Josephine Anstey, Dave Pape) Expertensysteme Nicht nur fr Informatiker (1997/K364) (1997/P18) (Joichi Ito) see: sensor view (1995/K139)(1999/J305) sensor techniques Myth of Information (1995/P108) (1990/II-K55) surrealist Mediamatic, Tightrope, t0 Public (1998/K211) poetry-writing program POE Peter Schnupp, Ute Leibraandt (R. Trappl) med. cybernetics (1990/II) Richard Dawkin (Michael Tolson) (Myron Krueger) writing game / Netbase) (1995/P46) Perception is a (Franz Josef Czernin, content issues /vs/ lack of content Expertensystem-Praktikum / P. Schnupp, Cyberpoetry (G. Dorfer) neural networks (1990/II) mind viruses interactive story AARON al AI-based (1969) computer-controlled environment growth of a Netbase (K. Becker) (1995/P60) process in formation. remote-controlled sensory Ferdinand Schmatz) tool fixation (technology fetishism) (1997/P92) (Z. (P. Smolensky) connectio. SW (1990/II) (1996/K40) AI (2003/K224) C.T. Nguyen Huu (1998/P96) (Lisa Prah) (AH) from objectivity program (Harald (1970) interaction with video projection systems (AH) Connectionist SW story Hotwired (1995/P76) (Ecke Bonk) (1990/K-I-136) (H. cohen, J. Petrow, (R. Cummins) connectionism (1990/II) Komninos-Kostant) Problemlsungsmethoden in Expertensystemen / Cohen) (2003/K122) (1971) using sensor floors to viewer relativity (AH) rejecting all narrative (Sharon Denning) (1995/K48) Sensor that feels its way G. Papp, T. Spiller, (G. Schwarz) learning processes (1990/II-K107) the stifling insight that technology interactive poetic information architecture (2) non-linear computer-generated (1972) start of the Videoplace project (NICA 1990!) Frank Puppe (never at the ars?) discovering stories oneself text synthesis (2000/P32) connectivism (1990) Lyle Zapato) (M. Veitl) med. cybernetics (1990/II-K51) without "content" might not be garden (1998/P98) MIT through the space (DH) reactive works: revealing (1990/P169) (D. Rokeby) Our user interfaces are also a narrative (AH) literature (1980/K07) (Bill Seaman) Mentopolis / Marvin Minsky (1989/K106) (1998/K264) (B. Mitterauer) architectonics (1990/II) sellable (1996/P24) (D. Small, T. White) (H. Haagsma) content through clicking/scrolling (Tamara Munzner) connectionist improvement kind of belief system, because they hold and very free contextualization The construction of Mind Children / Hans Moravec computers as "authors" of virtual brain Times up (Tim Boykett) cyberslang (M. Minsky) Mentopolis (1990/II-K97) elegant retreat to (David Blair, Oliver Frommel, Vera Frenkel, Doug Aitkens, Dean Kuipers) differential topology of AI systems (AH) affirm our assumptions about the essence of (1996/P106) (Joey Anuff) experience. Interface as Assoziation / Gerhard Strube "pseudoscientists" : cybernetic art works art-immanent digital poetry term hypertext (1995/P164) mapping specialist things and reality. cybernetic content (David Rokeby) (left) (Steve Mann) the 90s as the era 3 AI creatures (Joseph Bates) 5th generation computer systems / T.Moto-oka (Staalplaat, Negativland, positions (2001/K20) (1979/K30) 1974 from Ted Nelson Computer from calculating tool interactive novels methods (1999/J420) (former PRIX) of the brain in search of the order behind it Hypertext Decision-Support-System MIT (1997/P112) Muzictoerist, Barbed, Gdel, Escher, Bach / Douglas R. Hofstadter (1990/II-K253) to mankind's creative partner? in literature (1997/K144/K217) analytical philosophy (1990/P08) (Daniela Alina Plewe) (1998/K140) (2003/K140) Is software art more successful, if one People like us, N.A, Baginsky, most prize-winners last year did not science fiction workshop Metamagicum / Douglas R. Hofstadter text-software / (1979/K29) machines, whether "hard" (Klaus Ramm) (1965 Ted Nelson) non-sequential myth of AI Ottos Mops (trotzt) epistemology "can see" the algorithms behind the development of Gordon Monahan, Leo Schatzl, intend to be artists new narrative structures (1982/K08/K167) AI works (HK) one should push forward in art related Einsicht ins Ich / Douglas R. Hofstadter (1980/K78) Div. obscene contents AI robots reading and writing or "soft", are the codification (Robert Trappl) L. John, B. Quosdorf) visual/acoustic phenomena? Rosa von Suess, Karthik Swaminathan, (1996/P50) (WEB) cognition sciences Heiko Idensen in computer games recording the direction of AI as far as possible (2003/K229) Dynamische semantische Netze / Stephan Mehl (1996/P110) (Lisa Hutton) (1997/P144) zu Jandl (Luc Steels) of problem solutions "AI-Laboratory" from the onomotopoeic poem Yuri, Triclops International, Insight hypertext programs Software as "diagrammatic" techno-positivists cognition theories Matthias Krohn music preferences established visual artists, who also a new hacker / (1995/K308) (1996/K204) (1986/K338) Hypermediabasiertes Knowledge Engineering to radiophone poetry Instruments, Prema Murthy, on the PC since 1986 ordering material artistic skills of the (1996/K162) In the beginning was the profile cluster as MusicMap artistic research realized web works (Julia Scher, distributed authorship Art is increasingly less suitable as a artist generation visual poetry and E-zine fr verteilte wissensbasierte Systeme / literature in image and sound (1980/K76) John Duncan, Nuoc mam dirndl, computer (1979/K30) command line (Neal Stephenson) (2003/P71) (AH) artificial intelligence creature: Jenny Holzer, Antonio Muntadas, (1983) (1989/K104) source for visual design, because it has constructivism (1996/P23) scientific jokes cybernetic research: symposium (1980/K75) HyperCard expert system Frank Maurer Gelatin) artist as researcher (2000/P24) (M. Breidenbrcker, F. Miller, Artificial Reality and Artificial Life David Blair, ...) less and less influence on the language hypertext fiction (S. Moulthrop) Visually Deconstructing Code similarity theories (Jared Tarbell, Lola Brine) connection of mind and the job of the artists of tomorrow is that of an HyperCard stacks although they don't earn money HyperTalk Endophysik Die Welt des inneren Beobachters M. Stiksel) of the dominant media and has long (1196/P112) (Ben Fry) (2003/K197) (2003/P60) machine (the anti group) media design groups: discourse analysis intermediary, a catalyst between different fields (Judy Malloy) (1989/K133) (Baudrillard) Yet those intelligent machines are only on the net, their work gets out Toolbook Otto E. Rsler The Secret Lives of Numbers since become an archive of everyday Digital Diary (1990/K-I-112) of knowledge, models of thinking and society, (Lynn Hershman) (1989/K238) MESO & Involving Systems (Kazuhiko Hachiya) (1997/K260) artificial in the most limited sense, because they merely to people (Golan Levin) (2003/K240) Making Art of Databases / V2_Publishing codes. (UR) remote-controlled robot (Natacha Merrit) walk-in knowledge spaces solution strategies (2001/K18) (Steffan Ammon, Martin Bott, Mega Diary a global, open break down linguistic, gendered, scientific processes into (1996/P45) Electronic Diary as GraffitiWriter (2000/262) The Odyssey (1989/K133) Sebastian Gregor, Michael Hpfel, diary project (1997/P126) simplest, digitalized moments, .... The Active Text Project Storyspace CAVE did not develop from video games or From the beginning, the media industry was (1989/K235) (The Institute for Applied porno-diary interactive hypercard stack Joreg, Karl Kliem, Sebastian Oschatz, The job description or Varioklischographen (Jason E. Lewis, Alex Weyers) (1995/K171) (Lynn Hershman) (A.Mohsen Daneshgar) flight simulators, but its origins are found instead greatly interested in effective support on the part clones (Dieter Huber) AI and interactive art (J. Bates) Autonomy) (2000/F36/P78) justification "artist" is no (Fortner Anderson, Henry See) Max Wolf) (2003/F12) (ars intermedia) (2000/F35/P98) typography Gender Idendity L G B T diagrammatic in scientific visualization and the demands of the of art, because even with thousands of trained Literature: digital body manipulations (1993/K181) longer interesting; it is as Patti Maes (1979/K44) lesbian, gay, bisexuell, transgendered design for CocaCola SIGGRAPH 92 Showcase (Daniel J. Sandin) computer scientists, by itself it is not capable of (1996/K404) (Luc Courchesne) (2000/267) LEONARDO (journal) (Ross Harley) (1993) traditional genres of applied "sculptor" of unnecessary as the positions satellite images as (1994/P128) (Monika Treut) (2000/K202) pioneers: (derived from (1996/J85) (CAVE development 1991) putting sophisticated and attractive products on interactive theater through visual rhetoric (typography, graphics, information (FF) Computer Graphics and Art (journal) it is supposed to defend. picture basis AI dissertation Body mapping: Teleprsenzinstallation (Sandy Stone, Susan Stryker, Judith lettering) CAVE was conceived as a tool for the market. (B. Serexhe) 5 computers with HyperCard (see above) boundary betw. video posters, book design, print media) (2001/K19) (Stocker) (Mario Sasso, Nicola Sani) Art @ Science / Christa Sommerer & PET Positron Emmisions Das stellvertretende Cyborg-ICH "Jack" Halberstam, Kate Bornstein, (2002/F12) scientific visualization Landsat satellites: system game and literature (AH) (Huhtamo) system developers, who regard themselves among others, with the goal of persuasion (1990/P81) Tomography (1997/K16) Laurent Mignonneau (Ed.) (centre for metahuman exploration) Electro Magnetic Poetry Jordy Jones, Jacob Hale, Pat Califia) (2001/K299) of reflecting mirrors (Natalie Bookchin) as artists, because they see a creative act in the invention there is no genius MRT Magnetic Resonance typographical (1998/K212) (1996/P108) (Maria information arts intersections of art, science, A.Witkin and M. Kass come from the field (Tom Van Sant) (1982/K42) (2003/K97) (Pierre Lvy) (2000/P42) and arrangement of "code": Myron Krueger, Vivid Group VR for the visualization of the artist bodies (1993/P30) technical history of writing Tomography (fMRT) meanings flowing into Winslow) Three basic electronic of science. Nevertheless, their graphics VRML, 2D, text VR: 3D Diagrams and technology / Stephen Wilson Gene_Mixing and Loops of the Self dynamic typographical mapping the position of the (Mandala System) system art of large medical (J. Heemskerk, D. Paesmans) Lingua Franca (Thomas Bayrle) Habbo identity Map of the market one another (DISS project Thomas Maier) palettes: television, have a new, resounding aesthetic. (Birgit Richard) (1999/K267) sculpture out of web sites or voxel avatars collective intelligence of a community as user interface Jenseits von Kunst / Peter Weibel databases (1997/P96) (JODI) (language of intercourse) (W. Seaman) (1995/P106) (2001/K205) (Tom Wolfe) (1997/K219) (M. Wattenberg, Joon Yu) computer graphics, video (Milan Knizak) (1992/P14) (D.A. Plewe) (1999) (B. Fry) (2001/K290) (1997/K177) writing software oneself or working diagrammatic interface Diskurs der Systeme (zB.) / Feuerstein et al. (1995/K194) typographical positioning system (2003/K12) "Brain Imaging" (1999/P54) conference (1995/P43) Double: identical with the self knowledge representation (2) artist/programmer closely together with a programmer for games and music programs Kunst, Wissenschaft, Kommunikation / Richard (Casey Reas, Golan Levin) (2000/K387) identity and mask in body mapping 3D electroencephalography listening station for communication artists (FF) (Birgit Richard) (1999/K271) experimental typography Books on demand (1979/K22) (Myron Krueger, Harold Cohen, Krypton Aurora Elettronica Information: C.F. von (MEGO) Mapping Toolkit (M. Bielicky, B. Lintermann) (2000/P88) Bi-Gender Show virtual reality Kriesche (Ed.) MRS Magnet Resonance Radiotopia (2002/K428) the visual artist as programmer Duplication and hope of (Fuse Neville Brody) (2003/P76) (Shinya Yamamoto) David Rokeby) (2003/K121) The Metamorphosis of Light Weizscker also defines it (2000/F13) Alphabet Zoo (Blanchard et al.) Spectroscopy Kunst und Wissenschaft / 1986! Kunstf. Bd. 85 the artist as system (H. Huitric, Monique Nahas) Blogging immortality (1999/K272) (1986/K19) as an "amount of (Peter Cho) (2000/F42) (1990/II-K191) Lightstick (writes images integrator artist/technician (1986/KII-143) Dialog und Infiltration Wissenschaftliche Live journal copyright and intellectual (2000/K398) form" (Ecke Bonk) male identity light theater moving) (Bill Bell) (1982/K69) (1986/KII-296) application research /vs/ Strategien in der Kunst / Kunstforum Bd.144 abstract typography property Letters of BIT (1995/K42) Gender Bender (1997/F38) gender-hacking "brotherhood" (1980/K23) at least as a symposium background research (DG) elusive job Forschungen / Udo Wid (James McCartney) (Kenji Komoto) diagrammatic interface testing the specifics of gender playing with identity (Elisabeth Schedlberger - CODE) (Woody Vasulka) (1994/II-K87) light technology Text and tectonics, set-up and light show of the 60s (G. P. Garvey) diagrammatic typography (2003/F11) description (2001/K19) for music computer UPIC (1996/K185) World Maps Change the Map this development is carried by people who students who want to design order, shape and arrangement. (Walter Pamminger) Typodesign Composer; author of the (AH) collective instead of author the drawings are interpreted as installation for ballet. faked identities disinformation as locate their identity in between artist, engineer, web sites choose departments Form and format, formula and light organ pole shift with transgender transformation object oriented synthesis (Ecke Bonk) Light Ballet pressure curves, dynamic envelope interaction with light disguise (2003/P68) (LAN) social worker and experience designer of design rather than art formation. Schema and pattern. Talmud Project typographical (1979/K19) conventional projection curves, scores ... (2000/K113) Forget concepts like gender language "SuperColider" effective development of a configural (1980/K23) (1995/K42) (C. Mller) (1995/P132) (2001/K20) (Lia) re:move research (David Small, Tom White) (2001/K34) Constructing and (a) building. (2003 OK) (MEGO) image language (Peter Zec) (Iannis Xenakis) light-mobile and race. In cyberspace you cover design Coder, Hacker, (schoenerwissen) (Ecke Bonk) (1995/K46) (2000/K403) (1995/K250) light robots computer-controlled Multibind-Deadlock(1990/I-K69,K72) Navigation (1979/K25) are what you want to be. data visualization (2003/P46) Open Sourcer, permanent self-exhibition (2002/P56) Markus Huemer Hyperbolic tree (1980/K94) Coma (1996/K226) neon installation (1992/II-K44) Symposium (S. Zizek) (1995/K127) laser in concert Stop Motion Studies studies (2002/P23) maps to Circuit Bender Re-Mapping Our Mental Model (R. Rao) (1999/P50) Mapping (Jennifer Ringley) view of visualization contolling reflective images (1986/K331) (1993/P45) (E. Schoener) in the subway (D. Crawford) (2001/K20) (Scott Brave, Andy Dahley) the project Maps (R. Buckminster Fuller) (2002/K17) walk through light sculptures Flight Case issues of identity (Constanze Ruhm) Homepages and e-mail Literature: author linking concepts (2003/P40) (1979/K50) (1997/K278) life is more than the implements cartography in (Rudolf Macher) typography and (1979/K09) music in color: WEB-CAM letter objects on the Internet are taken for granted as dynamic mapping Mapping in the age of digital media spherical surface director patchwork biographies survival of the genes the dispositive of telematic GIS systems (1992/K151) view of illustration rhetoric / topic components of an artist biography Sonoscope (A. Vitkine) being in electronic (B. Fry) (2001/K291) The Yale Symposion / Ed. by M. Silver et al. media as a network editor (2001/K113) KaspaHs Home laser light drawings (1980/K113) (2001/K21) Legible City structuralism (1996/J53) space (1994/K158) Audioskop (M. P. Kage) designing radiography information mapping (1989/K108) (Mathias Fuchs) Mapping An illustrated guide to graphic (Catherine de Courten) designer (J. Shaw, Dirk Groeneveld) virtual identity and avatars diagrammatics electronic mapping (1979/K19/K61) (C5) (1999/K395) and light graphics (1954) mapping (1995/P88) navigational systems / R. Fawcett-Tang (PV) Presentation is producer In 1960 T.H. Maiman first succeeded Colourspace (1989/K209) Graph. programming (Barbara Becker) video world and fractal subject (1998/II-K174) mapping discourse conflict zones (H.W.Franke) (1979/K54) in producing an active laser. Artistic (1989/K256) Information Visualization Perception for Design visual music effecting the manifestation of a thing. In Sommerer's installations programmer (Lia) (2003/P49) information visualization (Jean Baudrillard) (1988/K88) diagrammatic turn water divides Manhattan Timeformations objects with a double mapping cyberspace use of laser technology started in 1965. (Judith Ryser) artist as avatar Colin Ware University of New Hampshire (Waltraut Cooper) (B. Fry) (2001/K159) artist death is employed as a necessary high tech and psychodelics diagrammatic structuralism (discourse) (Brian McGrath, Mark Watkins) (Peter Fend) identity (Ishii, Orth, Gorbet) (2001/K38) (T. Feuerstein) (AH) Krueger discovered that users Readings in Information Visualzation Using (PV) New era of videoscopy: light/color piano laser light in an tabula rasa (1993/P77) (George Barber) film (L. Houplan) (2003/P158) (2002/K271) (2001/F36/P48) literature discourse telepresence installation: (1997/K204) quickly identify with a figure in a game, ... lighting is no longer done electrically, (1988/K194) interactive performance vision to think / Ed. by Stuart K. Card et al. substitute objects Mapping Time "Terminal act" (PV) (1998) the second player is present laser beam deconstructivism light-kinetic if it reacts to instructions in real time. but is instead an indirect electronic (1993/K261) (P. Bhm) Light Music in the Soviet Union Digital Information Graphics / Matt Woolman Bots as verbal "personalities" web design desk top publishing cybernetic euthanasia (Ross Cooper, Jussi ngeslev) as a crossed laser beam see also: view of used to control DTP visual music No Mans Land oscillograms memory theories works It is not the realistic representation that illumination. (Roberta Reeder, Claass Cordes) (Rainer Jessl) as long as something is happening Bits and spaces / Ed. by Maia Engeli (2003/F41/P100) (Lozano-Hemmer, Will Bauer) artistic production Immateriaux II robot installlation / (1980/112) is crucial for aesthetic pleasure, but rather (1992/II-K225) surviving imagine objects that stage or dramatize (PW) If we consider the influential aesthetics on the stage - a videostream flows projections Where there should have been Mapping cyberspace / M. Dodge & R. Kitchin (1995/P128) (K. Obermair, implanted and emergent (ML) aesthetic effects of linking the identification with the controlled laser technology pictures that dissolve Data transformation / body mapping making music online "existential moments" - such as a conflict of the past two centuries, then it is evident that robots (2001/K207) (Axel Heide, P. Pocock, design, there was a huge hole Visual Explanations / Edward R. Tufte R. Spour) behavior (the parasites, the Crack-Intros theater with electronic-digital media behavior. electronic into a color when Visualization (2003/K226) (1999/K309) (Koji Ito) (1998/P48) (Fiona Raby) (2003/K276) they are constructed on an ontology of the picture, G. Stehle) Laser Art in the web in 1995 (2001/K214) Envisioning Information / Edward R. Tufte (1992/K246) untamed, the inverted (2001/K207) An exception to this would be touched play of color Laserdisk on a static concept of existence net.flag (Mark Napier) The Gulf War spatial representation of The designer is increasingly discharge into gases scavengers, ...) MIT's MediaMOO where each The Visual Display of Quantitative Information / (2000/P90) (J. Campbell) (1979/K34) artistic use (1997/K390) (N. Math, (2002/K362) the medium hides itself in the process of brought the myth information (1999/P44) becoming an information designer, Apparitional Aesthetics: The quality of (L.-P. Demers, Bill Vorn) neon sculptures character has a "character name" (Stahl Stenslie) aesthetic Carson Jeffries, Otto Piene, Joel Stein, C.F. Reuterwrd, of the Edward R. Tufte game figures in electrooptics (PV) Andrea Sodomka, M. Breindl) of the artificial (F. Matsumoto, S. Matsukawa) its mediatization (DM) Japanese i.e. an expert for "intelligent" cyberneti aesthetics (1973) coming-into-being, of apparition, is replacing the (1996/K262/P126) s.o. from identity to difference (AH) and a "real name." terminal-existentialism (A. Sina) (1980/K110) Iannis Xenakis, Paul Ears .... used laser technology for Internet stereoscopy (PV) Semiologie graphique / Jacques Bertin virtual worlds (2) from academic (unfortunately not the case with many works) illustrators visualization systems and (H.W. Franke) (1979/K54) MUDs quality of representation, of appearance, which has (1997/K174) (Victoria Vesna) Voice over IP in Life Art multimedia performances (FP) making gene virtual volumn discussion into audio data streams RealAudio Exploring the Invisible art, science and the machine aesthetic the self (2001/K21) techniques (Zec) identity and artificiality for so long characterized western art. (1995/P19) (R. Ascott)!! Broadband (2002/K167) (2000/K213) maps (1999/ recognition for the the world of the (1996/P170) (Marc Caro, constructed by optimization principle of aesthetics (1965) spiritual / Lynn Gamwell Japanese (Catherine Ikam) (2000/K401) cancellation of identity (AH) media should be almost "transparent" (FP) nighttime laser shows: ADSL K121) quality of selfrational aesthetics (H.W. Franke) (1979/K54) (ML) Theater for hyperreal. (1996/P36) "Form Art" Competition Jean-Pierre Jeunet) the brain broadband internet in Voice Mail holography and laser lab from NET:ART to NET.RADIO Real Audio A virtual reality is principally real to the extent Picturing Science Producing Art / Caroline A. understanding of (AH) being in two worlds (1989/K110) (ancillary invisibility) Rockne Krebs, Dani Karavan, Horst H. Baumann representation (Station Rose) internalizing a (Alexei Shulgin) (1955) (P. Smith the catalytic the cities 2002 (2002/K178) (1998/K75) (Josephine Bosma) Servers that it depends on a complex physical apparatus. virtual realities (1986/K324) (Horst Baumann, Internet-Metric typography at the same time Jones & Peter Galison aesthetics of disappearance (1995/P68) computer aesthetics "digitized" existence (1997/K393) Churchland) artistic holography (H.W. Franke) effect of new media Network Image space, on the other hand, is virtual. (SH) mailboxes eMail plastic light on the violence of the Dan Schweitzer, Dieter Jung) (T. Feuerstein) (2001/K199) Maeda & Media / John Maeda (P. Virilio) (1994/K71) development of complex (D. de Kerckhove) Net.radio OZOne (1999/K397) (1997/K70) (Harriet Casdin-Silver) (1979/K54) (1996/K61) every bit has its own existing means being scanned web games the aesthetics of programming (F. Frster) (1994/P116) proper name in virtual Flash-Art (2002/K380) mail art Dimensional Typography / J. Abbott Miller the telephone already communication spaces: (1980/K100) aesthetics of the interface (ML) (1994/K163) (Carole Ann Klonarides) (1992/K183) aura (1994/K165) worlds (domain) --Net.broadcaster (1998/K92) aesthetics of the nets Telepresence is an amalgam of three invading living spaces live radio via Internet represents an instrument Information Graphics Innovative Lsungen im PostPet e-mail pets (1998/P36) holography media (martial) art (David Rokeby) mixed-reality architecture (FP) The hologram was invented in 1948 by domain concepts (Birgit Richard) (etoy) (1995/K166)(Forest) technologies: robotics, telecommuniaesthetic-generative basic programs (AH) images becoming via web camera (2002/K165) of telepresence (1995/K92) Flash Turbulence (Kazuhiko Hachiya) the cubism Bereich Informationsdesign / P. Wildbur u.a. (Jutta Zaremba) (2001) (MF) Denis Gabor . In 1961 Yuri N. Denisyuk produced holography art (P. Garrin, A. Troeger) (2001) Fictitious Portraits telepresence TNC Network cations, and virtual rality (OG) allowing art to die with dignity bringing something into view visible (H.W.Franke) (1979/K54) (Helen Thorington) of our day (Resitor Sensor: pressure, touch, force) Technologische Bilder Aspekte visueller a monochrome white-light hologram. (Jonathan Gay) (1998/P44) (AH) It is noticable that although (Richard Kriesche) apparitional (1999/K394) visual aesthetics (Keith Cottingham) (an expiration date is built in in the interaction net technology (1997/K422) (1996/K418) (Thecla Schiphorst) forming presences (DM) first Java Argumentation / Martin Scholz (2002/P26) the artists named (Ascott, Boissier, Couchot, telepresence (2) Traces Telepresence (Stadtwerkstatt) (1984/K345) aesthetics Reality TV (1994/P38) due to HW/SW requirements) see also: cultural theory view hologram collages retro-gaming style (1999/P68) (Perry Hoberman) (above) browser art (2003/K225) Net projects already in a crisis after only numeric aesthetics Telepresence now (exhibition 1991) (OG) applets role of the program Forest, Krueger, Shaw and Weibel) apply the sonic graphics seeing sound / Matt Woolman holography and society (Roy Ascott) in CAVE / networked see also: view of the organizing institution (2001/K205) Holodeck interaction with computervirtual computer camera 3 versions of a furnished room (S. Biggs, Opera software, (TXTD.sign) (1997/K265) (Ranzenb.) hardly any (1996/P44) for the development means of computer science, they still frequently a few years? (2000) Privacy (on four aspects of artistic (1995/P15) (below) material aesthetics news aggregators telepresence installation The Society of Text Hypertext, Hypermedia, thermometer, instruments to CAVEs / physical models gestural system (2) atmospheric effect generated holograms (Joseph Michael) floats around Gondry A. Deck, F. Hwang, Haruka IPzentrum: interpretation of earthquakes traces remain from semiotic aesthetics start from an idea of the "picture" from holography) (Vito Orazem) (centre for metahuman identity on the net measure sound, pressure, and the Social Construction of Information / in real time violence in computer games window pane experiments: synchronized ultrasound interface for gestures Electric Field Sensor (1998/P92) frozen in the air Kikuchi, Myron Turner, Sintron, as elementary form of expression many technologies semantic aesthetics artificial ghosts traditional aesthetics exploration) (1998/K211) Web-ness (Joichi Ito) movement, form (Simon Penny) animation (Ichiro Aikawa) (2000/P40) (Arndt Rttgers) (2001) newsgroups Edward Barrett GAMS: Gesture and Media System (1996/P174) I/O/D, P. Luining) (cf. E.P.I.Zentrum by B. Nieslony) (Max Bense) (... interaction with the synthetic image) warmth sensor holography newsgroups (1989/K204) ( Jeffrey Shaw) (2002/K254) mobilized via describing the world as (PoMo CoMo) (1992/K229) (M. Gondry, P. Buffin) The Alphabet and the Brain / D. de Kerckhove ... holographic art the hand as "disturbance factor" artists working exclusively in the medium (see: PRIX) (1989/K218) holographic video (holograms rendered in tele-existence light barriers (1989/K207) (2002/K389) digital aesthetics in (M. Lauk & Bodo Dorra) Web Stalker cell phone Golan Levin an interface problem electronic viruses psychical energy Mosaic could be Prose Comprehension Beyond the Word / (1979) Usenet (A. Tambellini) (1980/K111) Art Com Electronic Network of the Internet (DH): (Joachim Blank, (Regina Cornwell) real time) real-time holography Space Balance (1993/P90) South Africa (M. Neustetter) (I/O/D) (Neeraj Jhanji) rotography - light diodes (2001/K387) Critique (Patrice Pavis) (1999): Charles Proteus Steinmetz (1992/K12) (PW) the "killer app" life energy ACEN (1986) (1989/K129) affectiveCinema (Jan Torpus, Michel Durieux) Arthur C. Graesser (Harriet Casdin-Silver) (1982/K73) (1989/J45) Holger Friese, Alexej Shulgin, Philipp visual sensors that register aesthetics of the (Christian Mller) (Scott S. (1998/P46) (2001/F36) Despite the apparent victory of and the magic of electricity possibilities of (Otto Frhling) (1994/K212) electronic publications Symposium: electronic (transmediale) control through bio-feedback forming experiences of being mental energy Pocock, Dirk Paesmans, Joan H. von Jodi movements in space Collective Intelligence mankinds emerging Fisher) (1992/K155) static (PW) computer specialists over directors (Franz Pichler) (1992/K218) expressive net violence holographic stereogram (1980/K94/K114) (AH) 1968 interactive light-sound spectacles means of visual design via GSR-Sensor (Galvanic Skin Response) (left) How does an interface form the experience (1986/K299) world in cyberspace / Pierre Lvy listserv and of the machine function over the netiquette computer art artist as (Shunsuke Mitamura) Vision System (2) (autoaggressive potentials) mailinglists (American Pulsa Group) (1980/K93) of being? (David Rokeby) net installation hypermedia projects rotating mirror see also: energetic view Tesla machines Rotting Apple Transformationen der Techno-sthetik aesthetic object, what is repressed of AI robots (Luc Steels) (1990/K-I-120) browser browser GSR (2) raw and informed (optic tracking) (Sabine Seymour) (PooL-Processing) light traces sensor Deep Blue (R. Adrian X, (Franz Xaver) (Gnther Held) (Piotr Kowalski) (1980/104) (article in: Digitaler Schein) / P. Weibel Trusted Computing the body and human presence, of the developer touch sensor, infrared sensor energy (Mark Ries) Internet user-controlled large(1998/K113) (Idensen, Krohn) (pursuit of bathing caps) Xchange started as mailing Sam Auinger) (1996/K251) (1992/K142) gopher (1982/K93) (Fred von Lohmann) voice and the text suddenly (recognizing obstacles) Music playes Images x (1994/K224) Pixelspaces DAMPF apparitional scale light installation: result movement analysis list network (1998/K78,K89) rotating display (Henry Jesionka) energy potentials are (2003/K49) returns. (1995/K308) mailing list for software art playing around with the HTML (AH) aesthetics of Sensory Environments Immaterial Interfaces aesthetics Images play Music (1997) documented on the web as image (1996/K315) virtual shadows (David Moises) (2002/K420) radioactive rays (1992/K209) tapped from the Internet (Alex McLean) (2003/F13) metastructure (Kensuke Sembo, (2003/F14) (Roy Ascott) communication (FF) (2000/P74) (Raffael Lozano-Hemmer) (Toshio Iwai, Ryuichi Sakamoto) XML XHTML the AEC Center as prototype (the secret life of things) SOLAR-Projekt (Gudrun Bielz) and the local movement thresholds of control Yae Akaiwa) (2000/F44) Sensory Environments (2) Pixelspaces DAMPF (2) (AH) process instead of being (1995/P15) Blogosphere (2003/K70) abstract computer realism (1999/J29) (1999/J428) of a new power location (2002/K411) (1998/K179) (1996/K424) of the viewers hyperlink web magazine destruction art and terminal amateur journalism cf. Stadtwerkstatt/Servus project : (1994/P56) (S. McSherry) Sensory Environments (1969) ARPANET (1979) Usenet of digital culture Tools Life a protocol is a system for (AH) an aesthetic of the object (2002/P104) (M. Saup) (2003/F38) culture (Kristine Stiles) (1999/P177) URL HTML 1.x 1994 eco-installation measurement points Generali building as display and Immaterial Interfaces (1990/T) WWW developed at CERN (1996/J39) (Motoshi Chikamori, fire film aesthetics of digital maintaining organization and still dominates over an aesthetic existentialism (1991/K29) (1999/J124) collaborative weblogs (2002,2004) (Makrolab) (1998) light sculpture (2003/F14) (1989/90 Tim Berners-Lee) Kyoko Kunoh) (Manfred Laumer) grammars (2003/K127) control in networks of the sign ... (primacy of acting) the visualization of the parasites transforming electroacoustic WWW Internet (1993/T) only a few WWW servers photovoltaics an unsettling thing destruction of Literature: (2000/P178) (A. Galloway, Eugene Thacker) motion or temp. difference energetic body existential philosophy work in complete gestures of an interactive infrared sensor relational aesthetics Radical Disruption of a Gyroscopic collective weblogs (2004) (1999/P175) (1994/T) already over 10,000 WWW servers (Paul de Marinis) web sites on (2003/K62) into electrical energy Technologische Kultur Eine Studie ber die (1986/K285) digital aesthetics (PW) darkness (John Duncan, subjectivism debate robotic installation (1986/K297) (2003/K142) Device with Heterodyne Mutation the role of the WWW (1994/T) first artistic works in WWW (DH) nylon threads in laser light Hacking (1991/K191) HTML basis (Frank Fietzek) (2001/P104) (PV) Following the telescope and the microscope, knstlerische Auseinandersetzung mit neuen Francisco Lpez) criteria: (spy camera, infrared (Krppelschlag) (1991/K211) performative theories from Hacking Millenium Park (Paul DeMarinis) for art projects (1995/T) first literature on net.art (DH) (Kensuke Sembo, kinetic aesthetics of now we have video photography. It represents the sculpture formed with dynamite Technologien / Hochgerner, Molnar, Pilz et al. transfer protocols techno-aesthetics (AH) most useful sensors / (2001/F34/P108) (Just Merrit et al.) (TNC network) (1998/K107) cultural studies (96/97/T) the most artistic works so far Yae Akaiwa) documented violence light sculpture digital images (AH) Myron Krueger stresses that not Internet 2 on the whole, the concept of (Piotr Kowalski) (1980/104) Video:Violence third stage of illumination. (2003/K12) sensor reaction to visitors) sthetik des Erscheines / Martin Seel (2000/T) sharp decrease in PRIX entries out of control (2) performativity discourse (2000/P46) (Kathy Rae Huffman) (C. Mller, (1996/P102) DigiCrime only does a new aesthetics emerge with Richard Kern Retrospektive (1995/P47) (Kenneth Rinaldo) (2) aesthetics is not very helpful TCP-IP, FTP, HTTP, video images as light images (O. Piene) (Harold Edgerton) stroboscopy (AH) developing the aesthetic accident remote-controlled Was sich zeigt Materialitt, Prsenz, Ereignis / R. Kramm) on the dangers of the net the invention of systems, which first leads PRIX erstmals 1995: exhibitions: high-speed photography (political violence, personal violence) physical dramaturgy (modifications do not really add Welcome to the possibilities of a technology car jumps (Leo Schatzl) (1999/F24/P64) (Lynn Hershman) DNS Dieter Mersch (1994/P132) (Kevin McCurley) pyrotechnical installation based on the to a new aesthetic theory in its description, In an artificial ambient, the computer "Kunst-Licht-Kunst" (1966) (Popper) (Eindhoven) (1991/K261) (1982/K82) anything either) (DG) (1991/K215) Performance (through bodies) Wired World (ars 1995) VRML multi-user sculpture Sphren der Kunst / Richard Kriesche spirit of the industrial feeling but also a new art form outside the realm optical computer architecture becomes almost invisible ... It (AH) techno-aesthetics versus "Lumire et Mouvement" (1967) (Paris) Erotic Violence (1991/K278) Reichian convulsive breathing running into the limitations (1998/II-K222) RIP, NTP, NNTP, NFS (Erik Hobijn) (1991/K107) (1997 renamed: .NET) of traditional forms. (1997/K306) three-dimensional storage supports sensor technology and classical aesthetics (Andreas Broeckmann) Telnet Datenautobahn automatized exercise (John Duncan) of VRML VRML fire as the medium of possession ; (AH) Weibel shows that the means squashing teddy (R. R. Birge) (1998/P151) artificial senses. (PW) (Rooted in the sign?) 2001 Net vision (PRIX) netculture (1999/J438) light and sound sculpture violence in film (R. Kern) (1991/K281) explosions (1991/K277) (remote login) (promoted by Al Gore) the "Dante Organ" Symbiotic exchange of (1998/II-K257) for realizing depictions have basically (DG) We should leave the aesthetics concept (U. Winters, C. Ebner) (1997/K85) investigation of experimental (1997/K303) (1994/K07) (Christian Mller) (Roman Signer) 2001 Net excellence (PRIX) militarization of science and (1998/II-K263) hoarded energy (C. Ebener, been left out of aesthetic theory. in the realm of perception/aisthesis and turn, (Motoshi Chikamori) VOIP Voice-over-IP How can we transform this communication nightmare (1998/P80) light and sound effects (2000/P58) RMF rich (1991/K81) and its culture of death (since the (1982) mailbox and (Critical Art Ensemble) self-sacrifice D.S.I. (1991/K108) F. Fietzek, U. Winters) ausgeklammert wurden for example, to performative and projected computer shadows (Y. Breuleux, A. Thibault) music format: use of raw gaming energy (Internet-telephony) (Internet) into a conventional, dead, controllable mass Welcome to the wired world (1995/K) Centerbeam (Gyorgy Kepes) late 80s) (PV) (1998) conference system Like power, resistance must (1999/K317/P72) Goldhamster medium? atmospheric considerations. (P. Mhlfriedel, G. (ML) "energetic" bodies acting through waves and combination of energy transference post-scientific extremism (Adrian X) (1989/K145) At the Center (MIT), light, The Aesthetics of Code withdraw from the streets. The main trick was to substitute information for Markeffsky, L. Schaumann) atmospheres are generated with the help of electronic computer sculptures with and transformation systems (1980/K98) Net Art / net.art technological adventuring environment, is the all(Ed Burton) (2003/F38) Cyberspace must first be realized communication. Crisis 2000: decrease media and the performatization of theater floating magnets net-meeting encompassing topic. (O. Piene) Internet meets TV as a location and instrument of of submissions from Wireless-LAN projects (2004) forms of brutism (PW) RealVideo (O. Beckmann) (1980/K122) lab people, who go to the most extreme (Masami Akita, Z. Karkowski) = (Mazk) Schmarotzer Parasites (2002/K178) (2001/K192) resistance. public display (UR) The unkind and unfortunately inevitable discussion (Steve Mann) (1997/K223) 500 to 250 Digital Zapatismo (1998/K56) wireless experts (2001/K192) (Einstrzende Neubauten, ethical boundary (PV) (1998) Extreme Computer-Electronica (1999/K382) drawing energy from the e-hub of "digital kitsch" or "computer kitsch" still remains a Laterna Magica Personal security devices: Wilder Efeu (Stadtwerkstatt) (2000/P18) fight against the slavery of (R. Dominguez) (Kaucyila Brooke) Throbbing Gristle) body of their carriers (2001/F34) Network of Systems political satire reprehensible trivialization, if it does not see art as (L. Filatov, J. Eckl) 2 radar units, video cameras, Webcasting and (F. Xaver, Chris Mutter) (2000/K271) CUSeeMe research at the service gravity (Joe Davis) mobile Internet (1987/K12) (Frank Fietzek) Metadesign reunites art and NYC Gedankenbilder (Andy Deck) decribing planes of an diving into electronic dynamic, as action, potential, and method of connection. (A. Garton) foreigners and (1997/K308) microphone, infrared system Grrrl e-zines digital broadcasting Clickscape 98 (Stadtwerkstatt) (1998/K183) (2001/K201) (1982/K42) of the advertising and politics: it enables art to (Russet Lederman) (1998/P42) Feedback via global networks expanding hypersphere stateless persons (1997/K385) and a host of sensors pixel graphics on building, controllable light Project Teledesic Internet film industry have a political impact. (1999/P82) IRC channel (1997/K388) girl culture (Ascott) (1989/K103) The Gods of Thunder (1987/K133) art and war (2002/K284) (Glenn Branca) (1984/K207) virus vending machine (1999/P84) feminist strategies of young sculpture (Lehner, Seidl, Ritter, Estl) formation of surreal net research for the whole world via satellite (Azza El-Hassan) polyethnical media and cultural Metadesigners work with (Rhys Chatham) (Franke) rational aesthetics (2000/P48) etoy toywar (Eric Paulos) growth structures, fluid motion, ... artists: Nine Budde, Snergurtuschka, ethics of business and chat environments diversity (2002/K278) (Tremetzberger, IRC cultural context. Global Conflicts Local Networks Muntadas thus showed that the TV broadcasts that Einladung zur Beteiligung an girlie network cf. view of the field huge stockmarket losses Lina Hoshino, Cue P Doll, ...) (2001/K113) Baratsits) (Gene Youngblood) the advertising industry (I. Ramonet, Lori Wallach, Joichi Ito, commercialized spiritual wellbeing, marketed einem Netzkunstprojekt per Entropy Machine (Glenn Branca) (1984) (1989/J126) The "culture-meter" or the art chatroom (1986/K238) Alex Galloway, D. de Kerckhove, personal feelings and paved the way for holy women's networks FAX (1989/K106): EARN, DITNET, (M. Jacobsen) methods of feminist practice musical energy turning pillars of air of multicultural mixing GMUC Graphical R. Wischenbart) (2002/F11) war, originated in cozy private spaces. art as the scene of global I.P.Sharp (1995/P122) (net art: Kathy Rae Huffman, communication aesthetics Cabaret Voltaire shows Net Criticism (1995) into acoustic steamrollers countering the dominance (1993/K393) (W. Hilbert) cyberfeminism (1992) MultiUser Conversations The control of politics, religion and communication conflicts (Peter Fend) (2002/K319) Faith Wilding, Cornelia Sollfrank, technology violently ZK Proceedings 1995 sociology (Bourdieu) of English on the Internet (political strategy, (1997/K176) suck my code East/West dialogue is in the same hands. Unplugged (3) (Cabaret Voltaire) (1986) (1989/J133) Victoria Vesna, ...) (2001/K113) (1986/K07) (1999/J366) Internet-driven digital culture (2002/K145) (French funding) identity discourse "Net Symposium" as artistic methods) collective memory (1998/P52) (1996/K35) As a dynamic Internet archive, the "File Room" project beginning 1988 (1989/J16) brutal confrontation & lifestyle (2001/K192) performativity theories communication form (1999/K38) (S. Meiselas, A. Cornyn, S. Johnson) the seismic form (Sadie Plant, VNS Matrix) Operated by Art enables web access to information about the history Local Conflicts Global Media (2001/K200) (1997/F46) (Marita Liulia) increased involvement media winds from Asia postmodern views (Jean Baudrillard) morphology and VNS-Matrix (cyber(1996/K180) (Nova Delahunty) Hanru Hou, Peter Fend, of censorship. (Danny Schechter, Jennifer Sibanda, (Keigo Yamamoto) artists, teachers, designers, curators, of the Japanese (1991/K07) syntax of the "slasher" feministische Gruppe) Ambitious Bitch western M. Napier, Azza ElHassen, (1995/K172) (Antonio Muntadas) (1995/K285/P70) Winters Negbenebor, P, Quau, (1994/K215) (1999/J286) net access for African journalists, performers, musicians, ... as feminism at the turn of the millennium user input/user participation new maps of hyperspace (Carbaret Voltaire) (1996/K35) T. Sherman) (2002/F10) D. der Kerckhove) (2002/F09) women (2002/K194) henchmen of the media industry (Iba Ndiaye Djiadji) (2002/K77) Tokyo scene as criterion for web applications (1986/K98) issues of the psyche increased involvement (1997/F06) (R. Sifuentes) ff-female takeover (B. Serexhe) artistic aggression (2001/K86) (1995/P40) D. de Kerckhove) Mind Machines (John Duncan) Zensur cultural (Terence McKenna) Who is unplugged? (2001/K111) and globalization psycho-active research in service to (Tomohiro Okada) of the French (Rudolf Kapllner) In Tokyo the broadcasts from the composting (1990/II-K277) (G. Stocker, Aminata Traor, Saskia Sassen, Horizontal Radio: electroacoustics (1990/II-K323) the weapons industry pirate radio that he built and operated (Amy Alexander) the Internet stands as Women, art & technology Jeremy Rifkin) (2002/F08) (AH) from the dictate of subjectivity Die neuen Techno-Reinrassigen art against violence telematic radio network (Zelko Wiener) cyborg surrealism on the aesthetics of pleasant triggered tighter legal restrictions in the (1997/P82) "voice and memory" in the "virtual realities" of (Harwood, Mongrel) (1999/K326) to the separate world of apparatuses (Uri Dotan) (2002/K263) project (1995/K358) (1990/II-K339) the group VNS Matrix Artistic Aggression (1997/K63) states (Ernst Graf) media ether. opposition to censorship Authors on the topic: Zoe Sofia, Carol Stakenas, Martha Mischlinge in der Techno-Kultur Timothy Leary (LSD guru) rear-view mirror to reality (Weibel) Migration higher level theme Mindmusic uses low-end (Iba Ndiaye Djiadji, Oumou Sy, Jay Rutledge, (1990/II-K336) (1991/K300) (1995/K173) Burkle Bonecchi, Simone Osthoff, Jashree K. Odin, Patricia (David Sheff) (1996/K326) Cyperspace signalizes adventure, (1990/II-K343) technologies for Davis O. Nejo, M. Neustetter, The Trinity Session, Arge Zimbabwe Bentson, Judy Malloy, Patric D. Prince, Margaret Morse, (1990/II-K239) Just Merrit's laboratory of the past imagination, new territory (1992/P07) their work Andreas Hirsch) (2002/F08) the socially compatible virtual reality practices for supporting Censoratorium There are the known horror scenarios Telematic Dreaming Sheila Pinkel, Anna Couey, Kathy Brew, Christa Schneebauer, Homepage (1996/P114) as a machine against forgetting (1996/K188) network variation (Public Voice) in the dark (Station Rose) emotional interaction catalogue of trigger words Bio Art (1) of the electronic globetrotter, otaku or Barbara Becker (L), Faith Wilding (L), Melita Zajc (L), virtual contacts and touching (J. Domsich) (1997/K364) Wiring Africa (2002/F08) video, installation and (1995/K200) (R. Alton-Scheidl) (triggered by coded objects) (Rupert Huber) (Willem de Ridder) (Elisa Rose, Gary Danner) data dandy who holes up, lonely but in Donna Haraway, Verena Kuni (L), Nancy Buchanan, Ushi Reiter, (Paul Sermon) (M. Jensen, Michel Mavros, Birama cyberspace as name for psychological space (H. Ishii) (2001/K258) (1998/K236) Sherry Turkle, magician, performer (1989/K124) a teleorgiastic mood, in his media center, Mona Singer, Silke Bellanger, Dagmar Fink, Andrea zur Nieden, the recipient creates artists have always wanted (Graham Harwood) Diallo, K. Goddard, D. Muntanga, a psychotic space (1994/K158) Sadie Plant, (1990/II-K309,K311) research camp in Cairo which is connected to the rest of the Cornelia Sollfrank (1996), Helene von Oldenburg, Marina Grzinic, information (1995/K34) to create "monsters" (1998/K156) Lisa Goldman-Carney) Unplugged (2) (Peter Weibel) Donna Haraway, "Hollywood of the Arabic world" world via networks. At the same time, Eva Ursprung, Claudia Reiche, Adele Eisenstein, Sadie Plant, Affective Computing ethics in cyberspace (2000) (Joe Davis) (1990/II-K30) Art as Scene of (M. Minsky) the future Sandy Stone, (AH) limitation of the observer's selfthe environment does not interest him McDonald collected criticism Marie-Luise Angerer (L), Karin Spaink, Birgit Richard (L), Monika Treut (L) (2003/K260) Internet contents computer ethics convergence of science, Global Conflicts database with models Zoe Sofouilis recognition due to technology In der Vergangenheit hatten die (2004) Digital Communities involves at all (Rtzer) (1994/K108) (1996/P98) (n.n.) art and psychology (1990/II-K97) of conflict avoidance (1996/K184) (A. Rosanne Stone) (in closed-circuit-Installationen) ... Mobile Feelings meisten Sportarten mehr bridging the geographical, but also the view of memory the 90s as the era Artists on the topic: Steina Vasulka, Joan Jonas, Dara Birnbaum (OK), (D.A. Plewe) (1999) hacker ethics (1999/J312) the compulsion to adapt to the laws of the (2003/K258) Zuschauer als Mitspieler; jetzt gendered "Digital Divide" of the brain Valy Export, Margarete Jahrmann, Sonya Rapoport, Lynn Hershman, see also: political view / historical view Wiring Africa (AH) a net museum collects opinions (1998/K17) knnen wir uns Spiele vorstellen, interface (1990/P08) (Sommerer, Mignonneau) Nancy Paterson, Pauline Oliveros, Rebecca Allen, Donna J. Cox, Agnes Hegeds, and views, things and testimonials of (unplugged Symposion) Who is unplugged 1996 1.Cybercaf wo es mehr Mitspieler als Judith Barry, Jennifer Hall, Brenda Laurel, Monika Fleischmann, Char Davies, see also: home as environment of life (2002/F09) Afrikas (Oumou Sy) (AH) These works thus demand a new behavior (Symposion) Zuschauer gibt (R. Malina) Cecile Le Prado, Pamela Z, Nell Tenhaaf, Valerie Soe, Kathy Rae Huffman, Diane Fenster, Tonga Mobile feelings telephones: mini-bio-sensors social view (2002/K92) aesthetics as art theory from the exhibition visitor, tearing him out of The Hiroshima Project questioning (2002/F08) (1995/P30) Leslie Ross, Dawn Stoppiello, Christa Sommerer, Sabine Zimmermann, Marita Liulia Legend Artistic Aggression and controllers for measuing heartbeat (blood Online out of control (3) mere "contemplative observation". (Akke Wagenaar) aesthetic discourse ideas involving (unplugged Symposion) (2002/P60) pressure and pulse), und Puls), skin The aim of the Electronic These views are intended to demarcate content/analytical perspectives and 1987 art in the network (1995/K318) view of cyber and online normality art theory / morphology Symposium "Cyberfeminismus" (2002/F08) conductivity, persperation and smell Frontier Foundation is to a shirt's lonely journey rotating loudspeaker arm that delineate zones of content. Placement within these zones follows the (Kunsthalle Hamburg) XXERO collaborative MOO-based (Michael Hoch, demonstrations (Harwood) friendship theory of perception 1998 documenta X of the user (2003/K261) protect virtual through hell: (J. Laederbach) interacts with visitors and can (image commentary by principle: spatial proximity = proximity of content. Local Conflicts (2001/K18) environment (2001/K313) Mathias Melchor, globalization of (1996/P140) and love sublimeness debate Ambitious Bitch communities from Unnatural bodies get out of control (Stahl Stenslie) tel-emotion society by recipients on PC) Global Media The outer ring is generally more abstract than the inner area. (Ushi Reiter, Florence Ormezzo, Tamiko Thiel, Masahiro Miwa) campaigns (2000/K379) reacting to viewers fem networks (Marita Liulia) physical interference (Jim Whiting) aura debate (2001/P115) (2000/K213) "registering" and "depicting" the through sensors (unplugged Symposion) Marlena Corcoran, Valentina Djordjevic, These could also be called achaeological fields in Foucault's sense. The project "Survivors of the Shoah Visual (1997/P148) by government Global Conflicts (1991/K73) (E. van der Heide, M. de Nijs) repulsion theory central role of the (2002/F09) (Akitsugu Maebayashi) Aileen Derieg) viewer (AH) (1989/K170) History" makes use of the authorities. Local Networks FACES mailinglist (women working observer (1992) communication aesthetics perceiving other people in technological breakthrough of (AH) For Shaw it is especially interesting that the non-active (John Perry Barlow) (unplugged Symposion) notes from the underground Deep Media (comprehensively electric ladyland in the field of media) (2001/K313) a darkened room through political from the technically "moving image" data storage: 10000 hours of bad girls versus viewer also has an opportunity to experience the art work as (1995/K132) (2002/F11) including the context of the (Melissa Gould) Sadie Plant: Cyberfeminism is nothing a VR heartbeat Literature The literature cited is available in Linz (from the authors of the study). (Valentina Djordjevic, Kathy Rae Huffman, the astronaut christ mood management net projects to the "moving viewer" (AH) filmed memories can be digitally it is seen with the eyes of another, so that this manifestation user) (1991/K177) on concepts of proximity Diana McCarthy) Ars Electronica catalogues are only listed here, where special thematic other than the recognition that the days (2001/K236) (C. Mikunda) archived (1996/K236) (Hari Kunzru) attains the character of a performance. redemocraticization of the technodemocracy gender issues (1998/P90) user, player, participant, of patriarchy are counted (1996/K182) issues are concerned. (1999/J168) (Sandy Internets (Yury Gitman) (1998/K129) (AH) The implied intentionality expressed in the (1998/II-K297) (in MOOs & MUDs) (1997/K100) (1999/J315) recipient, visitor, viewer, Literature that is not directly available is marked separately. (2003/P28) Stone) catalyst for selfactive intervention completely suppresses the form cyberdemocracy reader, observer (Toshihiro Anzai, Tamio Kihara) (AH) revealing the viewer to himself globality (AH) discovery (AH) of disinterested viewing, it is even contrary to it. (Klotz) the future of democracy and the four intermedia persona performance emotional turn (1997/K259) ... you can paint as a voyeur (Lynn Hershman) basic principles of computer communication (Susanne Widl, Valie Export, Patricia Jnger) with it and "make" music at the (Dieter Daniels) guitar amplifier as The archaeology follows the axis: discursive practice => knowledge => science. special net art (1994/K206) (Howard Rheingold) discourses controlling facial Mibrauchte Frauen (1988/K135) Code-Katzen political and activist software: same time emotional amplifier cf. atmospheric studies Relevant discourse, research directions (knowledge fields) and method complexes psychophysical interface hands-on interactivity self-perception instead (ML) With interactive muscles many-to-many medium Betababies cease-and-desist-ware, illicit SW, advanced studies (1984/K250) In order to be truly contemporary, artists must see Cyborg Manifesto are listed here in this sense. (Werner Cee, Horst Prehn) of perception of the work ("Huge Harry" = voice synthesis installations, there are no (AH) new type of sensibility (1994/K207) Cyberschlampen software resistance, useful activist SW method complexes themselves as nodes in a technologically determined (Donna Haraway) (1993/P114) Discipline: as set of methods (of a scholarly discipline) playing with longer viewers, but only Pain Station machine) (1997/K110/P134) radically decentralized (1996/K182, K189) (2003/K229) environment - and thus assume a highly political (1997/K46) theory complex actors. people's desires (V. Morawe, T. Reiff) qualifying use of emotion media activists emotional program Touch-Screen (MF) an experience of attention and responsibility. (Stocker) (1996/J53) (Goodeve) (2002/F047/P102) research directions (L. Larcher, Rich.Art) (1993/K227) This categorization approach is especially suitable for Ars topics, because different art&politics (1989/K235) interaction oriented to the human being get in touch (Resitor Sensor) PEU = pain execution virtual emotions (R. Adrian X, R. Braun, fields of science (and of knowlege) are used systematically. discipline (mixed reality architecture) (Lynn Hershman) (1996/K418) (Thecla Schiphorst) unit (S. Schemat) (1993/K230) R. Woelfl) (1996/K248) CODE = LAW (symposium contributions) affectiveCinema (Jan Torpus, Michel Durieux) Fhrer Museum (transmediale) control through bio-feedback (2003/F06) (Cindy A. Cohn, J. Grimmelmann) proximity and manipulation (AH) identity and artificiality stolen art via GSR sensor (Galvanic Skin Response) Black Culture theory political discourse interface design Source information: time period, source, page (AH) With the development of the (2003/K26) (1979/Knnn) illusion of an emotional encounter participation (1989/K75) cultural criticism e-government repoliticization discourse microprocessor, in particular, we have Sources: K = catalogue, P = Prix catalogue, F = program folder, (Machiko Kusahara) (1997/K219) (Catherine Ikam) (2000/K401) cyberlaw (2001/K244) (R. Lozano-Hemmer) regulation and (AH) putting the viewer into the GSR opened up vast physical, sensory, feminist studies / feminist theory postcolonialist discourse J = anniversary issues motion-capture cannot convey role of collaborator cybercrime see also: emotional, mental and conceptional (2001/K192, K212) gender studies emotions exoticism discourse Humphrey (AEC) T = timeline/milestones (context of the Ars) teleparticipation touching and transforming possibilities. participation and historical view Open-Law combination of VR and force-feedback anthropologie of gender race discourse The catalogue from 1979 was only available in the Internet version. (1995/K178) Cyberrechte a face (Jim Campbell) interaction (AH) view of rhetoric technologies (2003/K433) cultural history studies agression, flesh, lust, craziness, regionalism debate no interface The page numbers therefore refer to the PDF version. (2000/F35) BUMP telematic installation mechatronic set-up view of action (2004) "Digital Communities" blood frenzy and fantasy postmodern views minorities debate apparatuses at all Linz Budapest !!(1999/K421) (2001/P87) (Les Levine) (AH) based on the phenomena of (flying over Linz) (H. Ranzenbacher) the new category acknowledges the political (Linda Dement) (1994/P46) (2001/K246) tactile interface pressure generate postcolonial theory Eurocentrism debate Artists, who are quoted but may not have taken part in the Ars stimulation, exchange and playing, participative projects (Stadtwerkstatt) potential of digital and networked systems (R. Lozano-Hemmer) counter-pressure (physical interface) How can feeling be programmed media law critical discourse Note: theoreticians are not highlighted in color the concept of art achieves a new force-feedback mouse force-feedback word-of-mouth in music? (Klaus Netzle) meaning cyberlaw (L): spoke in Linz (resistance increases with media law force-feedback device technologies (1980/K72) Prize-Winners Net Categories force-feedback device Artists, groups, persons who took part in the respective Ars Electronica every selection) with elastic screen the view of things compulsory guidance system for re-introduction of 1995: Robin Hanson, Konrad Becker, Pattie Maes & Max Metral, Station Rose, Antonio Muntadas, Artists' first names are written out. (Orit Kruglanski) (2000/F33) (Hiroo Iwata) (Slavoj Zizek) recipients gravity Digital Instinct talking to a neuro baby Ed Stastny, Stephanie Cunningham, Andrew Anker, Scott B. Gregory, Charles Henrich, Klaus J. Rusch, (1999/K351) 1979 (1992/K113) (Automatic Radio) (Douglas Edric Stanley) (electrolobby Panel) (emotional reactions) see above: therapeutic view psychical view Bonnie Mitchell, David Chaum, Catherine de Courten, Christoph J. Mutter Main Phases in Time 1989 (1993/K245) (R.A.M.S. attack) (2000/P100) (2001/F16) (Naoko Tosa) (1993/K353) haptic force-feedback 1996: etoy, Ed Stastny, Manuel Schilcher, Trevor Blackwell, Mark Pesce, Masaki Fujihata, Mc Spotlight, 1979 1988 Initiation/definition phase (Leopoldseder, Franke, Bognermayr, et al. 1996 (intentional lies) joysticks (Rebecca Allen) Ron Newman, Kevin McCurley, Andruid Kerne, Joey Anuff, Maria Winslow, Lisa Hutton, Stuart Moulthrop, 1982 Stadlmayr, Leopoldseder / 1984 Hattinger, Schpf (2000/F33) see also: object view (1999/K357) Timothy Leary 1986-88 Hattinger with Weibel as consultent or co-program organizer unarticulated communication similarity and manifesto of tactilism 1997: Project Taos, Gordon Selley & Rycharde Hawkes & Jane Prophet, Rolf Schmidt, Amy Alexander, bodies don't lie 1986 with Patsch touch media theory emotional turn Global String Bruce Damer, Ryoichiro Debuchi, Hermann-Josef Hack, Omar Khan, Zervos Komninos-Kostant, Steve (2000/P102) 1987 build-up of the PRIX (to most important international prize) (Atau Tanaka, K. Toeplitz) (literature studies) existentialism (primacy of action) see also: view Mann, Joan Heemskerk & Dirk Paesmans, Markus Schulthess, Alexei Shulgin, Mark von Rahden Leopoldseder calls 1986-89 the phase of re-conception (2002/F045/P108) media discourse psychoanalysis / repulsion theory of the atmosphere 1998: knowbotic research, E-LAB, Kazuhiko Hachiya, Bruce Damer, Andy Deck, Paul Garrin & Andreas psychological space 1989 1995 Intensification phase / more scholarly orientation (Weibel) /

art as cognition tool

(PV) (1998) Following the acceleration of the history of so-called "classical" art, we are now confronted with the acceleration of the reality of so-called "contemporary" art and the emergence of topical art, which seems to aspire to resist the imminent breakthrough of a virtual art in the age of cyberculture. (cf. Take over)

(2003/K142) There is hope that a growing awareness of the art historical "affinity" between concept art and software art will lead to a greater acceptance of media art in the field of contemporary art. (Christiane Paul)

against an official contemporary art for an art in keeping with the times (Fred Forest) (1995/K164)

(1999/K414)

modern era of information the realm of the formal

informatic art is outside

17 view of art studies

17 media philosophy view

1988

art art art art

as as as as

techno-science research method discourse

ars: knowledge society

1995

visual effects

ars: semantic web & collective intelligence

discourse view

art as content

knowledge management 16 impact/effect view

art as life energy art as challenge art as image

1996

perception view analytical view

1995

16 epistemological view AI view

World Wide Web Sites

1990

art as presence art as shock

view of literature

15 content view view of meaning

art as edification art as breaking taboos

ars on digital typography

ars: MAPPING in the age of digital media

2002

ars: digital identities

researcher view

art as apparition

view of the personality actor view

1979-80

15 typographical view view of text design

14 artist view authors view

art as school of life art as framework of communication

view of graphical design diagrammatic view II cartographical view

view of hybridity (II) 13 identity view

visual effects

net excellence

net vision

color view

12 aesthetic view

visual view / light view I

14 existential view

view of the apparitional

1995 World Wide Web Sites

1991

view of sensor technology

11 light view II

1989

view of networks (II) 10 Internet view

2002

energetic view

13 intensity view

09

view of dramatization achievement view

ars: cyberfeminism

view of destruction

2002

1991

view of concern 12 ethical view

nn view

monument view / memorial view

intercultural view

view of worldviews legal view

political view

11 feminist view

psychoanalytical view / psychophysical view observer view

(Kathy Rae Huffman)

09 emotional view

media studies media anthropology communication theory information theory net discourse / cyber-discourse simulation discourse nomadology discourse

10 recipient view view of the mood

Literature: Der bewegte Betrachter Theorien der interaktiven Medienkunst / Annette Hnnekens Die Individualitt der Medien Eine Geschichte der Wissenschaften vom Menschen / Stefan Rieger Bildbeschreibung als Verbindung von visuellem und sprachlichem Raum / Jrg. R. J. Schirra Im Netz der Systeme / Merve Information und Kommunikation in Geschichte und Gegenwart / Margarete Rehm Kursbuch Neue Medien Trends in Wirtschaft Politik, Wissenschaft und Kultur / S. Bollmann Die Wste Internet / Clifford Stoll Kursbuch Internet Anschlsse an Wirtschaft u. Politik, Wissenschaft und Kultur / Bollmann Internet Lesebuch / Ed. Marion Fuglwic

Lacanism discourse queer theory gender studies psychological theories of performance psychology / psychology of action

Literature: Vom Tafelbild zum globalen Datenraum / Ed. Peter Weibel Log.buch Materialien zu log.in netz | kunst | werke / Matthias Klos, Mathias Neidhart WebFictions Zerstreute Anwesenheiten in elektronischen Netzen / M. Faler, Z. Wiener ... net.art Materialien zur Netzkunst / Tilman Baumgrtel net.art 2.0 Neue Materialien zur Netzkunst / Tilman Baumgrtel net_condition art and global media / Ed. Peter Weibel, Timothy Druckrey net_condition Kunst/Politik im Online-Universum Peter Weibel (Steir. Herbst)

Literature (2): Medien Systeme Netze; Elemente einer Theorie der Cyber-Netzwerke / Stefan Weber on line Kunst im Netz / Projekt: G. Stocker 93 Intertwinedness reflecting the structure of the net berlegungen zur Netzkultur / Margarete Jahrmann, Christa Schneebauer Net Criticism - ZK Proceedings 1995 Total digital Die Welt zwischen 0 und 1 oder Die Zukunft der Kommunikation / Negroponte Telepolis Die Zeitschrift fr Netzkultur Lob der Oberflchlichkeit Fr eine Phnomenologie der Medien / Vilm Flusser Netzwerke / Manfred Faler

Literature (2): Elektronische Nchte Die Welt der Mailboxen und Computernetze / Dieter Grnling 24 Stunden im 21. Jahrhundert - Onlinesein Zu Besuch in der Neuesten Welt / Peter Glaser Der Flusser-Reader zu Kommunikation, Medien und Design Kommunikologie / Vilm Flusser Kunst als Sendung Von der Telegrafie zum Internet / Dieter Daniels Digitales sterreich Informationhighway: Initiativen, Projekte, Entwicklungen 1995 / P. A. Bruck, Andrea Mulrenin (cf. ars 1995) sterreich Online 96 (cf. ars 1995) Klare Sicht am Info-Highway Geschfte via Internet & Co. / H. R. Hansen

Literature: Ulrike Rosenbach / Videkunst, Foto, Aktion / Performance, feministische Kunst CODE und andere Gesetze des Cyberspace / Lawrence Lessig Women, Art, and Technology / Ed. Judy Malloy The spezialization of technology: from elsewhere to cyberfeminism and back institutional modes of the cyberworld / Ed. Marina Crzinic, Adele Eisenstein Data Body Sex Machine - Technoscience und Sciencefiction aus feministischer Sicht / Ed. Karin Giselbrecht, Michaela Hafner Feminismus und Medien / Ed. G. J. Lischka Vectorial Elevation Relational Architecture No.4 Rafael Lozano-Hemmer Zeitschrift fr Kulturaustausch 1995/4 / Neue Medien und internationale Kulturbeziehungen

Literature: (2) Politische Theorien des Cyberspace (article) / Horst Bredekamp (in: Kritik des Sehens) Techno-Kolonialismus / Oliver Marchart Mehr Licht / Paul Virilio, F. Kittler, et al.

Literature: Design goes virtual Entwrfe zur sthetik in der Informationsgesellschaft / Peter Zec Digitaler Schein sthetik der elektronischen Medien / Ed. Florian Rtzer sthetik des Immateriellen ? Zum Verhltnis von Kunst und Neuen Technologien Teil I / Kunstforum Bd. 97 1988 Florian Rtzer sthetik des Immateriellen ? Das Verhltnis von Kunst und Neuen Technologien Teil II / Kunstforum Bd. 98 1989 Florian Rtzer Das neue Bild der Welt Wissenschaft und sthetik Chaos-, Gehirn-, Systemforschung, Robotik, KI, VR 1993 / Kunstforum Bd. 124 Kybernetische sthetik Phnomen Kunst / H.W. Franke

Literature: (2) sthetische Information und Kunst / Herbert W. Franke Aesthetica Einfhrung in die neue Aesthetik / Max Bense Die Unwahrscheinlichkeit des sthetischen und die semiotische Konzeption der Kunst / Max Bense Handbook of Visual Analysis / Carey Jewitt, Theo van Leeuwen Der entfesselte Blick - symposium workshop exhibition / Ed. Gerhard Johann Lischka Bilder in Bewegung Traditionen digitaler sthetik / Ed. Kai-Uwe Hemken Mehr Licht / Ed. VVS Saarbrcken

Literature: Perform or Else From Discipline to Performance Jon McKenzie Destruktionskunst / Justin Hoffmann Choreografie der Gewalt / Kunstforum Bd. 153

Troeger, Matthew Fuller & Collin Green & Simon Pope, Koji Ito, Thomax Kaulmann, Susan Meiselas & Alison Cornyn & Sue Johnson, Lothar Bongartz & Burak Kozan, James Stevens, Andreas Trottmann, Wendy Vissar, Michael G. Wagner & Shane Carroll 1999: Linus Torvalds (Linux), Jean-Marc Philippe, Willy Henshall & Matt Moller, David P. Anderson, Joanna Berzowska, CAAD ETH-Zrich, Help B92 Coalition, Eric Loyer, Daniel J. Lundgren, Fumio Matsumoto & Shoei Matsukawa, Mark Napier, Nick Philip, Ramana Rao, Crista Sommerer & Laurent Mignonneau, Martin Wattenberg & Joon Yu 2000: Neal Stephenson, Sharon Denning, Telezone-Team, Ichiro Aikawa, Natalie Bookchin, Tom Corby & Gavin Bailey, Kensuke Sembo & Yae Akaiwa, Reinhold Grether, Jie Geng, Ursula Hentschlger & Zelko Wiener, Stefan Huber & Ralph Ammer & Birte Steffan, Patrick Lichty, Peter Mhlfriedel & Gundula Markeffsky & Leonard Schaumann, Kazushi Mukaiyama 2001 net vision: Team cHmAn, Neeraj Jhanji, Yuji Naka, Gino Esposto & Michael Burkhardt & Paco Manzanares, Ranjit Bhatnagar, Frank Lantz, Peter Lee, Eric Zimmerman, 2001 net excellence: Joshua Davis, Chris McGrail & Dorian Moore & Dan Sayers, Brian McGrath & Mark Watkins, Alison Cornyn & Sue Johnson, Laurence Desarzens & Raoul Cannemeijer, Bradley Grosh, Philip Kaplan, Netbaby World, Barbara Neumayr, Frederick Noronha & Paratha Pratim Sarkar, Toke Nygaard & Michael Schmidt & Per Jorgen Jorgensen, Tarun Tejpal, Mark Tribe & Alex Galloway, ultrashock.com, Voltaire, walker art center, Steve Whitehouse 2002: Radical Software Group rhizome.org, Michael Aschauer & Josef Deinhofer & Maia Gusberti & Nik Thnen, Sven Halling & Ivar Gaitan & Johan Rahm, Jonathan Gay, Alexandra Jugovic & Florian Schmitt, Harper Reed, Josh On, Alexandra Jugovic & Florian Schmitt, schoenerwissen Anne Pascual & Marcus Hauer, Sabine Bitter & Thomas Schneider & Helmut Weber, Kenneth Tin-Kin Hung, Francis Lam, Elan Lee 2003: Yuri Gitman & Carlos J. Gomez de Llarena, Sulake Labs Oy, David Crawford, Golan Levin, Lia, James Tindall, Antoni Abad, Christophe Bruno, Amit Pitaru & James Paterson, Agathe Jacquillat & Tomi Vollauschek, Jared Tarbell & Lola Brine, Axel Heide & Philip Pocock & Gregor Stehle, Han Hoogerbrugge, LAN, Michael Breidenbrcker & Felix Miller & Martin Stiksel, Frederic Durieu & Kristine Maiden & JeanJacques Birgs, E. Maria Haas & Luzius A. Bernhard, Shinya Yamamoto, sourgeforge

turn after 10 yrs. Ars Electronica / "art blessing" (Kunstforum) 1989-91 with Hattinger, 1989 catalogue Kunstforum with Lischka 1992-95 with Gsllpointner, Schpf / 1992 with Vasicek 1996 2004 Consolidation phase / Completion (Stocker, Schpf) no experiments with curatorial personnel Specialist curators: see the relevant catalogues The color coding in each sector makes it immediately visible who formulated or explored which emphases Within the possibilities of the cluster representation, this study addresses views/issues of art history studies with the indication of time periods. Canonized art directions (trends, movements) Vergleiche auch: Performance-Richtungen Field of design, technical approach (e.g. VR, immersive media, ...) The technical view was purposely not depicted as a separate sector. Title proposals for future Ars Electronica events

direction

field / approach

ars : ....

1968 The machine as seen at the end of the mechanical age the horrors of technification (NY) (Pontus Hulten) (AH) from the object-oriented "context-based art" 1965: M. Noll & intelligent environments that synthetic scenography 1968 Some more Beginnings Experiments in Art and Technology (NY) (Gruppe E.A.T.) to the context-oriented phase returns in the 90s in B. Julesz organize can act autonomously (PW) 1969 Cybernetic Serendipity The computer and the arts (ICA London) (Jasia Reichardt) (08.1968 ?) (see: context study) net alternatives the first US (1994/K07) (AH) ... especially in computer-controlled works, (AH) from text to context (John Whitney, Keneth C. Knowlton, A. Michael Noll, Nam June Paik, James Seawright, E. Ihnatowicz, C. Csuri) (1995/K62) exhibition of comp. context-controlled 1970 Software, Information, Technology. Its New Meaning for Art (NY) (Jack Burnham) // 1970 Kunstverein Mnchen graphics (Howard attention is shifted to an "aesthetics of the context-aware theories Cloud of Sound looking at the context of other posts event world (AH) 1970 Interactive Sound and Visual Systems (College of Atrs, Columbus, Ohio) (Charles Csuri) atmosphere", a world of perception, in which the contextualism discourse analog /vs/ digital Wise Gallery) in the Danube area (AH) Von Autonomie zu generated Die sthetik des Internet in a defined grid 1979 ars electronica (Linz) cast media: viewer is mentally and physically immersed theories of meta-communication the Ars Electronica in the atmospheres Kontext als Medium Kovarianz environment-encompassing art works and Doors of Percption (Ed Stastny) (1996/P86) lab atmosphere 1983 Electra - Electricity and Electronics in the Art of 20th Century (exhibition Paris) (Frank Popper) radio as invisible sculpture analog: atmospheric, field-oriented (Lischka, Weibel) aesthetic discourse (2003/P50) (1997/P16) (Joichi Ito) context of other conference in Amsterdam (1997/K153) interactive art events (1989/K166) atmosphere/aura of (Tom de Witt, Sonja Sheridan, Nelson Max, Roy Ascott) (1989/K290) (Hank Bull) mood management (see below) digital: discrete, coded, diagrammatic Ambient (James Tindall) body theory / body philosophy dense, charged media projects (AH): (Stephen Wilson) 1984 Kunst und Technik (exhibition Bonn) media art works machine-human (Lucie Schauer) the hallucinatory space (Maelstrom South Pole) phenomenology of perception atmosphere a space in which media sunlight, artificial light & robots 1985 Les Immatriaux (Ausstellung Paris) (J.F. Lyotard) (innovative major exhibition on virtuality, bachelor machines (Szeemann) (was announced as machine exhibition) atmospheric arrangements The idea of Ars Electronica of electronics (P. Weibel) immersion in color (1988/K104) and moods are constantly (HK) On ZKM (Zentrum fr Kunst und virtual immersion with its aura of new technologies and the revolution of electronic communication) to control reflections machine age (Pontus Hulten) TV set projection / multi user is based on a more generally light shafts, ocean of light, (1989/J23) sound atmosphere Medientechnologie): it is important for me to stress changing (2001/K78) quiet (2002/K297) (P. Quau) 1986 42nd Biennale Venedig (Paul K. Hoenich) (1980/K115) environment (CH Expo 2002) conceived concept of the color spaces (Wonder, (Jim Denley, Rick Rue) that the traditional arts are also included, because (Sponge/FoAM) (DM) With all the success attributed to technical media - the 1986 Les Machines sentimentales (Villeneuve-les-Avignon) (MEGO, Involving System) Viennese Knstlerhaus: the friction surfaces of the future will be in allowing H. Goebbels, Mller) atmospheric projections atmosphere of a steel factory (1989/K318) simulative force of digitalization, the invention of virtual, 1987 Imaginaire et Technologies (Bagneux) electronic atmospheres fluid environment An exhibition entitled the old art genres to collide with the new. (Fadi Dorninger) (2000/K311) completely unknown, even unimaginable spaces, the 1987 Les Mcaniciens de lImaginaire (La Villette) flowing changing images on electronic art complete immersion immersive installations atmospheric "Ars ex Machina" was intended atmospheric (AH) we need permeable One cannot focus only on new technologies and (1998/K276) Ridina train speed of implementation and processing, allowing 1987 Kunst im Netzwerk (Kunsthalle Hamburg) (image commentaries by recipients on PC) What can media contribute to arranging water walls (Andrea Zapp, Paul Sermon) (1989/P90) sounds to illuminate the special situation as atmospheric approach "wallpapers" dissipative codes media aesthetics, because the old genres change (1999/K387) (Radian) extraordinary journeys to the unreal - it is always also 1989 Maschinen-Menschen (Kunsthalle Berlin / Peter Funken & Lucie Schauer) the atmosphere of places? (2000/F36/P106) vibrating aura arising from the use of electronically in the course of confrontation too. die alten important to keep in mind their barriers, their boundaries. 1989 Wonderland of Science Art Invitation to Interactive Art (Japan) (Itsuo Sakane) image and sound terrarium glowing atmosphere (AH) The essence of electronic art (Weibel): Liquid Cities (immersing, ambient display (H. Ishii) controllable machines in the Gattungen verndern. Music Creatures (AH) Huhtamo: new way of dealing Even more: it is the boundaries that first make it possible 1993 Machine Culture exhibition of interactive media art (Anaheim) (Stadtwerkstatt) ... it propels the development of electronic art from the floating, ...) (Michel Redolfi) (2001/K255) (T. Shannon, J. Hassell) creative field. (The exhibition never Messa di Voce (Tmema) thinking about (Marc Downie) with images (VR and cyberspace to probe the specific potencies and achievements of media. 1999 Puppen Krper Automaten Phantasmen der Moderne (1984/K385) object-oriented to the context- and viewer-oriented phase, (1996/K310) (1988/K113) took place.) (1996/J56) (Franke) the meaning and impact of verbal (2003/K402) practices): dive in, submerge, travel... (Dsseldorf / Katharina Sykora, Pia Mller-Tamm) SETI 100,000s of computers media terrarium becoming a "motor of the transformation from modernism to conjoined realities (HK) I do not focus on media aural architecture Liquid Meditation sounds/acts and the immersive (HK) The old arts will never become sound atmosphere (cf. atmospheres study (DG)) postmodernism, in other words the transition from closed to Public space immersion (M. Naimark) (Hiroo Iwata)(1996/P142) in search of technology in the sense of a (Maryanne Amacher) as habitat "diving in" atmosphere of our language anachronistic, but instead we simply open systems, from decision-defined and complete systems to (ML) immersion can lead to a extraterrestrial intelligence replacement of what was art compare with (1997/K310) (1997/K328) CAVE (Golan Lewin, Zachary Lieberman) have a broader spectrum of media hybridity of media, arts and networks (AH) Weibel names a total of 21 features or criteria lack of differentiation between (1999/P32)(David P. Anderson) indefinite and incomplete systems, from the world of the yesterday Roy Ascott's (Margaret H. Watson) (2003/K320) tele-immersion transmissions. that are characteristic for this new art, whereby interactivity necessity to a world of viewer-controlled variables, from the human and machine (ML) Immersion, as diving in (AH) It is better to speak of an "art of "Apparitional Aesthetics" Software as hidden force (1997/K168) virtual mental space hybrid computers hybridation", which is not to be confused with appears to be a reflection on new properties of media, such mono-perspective to multiple perspectives, from the monopoly completely into digital worlds (Hiroo Iwata) (1997/K263) (HK) The history of art over the past 180 years in the background (2003/K139) (M. Fleischmann, W. Strauss) as simultaneity, ubiquity, globality, mapping, freely scalable, to pluralism, from hegemony to plurality, from text to context, VR work (yet the interface must not be marked "collage", "mixture" or "Patchwork" immersive media immersives spatial display has proven, in any case, that the spectrum of media cf. code interest in image studies infinity, immateriality, semioticization, acceleration, from locality to non-locality, from proximity to telematics, from absence and transparency (Maria Roussos, Hisham Bizri) immersive interaction (2002) as the boundary between human complete all-around perspective has been expanded without any medium becoming temporalization, dislocation and the suspension of identity to difference, from totality to particularity, from objectivity (1998/K222) (M. Kusch) (1994/II-K78) and machine) how art is always looked for in conceptual weaknesses obsolete. identity and the body. Masaki Fujihata (1996/P120) to viewer-relativity, from autonomy to co-variance, from the VRML and JAVA (MARS development) auto-navigation system with AR (AEC) the wrong place (2001/K34) Media art will never be limited to the artistic use of technical immersive media Immersion (eintauchen, einbetten) dictate of subjectivity to the separate world of the apparatuses." hybrid spaces (1997/K199) (CAM perspecive overlaid with route) (Joline Blais, Jon Ippolito) Charlotte (Char) Davies (1995) media. It is always also aesthetic investigation, critical analysis and net art as concept art (1992/K11) social critique of our world view indexed by science and superimposed 2-player games (2002/P96) VR work osmosis (2002/P16) With its results, the Prix once again (Bettina Lockemann 2004) concept art (Weibel) The festival was not up-to-date and Der Versuch die Leiblichkeit GMD Digital Media Lab / ETH Zrich technology (Stocker) (2003/K13) (Ryota Kuwabuko) immersive installation demonstrates the complete emancipation of cyberart (art field) outside the art system. zurck zu erobern new kind of virtual art 360-degree dome (K. Sims) from traditional art. Elaborated independent (1999/J71) augmented reality: AR facilities (1979/K03) conceptual-systemic art (1) (AH) concepts ... (C. Schpf) CODE-Kritik Collective Creativity self-organization of data picking up, reinforcing and even fusioned media design groups (CODE symposium) (knowbotik research) (1993/K249) setting trends (1999/J73) virtuality immersive architecture interlocking two realities representations (MESO, Involving Systems) (2003/F11) simulation space "mosaic of mobile data Software & Art I / II (CODE symposium) (1999/J94) robot ecosystem (Adrian David Cheok (2002/F12), issues of sounds" Take-over as theme (2001) Agnes Hegeds VR art (?) (2003/F12/F13) (L.-P. Demers, Magic Book (Kato) take over Prof. Hirokazu Kato, --(1998/II-K306) media art as collaborative research lab interdisciplinarity playing real scenes walk-in database (see right) Jeffrey Shaw (how does the system of "fine virtual art B. Vorn) (1996/P126) (1997/K262) posthuman Bruce Thomas, view of manifestos software concept for art and science Cyberspace Manifesto into a virtual environment (2003/K226) Michael Naimark life forms art" react ...) Christopher Lindinger) (2001/K20) (Oron Catts, Stuart Bunt) (2001/K136) (AH) Paul Sermon (student of Ascott) Chico MacMurtrie & Rick Sayre research focus (Alvin Toffeler) virtuality in software conceptual software (S. Stenslie, mixed-reality applications (2003/K328) center for artistic investigations (1991/P127) "tumbling man" But no art term yet? explored the intimacy of virtual Knut Mork, (DM) No medium is capable of re-forming (AH) Weibel characterized this The Hidden World of Noise and performances transferred to avatars see also: loudspeaker arm as tactile experiences (1993/P126) the evolution of functional robots+avatars K.A. Oygard) (AH) from the dictate of telepresence and co-presence form of art as so-called Voice (2002/K408) (Futurelab, or translating another without loss or absense as pursuer (2001/F34/P114) simulation view robo-ecologies (Mark W. Tilden) ! (1999/P76) subjectivity to the separate world Lack of a further development (1997/K199) "post-ontological art", as an art G. Levin, Z. Lieberman, C. coercion ... virtuality (Edwin van der Heide) trademark of the festival: (1993/K195) (K-Team) of apparatuses in the CAVE. Packing it away in of "virtuality", of "variability" and Lindinger, D. Offenhuber, M. Breidenbrcker, VR virtual reality (DG) a "take over" is meaningless in this VR (Marnix de Nijs) view of art genres Kunstzeugwelten openness (1989/J14) favor of cheaper video game of "viability". G. Stocker, R. Abt, R. Praxmarer, S. Mittelbck) phenomena art international expert conference sense too (Morgan Russell) (Ulrike Gabriel) Homo Cyber Sapiens It is not an achievement to transfer traditional systems? (2000/P67) CAVE crisis ? RoboCup stereographic real time "Industrial Robots" (1990/II-K215) robot performance (2000/K362) VR facilities (1993/K350) (1995/K28) artistic patterns and behavior schemata to media with "software" Burnham established a (2000/F37/P108) Strategies of art are more and applications for CAVE at theKepler UNI (1982/K267) (1999/J242) Pixelspaces (add. offers) (AH) (Itsuo Sakane) LEONARDO on the aesthetics of art; the challenge is to invent new ones. connection between computer technology CAVE variations AEC department: Behind the Scenes (CAVE) more frequently and lastingly and ImmersaDesk (1999/J100) (1989/J35) (Horst Hrtner) art in the apparatus stadium robots in the spotlight !! automatons (Werner (G. Stocker) (1999/J68) Is the pleasure in highLiterature: Virtual Reality diffused in other areas of society. (AH) What is problematic about today's VR and concept art (2003/K125) CAVE goes PC (N. A. Baginsky) (1991/K221) Vollerts) (1991/K221) (T. Feuerstein, K. Strickner) technological art (1999/F30) (Simon Penny) high tech /vs/ low tech (2) tech experiment already Citycluster VR networking Strategien des Scheins Kunst Computer (1997/K12) Art dissolves like minerals in systems is that the participant has to be (Erkki Huhtamo) (2001/F10) (1993/K302) Pixelspaces (additional offers) If you dont think this project for networked declining? (1999/J95) application (F. Fischnaller) liquid. (2001/K19) Medien / Ed. Florian Rtzer, Peter Weibel completely "wired" with data helmet and Joshua Davis (helpful spirits) is art ... (2001/K60) CAVE versus game engines CAVEs: transmission of (Leo Schatzl) robotics / automation (2003/K429) Self-dissolution ! (DG) data glove. (2001/P42) Kunst als Medientheorie / Hans Ulrich Reck high technology art (Kittler) With respect to the (C. Ebner, U. Winters) (2001/F10) vergl. (2000/P67) technology fetishism body traces "juke_bots" interactive robot The Thing data helmet & data glove Media-made Wie kommen wir uns nahe? institutional critique high-tech art "structure of norms" the ... artists integration of art, science and (lack of content) sound installation (transmediale) exploring virtual worlds semi-spherical projection three versions of a virtually Rhizom.org questioning legal claims robotics conference at AEC (2003/K228) (who promise radio art in radio or Hg. Gerhard J. Lischka, Thomas Feuerstein and technology (at MIT) (Otto Piene) (Gommel, Haitz, Zappe) (Monika Fleischmann, in WEB galleries (2000/P62) with head-mounted displays (Warren Robinett) see also: furnished room: only comprehensible Alexander (Luc Courchesne) digital illusion computer art on the computer) have (1980/K96) Granular-Synthesis Offene Systeme I Beitrge zur Zeitstruktur (ML) affinity of (1990/II-K119) (AH) mechanic-kinetic works Ulrike Gabriel) (1990/II-K138) technoscience art in the interaction with the real R. Galloway (0100101110101101.ORG) view of the field (2002/P92) (A. Trottmann) always come too late. (1995/K376)(1998) media and von Information, Entropie und Evolution / (Ivan E, Sutherland) Jean Tinguely (1955) "Meta-Matic-Roboter" we are human beings furniture techno-scientific art (1998/P58) standardized interface the universal Robert Adrian X (Ulf Langheinrich, dynamics and openness of interactive, machines (1990/II-K123) (AH) Nam June Paik (1964) Ed. Ulrich von Weizscker (D. Dennett) (1997/K181) (Perry Hoberman) (1999/F25) (1997/K1121) domain-grabbing Festival for Art (1991/P30) VR was practically not cyberstalking robot (1999/346) Kurt Hentschlger) cybernetic processes (2003/K13) "Robot K-456" (PW) on the origin of (1997/K296) beyond the Medien Archiv / Agentur Bilwelt and Technology (1989/J13) nano-robots Kraftwerk re-engineering (re-using) represented in entries in recent years (spying out data) (Hans Moravec) John Sanborn Cybersquatting interplay techno-art in the Cyborg Detector machines robot body parts science art (1999/K28) Medien / Texte zur Kunst 1998-8-Heft32 Coder, Hacker, commercial systems (AH) freedoms (1991/K13) Christiane Paul (2003/K136) (1986/K121) (squatting on the (1989/K81) mailbomb hacker industrial revolution (Berger,Futterer,Stone) (Max More) Rakuschan (Stelarc) surreal incubation, cultural viruses, Unnatural bodies Open Sourcer, (2003/P83) Hybridkultur Medien Netze Knste / Ed. calculated by the artist machine art see also: Internet) M. Moswitzer impact management (Dan) Daniel J. Sandin Cabaret Voltaire Irmela Schneider, Christian W. Thomsen Cyborg = cybernetic-organism (AH) (Jim Whiting) computer chaos club Circuit Bender simulation view information and entropy (etoy) (2000/K360) M. Jahrmann robot interaction cybotage (1991/K73) (2001/K20) using devices and systems symposium "Robots, Animation (1996/J84) (2001/K299) The cyberspace handbook / Jason Whittaker Ron Hays (1982/K198) first presentation of the (1995/K09) Van Gogh TV (2003) (1986) (R. Kriesche) contrary to their market and Artificial Creatures" synaesthaesia is one of the new possibilities of automation WEB-Shredder electro-mechanic instruments Jack Burnham Tuschung, hnlichkeit und Immersion TI home computer in Europe Ponton European Media Art Lab (1999/K400) cyborg art (1989/K141) view of openness definition (2001/K20) (1993/K171) (R. A. Brooks) leitmotifs of media art (Maywa Denki) (2003/F39) 1968 System dysfunctionality: (M. Napier) Mark W. Tilden Otto Piene (1979/K43) (article) / Jrg R. J. Schirra Stadtwerkstatt TV (H. Ranzenbacher) (1999/P46) Jim Whiting pneumatic denial of service, (1993/K195) (1999/J352) clear board Virtual Art - From Illusion To Immersion / free scalability (AH) (AH) from autonomy to out of control The Robot SPA 12 SRL anthromorphosization etoy (2003/K342) the art of machine "tinkerers" Are machines on the (1991/K73) exoskeleton ! virus security the open art work (1970/T) foundin of Xerox Palo Alto Research Center MESO Oliver Grau (Virtuelle Kunst in Geschichte (1979/K27) (1989/J102) multifunctionality of co-variance (2) Contained Masaki Fujihata Sulake Labs Oy drawing tool with (Marcel li Antunez Roca) (2003/K229) rise again? Bernhard Leitner (AH) The concept of the "closed art work", (1972/T) HP 35 pocket calculator Involving Systems hidden microphones largest (game rules of art) und Gegenwart: Visuelle Strategien) the universal computer (2003/F43) Times Up (2003/P34) (2001/K74, K320,P120) expressive parameters the dominance of aspired image: "comprehensible" (1982/K160) Interactive Talking Robots according to Klotz, is also fundamentally (1976/T) CRAY-1 super calculator (Sabotage R. Jelinek) open source intertextuality (AH) transition from Virtual Reality Technology / Grigore Burdea (Joanna Berzowska) complex manifestations Giaco Schiesser mechanization Matt Heckert (1989/K174) called into question by the aspect of Joichi Ito (1977/T) Apple sells the first completely Golan Levin Just Merrit SW development (1994/II-K38) Nanotechnology: self(1999/P74) Soundcreatures closed to open (1999/P34) (2003/K371) (zu Giedion) (Paul DeMarinis, (1996/P210) interactivity. assembled personal computer (color graphics) (2001/K387) (1999/J403) web site (2002/K252) chaos cube (M. Klein) you can't teach an old reproducing microscopic Pierre Lvy sound communication robots systems Laetitia Sonami) (1991/K51) (1997/P200/K311) robots (1977/T) Commodore PET (2002/P98) (2003/P079) (1994/II-K71) machine new tricks robots (1992/K71) instrument developer as (1995/K91) (1999/K411) John Maeda (Kouichirou Eto) Harry de Wit roomware (1979/T) LISA development (2003/P42) OSDN (T. Sherman) (2003/K170) tool designer Hiroshi Ishii (2002/K396) Kingdom of Piracy: Whiteg Wenig, LAMP (Linux, Apache, Like the analog techniques of Mechatronic Show as soon as it works, Stelarc Florian Rtzer (1979/T) ++++ ars electronica ++++ (2000/K305/P82) (1997/K196) (2000/K385) (music compiler, ...) it is obsolete (1997/K198) Mukul Patel, Manu Luksch, Rhizome.org, MySQL, Python/Perl/php) sculptor as photo and film, media art goes room elements like walls, doors and (Marcel li Antunez Roca) (1999/J411) (1994/K108) (1980/T) Apple III Ken Goldberg 0100101110101101, Joy Chatterjee, (2002/K394) Alain Escalle machine builder / through several phases: the (2001/K254) Team cHmAn furniture are integrated in information (2003/K322/P118) (1994/P06) (1997/K149) (1995/K28) (1980/T) Commodore VC 20 (1996/K297) Public access TV und Radio media primarily involve enabling (2001/P28) doubleNegatives, p,RT, Eastwood RTSG, Kingdom of Piracy (1999/P145) ars metallica material, corporeal, machinic (2003/F12) and communication technology exoskeleton (1980/T) Commodore C 64 Kathy Rae Huffman normative power of structures (DM) (Stadtwerkstatt, Radio FRO) Diane Ludin, Dragan Espenschied, Alvar Freude, (A. Medosch, Shu Lea phase ... (AH) digital technology also enables Dan Graham (1982/T) Compaq founded (1991/K261) (1994/K156) Dennis Muren David Rokeby Manuel DeLanda David Dunn software monopolies F. Stalder, Agnese Trocchi, Olia Lialina, A. Tang, Cheang, Yukiko Shikata) Free Software free software panel-like screens, tables with (1994/P67) mechatronic new developments in apparative (1992/K136) Tool /vs/ Medium (1992/II-K21) (1982/T) SUN network computing on TCP/IP basis current technology (1993/P122) (2003/K12) Roger F. Malina (1994/K168) Ilya Eric Lee, exonemo, J.J. King movement project (2000/K351) integrated screens (InteracTable) art (control techniques) (1983/T) Atari home computer 1200 XL perfect usability Itsuo Sakane Agentur Bilwet Timothy Druckrey (1997/K258) (1999/J319) virtual workbank account Steina & Woody Vasulka Piazza Virtuale (2003/K29) art as procedure / (1983/T) MS Windows development announced (1980/K47) (1998/II-K290) cf.: view of objects (2002/F043) Dialogue with the knowbotic (1999/F08) (1999/224) (W. Krger) (1994/P122) System dysfunctionality: open law apparative art (1973) (1992/K81) Service Area art as method (1984/T) Apple presents the Macintosh Video/Audio Technology Timeline according to Vasulka: Char Davies South (1994/K243/ Geert Lovink H.W. Franke denial of service (1979/K54) multimedia versus (1994/K234) (Giaco Schiesser ) John Lasseter Frank Popper Symphonies for Dot Matrix Printers !! open source computer in an advertisement (196x/T) Video Feed Back (Skip Sweeney) (Frans Evers) chessboard interface (1996/P144) Service (1995/K180) (2003/K229) Scott deLahunta synaesthetic TV broadcasts in (2003/K372) (1996/P164) Cristopher G. Langton (a multitude of obsolete office machines) (1984/T) IBM PC AT Bruno Latour Peter Eisenman (1999/J152) (1962/T) Hybrid Graphic Animation Computer (1988/K268) controls scenes (knowbotic (2003/K302,K311) interaction concepts the context of (2000/P124) (1999/K381/P183) (The User) Linux developments (1984/T) UNIX and SGI 3D Chip on the rise (AH) machine art forms of apparatuses (1964/T) Audio synthesizer (Don Buchla) the 3rd synaesthetic (Norbert Artner) (1988/K171) research) (1994/K38,K11) G. J. Lischka (Mixed Reality) teachers at service Friedrich Kittler pioneers of electronics (1985/T) Atari 520 ST service projects on the Internet (1968/T) Chrominance Synthesizer (E. Siegel) wave in modern art video chess installation (1989/K88) Donna Cedric Price (Linus Torvalds) (1999/P24) Daniel Charles atelier computer (1986/K13) (M. Fleischmann) Robert Moog, Carlos media colleges (1995/K79) (1985/T) Commodore AMIGA 1000 (Manuel Schilcher) (1993/T Machine Culture exhibition of (1968/T) Modula Audio Synthesizer (R. Moog) Haraway (1994/K30) the net as system house artist (1979/K44) principle of redundancy (1980/K07) (1985/T) CD-Rom as new storage medium Paul Virilio (1999/J173) (Keith Goddard) influence of MIDI on interactive media art Anaheim (1968/T) x y z Driver/Sequencer (Bill Hearn) (1997/K46) Bernard Cache (prisoner in a golden cage) Marshall McLuhan open channel distance loan - distance exchange (Hans Kropshofer, (Prof. Machiko Kusahara) (ars intermedia) Martina Leeker MIDI (1984/K161) (2003/K15) (1986/T) Atari 1040 ST (Aladin as Mac emulator) (Stadtwerkstadt Linz) (1994/K94) (1968/T) Hybrid digital/analog audio synthesizer art project et al. (1989/J24) Karl Heinz Maier) (1998/K116) robot lady Brenda Laurel (1987/T) Sun market leader for workstations (public netbase t0) (1995/K293) (1995/K24) (AH) synaesthetic interaction (Weibel) (1988/K27) (Pulsa Group, P. Kindelman) Ulrike Rosenbach (2002/P146) Hans Moravec Heinz von Foerster loan and exchange an interdiscourse interface as variable (2001/K367) (Cardea) MIT (1987/T) Mac II (the thing) (1995/K313) (1990/II-K259) (1991) (between different elements of design) Media Survival Kit (1969/T) sal-mar construction (S. Martirano) (Yasuhiro Yoshiura) high tech /vs/ low tech (1) (1991/K13) Michel Serres (2002/K238) border rescue Marie-Luise Angerer projection (Audiopad)! (A. Hirsch) Media Literacy 2004 Kontextsystem (Service-Plattformen): (1987/T) CGA graphic screen as PC standard (Lioba Reddeker) (1969/T) Sony CV Portapak Abraham A. Moles (1996 Prix) Fred Forest fantastic young talent (1999/J116) escape routes (2003/K349) (2000/K166) (James Patten, Ben Saskia Sassen Mixed Reality: (MF) Bionic-Mailboxen (padeluun, rena tangens), (1990/T) Windows 3.0 danger for MAC for the first time (1970/T) Direct Video Synthesizer (S. Beck) new technology and (1995/K164) (H. Schmutzhard) software as tool Jean Baudrillard Recht) (2003/K414) Louis Bec (1995/K186) (1999/F26) (Sommerer, the interface as input/output instrument is not a Roy Ascott (1984/K386) The Thing, De Digital Stad Amsterdam, (1990/T) Apple offers the first program for image Gene Youngblood (1970/T) Electronic Video Synthesizer) (E. Siegel) design creativity (2002/K378) (1991/K07) or art content ? (2002/F08/K25) Sybille Krmer various media colleges present Mignonneau) multimedia instrument, but one of action for the Internationale Stadt Berlin, Public Netbase t0, processing (video context) (1984/K119) (1989,90-95) (1970/T) Colorizer, Camera Scan Processor (A. R. M. Eshaq) (2001/K47) Key Grip Vilm Flusser Paul Sermon train window as interface Jeffrey Shaw synaesthetic transformation of the perception of themselves during the Ars: V2, CCC, adaweb, stadiumweb, turbulence, (1991/T) PowerBook Mailboxen (1971/T) Paik/Ab Synthesizer Scan Modulator (Justin Manor) Marvin Minsky (1990) Xchange (E-LAB) (91,93,97,99) (1999/J202) (Virilio) There are no more surfaces. media space. (1990/P187) Servus (Satdtwerkstatt) (1993/T) SGI and Nintendo develop Graphic-Engine Bill Viola 2001 take over campus: Visuelle Mediengestaltung Vienna (1971/T) Video Synthesizer (G. Brown) The construction of Nam June Paik (2003/K330) (1998/P34) valuation in the PRIX (1993/P126) The interface is the new form of the (1995/T) SUN Java: Standard for the Internet (1971/T) IP Image Processor (D. Sandin) => experience. Interface as Derrick de Kerckhove 2002 Kunsthochschule fr Medien Cologne these cooperations are Heinrich Klotz Myron Krueger synaesthesia surface. Thanks to electronics, teleJury INTERACTION: A. Adriaansens, R. Ascott, B. Blau, (1996/T) SGI Visual Workstation O2 and Superc. Onyx Gordon Pask (1999/234) Which interfaces determine (1972/T) Dual Colorizer analog (E. Siegel) content. (David Rokeby) DIVE: Free Software, online collaboration, 2003 HS fr Gestaltung und Kunst Zrich mirrored in the symposium unplugged (1990/P169) (1988/K12) control, teleperception, videasts and H. Branscomb, F. Brody, Coco Conn, S.S. Fisher, Matt Mullican (19nn/T) IP networks for computer collectives the overlapping of real (1972/T) Scan Processor Prototype (Rutt, Etra) piracy (2003/F38) (2002/K271) Knowbotic Research Peter Weibel (1999/K423) Interfaces as NeoBaroque ? architects meet on this interface. M. Fujihata, Ulrike Gabriel, V. Giacci, Christophe Hry, P. Higgins, (1997/T) economical workstation on NT-basis and virtual space (MF) (1994/P158) (1973/T) Videola Installation (D. Hallock) E-zine Das Tlcentre Communautaire standardization of Austrian rigidified (1993/P101) (1998/P28) P. Hoberman, J. H. Horn, Hiroshi Ishii, Machiko Kusahara, Masuyama, (2001/T) SGI Workstation 230 Karl Sims Gilles Deleuze (1973/T) Multikeyer (G. Brown) the high art of Polyvalent in Timbuktu (2002/K177) (2001/K213) interaction design Culture Service perception framework (1993/T) Pentium processor (1996/P144) (1993/K249) youth as Literature studies examine, among R. F. Malina, J. Markoff, T. Moriyama, Monique Mulder, M. Naimark, (1991/P79) (1990) (1994) (1973/T) RUTT/ETRA Scan Processor (Rutt, Etra) conveying science performative interfaces (see above) (D. Rokeby) (Birama Diallo) set off by training courses (1995/K290) (1999/J391) users of excellence other things, how much techniques and J. Paradiso, C. Paul, B. Robertson, F. Rtzer, J. Sauter, H-P. Schwarz, (1992/P51) (1993) (1973/T) Video Outliner (S. Beck) (Science Education Team) planned but never realized (2002/P70) personal computer (2001/K396) media influence or even determine the P. Sermon, Y. Shikata, J. Snoddy, S. Stenslie (1999/J390) Joko Project (service) Christa Sommerer & view of "new technologies (1974/T) Hybrid audio/video Installation (Behrman, Diamond, Watts) hybrid system exclusively (1999/K332) (2000/K274) or partially realized in 1997 contents of the arts. (D. Daniels) Christa Sommerer, S. Stenslie, G. Stocker (Lisa Goldman-Carney) Laurent Mignonneau (1974/T) Digital Video Weaver (S. Beck) for artistic purposes bicycle as interface Pixelspaces DAMPF (2) (2002/K186) (1999/P93) (1999/J393) (1976/T) Digital Frame Buffer (D. Jones) Interface-Prof. Art UNI (Shaw, Nancy Paterson, (ars intermedia) affordable U19 Cybergeneration (PRIX) In its expansion to "image studies", it will first become possible to performance theory Sensory Environments art as procedure / (1976/T) Spatial and Intensity Digitizer (D. McArthur) (Christa Sommerer) Note: the selection reflects times up)(R. Makkuni) (1979/K44) Literature: Jury ANIMATION: M. Benayoun, M. Bielicky, L. Carpenter, O. Cauwet, H. Chida, workstation examine how art is not only influenced by the media, but how art works Immaterial Interfaces cognition theory art as method (1976/T) Digital Image Generator (McArthur, J. Schier) the opinion of G. Dirmoser Lynn Hershmann (2002/P88) Larry Cuba, M. Dipp, J. Duesing, P. Eason, Valie Export, Lisa Fisher, Ines Hardtke, ExMachina / Eine Geschichte des Roboters von Indian (HK) the computer also supply an analysis of the potential and the impacts of media at the (2003/F14) (deLahunta, (Giaco Schiesser ) (right) R. Herken, C. Hry, J.H. Horn, R. John, M. Kaas, P. Kogler, R. Legato, G. J. Lischka, (197x/T) Le Movicolor Colorizer (M. Dupouy) dialogical approaches (AH) Computer: on influence (analysis of diverse specialized (1995/P121) 1950 bis heute interfaces per se is not an RISC organization of the same time. (DD) J. Manor, J. Diel, S. Oschatz, (2003/K372) on media forms and art forms (1979/T) ++++ ars electronica ++++ (1992/K96) literature) postmodern view Mickey McGovern, A.J. Mitchel, M. Mullican, Lucy Petrovich, P. Quau, Barbara (1989,93,99) designs integrative force 1994: Computers and Games user's scope of action Puppen Krper Automaten Phantasmen der the dynamic of the TAKEOVER does not come from A. Cheok, H. Kato, H. Hrtner) Robertson, Sally N. Rosenthal, B. Sabiston, R. Sayre, Rita Street, robotics Reduced Instruction (R. Makkuni) shift of ideas and methods Jury NET: D. Blair, B. Blau, A. Broeckmann, E. Burton, (2001/K294) art's places of education, practice and communication Moderne / Ed. Pia Mller-Tamm, Kath. Sykora interactive exhibition of prizeinterface design computer as paintbrush M. Tolson, C. Volckman, M. Wahrman, Chris Wedge, P. Weibel interface development Pioneers of electronic art / open source (see left) obstinacy of the medium (AH) Artists are even more interested in informatics / electronics Set Computing (2002/F044/P86) (G. Bonsiepe) ... "intermedia", J. Davis, Tanja Diezmann, Oliver Frommel, R. Gehorsam, (2001/K17) (see left) winning student works Computers Eine illustrierte Geschichte / Container Projects: the paradigm of B. Buxton, S. Maschwitz parallels to "media structures of organization" separate world of apparatuses (1996/K221) (Giaco Schiesser ) "multimedia" disciplines Claudia Giannetti, Solveig Godeluck, Lisa Goldman, AI research / AI discourse (precursor of the Prix) Hot Wired interactive imagination Christian Wurster (AH) The convergence and combination of the most on the interface (1986) Container-City "Ponton" hacktivism (see left) collaborative development of than in the tradition of art production. Jury MUSIC: C. Amirkhanian, S. Arnold, Types of interfaces: breath sensor, brainwave (1992/II-K) (Vasulka, Dunn) (2003/K371) (1988/K63) Derrick de Kerckhove, Machiko Kusahara, Joichi Ito, modern primitives connectionism Is the "digital city" a of pre-arranged (1994/II-K137) Online Publishing various techniques are crucial for the formation absolute milestones: (Brenda Laurel) Multimodal Discourse The modes and media practical demonstration of free and architecture projects PHASE(x)3 Sam Auinger, J-B. Barriere, L-G. Bodin, sensor, data glove, bicycle, video instruments F. Manola, J. Markoff, D. McCullagh, C. Reas, (Andrea Juno) (above) medium or a forum? dialogue structure (AH) cyberdiscourse / cybertheory "The next Idea" (1996/K393) Forms whose definition is of the new art form. (Popper) (1990/II-K262) WWW, VRML, (1999/P36) ETH Zrich of contemporary communication / Gunther N. Bouhalassa, L. Brmmer, K. Eshun, A. Greie, S. Rogers, Demetria Royals, M. Russell, joystick, camera shots, creative arrangement of information Why did cooperation with the Sexy tech modfied bodies (1995/K183) (PRIX category for oriented more to scientificnet discourse dealing with digital appropriation of media art R. Friedl, J. Harrison, T. Herrington, N. Humon, Y. Shikata, John F. Simon, Karin Spaink, plants, camera, game engine, TV-critical AEC: Techniklastiges Kress & Theo van Leeuwen (cf. development of Servus) Kepler UNI only take place in the The Computer: Handtool (2001/K407) (1990/II-K234) The dynamic of the TAKEOVER does not come from age 19 to 27 / 2004) technical disciplines, to interface techniques (ML) user interface technoscience and cyberculture NET categories: 1) best "self-servers", W. Jauk, Kaffe Matthew, A.Mongeau, scanner by fine art Ambiente des Lernraumes net broadband first years through symposia? (1989/J135) projects or Thinktool ? (OG) Marleen Stikker, M. Takemura, (Christine Goestl) Optische Medien Berliner Vorlesung 1999 / the places where art is trained, practiced, conveyed. development and information 2) best public "watchdog" service, techno-discourse B. Neill, R. Normandeau, Bob Ostertag, (1996/J114) Takeover (symposium) NEXT SEX Friedrich Kittler Cybersex with data suit and all the appliances (2001/K17) "net system art" as Ars electronica Event system-analytical development Z. Parkins, J. ORourke, M. Schmickler, Andrea D. Traub, Pete Barr-Watson, architecture, or to net culture intelligible tool see also: view of 3) best public information service (DH) New media generally emerge from nonRestart 1996 with AEC Tina Cassani, Bruno Beusch, The Undertakings of Art Symposium (2000/F09) for stimulation and stimulating body surfaces "permanent conference" Technikkultur Inszenierte Technik AEC department: and lifestyle of gaming communities, fr ein Fachpublikum? of aesthetic-generative basic (1979/K44) (1995/P45) artistic situations. Artistic applications are derived Sodomka, Laetitia Sonami, I. Stoianova, interactivity What is the state of media art, since its Casey Reas Who will survive? (Marie Luise Angerer, Nobuya Unno, (J. Kirchgeorg) already looks like nostalgic mechanics for (after Beuys) (1995/K65) programs than to the isms of the art transformierte Wahrnehmung / sthetik & Digital Hollywood (most important training/education special uses. P. Rehberg, R. Rimbaud, T. Wishart, D. Toop, development and public attention derives (2001/F09) J. Reich, Xin Mao, C. Djerassi, Natacha Internationale Stadt (1997/P146) tele-intimacy, a kind of chivalrous romanticism programs make the Jury CYBERGEN.: S. Amann, (1997/K12) discourse (2001/K20) (H.W. Franke) pixelporno Kommunikation Heft 75 1990 school for digital media design W. Vollert, B. Blectum, F. Hecker, C. Watson computer art systems from the same dynamics as the New Economy? synthetiseurs Merritt, S. Messina, J. Davis, Katie Egan, (Berlin) the ideal It is obvious that the (1994/K109) virtual electronic works of different T. Auer, Etoy e04, N. Filz, (2000/K357) in Japan (Tomoyuki Sugiyama) (1980/K95) future learning Kunst im Kontext Neuer Technologien of the "Centre Pompidou" (2001/K17) WBT on the Silk Road (1979/K45) Marta de Menezes, Oron Catts, Ionat city on the Internet (Rosa von Suess, appropriation of media art intermedia connections (Simon Penny) While robots then covered the calculated path, neighborhood authors appear very living spaces F. Hecker, H. Hrtner, body art digital media art (2001/K89) (Prof. Max Mhlhuser) (1979/K42) Paramour / K. Gsllpointner, U. Hentschlger (Jie Geng) Zurr, G. Ben-Ary, Monika Treut, B. Loibner) by fine art is no longer Art & Tech the environment was newly measured, the data entered in the The idea of the digital revolution is (Nick West / YORB) (1995/K254) similar (1992/P12) G. Hupfer, M. Nrnberger, Brave New Porn telecooperation, project Treminal-Sex (Stahl Stenslie) (2000/P50) K. Behrends, Joanne Finkelstein, Bruce Arch+ 167 / Off-Architekture 2 digital clubs acceptable. Digital plan, which was then altered as necessary. This method was experiencing its first real crisis. ArchiMedia (2001/K404) (1995/K196) intermedia art creative lethargy (HK) We must be careful not to M. Pieper, R. Pcksteiner, (Sergio Messina) "Knowledge Net Future Learning" (2000/K202) canonization of (Simon Penny) series of research called the top-down paradigm. In practice these robots were new isms of the Bagemihl, Veena Gowda, R. Thornhill, (2001/K20) (Stocker) Revolution Reflexionen zu Kunst und neue Medien - UNITn (Flatz) cultural identity crisis (2001/K17) misjudge the tool character of M. Riebe, S. Sagmeister, (2000/F28) (1996/J109) next sex media art (2001/K20) electronic costumes projects loosely assembled under very slow: a cockroach was better able to cross the street than media (art) Allucqure Rosanne Stone, C.T. Palmer Porno OperationsWhat is the point of this polarization?(DG) demontage What does that mean for ars and AEC ? (1999/K17) education opportunities at the Art UNI LEONARDO Journal of the international the computer. demo applications: Hans Wu, B. Lippe, M. Pieper, Cybersex (Sachiko Kobayashi) the term "Bottom-Up Robot discourse (DG) technological innovation (ars intermedia) (John Duncan) simulation the most powerful computer! (1991/K129) (15-year wait for relevant professorhsips) body sections indications of what could miss monochrom media critique from: society for the arts sciences and technology (2001/K91) Technology" ... now challenge coaching the arts sex noises (1979/K44) (1991/K119) means view (1995/K192) (1996/K194) The "visible human project" be done if one had more telephone sex as safe sex Heiko Idensen, Matthias Krohn, development environment for virtual the top-down approach various introductions on virtual sex and the (unplugged symposium) (Webster Lewin) (1991/K276) infotainment education in Vienna virtual environments, media are means (DM) "Art" or rather invention ? (AH) AI as abbreviation for Artificial Insects projects on image material time/money (Melita Zajc) Florian Rtzer, Heinrich Klotz, MEME (2) (1996/K194) reality (Eric Gullichsen, Patrice (Aaron Funk, Rachael Kozak) loss of desire (2002/F10) MK Weibel, Roy Ascott personal simulation and Rodney Brooks contradicted the edutainement (Christian Mller) on Bill Barminski (1995/K68) (1999/J292) Derrick de Kerckhove, Andrian X the sex industrie Gelband) (1990/II-K302,K305) webucation (2003/P198) Computer and Internet as guiding technology (S. Zizek)(1995/K122) We are on our one out in cyberspace, we (1986/K312) notion that a cockroach (see right) telepresence distance learning (2001/K295) (1995/P126) et al. businesses (in Japan) have electronic art Stages Elements Humans online (R. Baker) (2000/K37) of current changes (2001/K17) the festival ... as site "Block Jam" instrument have to re-invent the world and ourselves, (Franz Xaver Mittermair) (Scott S. Fisher) "made a map". community (2001/F36) porn-o-mat learned nothing from the ideas (Gina Czarnecki) (1999/K329) (1989/J11) telepresence Multimedia digital body worlds of valuation made of combinations of bottom up. tele-symbiosis (1993/P90) (Ruth Schnell) (1990/II-K147) Thinking the Sexual (M.L. Angerer) (2000/K166) (platonic ideal) ASF, AVI, MP3, MPEG, (Joshua Davis) (2000/K287) CBT WBT and visions (of artists) creativity /vs/ betting on important issues (1989/J20) (2002/P012) blocks (H. Newton-Dunn, (1995/P16) (R. Ascott) (1999/J107) (1993/P90) Quicktime, RealAudio, resources view figures generated for (2001/K90) see also: view of transformation mini-computer in fabric (Baudrillard) All kinds of protheses can contribute Symposium "The Desire art ? lecture series (1982/K260) of science and technology H. Nakano, J. Gibson, RealVideo, SWF, from Slow-Scan-TV films view of instruments (AH) electronic extension to giving man pleasure, but he cannot invent any for Immortality - Cloning, techniques view art of fragmentary approaches Unnatural bodies communication technologies (1995/P54) (Robin Hanson) multimedia SW WMV/WMA electronic classroom (1999/J104) R. Kuwakubo) art (does not equal) creativity & economy tinkering televirtual environments (s. above) of the human body CAD CAM CIM to picture telephone cell phone as necklace that feel pleasure for him. Cryonics and Cosmetics" (Jim Whiting) new media in education, business (2003/K417/P116) (Sony) techno-art as anti-art (PW) gene-technical interventions (1993/K157) (Klaus Madzia, networked learning Infotrainer (AEC) (1991/K73) s.l. and administration the paradigm of virtual reality introduced New media all emerge through re-mediatization, i.e. new media = MP3-player (PW) Tool culture has entered cyberspace university remote presence (1993/P91) Telerobotik Computer Aided Design G.J. Lischka, Reimara blind for art (2003/K211) scientific acceptance with the theme of what works, is already through the translation, rearrangement, reshaping TV Bra, TV Cello, TV Bed ... online projects that can also slow scan earring for monitoring on upper arm into a new phase, into the (Frank Ogden) the feedback loop: new art ? view of networks Computer Aided Manufacturing Rssler, M. Wabl) history the "interface" gene manipulation set obsolete (PV) of other media, ... at the level of content as well as (Charlotte Moorman) be used in the teaching context adaptive separate world of the world of (1995/K102) blood pressure interactive systems cannot be Computer Integrated Manufacturing Teleroboter (1997) eye-tracking (see right) (1992/K20) (PW) (A. Popper, K. Stockhammer) form (Ludwig Jger) (1982/K59) Sky Kiss (2002/P24) concept of techno-selectives net view apparatuses. (1994/K24) slow-scan robot (Ascott) imagined without feedback media guerilla (1993/K240) everyday electronics Concert for TV-Cello : (Gusberti, Aschauer, Thnen, Deinhofer) participative and explorative (2002/K62) "new" media (1989/K109) robot prothesis (Nur Schrec) artistic tool (Joachim Sauter, PAL version (ORF) learning facilities (2001/K229) (ML) the viewer as author in (ML) Interfaces of biofeedback entertainment electronics Multi Mega Book (1996/K34) (1995/K281) On this, see the detail study: Has Ars Electronica really been able media as site of educating (DM) artistic tool audiovisual Dirk Lsebrink) repeal of the body (AH) Bodysuit (Charlotte Moorman, Nam June Paik) (P. Higgins) neuro-digital feedback for interactive performances dialogical approaches the topic was "covered" in Linz with Work&Culture in 1998 Literature: in the CAVE to liberate itself from the classical media? (DG) No ! multisensory (1982/K65) artistic tool narrative art in education is research (Horst Prehn) robot body parts extended hands operating system discourse symposium virtual office Telenoia Kritik der virtuellen Bilder / Ed. (F. Fischnaller, electronic media self-dissolution (in take over) dissolving into the "old" media (1997/K299) (Eva Wohlgemuth) cell phone culture environment view into the inside of Wet Computing (P. Pocock) (Stelarc) (Stelarc) VR flipchart re-designing the body the worlds first full body (for Chiat / Day, Inc.) artistic tool useless (game rules of art) Y. M. Singh) Elisabeth von Samsonow, Eric Alliez cf. the ZKM study: future cinema digital media 3D whole body - BodyScan (Mork, Pendry, the body (Stelarc) Open X: temporary open-plan atelier (2003/K224) (1999/K29) (2002/K342) obsolete bodies tele-tactile communication (J. Singh, J. Chung) (1997/K316) (Roy Ascott) (1995/P20) Ereignis und Aura Untersuchungen zu einer audio-skirts (AH) prosthetic forms of attaching Stale Stenslie) Innovation & digital pacemaker walk-in network (1997/K384) Bioinfornatik existing software hybrid man-machine systems system cyberSM (1993) (1994/K214) mass customized production body halves search for Brain-TV biofeedback computer as tool /vs/ electronic (Benoit Maubrey & the body to the virtual sthetik des Performativen / Dieter Mersch (1996/P149) avant-garde system (Stelarc) (Stahl Stenslie) CyberSEX Take over skyscrapers and streets bioelectronics Boneware manipulations (2003/K227) (Stelarc) (1992/K233) physical/emotional completion (1980) programs wetware digital environment (1994/K116) resurrection die Audio Gruppe) networked structures for on Vilm Flusser, Paul Virilio, Heinz von (2004) tele-homework AEC: Future Lab the from text and images (R. R. Birge) (1997/K131) (1997/K152) hand controlled through (2000/K213) Takeover I (symposium) (2002/P133) (Peter McDonald) (R. Kriesche) (1979/K30) creativity of Bauhaus (2000/K19) (1991/P145) organism & chips best equipped "lab/atelier" new forms of collaborative Foerster ... cf. various sectors (1997/K322) (F. Sparacino, A. Pentland, (1997/K83) (1994/K114) WIRED on sounding bodies EMG signals (1989/K135) plagiarism "breaking out (2001/K12) on the change of paradigms, Aorta (Jeanette Yanikian) technology is changing from a prothesis part in Austria (1997/K12) G. Davenport, M. Hlavac, M.. Obelnicki) work (Mixed Realities) (MF) Ars Electronica Facing the Future / and speaking clothes (Stelarc) (1997/K149) (2003/K228) (AH) neuro-muscular (out of the art scene) new roles, working models and audio-uniform medical devices as sound and product ensemble into a comprehensive, home-production feeling of touch & (Rolf Langebartels) training view Ed. by Timothy Druckrey Eye-Tracking interface for directly concerts (1986/K277) technology as extended body (PW) the creativity burst transmitters: rushing of blood, rear-view mirror to reality: coaching the arts artificially intelligent environment linking control of action life on the net (1994/K205) (1986/K276) technical-pragmatic controlling a synthesizer Touchscreen audio-clothing Exploring Collective Autorship (2001/F08) changed framework conditions pounding heart, breathing, (1996/K337) (Just Merrit) (H.-P. Schwarz, Gunalan Nadarajan, everything together (PW) (1994/K08) (Stelarc) (1997/K153) (calculable) avant-garde (Biomuse) (Benoit Maubrey, Eyephones (M. Shamiyeh) (2002/K336) digestion (1989/J143) Heros of Industrial Culture A.Moore, Marie-Luise Angerer, artistic work TV view platform for online music collaboration clothing that (and artistic innovation?) Masters theses from Zurich: (Marc Lee, S. Leuthold, Mario HansPeter Kuhn) Body Surfacing interactions Data Glove (Throbbing Cristle, SRL) G. Funk, R. Kannonier) (2002/F11) (AH) seeing machines, TV helmets, Brainball winning Jamming Software (Willy Henshall, Matt Moller) makes noises (see above) (Idensen, Krohn) brain/computer interface Pukathofer, Niki Schawalder, Annina Rst, F.O.K.) 3D-patterns triggered by physical Projects by: (Hermann Atzlinger, radio vests, Handgerte und through relaxation Head Mouted Display Presentation of important studios: Padua, Paris, Marseilles, (1999/P30) visible (2000/F34) (Peter Fromherz) (1999/J166) (M. Hampel, F. Eggmann, M. Rheiner, G. Huber, I. Sterzinger, body language and lying KHM at ars electronica (2002/K334) actions (1989/K215) entries without video Tina Auer, Sam Auinger, Nicolas andere Extensionen des Leibes (2001/F33/P111) issues of Stockholm, Utrecht, Munich, Berlin, Budapest and (1997/K158) Anne-Lea Werlen, Carmen Weisskopf, Doma Smoljo, (Naoko Tosa) (A. de Campo, J. Lindenmaier, M. (AH) seeing machines, TV helmets, (2000/P104) (Myron W. Krueger) tape were unfortunately head-mounted display Anatol Baginsky, Todd Blair, Tim Brain Bar complexity 3D computer(Tomoko Ueyama) R. Wigger, Mascha Leummens, Annia Rst, T. Cmomiotto, Warsaw (1989/J55) (2000/F33) Erdbacher, J. Garancs, Dagmar Keller, radio vests, hand devices and not considered (Warren Robinett) (2001/K375) (2001/F37) brainwave scanner tomograms (PV) permanently reachable Boykett, Denise Carusso, Tatjana (1992/K57) (Bayle, Risset, Barrire, Parmegiani, Bodin, Ungvary, Cyclops Sex i(n) motion M. Wittwer, Anja Kempe, Yun-Chui Kim, N. Schawalder, Christine Szababo, Valentina Vuksic, other extensions of the body (2) (1996/P57) the art work as (1990/II-K119) (Ole Ltjens) Didenko, John Duncan, Chip Flynn, (AH) media art as new (Smart Studio) house slavery (G. Kampis) telemotorics computer technology on (1995/K191) Zwedberg, Parmerud, Grimsson, Nsaveld, Vink, Kayn, gestures of calligraphy gestures of (Science Viola Klein, T. Kubli, S. Mann, Ko Kubota, Susan Wintsch, Milica Tomic, Hildegard Spielhofer, communication framework (Ivan E. Sutherland) Collaborative Web Tools L.A. Gladsjo, Brett Goldstone, genre (relative to the Data glove, data suit, the brain (1979/K30) Gabriela Gerber, L. Bardill, J. Kppl, Felix S. Huber, the modulated (head-hand) (Roman Verostko) perception Education Team) (1995/K178) Anke Limprecht, Agnes MeyerHashagen, Riedl, Blacher, Szigeti, Pongracz, Rudnik) (1995/K63) (1990/II-K123) Matt Heckert, Rudolf Heidebrecht, traditional arts) data glasses, database dependency on data glove F. Wst, Cornelia Heusser, T. Karrer human (1979/K29) (2003/K162) (1993) (2002/K413) (2000/K274) (1996/P25) Brandis, Aurelia Mihai, (Mark Federman) Neurohacking Erik Hobijn, Kathy Huffmann, Laura tele-surgery (1995) The Visible Human Project they all suggest the existence Meatspace Clearboard double projection the film and the realization of artistic Naujokaite Neringa, M. communication design (2003/F11) (1994/K109) Kikauka, David Moises, Gordon (AH)new sensibilization: (1997/K292) (1996/P182) (John Clyne) of a new world, the data Architexture avatars in the Gesture is an important point for every ongoing work table (speaking and drawing contributions from UNI Stuttgart and TU Vienna advertising industry ideas can often only be Neuenhofer, Susanne (increasingly located in the field Monahan, Mathias Moses, Marc 9, body and medium data helmet world. Dataism instead of (interaction) world of work tele-surgery, VR and the medium, and software is capable of conveying and together through a glass wall) to the AEC elevator (2003/K406) (Karin (AH) evoking a "new sensibilization accomplished with Schnberg, Note: electronic media operation of the visual today) Linda Nilsson, Fritz Ostermeier, Dadaism. (Peter Weibel) (May, Modler, Saup) (2001/K408) new world order in interpreting gesture. (2003/K182) Stereotaktisches (using gaze awareness, acting by showing) considerable technological dependency on Reisinger, Margit Thieme, A. Mule, V. of man in terms of being conditioned medicine and art Cathrin Vahl, are naturally treated in simulators Martin Reiter, Herbert Schager, (1990/II-K32) data suit (1994/II-K64) (Satdtwerkstatt) medicine (R.M. Satava) Golan Levin's software AVES consists of programs Computergert (Minoru Kobayashi) (2001/K260) Gebhard, Emilie Hagen & Minka Ludwig) by the body super computer or effort (1979/K29) Olaf Vahl every sector (1995/K192) (Adrian X) (1989/K146) Leo Schatzl, Manuel Schilcher, (1995/K187) that amplify hand movements by transforming (1979/K57) computer cluster Jochen Viehoff Telecenter (2004) drawing gestures "Kunst-Funk" was the attempt to Franz Selbst, Suzanne Stephanac, medical cybernetics Telepresence Surgery System the derived data into images and sounds. models of networked collaboration controlling interactive data glasses codes are part of every brain stimulation device (AH) interactive works (S.S. Snibbe) experience what radio could have Gordon W, Doris Weichselbaumer, Cyborg Bodies Customized Footwear CSCW Computer(H. Trappl) (1990) remote operation An application assigns a sound to the presuppose physical video images through (1996/K408) (Nobuya Suzuki) transmission medium (1979/K57) facial space (1996/P130) been, if it had not become a Jim Whiting, Kathrin Wilkes, Liz (2003/K285) Supported Cooperetive telecommunication over 24 hours exploration ... actions of marionette wires (2003/K15) CAVE (2002/K347) structure of each gesture. tele-diagnosis cybermedicine centralized mass media Young, Erwin Zeppezauer, Berthold configurator SW physical view achievement (see also view of achievement) discovery Wearable Computer Work (1997/K199) (Robert Adrian X) helping to hands-on interactivity telematic interaction (Douglas Edric Stanley) (G. Deutsch) (1997/K292) picking up gestures of Zettelmeier, Alex Zuljevic develop the use of telecommunication virtual marionettes (2000/F34) Remote Viewing lifestyle telepresence and jointly used (J. Canny, the sensomotoric aspect deaf-mutes Art Com Electronic Network significance of technologies (1982/K145) (Steve Mann) (1997/K221) parametricized objects (W. Hilbert) spread-spectrum wireless network Installation (K. Becker) co-presence work area E. Paulos) (e.g. of gaming communities) Roidinger (since 1982 experiencing corporeality is very important in ACEN (1986) (1989/K133) telecommunications Slow-Scan-Television, Telefaksimile, supportive infrastructure (2003/K288) (1997/K304) devices for wireless nodes (1997/K389) (1997/K199) (1997/K199) telephone booth gestural control of Computer Art Studio (microphones on the body) installations (1982/K35) I.P.-Sharp-Computer-Timesharing-Netzwerk Digital Mudra (Sonya Rapoport) in the clothes marionette cross in Africa (2002/K146) calls with survey video processing (Justin Manor) ACROASIS) electroacousitc performance (W. Cooper, L. Ortner, O. Mittmannsgruber, working world as theme: interface (Stahl Stenslie) (1993/P104) (Stephen (2003/P110) (Syntvioline) Dictionary of Primal (Steve Mann) performance theory N. Hinterberger, C. Kaltenbacher, Linzer Stahlsinfonie (Klaus Schulze) (1980) Non Host Radio on the mechanism of human Bodytainment symposium: a life from the Internet (1989/K110) (1989/K146) Wilson) (Mia Zabelka, Peter A. Ecker) Behaviour (Urtica (FRY)) (1997/K227) dialogical approaches Karl-Heinz-Klopf, Markus Geiger, gestural control of music CB radio modem facial expression as a medium (2000/K216) beyond the office (1988/K153) installation with two (2003/F31) WearCam VR Chart Heimo Zobernig, ... et al.) operating system discourse amateur radio / CB telecomputing gestures of an interactive (Nur Schrec) ICT information and Mudra for interactive art of the future WearComp deploying shadows of users (Flipchart AEC) interactive bodies robotic installation (2001/P108) (1989/K128) (1995/K281) multimedia communication technologies ("Huge Harry" = voice synthesis (Randal Walser) (1988) "Very Nervous (Scott Snibbe) (2003/F40/P122) It is not a matter of making art within the given (F. Fischnaller) (1995/P116) (spy camera, infrared sensors / cybernetic application machine) (1997/K110) (1990/II-K209) System" ! (D. Rokeby) Art & Working World communication channels, but of grasping the telecommunications lab reaction to visitors) (Kenneth Rinaldo) hedonism (1994/K199) tactility of the interface (Georgsdorf) VOIP Voice-over-IP one-way gestural control communication channels as the possibility of (AH) McLuhan's thesis: technologies are (central theme in Linz) sign language jokes (1986/K341) art-Btx LifeScience (formerly delta T) Gestische Steuerung von navigation art as Life-Art fax and telephone art multi-sensory an art form. (1988) (1989/K278) projections and continuations of mental gestural control of applications see also: view of fashion (Bettina Henkel) (2002/K433) focal point (1997/F23) Net Sauna Body Brush Multimedia-Installationen (K. Tin-Kin Hung) (2000/K211) and physical properties of the human being information processing Future Office Projekt (AEC) see also: view of adornment (2000/K19) BTX Minitel 1985 Minitel at (J. Hopkins, T. Mkel, (Y. Hay, H. Ip, (2002/P62) vision-based Motion Picture from the graphical to the (cf. diagrammatic classifications too (DG)) (CAVE) Uzume reacting (2001/F27) telematic Les Immatrriaux telecommunication events (1982/K63) T. Penttil, Liisa A. Tang Chi-Chung) journey through the body / Criticism (R. Adrian X) (1989/K147) (Emily Weil) touchable user interface dynamic environment everyday life in the office gesture recognition video-text systems (Charlotte Moorman, Nam June Paik) Fictitious Portraits Today it is not even a matter of having a Vhkyl) (2002/F047) physical violence within the Since the communication networks do (1999/K355) (2001/K254) (H. Ishii) (Petra Gemeinbck, R. Blach, text rain net art / net.art (Elizabeth Goldring, Edward le Poulin) (Keith Cottingham) body, but of being connected to one's telematic human body / not allow the creation of real products listeners should (user gestures) N. Kirisits (2003/K426) The deciding technologies (Camille (Aldo Tambellini, Sarah Dickinson) (1994/P38) registering gestures through ultrasound interface character design body. (Baudrillard) gestural system sculpture pumping violence in the ... telematic simulations of products Internet, WWW, ... rearrange their Meatspace are those that disappear. They Utterback) (Horst H. Baumann) GAMS: Gesture and Media System (2001/K199) reincorporating the arteries (Jeanette Yanikian) (R. Kriesche) Electric Field Sensor emerge ... "I'll show you mine, if you autonomous characters furniture at home: robot gestures (mutual see :Internet view (ML) David Rokeby describes interfaces (fleshly space) interweave with everyday (2000/K389) (PoMo CoMo) (1992/K226) sensory functions (Agnes Hegeds) (1987/K138) live combination ISDN show me yours". capable of expression a remote-directed dance explanation) as generators of experiences, because they ZKM SW (Gideon May) (1992/K101) better: corporeal space digital technology is life. (1994/K169) Unnatural bodies (Van Gogh TV) communication network hand as "disruptive factor" of radio and telephone (The Synthetic Character Group) of solitude (AH) communicating through a (2001/K268) overlay the organic interfaces of the (1995/K133) difficult to conjoin with (Jim Whiting) picture telephone (1989/K72) picture telephone, Slow Scan (1989/K287) artificial placenta (2002/P110) (1989/K288) set of digitalized hand gestures biological body like spectacles. our peripheral senses (1991/K73) s.l. network Ethernet WAN, LAN artificial SMS project (2002/F12) (V. von Borries) artificial life (Nobuya Unno) knocking gestures on (Agnes Hegeds) Bump (2001/F31) (1997/K138) (M. Weiser) enhanced gestures / (1990/I-K166) (2002/K355) table and bench as videoconferencing molecules touchscreen installation the gestures of destruction (Siehe: Verhalten) glass (2001/K262) (1995/K248) (2000/K70) physiologically oriented wooden bridge as tactile obsolete desires interface (H. Maat, R. Miltenburg) biocybernetics a biologically (2000/250) ISDN, ATM, Frame Relay, DSL (2002/K137) (A. Tambellini) (1980/K111) (Anna Anders, K. Gasteiger) interface ! (association. or of misuse (J. Paradiso) interface design incubation system (Stelarc) (1992/K233) Frequency Hopping (1994/II-K58) controlled interactive (J. Davis, Katie Egan) (1999/K345) (1999/J87) electronic architecture text exchange, image exchange video conference projects (80s) (1994/K196) creation) telephone music (J. Domsich) (1997/K364) (R. Brem, T. Ligthart) interface (1994/K195) flesh factor synthetic library of gesture icons mimetic/gestural codes (Kit Galloway, Sherrie Rabinowitz) is communication (UR) What is crucial today involves gestures, their polemics for establishing (1998/K189) telegraph (D. Warner, J. Sale, T. Anderson, artificial life simulations SW Transworld Telefone (Stelarc) (1997/K149) (1994/K156) electronic transfer media (John Gerrard) (2003/K408) life force-feedback (2002/K420) SMSspace and their time, no longer expression. human ordinariness ; J. Johanson) Concert (1986/K265) Ekman's Facial Action Code transfer protocols FAX, Telefax art womb tele-copier Poly-World (Larry Yaeger) (1993/K122) answering machine Animation in the Refrigerator (Times up) Kids (Stattwerkstatt) (Warren Robinett) (Oron Catts, Ionat Zurr, (2003/K12) Creators of Life (symposium) building artificial creatures (Pattie Maes) see also: communication art (Ernst Spiessberger) communication theory (2001/K18) (1989/K331) (Lucas Cejpek) transfroming bodily gestures backbone (1990/II-K119) Guy Ben-Ary) genetic technology methods (1993/K184) bandwidth design view pedagogy / art pedagogy experience-oriented into a 3D painting in real time (AH) For the new technology arising from (2000/255) aesthetics of as artistic tools Operated by Art total data work The Three Faces of Life design of cyberspace design theory (Young Hay, Horace Ip, Animates the combining of computers and telecommunicative (2001/F08) communication (unplugged Symposion) physical issues in (1993/K12) (John L. Casti) (Roy Ascott) (1989/K100) (Randal Walser) A. Tang Chi-Chung) see also: systems, Simon Nora coined the term "telematics" theater theory city links with sounds communication art Prize-Winners: Interactive Art (movement 1968: CAVE environments microscopic automatons art as field work of ecological Remake-Remodel (Domsich) connectivity, (1990/II-K202) (2002/P112) in 1978. (Maryanne Amacher) view of orality body theory Fred Forest, 1990: Myron Krueger, Norman T. White, Jeffrey Shaw, Jill Scott, Benjamin Britton, (Simon Penny) (inhabiting our body) transformation and (PW) all technology thinking, art at its boundaries (1989/K248) (ML) tying the virtual world of life science body philosophy / body sociology Mario Costa) Chico McMurtrie, Waltraut Cooper, Richard Greene, Peter DAgostino, Kristi Allik & handling gestures pacemaker (1999/P86) transendence is teletechnology (2002/F10) Wireless (AH) communicative interaction computers to the sustantiality The Virtual WLAN Note: virtual travel journal HiperLAN new cell phone concepts measuring devices (D. Rokeby) ... adapting the Robert Mulder, Tams Waliczky, Kyoko Abe, Ruth Schnell, Michael Rodemer, Stuart Bender telematics as term (Weibel) (between persons) LAN of the human physis again open wireless Body telematic networking Simulator SW/HW Ethernet was orig. (WWW projects) separated from technique of interfaces to Ubiquitous Computing (left) (Crispin Jones) dosage devices & Angelo Funicelli (1978) (Simon Nora) (de Kerckhove) (free) access to wireless movement (C. Richards) radio-based (UNI simultaneous layers of Pervasive Computing (left) (2003/K412) body view GPS-Tracking Design Noir 1991: Paul Sermon, Chico McMurtrie & Rick Sayre, David Rokeby, David Eagle, Nola (PV) since 1962 (Telestar networks (NY, airports, MQ, Lentos, ...) (2003/P32) (1994/P134) Simulator: flight training for (AH) Ersatz journeys of remembering, Hawai) (2002/K355) physical communication Ambient Computing (left) the secret life (2001/K74) image traces recording movement satellite) there is a total overFarman, Ale Guzzetti, Peter Krieg, Mark Madel, Benoit Maubrey & die Audio Gruppe, Die the "clean" world of computers wireless, mobile and battle helicopters forgetting and reconstructing. electronic objects (Masaki Fujihata) track-the-tracker Wireless-LAN projects (2003,2004) gestures using "curlybot" exposure of "see it now" entfremdete traffic ubiquitous Christine Meierhofer, Stephen Wilson, Jim Pallas, Don Ritter, Mona Sarkis, Robert Mulder & (change of blood chemistry) (removed from material, garbage Enriching daily life with digital journey as destination (MF) "seeing with the sense of (Fiona Raby) cf. 1996 (H. Ishii) (2001/K257) (2003/K379) Hand (2003/P16) Kristi Allik and corporeality) information: when utility objects /goods (M. Schilcher) (1996/P90) (Mark Ries) balance" is what we call navigating (2003/K273) ship & train / journey&dream Ubiquitous Computing (Annina Rst) (1994/K224) 1992: Monika Fleischmann & Wolfgang Strauss, Joachim Sauter & Dirk Lsebrink, William intelligent begin to communicate. through virtual scenarios on the Virtual Frame (Maelstromsdpol) (1988/K104) UMTS images from earth observation Pervasive Computing Looking at Jeffrey Shaw's works, GPS trace traffic systems Virtual Balance, a weight-sensitive (Kunsthalle) Seaman, Kristi Allik & Robert Mulder, Rajinder Chand, Luc Courchesne, Robert McFadden, intelligent ambients (3) (Wonder, H. Goebbels, Mller) satellites (D. Offenhuber) Popper suspects a new art genre and using devices Ambient Computing Exodus (Bielicky) (1994/K168) Balance System platform Rebecca Fuson, Troy Innocent, Beverly Reiser & Hans Reiser, Henry W. See, Simone (1998/K173) role of GPS availability for describes its reception form as a Centerbeam (Gyorgy Kepes) contrary to market (1995/K214) kitchen utensils computer diat Simons & Peter Bosch, Martin Spanjaard films in AEC elevator art projects (among others) (D. Rokeby) Real experience journey (AH) 61 m lange structure transporting balance recognition definition (2004) Digital Communities liberated from their (D. Rokeby) The explosion of interest in interactivity (1980/K08) traveling through, Elevated Space 1993: Knowbotic Research Christian Hbler, Alexander Tuchacek, Yvonne Wilhelm, has a fundamental integrity that air pressure, gas, water, steam, neon, (seeing with the body) takes into consideration the most current everyday existence may be part of a search for asylums for safe traversing (T. Lorenz) (2003/K405) argon, sound, electricity and "media" virtual experience does not have. Georg Fleischmann, Michael Hoch, Detlev Schwabe, Rajele Jain, Will Bauer; satellite art piggyback art GPS developments in the area of mobile (Rania Ho) (2000/F34/P92) interaction: for clean, sterile, non-physical spaces, Maschinen, die keinen Krper Stephen Wilson, Jill Scott, Joseph Bates, Werner Cee & Horst Prehn, Agnes Hegeds, (1980/K98) Internet/data network view communication and wireless networks in which we can satisfy our natural human desire besitzen, knnen die Welt virtual department stores (abov Lynn Hershman, Catherine IKAM, David Rokeby, Kevin Ruston, Paul S. Sermon, Gerfried connection of spatially (1980/K26) to delve into things outside ourselves. niemals in derselben microprocess-controlled media theory (MF) Which function and meaning do distant projects transport support objects taken along in the electronic Stocker & Horst Hrtner, Van Gogh TV, Akke Wagenaar, Peter Weibel, Mia Zabelka & GSM Weise begreifen wie wir bodies and senses have in real space household appliances (literature studies) tele-shopping (above) Space Shuttle fox hunt through portability G. Stocker & Andres Bosshard GPRS (1996/K198) Digital media and satellite ear Can you see me now? in comparison with virtual space? newsgroups (1980/K07) turn to media discourse (Fabrikanten) 1994: Christa Sommerer & Laurent Mignonneau, Loren Carpenter, Transit, Max Almy & communication bridge (Blast Theory, Mixed (mixed reality) role of GSM availability mobilized through mobility media studies How intelligent does your bed Teri Yarbrow, Edward Elliott, Friedrich Frster, Michael Girard & Susan Amkraut, Richard (D. Rokeby) Only through (1989/K277) Reality Lab) GPS/PDA for art and other projects mobile phones satellite communication "Telepistemological" implications: (2000/P09) intelligent media anthropology have to be, before you are desensitization was it possible the intelligent Kriesche, Wolfgang Krger, Brenda Laurel & Rachel Strickland, George Legrady, Patti Maes, (2003/F38/P88) symposium: (Neeraj Jhanji) (1980/K29) Presence and Distance (OG) afraid to go to sleep at night? ambients (2) communication theory for me to activate the spatial postman (GPS-Tracking) The Orbital Age Christian Mller, C.M. & Rdiger Kramm, Catherine Richards (2001/F36) satellite technology in ORF and Bluetooth portable systems (Rich Gold) ! (1994/K187) illusion that the VR system (M. Bielicky) (1994/II-K82) information theory (1986/K219) 1995: Tim Berners-Lee, Michael Saup, William Seaman, Michael Tolson, Maurice Benayoun, 3SAT context keyboards strapped to the hands Who will program the default Which "images" are capable of physically conveys ... net discourse / cyber-discourse Peter dAgostino, Franz Fischnaller, Peter Grucza, Lynn Hershman, Morgens Jacobsen, (Michel Waisvisz) (1987/K144) intelligent products mobile art in settings for the intelligent field computer, CE computer, including the viewer (as with VR technology)? Returning to "real" space, the The Satellite Art Project (1986/KII-291) Artsat 1991 (Graz) simulation discourse PDA M. Kosugi & Y. Ando, Webster Lewin, Lozano-Hemmer & Will Bauer, Jon McCormack, 2000- handheld, Walkphone, daily life house? Mom? Dad? The kids? (1994/K167) inner ear did not immediately signals run through a 90.000 km (R. Kriesche) the human body as nomadology discourse (Sommerer) (1994/K190) Christian Mller, Kirk A. Woolford (AH) the transition from the real material return to work: a wave of loop (Text: Gene Youngblood) 2004 Personal Digital Assistants musical instrument (1987/K143) (2003/K261) environment to the virtual interactive environment sea sickness .... 1996: Masaki Fujihata, Louis-Philippe Demers & Bill Vorn, Scott Sona Snibbe, Ken Feingold, bridges to everyday Meteosat (weather data control contact microphone Elisabeth Goldring, Kazuhiko Hachiya, Harwood, Hiroo Iwata, knowbotic research, Ronen media bus "A Little Night Music" life (1979/K03) (Harry de Wit) WAP mobile computing (Ponton) (1989/K117) Mintz & Jason Ditmars & Brian Duggan, Knut Mork & Kate Pendry & Stale Stenslie, (ML) Theater as one of the last (1988) (R. Kriesche) (ML) this mixture of sound-body performances Communication Grill Chang-Tei" resources and bastions of (1989/K139) Nobuya Suzuki, Erwin Redl, Michel Redolfi & Luc Martinez, Silver technical mediality as freely movable display for 3D viewing basic electronic Aorta (Jeanette Yanikian) (1987/K138) (1989/J143) WAP WML (2003/K204) (K. Sueda, Koji Ishii) performance and corporeal physical reality 1997: Toshio Iwai & Ryuichi Sakamoto, Dirk Lsebrink & Joachim Sauter, Paul Garrin & "golden calf" (Jeffrey Shaw) (1994/II-K84) supply Konstrument (Harry de Wit) (1989/J143) I-mode Performance defines what is special about the connection of David Rokeby, Hachiya Kazuhiko, Toshihiro Anzai & Tamio Kihara, knowbotic research, TV-Diner Touch Monkeys (Michel Waisvisz) Japan developed a technological Net Sauna (2001/K87) theater and media Monitor Cafeteria Arthur Elsenaar & Huge Harry & Remko Scha, Mark Madel, Jon Berge, Stefan Zeyen, (1987/K144) (1989/J59) standard with i-mode "services"; (Tapio Mkel) (Kanae Ushiro, Electronic Cafe transferred heart rhythms Automatische Bar Bill Barminski & Webster Lewin & Jerry Hesketh, Ludwig John & Bertram Quosdorf, Jutta Europe with WAP (2001/K201) (1997/K391) (D. Rokeby) Consciousness lagging behind the body: Takashi Morimoto) (1986/KII-299) (1989/K302) (W. Temmel) (1991/K227) Kirchgeorg, Marita Liulia, Die Veteranen programming that reacts to the smallest movements under I-mode cell phone (2001/K200) (1994/K160) 1/10 sec... In fact, the system seemed to react at the same 1998: Maurice Benayoun & Jean-Baptiste Barriere, Peter Broadwell & Rob Myers, Christian moment as I decided to move. ... Mller, Jim Campell, Christoph Ebener & Uli Winters, Rafael Lozano-Hemmer & Will Bauer, At this point we experience the system and its reactions in queer theory / gender studies Akitsugu Maebayashi, Joseph Michael, Iain Mott & Marc Raszewski & Jim Sosnin, Lisa Prah, the same way as we experience our body. The interactive U19 Prize-Winners: sexuality discourse / AIDS debate David Small & Tom White, Scot Sona Snibbe, Rachel Strickland, Tams Walicky, Stephen system is integrated in our proprioceptive system. 1998: Michael Mossburger & Florian Nehonsky & Valerian Wurzer, Leonhard Huber,

Literature: 3DELUXE / Projects Interior and graphic design / Ed. Robert Klanten COOL Kap. Die Klte der Schaltkreise Ulf Poschardt analog und digital / Otl Aicher Atmosphre / Gernot Bhme Die Welt der Atmosphren / G. Dirmoser Dieter Mersch Transmediale.02 Aktuelle Positionen der Medienkunst / Andreas Broeckmann, Susanne Jaschko

01 atmospheres view

see also: view of the field

(1998/K91) (Erik Davis) What is so potentially immersive about the auditive? ... The term "atmosphere" describes this aspect very well: the sound generates an atmosphere, almost like incense. Sounds and smells are carriers of vectors of mood and affect, which change the qualitative organization of a space .... (cf. Flow & Radio)

underwater real-time musical instrument (1996/P154) (M. Redolfi, Martinez)

ambientRoom: using light, shadows, background noises, air currents (1997/K203)

Ambient Media: the use of spatial situations like noises, light, air currents and water movements as background interfaces (Ishii) (1997/K202)

01 contextual view

view of the framework

art as atmosphere

art as release art as concept art as software concept

operating system view

1990

circumstances view

02 conceptual view view of absense

2001

art as service art as open source art as techno-science

view of eros

view of hybridity (I)

1991/93

02 view of limitlessness chaos view

ars technologica

art art art art

as as as as

method quality claim complexity innovation

view of virtuality / immersion

ars: intelligent machines

1991

machine view - robots

art as procedure art as tool experience art as public cultural production

view of multifunctionality

03 interdisciplinarity view synaesthetic view

art as education art as practice field art as ideal

2002

view of PC/computer/video technology 03 service view / project view

1980s 1990s

interface ars

influential thinkers

1997

art art art art art art art

as as as as as as as

media criticism media analysis media art communication transmission media event communication framework

cybergeneration U19 freestyle computing

1970er

art as energy art as impertinence art as creation

1979

art as everyday life

interface view

net vision

interfaces view

procedure view

2000

1996

05 tool view / instruments functional view

view of intention view of ideas

ars: computerized world of work

04 view of innovation

06 education view view of educators (in teaching) view of instruction

view of art criticism / valuation methods view

body extensions

subversion view / media-critical view 07 view of media

1979

view of electronic media

05 view of artistic production view of the working world

ars: data dandy

08 body view

view of sexuality

view of clothing

view of medicine

09 everyday view

1980

1997

view of designing gestures 06 gestural view habitual view

1982

1999

1994

view of transportation networks (I) 07 view of communication

1994

view of telecommunications

transport view / view of travelling

view of portability

view of agriculture

Stephan Mitterndorfer, Martin Ankerl, Philipp Ghring & Raimund Schumacher & Andreas Strmer & Thomas Stummer, Gottfried Haider, Verena Holzknecht, HS Mittersill, Helmut Klinger, Alexander Kvasnicka, Doris Mtzler & Jrgen Bereuter, Kathrin Meralla & Paul Swoboda, Thomas Oberhofer, Paul Pak, Thomas Pintaric & Christoph Sprenger & Alexander Koschier, Peter Plessas, Markus Strahlhofer, VS Veriensgasse 1999: Raimund Schumacher & Jrgen Oman, Alexander Fischl & Gregor Koschicek, Phil E. Haindl, Franz Berger, Sebastian Endt, Simon Gassner, Alexander Kvasnicka, Stefanie Mitter, Takuya Nimmerrichter, Simon Oberhammer, Benedikt Schalk, Markus Strahlhofer, Patrick Toifl, stefan Trischler, Armin Weihbold 2000: Verena Riedl & Michaela Hermann, Gerhard Schwoiger, Erich Hanschitz, Marlene Maier, Lisa Hofstadler, Markus Zwickl, Lisa Ratzenbck, Sebastian Endt, Kevin Ku, Mario Meir-Huber, David Feiler, Gottfreid Haider, Lukas Fichtinger & Thomas Kckerbauer, Alexander Fischl, Lukas Pilat 2001: Martin Leonhartsberger, Johannes Schiehsl & Peter Strobl & Conrad Tambour, Markus Triska, Andrea Maria Gintner & Michaela Maria Plchl, Jrgen Hoog, Marvin Jagadits & Michael Payer, Nicole Karner & Tanja Payerl, Marian Kogler, Thomas Lettner, Fabian Schlager, Martin Spazierer & Daniel Spreitzer, Philipp Strahl, Sonja Rosa Vrisk, Ren Weirather, Thomas Winkler 2002: Karola Hummer, Philipp Luftensteiner, Ulrich Reiterer & Jona Hoier & Markus Murschitz & Milo Tesselaar, Semen Aklan & Glcan Ates & N. Brahimi & Flamur Kryezi & Franz Fiser & Asif M. Naseri & Jean Paul Nduwayezu & Ferda zel & Ruwani Rosa & Reza Soltani & Sezer zum, BG XIX, Stephan Hamberger, Dominik Jais, Marian Kogler, Martin Kucera, Raphael Murr, Lucas Reeh, Iris & Silvia Schweinster, Ren Weirather 2003: G. Sochurek, M. Leonhartsberger & S. Astrid Fugger, A.Ronacher & N. Mikschofsky, D. Dorn, G. Gruber, M. Fallmann, D. Hackl, T. Hainscho, HS Steinerkirchen, Alexandra Vogelreiter & Katharina Krummel & Anna Obermeier, HBLA for Artistic Design, F. Wengler & Christof Haidinger, Borg 3, T. Schererbauer & M. Knig & S. Schreiner

Wilson 1999: Lynn Hershman, Luc Courchesne, Perry Hoberman, Joachim Blank & Karl Heinz Jeron, Christoph Ebener & Frank Fietzek & Uli Winters, Kouichirou Eto, F.A.B.R.I.CATORS, Beate Garmer, Bill Keays & Ron MacNeil, Russet Lederman, Eric Paulos, Simon Penny, Daniel Rozin, Stefan Schemat & Michael Joyce & Hiroki Maekawa & Dominica Freyer & Burki Carstens & Mike Felsmann & Isabella Bordoni & Roberto Paci Dal, Christa Sommerer & Laurent Mignonneau 2000: Raffael Lozano-Hemmer, Institute for Applied Autonomy, Golan Levin, Julien Alma & Laurent Hart, Michael Bielicky & Bernd Linterman, Jim Campbell, Rania Ho, Istvan Kantor, Orit Kruglanski, Jason E. Lewis & Alex Weyers, Douglas Edric Stanley, Naoko Tosa, Tomoko Ueyama, Andrea Zapp & Paul Sermon, Hiroaki Kitano 2001: association.creation, Carsten Nicolai & Marko Peljhan, Haruki Nishijima, Paul DeMarinis, Magali Desbazeille & Siegfried Canto, Gerhard Eckel, Frank Fietzek, Hiroo Iwata, Kenneth Rinaldo, Thomas Broom, Keiko Takahashi & Shinji Sasada & Koichi Nishi, Edwin Van der Heide & Marnix de Nijs, Adrian Ward, Herwig Weiser & Albert Bleckmann 2002: David Rokeby, Rafael Lozano-Hemmer, Ranjit Makkuni, Autorenwerkstatt MEET Bodo Lensh & Doris Villa & Peter Serocka & Petr Zubek & Gudrun Teich & u.a. , Luc Courchesne, Crispin Jones, Ryota Kuwabuko, Golan Lewin & Scott Gibbons & Greg Shakar & Yasmin Sohrawardy & Joris Gruber & Erich Semlak & Gunther Schmidl & Jrg Lehner, Tetsuya Mizuguchi, Volker Morawe & Tilman Reiff, Michael Saup, Yasuhiro Suzuki, Atau Tanaka & Kasper Toeplitz, the Synthetic Character Group, Young Hay & Horace Ip & Alex Tang Chi-Chung 2003: Mixed Reality Lab Matt Adams & Ju Row Farr & Nick Tandavanitj & u.a. , Margarete Jahrmann & Max Moswitzer, Maywa Denki & Ross Cooper & Jussi ngeslev, dECOi, Sibylle Hauert & Daniel Reichmuth & Volker Bhm, Haruo Ishii, George Legrady, Justin Manor, Agnes Meyer-Brandis, Iori Nakai, Henri Newton-Dunn & Hiroaki Nakano & James Gibson & Ryota Kuwakubo, Marcel.li Antnez Roca, Marie Sester, Scott Snibbe

body theory / body philosophy body sociology dance theory / new body theories phenomenology of perception repulsion theory bioenergetic therapy

08 body view / gustative view view of cleanliness

see also: economic view

view of commodity world supply view

Literature: Work & Culture Bro . Inszenierung von Arbeit / Herbert Lachmayer, Eleonora Louis (Ed.) Laboratorium / Ed. By. Hans Ulrich Obrist & Barbara Vanderlinden Interface Design neu begreifen / Gui Bonsiepe Interfaces Medien- und kommunikationstheoretische Elemente einer Interfacetheorie Wulf R. Halbach The art of human-computer interface design / Ed. by Brenda Laurel Code_X Multimediales Design / Mischa Schaub

Literature: Der DatenDandy ber Medien, New Age, Technokultur / Agentur BILWET Design goes virtual Entwrfe zur sthetik in der Informationsgesellschaft / Peter Zec Formdiskurs 2, I/1997 / Design und Neue Medien Malos informiert Die Enteignung des Denkens / Karl Steinbuch

Literature: Information und Kommunikation in Geschichte und Gegenwart / Margarete Rehm Kursbuch Neue Medien Trends in Wirtschaft Politik, Wissenschaft und Kultur / S. Bollmann Der Flusser-Reader zu Kommunikation, Medien und Design Kommunikologie / Vilm Flusser Kunst als Sendung Von der Telegrafie zum Internet / Dieter Daniels Lob der Oberflchlichkeit Fr eine Phnomenologie der Medien / Vilm Flusser Die magischen Kanle Understanding Media / Marshall McLuhan Das Medium ist die Botschaft / Marshall McLuhan Virtual Frame Kunsthalle Wien

Literature (2): Medien . Kunst . Passagen / beginning Heft 1/92 Grundzge der Medien- und Kommunikationsgeschichte / Jrgen Wilke Beitrge zu Kunst und Medientheorie / Ed. Hans Belting, Ulrich Schuulze Alles jetzt! Die Mediatisierung / Gerhard Johann Lischka Vom Verschwinden der Ferne Telekommunikation und Kunst / Edith Decker, Peter Weibel Art Telecommunication / Heidi Grundmann Kommunikation im 21.Jhd. Allzeit zuhanden Gemeinschaft u. Erkenntnis im Mobilzeitalter / Ed. Kristf Nyiri Windows and Mirrors interaction design, digital art and the myth of transparency

Literature: Der digitale Krper digital flesh / Arthur Kroker Die Eroberung des Krpers Vom bermenschen zum berzeitlichen Menschen / Paul Virilio The Connected Body? / Ed. By Ric Allsopp & Scott deLahunta future_bodies zur visualisierung von krpern in science und fiction / Hg. Marie-Luise Angerer Kathrin Peters, Zo Sofoulis Puppen Krper Automaten Phantasmen der Moderne / Pia Mller-Tamm, Katharina Sykora Die Zukunft des Krpers I / Kunstforum Bd. 132 01.1996 ! / Florian Rtzer Die Zukunft des Krpers II / Kunstforum Bd. 133 04.1996 ! / Florian Rtzer

sociology cultural studies new subjectivism privatism debate life philosophy

09 everyday view
Literature: vergangene zukunft design zwischen utopie und wissenschaft / Ed. Carl Aigner, Uli Marchsteiner Welche Dinge braucht der Mensch / Ed. Dagmar Steffen