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Genre in the media industry is a way of categorising a particular media text according to its content and style. The word genre comes from the French (and originally Latin) word for 'kind' or 'class'. The term is widely used in many ways and is commonly known to refer to a distinctive type of 'text. Wikipedia is the term for any category of literature or other forms of art or
entertainment, e.g. music, whether written or spoken, audial or visual, based on some set of stylistic criteria
Rick Altman in 1984 proposed a semantic/syntactic approach to film genre. His aim was
to problematise the discussion of genre within film studies. He recognised that the development of film studies had seen a swing from genre as history an approach which often used the film industries own terms to describe how genres changed over time to genre as (semiotic) theory an approach which largely ignored industry practices. He also argues that genres are usually defined in terms of media language (SEMANTIC elements) and codes (in the Western, for example: guns, horses, landscape, characters or even stars, like John Wayne or Clint Eastwood) or certain ideologies and narratives (SYNTACTIC elements).
Gunther Kress Genre is a kind of text that derives its form from the structure of a
(frequently repeated) social occasion, with its characteristic participants and their purposes.
John Fiske A representation of a car chase only makes sense in relation to all the others we
have seen - after all, we are unlikely to have experienced one in reality, and if we did, we would, according to this model, make sense of it by turning it into another text, which we would also understand intertextually, in terms of what we have seen so often on our screens. There is then a cultural knowledge of the concept 'car chase' that any one text is a prospectus for, and that it used by the viewer to decode it, and by the producer to encode it.
Rick Altman genres are usually defined in terms of media language (SEMANTIC
elements) and codes (in the Western, for example: guns, horses, landscape, characters or even stars, like John Wayne or Clint Eastwood) or certain ideologies and narratives (SYNTACTIC elements) this relates to the Horror genre as it would always have a murder weapon, killer suspect, victim etc.
John Fiske his theory links to genre as its based on experience, what we are used to seeing
and our own knowledge of the concept. Horror is always displayed how its experienced by people in the world. Relating to some murders, man slaughters and genocides that have occurred in reality, that people have experienced or investigated.